Review: Forty Years on at Chichester Festival Theatre

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Photos: Johan Persson

Taking up his post as Artistic Director new Head Boy Daniel Evans opens his first Chichester Season with Alan Bennett’s early play, which is set in 1968 at Albion House, a fading public school.

Some fifty local schoolboys join the cast and are outstanding, opening the production with a roof-raising rendition of Praise My Soul the King of Heaven.

The occasion is the end of term show, which also marks the retirement of the elderly headmaster. Under the directorial auspices of his reformist successor, the offering of a history revue includes some sketches that get the old duffer decidedly hot and bothered – to be overtly risqué is definitely tsk-tsk territory.

There are some joyous moments. Danny Lee Wynter’s naughty portrayal of an elderly aristocrat à la Dame Maggie as Downton’s Lady Violet is delicious, while an ace tap-dance solo is worthy of the Strictly! final. A stage invasion of lusty-voiced rugger buggers is also a gas, which for all the headmaster’s puritanical tendencies is deemed perfectly acceptable once it is revealed that the opposition has been roundly trounced.

Alan Cox as incoming headmaster Franklin, Jenny Galloway as Matron and Lucy Briers as Miss Nisbitt give accomplished performances, while the music and singing is superb, thanks to the excellence and exuberance of a terrific ‘school orchestra.’

Some of the historical inspirations do not resonate, leaving these skits teetering on the brink of tedium. But there are plenty of jolly spoofs to compensate, as well as flashes of poignancy bringing a balancing shade.

)inCFT'sproductionofFORTYYEARSON.PhotoJohanPersson_04653You can almost smell overcooked cabbage thanks to Lez Brotherston’s impressive school hall set, which comes complete with an almighty oak organ, rising from and towering over the stage.

At eighty years on himself, and having suffered a heart attack only last year, it is perhaps unsurprising that Richard Wilson is not yet tight on his lines. Reading from a script for the most part, when he struggles to find his place on the page it causes the audience collective anxiety. It’s a shame, but there is still much to enjoy here.

www.cft.org.uk Box office: 01243 781312

Vicky Edwards

Interview with Sarah Beeny for How To Live Mortgage Free

Interview with Sarah Beeny for How To Live Mortgage FreeYour new show is How to Live Mortgage Free. Explain what it’s all about.

Obviously with no money, you can’t own a house. But if you have some assets, let’s say you’ve saved up enough for a deposit, or you’ve got some capital in your home with a big mortgage, is there a way of living in proper low-cost housing? Is there a way of looking at things in a slightly different way, and instead of having a home that will cost you £300,000, can you do it for a tenth of that cost? Can you get a home for less money, so you don’t have a massive mortgage?

And what is the answer? What alchemy are you recommending?

It’s all about finding slightly alternative ways of living. If you want to go the standard route where you live near Starbucks and the tube in a three bedroom Victorian terrace, you probably can’t live mortgage free, because you need more money for that. But a lot of people spend an awful lot of money on rent. If you can stop paying rent then you save an extraordinary amount of money. So we have one girl on the show who pays £20,000-a-year in rent. She saved about £25,000, but that, as a deposit, was nowhere near enough to be able to buy a flat where she lived in London. So she ended up buying a barge for £168,000 and refurbishing it, and living on the water. There are a couple of people in the series living on the water. There are other places and other ways that you can live which are much lower cost, which either enable you to save up for a bigger deposit and a smaller mortgage, or you can just buy outright. We’ve got somebody else who’s bought a double decker bus and turned it into a home, which is really cool. And there’s another guy who’s turned the back of a lorry into a home. He does live on a farm in Wales, so he’s got the luxury of the fact that he can use his parents’ land. Land is the biggest cost involved – if you’ve got a piece of land with planning permission, that’s the biggest hurdle overcome.

And one of the ways of doing that is to build on a brownfield site [land previously used for industrial or commercial purposes]. How do people go about finding such places?

Well, that’s the key. You need to be a dog with a bone. This is not the easy path, which is why it’s not the normal path. You have to hunt around. One of the things I’ve learned in housing is that the big wins go to the people who take the big risks. Brownfield sites are really interesting. It’s an easier planning battle to get a home on a brownfield than a greenfield site, and you end up with a much cheaper property. Quite a lot of people in the series are selling their homes with a mortgage and buying a new home for a lot less money.

What was your favourite solution that someone came up with for going mortgage free? 

The double decker bus is really cool – we’re going to go and film the finished article in a couple of weeks, and I can’t wait to see it. But I think the lorry-back is really cool. Everyone knows you can build a home out of a container, but the lorry back was really interesting to me. Everyone knows you can build a home out of a shipping container. But the lorry back is very clever. It’s mobile, which means you can take it with you in the future. It’s not simple to move around, but you can move it. And if you use a container, it’s difficult to put in the windows and doors, because a lot of the structure is in the walls. But a lorry back is effectively a frame, and in-filling a frame is so easy, anyone could do it. My kids could do it. And you can fit it with any size of windows or doors. You need a low level of skill to turn a lorry back into a home. So I thought that was really clever.

If you were starting out now, what route would you take to being mortgage free?

I lived in the back of a van for a bit with my husband, back when he was my boyfriend. You’re so flexible when you’re young. What I would do now is I’d start young and save from a really young age. I had an ex-council van, and we slept in the back of the van for quite a long time, on and off, and that was fine because we were young. I wouldn’t want to do it now!

Was there something quite romantic and adventurous and fun about it at the time?

Yeah. God, it was brilliant. I was completely free. You’ve got no responsibilities and no tiers. It’s the only time in your life when you can just go anywhere and do anything and risk everything. The first flat we bought, we had an outside loo and no bathroom. I was 19 at the time. And where we wanted to put the bathroom was the door to the outside yard. So we blocked up the door to build the bathroom, which meant to get to the only loo you had to climb through the window to go to the loo. It was a really amazing and exciting adventure. So I’ve lived through what these people are doing, and that’s why I find it so inspiring. If you really want to do it, you just can’t take the normal path in life.

There’s a relatively conventional way of doing it, as with the family who simply paid off their mortgage by living very frugally for a while. But in doing that, they’ve saved an extraordinary amount compared to what their mortgage could have cost them, haven’t they?

Yeah, exactly. We live in such a consumer society now, we think we’ve got to spend all the money that we spend. But you can pay off your mortgage way, way, way quicker if you save harder. And saving doesn’t mean you have to sit around doing nothing. There are a billion things you can do that are free out there, or very low cost. The Victorians invented consumerism, and we’ve taken it to the next level. Shopping is now an activity, like going for a walk. You should go shopping because you need to buy something.

It’s not just about practicality this show, is it? It’s also about beautiful and ingenious design, like Grand Designs but without panes of glass that cost £70 grand and have to be brought in from Antwerp.

[Laughs] Exactly. There’s some amazing and very inspiring design, at a low cost. I’ve seen so many houses in my work, and I don’t get as inspired as often as I used to, but I can honestly say that every single one of these was absolutely amazing. They’re very creative people. But I don’t think you have to already be very creative to do this stuff.

So you’re saying, with a bit of hard work and sacrifice, this is genuinely stuff that people can do?

Definitely. And if you’ve got the confidence to give something a try. It’s not going to be a walk in the park, and you won’t have to work hard, but anyone can do it.

What takes up the most of your time – your TV work or your business ventures?

At the moment it’s Tepilo [Sarah’s online estate agents] that takes up most of my time. That’s running at 1000mph. I’ve never been involved in a business that has grown so fast. That’s really exciting. It’s probably a blend between Tepilo and, as the kids get older, they take up quite a lot of time as well. There’s those two and TV. I’m trying to do a bit less TV, because there isn’t that much time.

In amongst all of these time pressures, do you manage to get down to Rise Hall much?

Yeah, that takes up a load of time as well, thinking about it. That’s a really big business now, with lots of weddings. We’re diversifying just now, we’ve got new management in there, we’re looking at all the other aspects of business we can do at Rise Hall. It’s really exciting. We’re opening it up so that people can go there for tea, and during the week as well. Weekend weddings it’s fairly full, so now it’s a question of making use of the house for the rest of the time, during the week.

Lastly, you’ve got multiple businesses, you’ve got property interests, and you’re a TV personality. Are you the next Donald Trump?

[Laughs]Do you think I should have a go? I reckon if he can do it, I should have a go. I’ve always said I’d hate to be Prime Minister, but I wouldn’t mind being a dictator. It was meant to be ironic, at the time, but now it doesn’t seem quite so funny. I like to think perhaps I’d be a more benevolent dictator than Donald Trump would aspire to be.

 

 

The Business of Books: The Taxman Cometh… Or Does He?

the-business-of-books-interviewswithjanecableJane Cable on taxing income from writing

The first royalty cheque, the first receipts from Amazon – those are exciting moments for any writer. But in the slightly bewildered ‘wow – someone’s paid to read my book’ moment, whether you need to pay tax on the income is the furthest thing from your mind.

First let me say that taxation – any form of taxation – is a minefield. The volume of legislation is massive and while HMRC guidance is helpful and now provided in reasonably understandable lay terms, it is still easy to fall foul of the rules – or at very least not take full advantage of them. If you even think you might need professional advice then talk to an accountant – preferably a qualified one. Most offer free initial meetings and if you can’t find one by recommendation then the ICAEW’s Business Advice Service is a good place to start: http://www.businessadviceservice.com/

Assuming you haven’t set up a company for your writing business then your earnings from the business of books will be classed as self employment. This means that you won’t be taxed on your income, but on your profit. In broad terms, many costs which relate solely to your writing will be allowable for tax, including book production, marketing, attending conferences and agents’ fees. The list is not exhaustive but a good first question to ask yourself is ‘did I do that only for my writing business and was it necessary to do it?’ If the answer is yes, then you are more than half way there but the reality is that a good accountant will be able to maximise what you claim because they will know the laws inside out.

For the tax year just started, things will be quite a lot simpler for the majority of writers who have self employed earnings of under £1,000 per annum. Here I am talking about gross income, before any expenses. This is because the government has introduced a new limit below which HMRC doesn’t even need to know about it. The exception to this is if you already complete a tax return but even then the rules are relatively simple and you can read more about them here: https://www.gov.uk/guidance/tax-free-allowances-on-property-and-trading-income

The Business of Books- The Taxman Cometh… Or Does He?

Of course another issue is whether you are trading or not with your writing, or if it’s just a hobby. Working out when a writer crosses the line is a matter of judgment – and case law – and everyone’s circumstances will be different. The key ingredient is whether you are doing it with a view to making a profit (one day, if not now) but once you actually start selling books, then you probably are.

There is a good chance you might be trading before that day, but this is where the waters become unbelievable muddy. Why would it matter, you may ask yourself, because if I don’t have any income then I’m not making taxable profits. The answer is that you might be making a taxable loss which can be used to reduce the tax on your other income. And this is where professional advice is essential because it’s also where HMRC can become mighty interested and in 2015 they won a landmark case where a tax tribunal decided that someone who had a full time job but poured money into a hobby they loved was not trading so couldn’t claim tax relief. Even though they made a little income from it. Even though they had a professionally designed website. It struck me at the time that the circumstances were pretty similar to most authors when they set out in their writing careers.

The new £1,000 tax free allowance will undoubtedly make things easier for those setting up many businesses, including writing, which can only be a good thing. But remember it’s only half the story. And never, ever, mess with the Inland Revenue!

Please note that this article only points out general rules and should not be used as a substitute for professional advice.

 

 

La Roche Posay Effaclar Duo [+] & La Roche-Posay Effaclar BB Blur Review

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I have used La Roche Posay products for years. I love how good their products are for sensitive skin. I reviewed two of their Effaclar products that promise to ace your base and leave you with photo ready skin.

La Roche Posay Effaclar Duo [+] (£15.50) is both intensely hydrating and soothing. It is also lightweight, sinking into the skin as if it was never there. My skin really loved this. It has perfect texture and really does the job. It is also a brilliant base for make-up.

The non-sticky, melt-in formula is clinically proven to correct the appearance of blemishes, while unclogging blocked pores, controlling shine and refining the skin’s texture. Most importantly, the award-winning formula accelerates the skin’s repair process and contains anti-inflammatory Niacinamide to intensely soothe, while LHA and Salicylic Acid work to gently exfoliate the skins’ surface for a smooth, blemish-free finish.

I love BB creams. I fell out of love with heavy foundation years ago. Some BB cream on areas of concern is all most women need. This is a great mousse formula that sinks into skin and feels great going on. It doesn’t sit on the skin but leaves it shine-free and looking good. This has now replaced my usual BB cream. It feels so velvety and smooth and it leave my skin looking refreshed.

Even out skin tone and blur the appearance of pores, blemishes and fine lines with La Roche-Posay Effaclar BB Blur (£16.50). This new generation skincare hybrid absorbs oil for a flawless complexion. Specifically tailored for oily skin, BB Blur provides day-long control of
shine with Aircilium, a cutting-edge ingredient that is 3 times its weight in oil, keeping the skin matte and unified with a velvet finish.Furthermore, added ingredient Perlite, which is composed of silica is 5 times more powerful than talc and protects against humidity with its continuous blotting paper effect.

All products are suitable for even the most sensitive skin.

Available from larger Boots stores and pharmacies nationwide and online at www.boots.com www.laroche-posay.co.uk

 

Alarum Theatre’s Idle Women of the Wartime Waterways reviewed by Paul Vates

Alarum Theatre’s Idle Women of the Wartime Waterways

at Limehouse Basin, London

 

“The whole production is convivial and informal, as though it is brought to you by a friend.”

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This year marks the 75th anniversary of the Idle Women – the so-called volunteers who ‘manned’ the canals during World War 2 while the men were away fighting. An army of ladies who helped to keep industry moving from the industrial north to the bombed south: coal, munitions, food, steel. Everything that needed moving, they moved.

 

Alarum Theatre consists of Heather Wastie and Kate Saffin, embarking on their own voyage around the canals, touring this quaint show up and down the country over the next few months with a narrow boat. They met in February 2016, via Twitter, and linked up to create a neat show that has a homely, familiar feel.

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[Kate Saffin and Heather Wastie]

 

It is a relaxed setting in the bar of the Canal Association’s headquarters in the renovated and sought-after Limehouse Basin, the Thames just a few yards away, lapping at the lock.

 

The first 45-minutes is a monologue, performed by Kate. Isobel’s War is full of flashbacks and characters ranging from Isobel’s snooty mother to the Carters, a working family on the canals. It is engaging and follows Isobel as she decides to volunteer for the Inland Waterways rather than nursing or teaching. Her journey is eye-opening, very funny and touching in equal quantities. Directed by Milla Jackson, the piece flows – a little faltering at times and lacking some genuine peril in the performance which is definitely there in the script – but adorable all the same.

 

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[Heather and Kate]

 

After the interval, Heather takes over, performing Idle Women and Judies – a collection of stories, poems and songs. This 40-minutes whizzes by. She’s more comfortable with the material and guides us through her set with a twinkle in the eye – she knows what’s coming! Ending with a couple of songs, akin to sea shanties, Heather plays the accordion. Her cherubic grin encourages the audience to join in with the chorus of the final song – which we do, reluctantly at first, but it is a good, solid ending to a satisfying evening’s performance.

 

The whole production is convivial and informal, as though it is brought to you by a friend. Add onto that the educational aspect – there is so much to learn about this time in our history and these unsung women’s war effort. Heather said, introducing one of her poems, ‘What is the truth anyway?’ History is a misty subject and one never really knows fact from fiction – but if stories are told like this, whether historically accurate or not, what better way can there be to learn and think about something new than in the warm, hard-working hands of Kate Saffin and Heather Wastie?

 

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[Genuine Idle Women]

 

 

  • With me was Milly Adams, whose novel The Waterway Girls (pub. Arrow) will be launched on September 7th, nicely timed to celebrate the 75th anniversary of the women’s trainee scheme. She absolutely loved the production.

 

pic 7 stars 

 

Tour details: www.alarumtheatre.co.uk – or call 07465 238063

 

Performances Length: 2 hours (this includes an interval)

 

Facebook: /alarumtheatre

Twitter: @alarum_theatre #TheIdleWomen

 

 

Urbanista Seattle Wireless Headphones Review

Urbanista Seattle Wireless Headphones Review blue Urbanista Seattle Wireless Headphones

Okay, first thing first: the Urbanista Seattle Wireless Headphones are not only gorgeous, but damn sexy. They have a luxurious, polished feel to them. They feel solid, like they are well-made, which- of course- they are. You can buy them wired or wireless. We reviewed the wireless ones.

Swedish brand Urbanista have launched headphones with a crisp sound and impressive base for an extraordinary listening experience. The audio quality is amazing. The wireless aspect is easy to set up, you charge the headphones and then they connect via bluetooth. The headphones also come with a wire incase you cannot be bothered charging them. They have a practical folding function which saves on space and makes the headphones very portable. The headband is seamless and adjustable. The cushions are memory foam and comfortable.

The Seattle also has a built-in microphone for mobile calls and a sharing sound plug so you can share your favourite tunes with your friends. We have tried many headphones at Frost over the years and these are our favourite. The Urbanista Seattle is available in four different stylish colours; rose gold, white, black and blue petroleum. We reviewed the blue petroleum.

Highly recommend not just for style, but also for sound quality. Practical with great design: the Seattle has it all.

 

£49 wired/£89 wireless from www.urbanista.com

 

Urbanista Seattle Wireless Headphones Review

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You can buy the Urbanista Seattle Wireless Headphones here.

Köld Unveil Single Cocktail Pouches – Just in Time for Picnic Season

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We love a good lunch al fresco and this summer, Köld have given us a good reason to chill out and enjoy the sunshine with their genius frozen cocktail pouches. With four different cocktails to choose from, Köld pouches are a game changer using only the finest natural ingredients. We think that this is going to be your number one picnic item this summer!

The range of cocktails currently include; Cosmopolitan, Mojito, Lychee Martini and Elderflower Martini which are sold in double measure pouches (8% abv), ready to pop in your freeze and enjoy wherever you like.

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Out of all the ready-to-serve cocktails we have tried, Köld have really gone above expectations to ensure that they are serving up a really authentic and delicious, cocktail. You would be fooled into thinking a bartender had mixed these up in a flash as the cocktails retain their flavour and freshness and we enjoy the generous serving. The ingredients are undoubtedly premium as you can taste the quality flavours of the triple-distilled grain vodka and barrel aged rum on the first sip. Personally, the fact that a ready-to-serve can retain such a high quality as Köld have, makes it a top product.

Our favourite was Lychee Martini and it’s no surprise having won the great taste award. Köld have outdone themselves bringing your cocktail favourites into these handy pouches perfect for parties, picnics and BBQ’s and it’s no surprise that they are already in high demand. We’re sure to hear more wonderful things from Köld soon and here’s hoping for some more tasty cocktails from Köld in the future, (hints massively at Margarita?)

Köld is available now from Whole Foods Market, Ocado and Amazon and are sold as a pack of 2 for £6.99 or 1 for £3.00.

For more info visit www.koldcocktails.com

Parenting Gender Truths: Do Mums Want Boys or Girls?

childbirth, birth, labour, labour tips, labor, childbirth book, what to expect, catherine BalavageTwice as many mums want baby girls over boys 

  • 39% of mums wish for girls compared to just 18% for boys – but dads are three times more likely to want sons

 

  • Four in five mums say a gender preference is normal – but still taboo to talk about

 

  • A quarter admit to feeling very disappointed if child is wrong sex, with three per cent bravely admitting it affected their ability to bond with their child

 

  • One boy / one girl is seen as the nation’s ideal family – but 18% of families have suffered negative comments about their family’s gender mix

 

  • Over a third of modern mums plan ‘Gender Reveal’ parties – but modern trend for instant family ‘Pink & Blue’ twins putting parents under pressure

 

IT MAY BE a man’s world – but modern mums are twice as likely to want daughters over sons, a new study from parenting site ChannelMum.com shows.

 

Two in five mothers (39%) said they wished for a girl while pregnant, compared to just 18 per cent who hoped for a son. But for fathers the reverse is true, with men a whopping three times more likely to want boys. A huge 31 per cent of men expressed the preference to have sons, while only one in ten wanted a daughter.
While four in five mums (80%) said they believe it’s normal to have a preference on the gender of your child, the report revealed the subject is still strictly taboo with few families willing to admit it.
Of the 2,189 mums polled, over a third (36%) didn’t tell anyone they had a gender preference, and under half (48%) confided in their partner. Only a third (33%) admitted their feelings to their own family. However, the desire for a certain sex is so strong that only 18 per cent of mums claimed to feel ‘guilty’ for wanting their favoured gender.

The study also showed parents are now so desperate to discover their child’s gender that almost two thirds of parents (62%) find out at a scan, while only 38 per cent remain on ‘Team Yellow’ – the modern code for not finding out your baby’s gender until birth. And over a third (35%) of pregnant mums now plan ‘gender reveal’ events or parties complete with pink or blue-hued balloons and cakes.

However, a quarter of mums quizzed admitted to feeling ‘very disappointed’ if their child was the ‘wrong’ gender. (24%). Bravely, a further three per cent even admitted this affected their ability to bond with their child long-term.

This disappointment means two in five mums (41%) say they tried for second child to get ‘right’ sex, while 26 per cent opted for a third and 10 per cent kept going for four or more children. A further six per cent would even fly abroad for gender selection IVF which is currently illegal in the UK.

Worryingly, 18 per cent of families have had negative comments on the gender mix of their children, with close family and mother-in-laws most likely to make rude jibes, followed by strangers and then friends.

The study also unveiled the nation’s ideal family as one girl / one boy, voted for by 54% of mums quizzed. But 15 per cent of mums claim the growing celebrity trend to have ‘pink and blue twins’ – like Angelina Jolie & Brad Pitt, Mariah Carey and Jennifer Lopez – is putting pressure on normal mums.
Two in five mums polled said the ‘PBT’ phenomenon is being used to make working mums to have an ‘instant family’ and take less time away from the workplace, and 15 per cent had even felt pressured to try for mixed-sex twins themselves.

But despite so many parents favouring one gender over another, surprisingly just three per cent of parents polled tried to ‘sway’ the sex of the child. The most popular method was timing sex, followed by eating a special diet and even calculating dates to conceive using astrology.

The study also revealed the most common reasons for wanting a certain sex.

Top Reasons for Wanting Girls

  1. Girls stay closer to their parents when she grows up (41%)
  2. Girls more fun to dress up (40%)
  3. Girls are better behaved (7%)

 Top Reasons for Wanting Boys

  1. Boys are easier (14%)
  2. Boys are more fun to play with (9%)
  3. Cultural reasons (4%)

Siobhan Freegard, founder of ChannelMum.com said: “Boy or girl – every child is a blessing, but the issue of gender disappointment is something we need to talk about and bring into the open. With mums and dads often at odds about the gender they really want, one parent will usually end up disappointed, so we must ensure families have the support they need to bond with their baby. It’s worth remembering a child isn’t their gender – they are their own people with their own personality. So whatever the gender, let your child be who they are, not what you hoped them to be.”

http://www.channelmum.com/topic/gender-reveals/