My Publishing Journey by Anna Britton

Posted on by
Reply

One of the things I like to talk about (within the context of writing, at least!) is rejection. Simply because my publishing journey is chock-full of it! And the more authors I chat to (and I talk to them a lot on my podcast, The Rejected Writers’ Club) the more I realise that all of us face rejection all the time. Talking about it normalises and neutralises it – it’s not something to fear or be ashamed of, but it’s something to be embraced as part of the writing life.

The first kind of rejection I faced was self-rejection. I have always wanted to be a writer, but every time I managed to write something I would read it back and be appalled at how awful it was. Every attempt ended up in the bin.

But then my father-in-law died suddenly at the age of 56. He was a lovely man who I wish I’d had longer to know. His death taught me that we may not get as much time as we think we will, so if there is something we want to do, we need to hecking well get on with it.

From then on, I didn’t let myself reject myself (can you tell I’m a writer?!). I still thought (and think) my first drafts were awful, but I no longer let that stop me. I love telling stories and even if they don’t come out right straight away, that’s okay. That’s what editing is for.

Rejection then came from other people. I submitted my first novel to 113 agents and received 113 rejections. There were a couple of full requests in there, but they all ended in the same way. No one wanted that story.

So I wrote another one. And another one. And another one.

I didn’t query quite as hard again – mainly because I am soft and squishy and couldn’t handle such a solid wall of no’s again – but I did make sure to send my stories out to people I thought would connect with them. I got a whole load more rejections, until one person said yes.

Now, I want to pause here and say something that I absolutely didn’t listen to but that I really hope you will if you’re a writer looking for an agent and (let’s be honest, we all are) feeling a bit desperate: having no agent is better than having one who doesn’t get you. I promise this is true.

I signed with an agent and there was absolutely nothing wrong with them as a person, but they weren’t the right fit for me and my stories. I was writing gentle YA while they wanted something plotty and loud.

Parting ways with my first agent was one of the most painful moments of my publishing journey. I see it as a rejection, as it was a split that they initiated, but it was the right decision. I couldn’t see that at the time, but looking back I can see that we weren’t the right fit at all.

I was totally gutted by this, but it didn’t change my dream; to be a published author. I ditched the stories I had been working on and dove into edits on a crime novel with a bi detective with PTSD at its heart, fell in love with her cold and confusing partner, and solved a murder. I sent this story (which would eventually become the first in the Martin and Stern series – Shot in the Dark) out into the world and I was blown away by the response. Relatively quickly, I signed with my lovely agent – Saskia Leach at Kate Nash Literary Agency – and signed a three-book deal with Canelo Crime.

It was a whirlwind, especially coming off the back of such a mountain of rejection. And that rejection doesn’t leave you. The sting has lessened over time and I’m not quite so afraid of opening my inbox anymore, but the years of hearing no again and again don’t magically disappear just because I can go point at my book in my local Waterstones.

Those years of rejection taught me resilience. They taught me to be sure of the stories I want to tell and to make sure I’ve got people on my team who have the same vision. They taught me that sometimes I’m going to have to fight for my stories and that sometimes I will fail, but that I will write another story and try again.

My journey to publication was long and winding and painful, but it was 100% worth it in the end. And not just because I have two (two!) books published, but because I’ve carved out a space in the world for my stories. I spend time doing something I utterly love. I’ve met incredible people along the way and have had so much more fun than sadness.

The Reading Agency is delighted to announce the launch of the 2025 Quick Reads titles, now available for sale to organisations at discounted prices.  

Posted on by
Reply

Such good news: six new Quick Reads will be published on 11 April 2025. The books retail at £1, and are available to order from library suppliers, bookshops, and The Reading Agency’s online shop. The books are being showcased for this year’s World Book Night celebration.

Charities, social enterprises, prisons, food banks, hospital libraries, workplaces and other community-based organisations can pre-order the Quick Read books with a 30% discount at the Quick Reads shop. The offer is available until 10am on Friday 31 January, 2025.

Customers can order up to 99 titles in a single order of mixed titles and mixed quantities and benefit from a shipping fee of £5. Customers can place multiple orders of up to 99 books to qualify for the £5 shipping fee.

Quick Reads are the charity’s annual flagship initiative, offering short, accessible affordable books written by bestselling authors, to encourage non-readers and lapsed readers to take up reading.  They’re specifically written to engage emergent, reluctant, and lapsed readers to help spread the joy of reading and the many benefits it brings. 

Quick Reads are perfect for using as a whole group college, workplace, prison, or community read as they have wide appeal and are accessible to a broad range of reading abilities. The six titles this year include three original stories, A Boy Called Saul by bestselling crime author Fiona Cummins, A New Year by the award-winning novelist Leila Aboulela, and The Surprise Visitor from romance writer Cathy Bramley.

There’s also abridged versions of Dr Alex George’s bestseller, The Mind Manual, Abir Mukherjee’s 2016 debut novel A Rising Man, and Cathy Rentzenbrink’s inspiring guide to putting your life on the page, Write It All Down.

Findings from the Reading Agency’s ‘State of the Nation in Adult Reading: 2024’ report highlight stark trends in the nation’s reading habits, with only half of adults now reading regularly, down from 58% in 2015; 35% of UK adults are lapsed readers, who have dropped the reading habit.

Karen Napier, CEO, The Reading Agency, said: “We hope many organisations will come forward and support our ambition to use Quick Reads as a powerful tool for social impact. They’re designed to be an entry point for readers to discover, or rediscover, the joys and benefits reading is scientifically proven to bring. We also recommend Quick Reads for anyone who struggles with reading, for a variety of reasons including dementia, brain injury recovery, attention deficit, dyslexia, and other reasons.”

Orders will be shipped after publication day on 11 April 2025 in time for distribution for World Book Night on 23 April 2025, the Reading Agency’s annual drive to create a nation of readers.

You can find out how you can join in the World Book Night celebration at https://worldbooknight.org/.

In addition, public libraries will be gifted thousands of Quick Reads to hand out to community organisations across the UK on World Book Night, including food banks, homeless shelters, and prisons. Organisations can get in touch with their local library authority to discuss a partnership for gifting. The books will also be available for individuals to buy at the full price of £1 directly from the Reading Agency online shop, or in partnering bookstores, including Amazon and Waterstones.

Quick Reads are designed to be accessible and enjoyable, with the ambition to promote diverse representation in literature and remove barriers to reading. They also address time constraints with shorter, engaging reads. Regular reading has far-reaching social impacts; improving health, wellbeing, life chances and social connections. Adults who read for just 30 minutes a week are 20% more likely to report greater life satisfaction.

Studies have shown reading for pleasure enhances empathy and understanding. Those who read for pleasure also have higher levels of self-esteem, better sleeping patterns and more resilience. Non-readers are 28% more likely to report feelings of depression.

2025 marks the 19th year of The Reading Agency’s Quick Reads initiative. To date, Quick Reads has collaborated with over 30 publishers and produced over 140 titles since 2006, with over 5 million copies distributed, and over 6 million library loans. To pre-order Quick Reads go to The Reading Agency Shop Keep an eye on the Quick Reads resources database for learning resources, social media assets, toolkits and discussion guides. Find out more about the 2025 authors and titles.

As reports this month raised fears of a national reading crisis (for children), The Reading Agency has long raised awareness of this escalating crisis for adults.

Posted on by
Reply

Adults who read for just 30 minutes a week are 20% more likely to report greater life satisfaction. However, only half (50%) of adults now read regularly, down from 58% in 2015, and 1 in 10 find reading difficult.

The charity’s Quick Reads campaign culminates on World Book Night (23 April) when thousands of Quick Read titles are distributed to community settings. Pop this into your diary and we’ll let you know how it goes.

A tool for social change, Quick Reads are short, accessible, diverse, affordable – and ultimately, great reads. The Quick Reads initiative is now in its 19th year.

One of its authors is the romance writer Cathy Bramley – above

Cathy Bramley is a British author of sixteen romance novels, and has sold almost two million copies worldwide. Her books have hit the UK best sellers’ list and have been nominated for several awards including the British Book of the Year 2023. She ran a PR and Marketing agency before starting writing in 2013. An avid reader who grew up with libraries. Her Quick Reads title, Between Friends, is a feel-good read about relationships and community.

Cathy said:

“I am delighted that my novella has been selected for the Quick Reads campaign for 2025. When I was sixteen, and an avid reader myself, I volunteered for the Right To Read Scheme. I worked solely with a young widow, a mother of two, whose first language wasn’t English and who struggled to read. Despite all the difficulties she was going through, her goal was simply to read a bedtime story to her children. I have never forgotten the brightness of her smile the day she reported back that she had been able to do just that. The Quick Reads books have such an important role in our diverse society, and I’m honoured to play a small part in the next generation of them.”

Other authors involved are: Fiona Cummins who is an award-winning former journalist. Rattle, her debut novel, was the subject of a huge international auction and has been translated into several languages. She has since written several bestsellers. 

Dr Alex George is a TV doctor, author, and Youth Mental Health Ambassador to the government. Alex has become a leading voice in mental and physical health and wellbeing and uses his platform to make health and medicine more accessible to millennials and beyond.

Abir Mukherjee is the Times bestselling author of the Wyndham & Banerjee series of crime novels set in Raj-era India which have sold over 400,000 copies worldwide and been translated into 15 languages. His books have won numerous awards including the CWA Dagger for best Historical Novel.

Cathy Rentzenbrink is a passionate ambassador for Quick Reads as a project director for Quick Reads before pursuing her career in writing. She is the author of the Sunday Times bestseller The Last Act of Love, A Manual for Heartache, Dear Reader: The Comfort and Joy of Books and Everyone Is Still Alive. Cathy has taught for Arvon, Curtis Brown Creative, at Falmouth University and at festivals and in prisons.

Leila Aboulela is an award-winning novelist whose novels have been translated into 15 languages. She was the first winner of the Caine Prize for African Writing. Leila grew up in Sudan and now lives in Scotland.

It all sounds fascinating, and such a worthwhile Agency doesn’t it. Find out more: https://readingagency.org.uk/

On Photography and Motherhood. An interview with Laurel Smith

Posted on by
Reply

Tell us about you.

I’m Laurel, a motherhood and family photographer who believes in creating timeless, intentional portraits that become heirlooms. My background is in finance, which taught me the importance of strategy, planning, and attention to detail—skills I carry into my photography. I’m also a mother of three, and my family inspires much of the heart behind my work. I’m based in the Bay Area and specialize in helping moms see themselves and their families as art.

You can find me at: https://laurelsmithphotography.com

Did you always want to be a photographer?

I did not always aspire to become a photographer but I’ve always felt strongly drawn to the arts and also had an analytical mind. I have a business degree and pursued a career in finance before I had kids. After my oldest was born I wished for better photos of him and started learning photography with the intent to document my own family. At this time I also struggled with the transition into motherhood and as opportunities arose to photograph other mothers I began to recognize the beauty in this fleeting stage of life. Photography was transformative in my journey into motherhood and once I recognized that it has been my purpose to serve mothers going through that transition themselves.

How did you get into photography?

I picked up a camera during a time when I felt lost as a new mom. I struggled with postpartum anxiety and found photography to be a refuge—a way to focus on something beautiful and meaningful outside of the day-to-day challenges. What started as a personal project to document my kids turned into a passion for capturing the beauty of motherhood and family in an artistic and intentional way.

You focus on motherhood and family. What about it speaks to you?

Motherhood is a nuanced journey, full of complexity and beauty. I know firsthand how hard it can be to see yourself in the chaos of it all. I focus on motherhood because I want to help women see the beauty in their own stories. I believe that the process of being photographed can be very vulnerable, especially for mothers who can often feel overlooked. While many of the mothers I photograph have achieved great accolades in their careers prior to becoming mothers, there is no recognition for the hard work and effort that goes into motherhood. When I photograph mothers I like to photograph them in the way they would like to see themselves. That can mean embodying many different characteristics, such as strength, peace, empowerment, or connection. We plan their session around these feelings by choosing colors, locations, and posing that convey these sentiments. My hope is that when the women I photograph view their portraits hanging on the walls of their homes they will see themselves embodying these traits and recognize that it is within them. In this way I hope my portraits have the power of a vision board, helping my clients become the things they most want to be.

What are your favourite projects that you have done? Do you have a favourite picture? 

My favorite project of all time was a session I did with my friend Sarah. This was the first session I did that focused on a mother alone. This was an intimate maternity session and turned into an opportunity to connect as mothers sharing similar experiences. I felt that in this session I was able to truly see Sarah and I believe it shows in the work. You can find Sarah’s gallery here: Tell us about you.

How do you juggle parenting with your career?

I don’t believe that balance exists between parenting and career, but a constant battle of prioritization. Sometimes work takes priority, and sometimes family does. 

Is photography a tough business to be in?

The photography industry is extremely saturated, which presents unique challenges for photographers working to support their families. Working as a photographer requires skills in marketing and business management to keep our artistry alive. I find myself constantly pulled between working in my business, and working on my business. For every hour I spend behind my camera, I spend approximately 10 hours behind my computer, many of which are spent working to connect with prospective clients.

What advice would you give to aspiring photographers?

I would encourage aspiring photographers to articulate their motivation behind picking up their camera. Working as a photographer can be a lonely path and returning to your “why” can propel you forward when the path becomes challenging. I would also recommend that aspiring photographers seek out mentors who have found success in their areas of weakness. It is invaluable to have a mentor help you train your eye by showing you what you can’t yet see in your own work.

Marion of the Columbia Community Association updates Frost Magazine as the New Year gets underway.

Posted on by
Reply

The year 2024 started off fine and dandy with everyone happy at the way things were going. Bookings were flooding in, parties galore in full swing, Google merrily played its part in our monthly quizzes, Margaret and Dick Graham continued to visit us as much as they could however, between you and me it was actually a ploy on their part as they always called in to the Washington Arms Pub, in our wonderful little village for Fridays Fish and Chips with mushy pies. They must be excused for this as there is nothing like them anywhere.

Spring brought us hours of pleasure in the garden, new plants, hanging baskets, people donated garden benches etc. We even agreed to house a clothing bank outside, all clothing goes to Ukraine, and we get a few coppers for our charity, dependent on the weight of the clothes deposited. It also brings lots of people to the centre who pop in for a good old natter which has resulted in several party bookings.

It soon became time for the periodic yearly maintenance checks to be carried out. All went swimmingly until – ouch – the Gas engineer condemned our boiler, and we were left with no heating whatsoever. As you are all aware we lease the building, however Sunderland City Council felt we could source grants etc. to pay the estimated costs of 10k. We began the task, and Lady luck was on our side – we managed to attain sufficient funds via two grants. In addition, Gentoo supplied us with heaters and again lady luck was shining down on us – the weather changed, the sun was shining and although without a boiler for several weeks we managed to ride the storm. In September we became fully functional, and everything was back to normal (or was it?).

Red Shoes Bob and lovely Marion

Holiday time arrived, and Red Shoes Bob and I spent two glorious weeks in Tunisia and on our return we found we had once again a leaky roof. To cut a long story short we employed a professional who found the problem and fixed it. Bookings for parties and events were plentiful and there were trips out to Hylton Castle, Beamish Museum and of course our in house quiz nights, Halloween was a hoot, and the good old folks of Brady Square couldn’t wait to get dressed up.

Before we knew where we were, it was early December. We decided to do a £25 gift voucher every week at our coffee morning raffle which went down very well, as people could spend this on whatever they choose. We did however, decide to do a Christmas hamper and a lot of our wonderful ladies offered to contribute to the hamper which was valued at approximately £150.00. It was won by Brenda Dodds, Brenda’s husband Colin came to collect it and stated he needed a hoist to lift it (he did manage to get it home with a little help form his friends)

Arrangements for Christmas parties for all groups was well under way, some using Cosy Café across the street which was Di’s Dinar but is now under new Management with the lovely Racheall Thompson, who since taking over has been exceptionally kind to us. We certainly have no problems being her tester for all the new scrumptious delicacies she produces, it would be so rude to refuse these offers.

Aimee’s dance class

The children who attend Aimee’s dance class enjoyed a pyjama pizza party on Tuesday 17th December and guess who visited them, none other that Santa himself. Their reaction brought tears to my eyes; they were so excited it was amazing to be part of the experience. I do believe that Santa enjoyed his time here as he made a return visited to our coffee morning on Friday 20th December. This left plenty of time to get back to the North Pole to supervise the Elves.

Our wonderful Forever Young ladies Group presented me with an amazing bouquet and a card signed by them all saying thank you for all you do for us. What more could anyone ask, amd it really did mean the world to me.

We closed our doors on the 20th and had a well-earned rest. The ups and the downs and smiles and laughter had made 2024 all worthwhile. But what will stick in my mind, and I still have a little giggle about it, as Santa was leaving Aimee’s party the children were waving and shouting ‘Bye Santa’, and one little voice from the back shouted, “Bye Bob”.

Makes you wonder whose kidding who.

God bless you all and have a prosperous, healthy and happy New Year from all at Columbia Community Association. https://www.facebook.com/columbiacommunityassociation/

When your child is diagnosed with epilepsy you feel that the bottom has fallen out of your world

Posted on by
Reply

‘When your child is diagnosed with epilepsy you feel that the bottom has fallen out of your world…’ 

Finding a diagnosis for your child, particularly for complex neurological conditions, such as epilepsy, can be a long and arduous process for many families in the UK.  

Highlighting the desperate need for more information and support for those facing a new epilepsy diagnosis, one mother, Sarah, has bravely shared her reaction to finding out her young daughter has the condition in a heart wrenching open letter to the families of other children and young people dealing with the same. 

‘I know that you may feel that the bottom has fallen out of your world and to an extent it has, but there’s a safety net. Don’t lose sight of your child throughout all of this…their diagnosis is a part of them but not all of them.’ Sarah, Lexi’s mum

There are more than 100,000 children and young people living with epilepsy in the UK today, and for many, support at the point of diagnosis is crucially lacking. National charity, Young Epilepsy, aims to change that by providing tailored information and support to children, young people and their families in the UK at the point of diagnosis. 

For Sarah, finding out her daughter had epilepsy was a moment of mixed emotions: ‘When the consultant told me she has epilepsy it was a combination of feelings from ‘Oh my gosh, my child’s got this diagnosis’ to vindication, I was right! 

When you’re saying these things and people are almost persecuting you and saying that you’re parenting poorly to actually have an answer to what is happening with your child it was like all of the things slowed into place.’ 

Around 8,500 children and young people are diagnosed with epilepsy each year in the UK. Receiving an epilepsy diagnosis can be frightening, isolating and overwhelming. Children and young people, along with their families and carers, need help and support understanding their new diagnosis and how it will impact their lives. A key barrier many will face is a lack of information following their epilepsy diagnosis, often leading to fear, worry and anger and adversely affecting coming to terms with the diagnosis. 

The road to an epilepsy diagnosis for Sarah and her daughter Lexi was sadly filled with uncertainty, ‘I knew something was wrong with Lexi for a long while before I was taken seriously by professionals.’  

‘I kept taking Lexi to the doctors because I felt that I had observed some absences. Each time I was told there was nothing wrong and I worried too much. One day I got a panicked telephone call from the school. I was told to pick her up and take her to the doctors immediately and demand that further tests were undertaken. 

Months later, we were told there was a confirmed epilepsy diagnosis. The consultant carried on speaking, but I didn’t hear anything. I felt my world falling away around me.’ 

For many an epilepsy diagnosis can feel frightening. Sarah described being told her young daughter had the condition in the midst of a busy clinic appointment without the right support leaving her feeling scared and confused, ‘my first question, I’ll be very honest, was is she going to die?’

When a child is diagnosed with epilepsy, families can often feel overwhelmed and unsure about the future. Trusted information and guidance are essential for newly diagnosed children, young people, and their families. Young Epilepsy strives to develop easy-to-use, accessible, relevant, and evidence-based information to ensure no child or young person feels alone when they receive their diagnosis.  

Lexi is now 14 and continues to have frequent absence seizures, which affect her schooling and daily life. Sarah explains: ‘It often feels like we’re navigating this journey alone, which is why the support we’ve received from Young Epilepsy has been crucial. They’ve provided us with the resources, community, and understanding that we needed during some of the hardest times.’

For any family who’s just received an epilepsy diagnosis, my advice is to reach out for support. Find organisations like Young Epilepsy, connect with other families, and never stop advocating for your children.’ 

National charity, Young Epilepsy, is there to help support families receiving an epilepsy diagnosis and this Christmas, they are raising money to develop new, vital resources with information and support specifically designed for children and their families dealing with a new diagnosis of epilepsy. 

This vital support will help provide a lifeline of vital, relevant and timely support about epilepsy, diagnosis and living with the condition helping to support self-management and confidence and ultimately reducing the fear a diagnosis can bring. 

Thanks to the Young Epilepsy Big Give campaign, for this week only (3-10 December) every pound donated is worth DOUBLE! To double your donation visit Help for children newly diagnosed with epilepsy 

Young Epilepsy provides a host of information and advice for young people, families, clinicians and more on their website www.youngepilepsy.org.uk 

Interview With I.S. Berry Author, The Peacock and the Sparrow

Posted on by
Reply

Did you always want to be a CIA agent?

Not at all. I wanted to be a writer! But I studied at London School of Economics in college, and fell in love with living abroad and foreign affairs. It was the 1990s and communism had collapsed, which was a fascinating time to be in Europe. After I graduated, I edited a newspaper in Prague, then worked as an intelligence analyst for the U.S. government in Cambridge, England, shuttling back and forth to the Balkans. I found I was passionate about intelligence work, so I applied to the CIA. While waiting for my application to process, I attended law school and studied international law. 9/11 happened while I was in law school, and I felt grateful I was on a job track that would serve my country.

When did you realise you wanted to be a writer?

For as long as I can remember! I’ve always loved books and words. My adolescence and young adulthood are littered with failed attempts at novels. While traveling Europe in my twenties – exploring, trying to figure out who I was – I remember musing in my journal that, while I’d probably follow a more practical career path, my secret dream was to be a writer. But it wasn’t until I’d worked as a spy that I had something really meaningful to write about, that it all came together.

What do you think is behind the world’s fascination with the CIA and the world of spies?

The secrecy, I think. Espionage is an entire world beneath the surface, a netherworld. And spying is a profession of high stakes, where lives and geopolitics – the fate of both people and nations – are on the line. Also, espionage involves inherently colorful characters – people willing to commit the ultimate betrayal.

Your characters are so vivid. Do you base them on real people?

My characters are mostly composites, except for the station chief, who was inspired by a real person. Also, the expat community is based on real people, and much of the dialogue is taken verbatim from actual conversations.

Can you describe your writing routine. 

I try to go for a three-mile run each morning. Then I either go to my local coffeeshop or set up camp in my study and write for a few hours. I can’t write too much without printing out and editing, because things read differently to me on paper, and I need to get the story right before I proceed too far.

The book is negative about the CIA. Where you disillusioned?

A bit. I joined the Agency a few months after 9/11, and it was a time of transition and, at times, chaos. My first tour, as a counterterrorist case office in Baghdad during the apex of the war (fall 2004 to fall 2005), was challenging: we weren’t making much progress, the work environment was stressful, and most of us – myself included – returned with PTSD. I made decisions in a fog of war and espionage that haunted me and carried their own trauma. The fundamental skill required for the job – manipulating people – never sat easily with me. Now, years later, with the dust settled, I have a softer view of that time. I wouldn’t say my book paints the CIA in a negative light so much as it paints espionage in a negative light. For me, spying was an uncomfortable, debilitating profession, and that’s what I wanted to convey.

What are your thoughts on the CIA now. Did you find writing the book healing?

I think the CIA has made a lot of progress. The war on terror is over, and the Agency has had time to take a breath, evaluate its operations and internal culture. It’s more introspective and self-critical now. When I was there, the Agency was a bit of an old boys network. Since then, the “Me Too” movement has had an impact: there are rules about and awareness of sexual harassment; female officers speak up about inappropriate treatment; and women fill more leadership positions. I do think writing my book was cathartic. When I finished, I realized how many of my ghosts had come out on the pages. They’re still with me, but now I can better articulate and make sense of them.

The book is unflinchingly honest and brave. Did you ever have a moment of doubt about putting your heart and soul on the page?

Thank you! Yes – though more so after my book was published. I wrote my manuscript in a vacuum (CIA rules prohibit me from showing my writing to anyone until it’s been cleared), so I didn’t even think about getting my story out in the world at the time. Exposing my inner turmoil was still an abstraction. Once I was published, I realized that now everyone could see my scars and the effect espionage had on me. But so many former intelligence officers have found my book resonant, I’ve felt more reward than apprehension in telling this story.

Joseph Weisberg, creator of the TV series The Americans, called your book the “the most realistic espionage story I’ve read.” How did that feel, and do you agree?

Well, I haven’t read all the spy novels out there, so I feel unqualified to judge! But I take Joe’s blurb as a huge compliment, and was honored to get such an amazing endorsement from the creator of a masterful, iconic series. I do think many spy novels skew toward the sensational – car chases, roof scaling – and mine is based more on my own experiences, and the tradecraft and operations I conducted. Also, tradecraft is fundamentally psychological, not technological or gadget-based, and I think my story reflects this. Above all, I wanted to convey a visceral sense of espionage, and insiders tell me I’ve succeeded at that.

What books, films and TV shows get the spy world right?

For film, Beirut, Spy Game, and Ghosts of Beirut are some of my favorites. For novels, Graham Greene’s The Quiet American and most of le Carré books (The Little Drummer Girl is my favorite) – all written years ago, but, in the most important ways, as authentic today as they were then.

It’s nice to have a female voice in the world of spy novelists. Do you think you’ve paved the way for more?

I hope so! It’s shocking to me how few female spy novelists there are (though, we’re out there – I’m in good company with Merle Nygate and Alma Katsu, to name a few).

What’s next?

Another spy novel! This time, a female protagonist. It’s about the intersection of spying and writing…and I think that’s all I can say for now!

Interviewing I.S. Berry was both a pleasure and a privilege. You can read my review of her stunning novel, which was named as the The Times thriller of the year, here. You can buy The Peacock and the Sparrow here. I.S Berry’s website is a great resources and her socials are below.

Buy now – Simon & Schuster Web: isberry.net X: @isberryauthor IG: @isberryauthor

CrimeFest, one of the UK’s leading crime fiction events hosted in Bristol each year, has announced 2025 will be its final convention.

Posted on by
Reply

Adrian Muller, Dame Mary Perkins and Donna Moore – image: Gary Stratmann

In a statement announcing the closure, Adrian Muller, co-founder, co-host and director of CrimeFest, said: “It is with sadness – but great pride – that we announce that our sixteenth CrimeFest, which takes place from 15-18 May 2025, will be the final one.”

Inspired by a visit to Bristol in 2006 of the American Left Coast Crime convention, the first CrimeFest was held in June 2008. CrimeFest is a convention run by fans of the genre, initially organised by Myles Allfrey, Liz Hatherell, Adrian Muller, and Donna Moore, and more recently hosted by the latter two.

Whereas most crime fiction events are invite-only, with a fixed programme of authors, CrimeFest offers a more democratic model. As a convention, any commercially published author can sign up to appear on a panel. Adrian Muller said: “CrimeFest provides many authors with a platform they would not have been offered elsewhere in the UK. And, subsequently, readers discover and meet writers they otherwise may never have heard of. During CrimeFest, all delegates – be they authors or readers – come together as equals to celebrate the genre they love.”

Taking place across four days, each year CrimeFest showcases around 150 authors across more than 50 panels; over the years, 1,100 authors will have appeared at the event. CrimeFest also invites Featured and Highlighted guests, securing major authors including Cathy Ace, Lee Child, Ann Cleeves, Martina Cole, Michael Connelly, Jeffrey Deaver, Sue Grafton, Anthony Horowitz, P.D. James, Lynda La Plante, and Ian Rankin.

Lee Child attended the very first convention, and was a Featured Guest at the fifth and tenth anniversaries of CrimeFest. Lee Child said: “Sadly all good things come to an end – and Adrian Muller’s Bristol CrimeFest was one of the very best things ever. It was a warm, friendly, relaxed and inclusive festival, hugely enjoyable for authors and readers alike. Myles, Liz, Donna and Adrian, their team of volunteers – and Dame Mary from Specsavers – have my sincere thanks for many delightful weekends over the years.”

The event is sponsored by Specsavers. Co-founder of Specsavers, Dame Mary Perkins, who will be attending again next year, praised the event: “I am an avid reader and fan of the genre, and I always look forward to CrimeFest. It is so friendly, and it feels like all who go are welcomed as part of a big family, connected by a love of books, and reading. We are proud sponsors and I will miss CrimeFest and the camaraderie very much.”

Adrian added: “Thanks to the support of Specsavers, our highly valued sponsor, we introduced reduced cost Community Passes for UK school and public librarians, students and for people on benefits. In 2021 we also created an annual bursary for crime fiction authors of colour. We’ve run community projects at local schools in the community; donated books to many schools and libraries across Bristol and the UK; our anthology Ten Year Stretch and our raffles each year have raised thousands of pounds for the Royal National Institute of Blind People, and the seven awards we present each year celebrate crime fiction, non-fiction, TV and crime fiction for children and young adults – the latter two being the first in the UK. We are immensely proud of these initiatives.”

Author and co-host of CrimeFest, Donna Moore, said: “CrimeFest is a labour of love for us and our volunteers. We are immensely grateful to the authors, readers, publishers, booksellers, sponsors, volunteers, and a whole host of other people who have supported us over the years.”

The organisers promise to say goodbye “in style” with the attendance of some big-name authors to celebrate its 16 years. The final CrimeFest takes place 15-18 May at the Mercure Bristol Grand Hotel. CrimeFest – Bristol’s Annual Crime Fiction Convention