by Margaret Graham.

Piano Nobile, 129 Portland Road, London W11 4LW Friday 8th May – Saturday 13th June 2015

Havoc Dyed Ink presents David Hockney by Adam Birtwistle: Pop Art’s foremost icon seen through the eyes of Britain’s pre-eminent portraitist.

I wasn’t altogether sure what to expect, but Birtwistle’s drawings are excellent.

 

I choose that word – excellent –  carefully. With drawings the faint hearted are spotted immediately: all those feathery strokes and light pencil marks. Not here though – Adam Birtwistle whacks in, his work giving the impression of effortless talent. Here you could think is someone who picks up a pencil and ‘just does it’. The lines flow, the red braces draw you in.

 

It’s not as simple as that, though. There’s that other thing, talent. And what about the sheer hard graft, and perception? What about the ability to see the nuances of expression, and the ability to convey them? Birtwistle captures Hockney. We see the humour, the thoughtfulness of the man. We collude with the artist and the sitter, joining in and recognizing the joke, the thoughts, the body language.

 

We see the pre-occupation, and sometimes the look of ‘What, really?

 

The roots of Havoc Dyed Ink began with a fortuitous meeting in 2001 when Adam Birtwistle visited David Hockney in his studio. The following year Birtwistle painted two portraits of Hockney using studies made during this meeting.

 

Havoc Dyed Ink unites Birtwistle’s studies from 2002 and 2014 with a new painting of Hockney from 2015. Throughout his career, Birtwistle has painted many other icons, such as Jeremy Irons, and Elvis Costello. But it is to David Hockney that Birtwistle keeps returning.

 

Hockney’s status as a national treasure has continued to grow, yet Birtwistle strips away the noise of fame, recognising Hockney as a kindred creative spirit. Candid, playful and revealing, these studies and one painting give the sensation of sustained time in the company of Hockney. Birtwistle captures shifting poses and attitudes.

 

Downstairs at Piano Nobile are his – well what? Hogarthian paintings, with witty, or scathing commentary ditties? Some will love them, some won’t. Not my bag. I’ll stick with Hockney, but interesting nonetheless. Good for Birtwistle.  I like artists who experiment.

Go and see it all. A feast, it is.