Monthly Archives: June 2010

Richard Evans CDG: Casting director interview {The Film Set}

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1) How did you get into casting?
I worked as assistant to two casting directors, but I’d always had a casting director’s brain (I used to read Spotlight in the local library from the age of 8, which, although it sounds sad, completely fascinated me!). I started on my own in 1989, as the first freelance casting director to specialise in theatre – in those days, the vast majority of theatre casting was done by artistic directors and their secretaries, and was not considered worthy of specialised casting knowledge (the only people who cast for theatre worked in the casting departments of the major companies, such as the RSC and The National Theatre, and the only other freelancer was Leonie Cosman who did many of the West End musicals). While many film and TV casters initially treated theatre with disdain, viewpoints changed remarkably quickly, so I, in turn, diversified, but theatre is still my favourite medium.

2) Favourite film you have cast?
I’ve cast relatively few films, as it’s not really a medium that I’ve pushed to work in. I am, however, extremely proud of most of the projects I’ve cast, for a multitude of reasons.

3) What do you love about your job?
Getting it right! Leaving a casting where we have first, second, third… even eighth choices for each character makes me walk on air. I always strive for absolute perfection and sweat blood over everything I do, so when everything falls into place it makes it all worthwhile. My absolute favourite thing is giving someone their first job out of drama school and then seeing them progress to bigger and better things – it doesn’t often happen, as there aren’t always suitable roles on my desk at the right time, but it’s amazing when it does.

4) Advice for actors?
Buy my book!… no, seriously… BUY MY BOOK! Where do I start?! Be honest about your capabilities and what you’ve done. We are in a small business, which gets smaller the longer you are in it, so any fibs will surely be found out. Prepare everything thoroughly, know as much as you can about the projects you’re up for and the industry you’re in. Be prepared for anything, and, above all, enjoy whatever you do – if you don’t, others won’t. I could go on, but there’s lots of other advice, tips and resources at my website.

5) Who is your inspiration?
Anyone who knows what they want and goes for it wholeheartedly… especially if they have overcome adversity to do so.

6) What’s next?
I’m currently in discussions to cast a new musical, which it’s hoped will tour the UK in early 2011, and I’m told that a corporate video has had its budget approved, six months after I was first called about it. My policy is to always believe that a project is only definite after it has happened and the cheque has cleared. People are being far more cautious at the moment, due to the recession, but the great thing about our Industry is you never know when the phone will ring and your luck will change – even after all these years, I am frequently surprised when it happens to me.

7) Tell me about your book.
AUDITIONS: A PRACTICAL GUIDE is, I’m told, just that. I wanted to write a book that is an easy and amusing read and would be useful and pertinent to every performer, from those considering training or starting a career in performing arts to the most experienced actors who want to brush up their skills and learn new techniques. The reaction has been phenomenally positive, even from people who have been in the Industry for decades and are notoriously harsh critics (I’m still waiting for someone to contact me and say ‘I didn’t like your book because…’, which would actually be quite refreshing, silly though that may sound). The book covers many different genres and takes the reader through the audition process step by step. Writing this book was a long-held ambition – I first thought of writing it back in 1993 – and was a huge learning curve, taking over 4 years from conception to publication. I wanted to write it partly as I was frustrated at the amount of performers who unwittingly lose jobs by auditioning badly and, on a more selfish note, because I wanted to prove to myself that I could write a book and get it published. It is without doubt the proudest achievement of my life… so far!

8 ) What is your background?
I was an actor for 10 years, which I believe has stood me in excellent stead to work in casting, as, having seen things from both sides of the audition table, I am able to appreciate everyone’s point of view and, hopefully get the best out of performers when auditioning.

9) What does your average day consist of?
There’s really no such thing as an average day, every day is different and that’s the way I like it. I’m usually at my desk by around 10am, replying to emails that have come in overnight and ploughing through my daily to do list. Some days are frantic, others very quiet, there’s no pattern. I go to the theatre to keep abreast of actors’ work at least 3 or 4 nights a week and may then return to my desk afterwards to catch up, especially if I’m dealing with agents and producers in America.

10) Favourite actors?
My favourite actors are mainly those that I like as people as well as for their skill as performers. There are many, and most aren’t the least bit famous or even yet in the public eye, so I’ll spare their blushes by mentioning them and having you saying ‘Who?!’ Those you may have heard of include: Douglas Hodge who is terrific and starting to be given the recognition he deserves, having been awarded best actor on both sides of the Atlantic for his astounding performance as Albin in La Cage Aux Folles. Samantha Morton always gives wonderfully naturalistic performances; Daniel Radcliffe is really proving himself to be a great actor (he’s also not a bad magician in real life!); Sheridan Smith has been excellent in everything I’ve see her do; Julie Walters is far more versatile than most people ever see, and Alec McCowen is doubtless the most underrated actor of his generation, if not all time.

11) What is the hardest part of the job?
Getting performers to prepare adequately for auditions and recalls, especially when they’ve been sent sides or songs to learn… and also getting some companies to pay my invoices on time!

Buy Richards book on Amazon or visit his web site.

Main picture credit Ethel Davies.

JC Mac on Acting in L.A. {Interviews}

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Frost: What does J.C. stand for?

J.C.: Well ‘Joe Cool’ of course ha ha no ‘just crazy’, no ‘jolly cute’ he he take your pick

Frost: You’re in a new film; L.A. Paranormal, what’s it about? When’s it slated for relase?

J.C.: LA Paranormal is a comedy ghost hunting movie centred around Hollywoods number 1 paranormal investigation team strangely enough called ‘LA Paranormal’. It follows the 4 man team documentary style as they investigate many ghostly happenings all over Los Angeles. Shot in the vain of ‘This is Spinal Tap’ the film was shot completely improv, there was a scene order and through line but no scripted dialogue what so ever.

It was a laugh a minute to work on with a gifted comedy cast, we had the whole crew in stitches at least once every day of filming during a take.

The producers knew exactly what they wanted and spent a long time over the casting process, for the final call back there were 12 guys 3 of each character. We all improved scenes in different groups of four, there was some great talent on display and the producers could have gone with any combination and had a good result in fact was one of the most fun days I have had here.The film was directed by John Gonzales who had a very clear vision of what he wanted, I enjoyed working with him.

So I play John London psychic artist, I’m the sensitive of the group who is actually an English playboy who when is not chasing ghost’s is chasing women, there are some hilarious comedy sexploits within the film, but you’ll have to watch it to find out more. The film also stars Mike Hatton, Tres Dean and Matt Temple. It is currently in post production slated for release early 2011.

Frost: Tell me about the web series you’re currently filming…

J.C.: The web series is called Mac and Moreti and is an all action comedy. I’m not allowed to say to much about it at this stage but I can tell you it’s very very funny. It has elements of sci fi and although different I think fans of Lost will appreciate it not to mention fans of Scooby doo ha ha. Steven Moreti a very talented American actor is my co-star in the project and the producers are just starting to leak information out via their facebook group macandmoreti

The show is going live on the 1st January 1.1.11 and can be viewed at www.macandmoreti.com we are still shooting for another 4 weeks all over the Hollywood area and I believe there are 8 episodes in season one.

Frost: What’s it like being a Brit in L.A. Do the the ex-patriot acting community stick together?

J.C.: I’m very proud to be British and representing in LA. British actors and crews are well respected in Hollywood so we have a great reputation to maintain. The American girls just love the accent and… ha ha only kidding.

It’s a great lifestyle, people are friendly the sun is always shining there’s nothing to dislike really in fact I might just stick around a bit longer ha ha

There’s quite a few Brits here doing well right now so think it’s a good time to be British and in Hollywood. There are a few groups of Brits who organize weekly breakfasts and events as well as offer advice to new arrivals.

Frost: What’s the differences between the industry in America compared to the UK.

J.C.: There’s a lot more opportunity here than in the UK. I love the British film industry but unfortunately it’s badly financed and there are now very few films being made in the UK with decent budgets.

I think it’s a great shame and a loss to world cinema as a whole. It’s tough on UK producers with hardly any tax incentives to shoot in the UK so the rates for actors really are generally poor as a consequence.

Hollywood is a tough nut to crack and I think it’s naive to come here and think you are going to make it overnight. There are a lot more jobs here and the rates are higher but there are also a hell of a lot of actors here from all over the world all looking to make it big so competition is fierce. But that said there are opportunities every day that could change your life should you land one. Fortune has been smiling on me since I got here and I have been lucky enough to work with some very talented directors. I recently completed ‘You Kill Me’ which was directed by an incredible young director called Monica Sender who is definitely one of the brightest upcoming directors here and one to watch for the future. I’m currently shooting 2 separate projects with James Van Alden who’s last film ‘A numbers Game’ is doing very well and stars Steven Bauer of Scarface fame. James is a creative genius with an amazing eye and formerly a world renowned fashion photographer. Another film I recently had a lot of fun working on was ‘Hit the big time’ this just won it’s first award at the Swansea Bay film festival last month. It was shot in London, Hollywood, Las Vegas and Utah and starred the hilarious Jason Hyde. We play the dumbest hit-men in history who never quite manage to kill anyone and after bungling a hit in London flee to Hollywood to sell our life storys and hit the big time with disastrous effect. The film thrives on the differences between the Brits and the Americans and is being well received on the festival circuit.

Production Still of JC Mac in 'You Kill Me', Photo by Fady Hadid

Frost: Do you have any advice for actors in the UK who are aiming to work in the US?

J.C.: Advice hmm look left and right before you cross the road cause the roads are big here and make sure you stop for at lease 3 seconds at the stop signs he he…

No seriously come prepared, come with a strategy and come with money in your pocket because it can take a while to book a job here. I hear from most peoples experience it takes about a year before you start to book and the American actors are very very professional. They all have excellent web sites, reels, headshots (in colour by the way) business cards etc and all follow up every meeting with postcards and thank you notes. Never be without you 10 x 8s (headshots with resume that’s CV to you and me stapled on the back) because you never know who you might bump into. Be nice to everyone (good rule in life anyway) because you just never know who you are talking to in fact nearly every waiter, barman, etc is an actor looking for an opportunity just like you so to compete come prepared.

Frost: What’s the most valuable thing you’ve learnt?

J.C.: The most valuable things I think I have learned is not to take yourself too seriously and to enjoy the journey along the way, It’s not just about the destination. It’s very easy to get so caught up in the business that you can lose track of what’s important. Make time for friends and family and try not to let your sole topic of conversation be you no matter how interesting you think yourself to be! Have fun, live life and take it all in your stride remember yesterday is history tomorrow a mystery but today is a gift from God, that’s why we call it the present so enjoy it!!!

Frost: That’s some sound advice JC, not only for those in the acting industry but for all people who work in a high pressure environment. Surely we can’t be at the end of our interview?! Is there anything else you’d like to add…anything at all?

J.C.: I have been in the US a year now, just before I left [the UK] I did a gangster film called ‘Butterflies and Bullets’ directed by Mark Holland and starring some great up and coming British talent including Tony Fordham, Tony Cooke and Mitch Powel. I believe that’s now nearing the end of the post production process and I’m looking forward to seeing it. I also was in the psychological thriller ’45’ along with my brother Chico, we played a pair of rival boxers and I won’t say who but one of us ended up with a black eye at the end of filming. This film won a couple of awards on the film festival circuit.

Frost: Is there anything you miss in the UK?

J.C.: Friends and family but I keep in contact regularly with internet video chats and social networking. The biggest thing I missed was the birth of Chico and Daniela’s son Zacharia, that was a biggie and also the release of his world cup football song ‘It’s England Time’.

The Budget: to progressive what Kim Jong-il is to moderate {Carl Packman}

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We’ve had the first budget by the new coalition government, called out by a small boy, nervously looking down at his sheet, behind him a Prime Minister with a face so red backbenchers thought it was daytime (it was daytime, but they didn’t know it was daytime by any other measure than David Cameron’s face, which actually isn’t a measure of time at all, allegedly) and two Liberal Democrats, whose party once called the rise in VAT (which was called today, starting in January 2011) the Tories’ ‘secret plot‘.

Though, back then, the plot referred to Tory plans to raise VAT to 19.5%. Judging by the chants of ‘here here’ today by Nick Clegg and Douglas Alexander, either we are to take it that once VAT rises to 20% it stops being a plot, or the Liberal Democrats have their hands tied in this coalition government. All such speculation has been achieved on this subject, and it doesn’t look good for the yellows.

Julian Glover of the Guardian on the day of the budget argued that it was not: “as a Thatcherite one would have done, seek[ing] to divide the nation between winners and losers. It was a one-nation one, albeit produced in desperate circumstances.” Certainly all the talk of “progressive” (that vacuous blanket term for anything not fascistic or carried out by a person over the age of 50 – Ken Clarke beware) provided the cover with which to place over our eyes, while our ears heard insistence from the Treasury that “The top income decile [consult graph 1 here for further explanation] sees the largest absolute losses, while, on average, the bottom three income deciles experience the lowest losses”.

But if the way in which Ozzy Osborne has dealt his number blow is progressives then I might as well sign myself up to that Facebook group supporting Kim Jong-il right now.

VAT always hits the lowest paid in society the hardest, though mostly what George has forgotten is proportion and scale. If figure A earns £200 a week and the government decides to take £10 more of that away, while figure B earns £2000 a week, and the government also decides to take £10, figure A feels more of a pinch in spite of the fact that both have contributed the same.

Now this is not an accurate picture of what the government are doing at the moment, but certainly the illustration holds true, that though the top income decile will see the largest amount of money taken from them on their pay packets, this is because they are earning more. This does not represent an equal distribution of the “pinch” when you consider that those on the bottom end of the income decile, though not contributing as much (as they don’t earn as much as those on the top decile) feel more of a pinch by the raise in VAT, freeze on public sector pay and freeze on benefits.

It doesn’t follow that since figure A has less on his income statement than last year, that figure A is feeling the pinch more than figure B, in fact the opposite is true. This does not represent everyone taking an equal hit. Until this is rectified, the coalition government’s budget plans are to progressive what Girls Aloud were to dignity.

The IT Crowd are back {TV}

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The geeks are back! The IT Crowd, the award-winning sitcom written by Graham Linehan; co-writer of classics Father Ted, Black Books and Big Train; returns this Friday night on Channel Four and it’s as good as ever.

The series is about the basement-dwelling IT department of Reynholm Industries, a large company that does something that’s never explained in the show. Childlike Moss (Richard Ayoade) and his very slightly less socially inept colleague Roy (Chris O’Dowd) are managed by technophobe Jen (Katherine Parkinson), while the excellent Matt Berry is their boss, Douglas Reynholm. Unusually for a modern British sitcom, many of which have disposed of laughter tracks over the last decade, it is filmed in front of a live studio audience at Pinewood Studios. Since the first enjoyable but awkward first series, which featured Chris Morris in a regular role as the brilliantly-named Denholm Reynholm, the show has really found it’s feet and become one of the best comedy series of recent years. While it has enough references to computer jargon and internet memes keep hardcore geeks happy; particularly in the amazing set design, which you can see here; most of the clever, surreal humour can be enjoyed by anyone.

The first episode of the new series doesn’t disappoint. Titled ‘Jen the Fredo’, a reference Godfather II fans will recognise, it sees Jen take up the position of Entertainments Officer with the misconception that her role would involve planning trips to West End shows for boss Douglas Renholm’s sleazy business pals, rather than arranging the sort of “entertainment” they are used to. Of course, she ropes in Roy, upset after the breakdown of a long-term relationship, and Moss, currently obsessed with Dungeons and Dragons-style role playing games, to help out with the evening’s entertainment. Meanwhile, Douglas gets into trouble with some feminists (so, nothing new there).

Linehan’s writing and Ayoade’s performances have created one of the great sitcom characters in Maurice Moss, the lovably naive, pedantic nerd. The cast have really gelled and settled into their roles over the last three series, and here they are better than ever. There are some really funny moments throughout the episode, including Moss’ fantastic role-playing game and a scene that riffed further on the Godfather and showing some “Johns” a good time that deserved a bigger laugh. With future episodes this series featuring Moss making an appearance on the teatime words and numbers game Countdown, it looks like the quality of The IT Crowd is as good as ever and Channel Four’s decision to already commission a fifth series for next year was a wise one.

You can watch the first episode of series four of The IT Crowd this Friday night at 10pm on Channel Four, or watch it right now on channel4.com in a special early premiere.

The Great Welsh Summer {Ceri's Column}

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God damn, my country is beautiful in the Sun. It turns even more verdant than it usually is, (that’s pretty fucking green, man) the jaw-droppingly beautiful beaches shine like strips of pure gold dust and flocks of people are to be seen out and about, smiling. We have great ice cream in my neck of the…uh…seaside, and everyone seems to be licking at a scoop or tree. Happy, bright, summertime Wales.

However…

There are a lot of burnt-up people all of a sudden. One teeny chink of sunlight squeezes trough the gloomy haze above and the nation’s pallid, goblin-like inhabitants all emerge from their pits to bask and… Immediately get charred. Ha ha ha.

The amount of legs, arms, backs, shoulders, chests and noses shining crimson I’ve seen in the last couple of days has been staggering. I’ve also marvelled at the scores of clammy people sporting a fetching, ghost-coloured patch of face-skin where Ray-Bans were nearly fused to their face. Nice.

Ah, it’s only because I’m jealous y’know. Procul Harum may well have had me in mind when writing “Whiter Shade of Pale”…who am I kidding, it was the 60’s! They had purple Hindu deities dancing with kaleidoscopic rhinos in their minds after all the acid…plus I wasn’t born yet. Well whatever, I am very white. And I guarantee that, despite all my sun-dodging attempts, there’ll be at least one occasion that I’ll be transformed to a gnarled half-man, half-crackling creature by the end August.

Most of you think of the smell of cut-grass when you think of summer. Not me. The stink of burger vans is also filling my nostrils when I think of summer, and do you know what? I like it. I have absolutely no idea why the whiff of blackened Grade F beef/bread/god-knows and slimy onions smothered in unnaturally yellow mustard makes me exclaim “Ah! Summer!” But it does. And I will consume at least one ill-advised artery-clogger of a burger by the time I have transformed into the gnarled half-man, half-crackling creature.

Shit. I’ll be turning into Gollum.

The Lost Art of The Handwritten Word

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With current times giving us emails, texts, and instant messaging at home and on-the-go; the art of the handwritten word
has been lost. We have Blackberries and computers electronically telling us where we have to be and what we have to do. No longer do
we write our schedules in beautiful leather-bound diaries that we can keep and look back on for years to come.

It is time for us to appreciate the beauty of writing by hand; and the enjoyment that can be got from it.

Despite having a Blackberry and every other time-keeping and communications gadget our planet possesses, I insist on using a lovely floral hardback
diary. There is nothing quite so simple and enjoyable as turning the pages to see what the next week has in store, or neatly jotting in that
lunch date with a much loved friend.

The same with correspondance. Stationary can be such a lovely representation of who we are, and the buying of it opens up a whole new world of shopping.
Why type out an email thanking someone for a beautiful present, when you can write them a letter with your own hand?
It’s so much more personal, and the recipient will appreciate it all the more. I firmly believe in the power of the handwritten ‘Thank You’ note.

Debretts say that “Receiving a thoughtfully penned letter from a thoroughly modern girl should command delight. The impact is lost, however, if a piece
of photocopier paper with the scrawl of a biro is extricated from a business envelope featuring the logo of an employer. Every sophisticate should have a
stationary supply and stationary, like clothing, is an interface to personality.”

When writing a letter or card, it is good practice to always include your address; and your sign-off (e.g. Best Wishes) should, as Debretts instructs,
reflect your relationship with the recipient.

Smythson is one of my favourite stationary and diary suppliers. I love their Fashion Diary. Get the 2010 edition in stores now. Not only is it
a beautiful leather bound diary; but it will keep you in-the-loop with the all the major scheduled fashion events.

The website www.snowandgraham.com is another one of my favourite places to buy notecards and greetings card. There is something for everyone amongst
their stylish designs.

So, next time you are going out shopping, remember you’ve got something new to add to your list.

By Laura Pearson.

Inspire beyond fashion; how graduates are shaping fashion {Style}

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June each year is guaranteed to mean one thing, students are finishing university and moving on to bigger and better ventures.

Lisa Shaw's Labrinth

One positive of this is the exploration of the talent which is developing on from study to real world. New talent can inspire and define generations. A fantastic example of this is the work which is produced by fashion graduates on a yearly basis, this work is exhibited at the Graduate Fashion Week which was recently held at London’s Earls Court.

Labyrinth (Inspiration)

The  creations seen here are varied, exciting and completely unique, the work is, in a lot of instances, the first collection produced by a designer who is on the verge of releasing their designs into the public scene. Members of the public, press and highly regarded designers and fashion companies are all present to pick out their favourites and push these to the forefront of the public eye.
One thing that is ultimately inspiring is the way in which designers, graduate and fully established ones, can take inspiration from anything seen in day to day life. Some examples of this are collections seen from Lisa Shaw was inspired by the 1986 film ‘The Labyrinth’, through exploring silhouettes and shapes from the film she recreated them to fit the ready-to-wear market.

JLH (Inspiration)

The JLH collection was inspired predominantly by the urban, hip hop graffiti scene on the Brooklyn Subway, combined with the smart work attire seen on the London Underground, produced a bold and vibrant work style collection.

JLH

This kind of inspiration can be used generally in day-to-day life. Rather than using things you see as inspiration to produce clothing, use it to inspire the way you style your look. In summer, when seeing the abundance of colourful flowers, translate to brightly coloured printed shirts, dresses and skirts. Look at architecture, bridges, buildings, structure and translate to body-con dresses or waist-belts to clinch in that hour glass figure.

Gemma McKay's Inspiration

When taking a sunny stroll (wishful thinking but a girl can dream), down the river or down the sand look to the fluidity of the water and discover flowing fabrics and loose fitting garments which complement this, Gemma McKay’s collection reflects this style.

Gemma McKay

The inspiration doesn’t need to be literal, work with whatever appeals to you and mix it into your own style, if you see something you like think what does that remind me of. Don’t just look to fashion for inspiration, style can be much more of a lifestyle choice. Depending on how brave you are this could even be taken as far as hair cuts or colours, if you see a section of colour this could become a streak in your hair.

If your not the most confident, work with it, wear something tamer but just make it your own, chuck on the favourite shoes and immediately its yours.
Don’t disappear into the crowd, stand out it, forget soft focus and make it your own.

by Jennie Higgins

Review: Plantzilla {TV Review}

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UK PREMIERE & HD SIMULCAST / MONDAY 21ST JUNE AT 9PM   National Geographic Channel

I am a life-long fan of National Geographic so I apologise if the review seems biased in any way. Based on a film by Volker Artz and Immanuel Birmelin, Plantzilla is a fascinating and stimulating documentary on the life of Plants. It’s hard to watch a National Geographic documentary and not marvel at the wonders of nature. From the White collared pitcher plant in Borneo which can eat 6,000 insects in an hour ( would like it in my house frankly, no more insect problems!) to the Tobacco plants that attract Hawk moth caterpillars,that then devour their own body weight in tobacco, before the plant calls in the cavalry and it’s eaten by a Big eyed bug.

Although you learn so much watching this documentary it is never boring. Although slightly icky.
The camera work is amazing. The work that is put in, astounding. I now know all about the parenting skills of certain plants. Dandy Lions pack their kids off using the wind. The Squirting cucumber squirts them out at a fast intensity – it looks like an explosion. Then there is the wine grower that plays his plants classical music. This documentary has change the way I look at plants. They think, feel and smell. And if the scientists at New York University have anything to do with it, they will soon be talking too.

Voice Over Bill Paterson, a regular, is as good as ever. A great way to spend an evening in.

Wouldn’t it be great if houseplants could tell us when they needed feeding? Well students in New York have come a step closer, by putting sensors in potted plants so that they can literally phone home to ask for a drink! Such a system could be used in vineyards around the world to help with crop yields and is just one of the secrets revealed by scientists and experts in this absorbing film. Plants have thrived on Earth for millions of years and their remarkable sensory capabilities have helped them prosper – both as self-defence experts and resourceful predators. From the amazing acacia, which mobilises armies of ants to protect itself, to the carnivorous plants which use a range of sneaky tactics to ensnare their unsuspecting prey, find out how plants battle against the odds to continue their journey through life. Also featuring a look at the rise of human intervention and the potential impact of new technology on the future of farming, this captivating programme offers an insight into the unknown side of flora.