Terrence Malick has been a unique filmmaker, always distancing himself from conventions to bring his own artistic license. From his 38 years of being in the industry, he has only made five films. It took him a full 20 years from Days of Heaven (1978) to The Thin Red Line (1998). He is infamous for shooting footage the length of a football field and also not being part of the publicity spot-light. The Tree of Life is his new movie since 2005’s The New World, barely any details were released for the film. Only two posters and a trailer were only shown to various multiplexes. It finally got screened at 2011 Cannes Film Festival, and it was received mixed reactions of boos and applause. I, however, thought it was worth the wait.

The Tree of Life is quite simply a breathtaking experience, a beautifully crafted film that doesn’t really give you straight answers but really makes you think. The film will be, inevitably, be compared to Stanley Kubrick’s 2001: A Space Odyssey but it also reminded me of Koyaanisqatsi. The film deals with questions that the characters imply through-out; what is the meaning of our existance? What is our purpose in life? The story revolves around Jack (Sean Penn), who works as an architect in modern day America. He starts to think back during his childhood during the 50s, with his parents and going through different phases in his life. His parents are played by Brad Pitt and Jessica Chastain, who resemble two things that runs the theme during the duration; nature and grace. Nature is unpredictable and harsh, which Pitt tries at one point make his sons strong and confident. Grace is the complete opposite, it is elegant and calm as Chastain becomes supportive to her sons. Young Jack (Hunter McCracken) is very conflicted from the two, he leans towards nature but as an adult, he starts to feel more empathetic (shown through his sub-conscious walking through a desert and eventually ends up in a beach)

The performances from the entire cast is superb. They are barely given any dialogue, but their natural reactions and expressions are subtle. It is the meaning of the phrase; show, don’t tell. McCracken impresses as the Young Jack, showing the childhood curiosity and frustration everyone deals with. Such as a scene where he walks with his mother in town and notices police officers taking convicts away in their patrol cars. Looks up to his mother and asks in a worried tone if he’ll ever be like them? Sean Penn doesn’t get as much screen-time but he makes a presence when he’s thinking about his childhood experiences.

The film has a non-linear narrative, often cutting away from Jack’s story to shots of the formation of the universe and how the planets are created. Then it views when the dinosaurs roamed the Earth, continuing Malick’s trademark on showing nature as a major element. All of these sequences are shot beautifully. Legendary special photographic effects supervisor Douglas Trumbull (who was responsible for the effects in 2001 and Blade Runner), was a consultant on the effects of this film. The effects in this film look organic and believable, a film to be big in scale requires believability (especially when dealing with a theme about creation and existence) The scenes with Jack’s family comes across as a family home movie, a sense of nostalgic memorabilia.

There is not much I want to say to reveal too much of the film, it really is something to see to believe. To put simply; if you are fan of Terrence Malick or want a film that has a deep message that is subtle, there is no excuse not to miss this film.

Overall; The film may divide opinions; some may find it pretentious, others may find it as a work of art. I, however, find it to be a meditating and philosophical film that is just as beautiful to watch. A huge change from the summer blockbuster season and strongly recommended.

5 out of 5