THEATRE REVIEW

Mack and Mabel
Chichester Festival Theatre
Until 5 September (and then on tour)

Music and Lyrics by Jerry Herman
Book by Michael Stewart (revised by Francine Pascal)

www.cft.org.uk
Box Office: 01243 781312

Photo credit: Manuel Harlan

From the moment that the blistering overture kicks in you sense that something special is in store. And so it is. In addition to a belting orchestra, there’s a clever set and technical wizardry, glorious frocks and a phenomenally talented cast, led by Michael Ball and Rebecca La Chance in the title roles.

But although billed as a musical comedy, the plot isn’t an endless stream of lighthearted froth by any means. Nor is it a conventional musical theatre romance. The true story of Mack Sennett, the legendary silent movie director famed for his Keystone Cops, and Mabel Normand, a hot dog seller spotted by Sennett and transformed into the darling of the silent screen, in many ways the tale is more reminiscent of Albert Square than Hollywood. Just with more songs.

Told retrospectively, Michael Ball convinces absolutely as the ruthlessly driven Sennett whose sole aim in life is to make ‘em laugh. Broke and alone in his studio before being turned out, he recalls the past; the lies he told, the cast and crew he bullied and the love he  treated far too casually. And then there’s the crushing blow that he was wrong about the Talkies which, in spite of his prophecy to the contrary, did actually catch on, diminishing public appetite for his silent pie-in-the-face two-reelers.

Resigned to his rudeness and lack of romance, Mabel continues to love the difficult but charismatic Mack. Reaching a point, however, when the occasional moment of tenderness is no longer enough, and with Mack unwilling – or unable – to make any greater commitment to her, she allows her head to be turned by a rival producer. Having taken drugs before to cope with Mack’s punishing schedule of movie making, she is soon a regular drug taker, slugging down hard liquor in between shoving cocaine up her nose. By the time Mack finally realises that she needs help as much as he needs her it’s all far too late.

Rebecca La Chance is terrific. Vocally enchanting, she pitches Mabel’s initial passion, zest and energy perfectly. As times change, and her fading hope and enthusiasm becomes apparent, it pierces the heart.Fluid, visually stunning and audibly fabulous, all credit to director Jonathan Church and his creative team, whose collective expertise is harnessed to great effect. Choreographer Stephen Mere, at the top of his game, must surely be one of the world’s best. Inventive, stylish and almost poetic in their gracefulness, his routines are simply dazzling.

But ultimately it is Michael Ball’s show. Giving Mack real substance, and following on from his triumphant performance at Chichester a couple of years ago as Sweeney Todd, he cements his status as a supremely talented singer who can really act. Balancing the aggressive bully who is consumed by his work with the man who is also capable of flashes of sweetness, loyalty and at some level self-awareness, Ball manages the emotional and personality gear changes with complete aplomb. It is a remarkable performance and not until the curtain call is there so much of a glimpse of the slightly camp luvvie who willingly sends himself up.

Another Chichester musical with all the hallmarks of success, I Never Promised You a Happy Ending may well be one of the big numbers,   but you’re sure as Hell guaranteed  joyous entertainment. If you can get a ticket, grab one.