Don’t Be Afraid of Disability: A Guide on Acceptance And Inclusion

Down_syndrome_lga guide to inclusion

Credit: wikipedia

There are approximately 40,000 people with Down’s syndrome living in the UK, and over 10 million people with disabilities in Britain*. Therefore, with 15% of the population living with a disability, it is essential that people are understanding and knowledgeable when it comes to inclusion. Inclusion is relevant to everybody through all stages of life, right through from the playground to the workplace, to new social situations. Most people will have felt excluded at some point in their lives, and if somebody has a disability this experience may be heightened.

It is common to be afraid and anxious of disability, not sure how to act or what to say, particularly if you don’t have previous experience. However, it is better to admit nerves and pledge to learn about disability, than remain ignorant and in the dark. Every disability is different, as is every individual, and so there is no ‘one size fits all’ method of knowing how to behave around a person with a disability. However, Carol Boys, CEO of the Down’s Syndrome Association has provided her expert advice for helping make sure that everyone in society is accepted and included.  

Understand everyone is different

There are a broad range of disabilities, encompassing mental and physical, and therefore, it is important to remember that everyone is different. People with Down’s syndrome have a learning disability, but even within this specific type of disability, this can be mild or severe. Interacting with people who have a learning disability is likely to be different to interacting with people who have a physical disability, and acknowledging that everyone is different is the first step of working towards a society that promotes inclusion, after all, the world would be very boring if we were all the same! Understanding that the different people we encounter throughout our lives can enrich our experiences, and help us to learn new things and make new friends is so important. There is still a lot of work to do to ensure people with Down’s syndrome, and other disabilities, have many of the same life chances that the general population take for granted, and this is why we at the DSA work to educate the general public and show that people with Down’s syndrome have the same feelings and moods as everyone else, and thus, should be treated as individuals.

Ask questions

As there is such a broad spectrum of disabilities, it would be very difficult to be knowledgeable about every disability you come across. Some disabilities aren’t visible, nor would you necessarily realise someone had a disability until a certain situation occurs, therefore it’s important to not to be afraid of asking questions to help you understand. If you don’t feel comfortable asking questions to the person with the disability directly or you think it would be inappropriate, do look at resources online to assist you. The DSA website has an extremely useful FAQ section which will help offer some clarity http://www.downs-syndrome.org.uk/about/general/.  Fear often comes from the unknown, and therefore they more we know, the less scared we will be of disability.

Be respectful

This is probably the most important piece of advice to take on board. Being respectful to anyone, whether they have a disability or not, is the best way to interact with others. Every individual has a different personality type (some we might click with and others we may not!) but never be disrespectful by talking down to or patronising someone with a disability. It’s important to note, for example, that everyone with Down’s syndrome needs some level of support at some point in their lives, whether this is a couple of hours help a week on their schedule, or 24/7 care. It can be difficult to get your heads around the balance of how much support to offer without treating people ‘differently’. However, being respectful, sensitive and considerate will always be appreciated no matter the situation.

Clue up on the terminology

To ensure you are sensitive in any situation, it is important to never use offensive terminology when discussing disability, either to the person with the disability themselves or with others. Assigning people with a label can be ignorant at the very least and highly upsetting at the worst. At the DSA, one of our objectives focuses on educating the public and the media on the correct way to talk about Down’s syndrome. For example, you should never say ‘this person suffers from Down’s syndrome’, as the word ‘suffer’ has negative connotations of illness. Instead, people ‘have’ Down’s syndrome. Alongside this, it is important not to define people by their disability. Don’t introduce people by name and their disability – a simple ‘this is my friend Sophie’ is sufficient – just like other people in your life.

Do what you can to help

Trying to make sure people aren’t afraid of disability can come in all different forms. This may start with informing people if they use the wrong terminology or volunteering at groups to provide support and assistance. If you are keen to get more involved, this year for World Down Syndrome Day, you can purchase ‘LOTS OF SOCKS’ socks to show your support of people with Down’s syndrome and raise awareness on World Down Syndrome Day (21st March). https://worlddownsyndromeday.org/lots-of-socks

For more information visit: http://www.downs-syndrome.org.uk  

* http://www.dlf.org.uk/content/key-facts

 

Down’s syndrome:  Down’s syndrome is a genetic condition caused by the presence of an extra chromosome.  Around one in every 1,000 babies is born with Down’s syndrome. There are over 40,000 people with the condition in the UK.

Everyone with Down’s syndrome will have some degree of learning disability. The most important thing to remember is that everyone with Down’s syndrome is an individual, with their own strengths and weaknesses and personality traits that make them who they are.

 

The Down’s Syndrome Association (DSA) is a registered (1061474) national charity that exists to provide information and support for people with Down’s syndrome, their families, carers and those with a professional interest. The DSA seeks to improve knowledge and understanding and champion the rights of people with Down’s syndrome. To find out more about the work of the DSA visit our website www.downs-syndrome.org.uk 

 

Terminology: Down’s syndrome – What to say (and not to say)

 

We rely on the media to speak about issues relating to Down’s syndrome in a way that is both factually accurate and inoffensive to the general public, including people with Down’s syndrome and their families.

We are sure you share our concerns so please take a minute to check that your copy is in line with the following language guidelines and that you are not perpetuating any myths about the condition.

 

DON’T SAY DO SAY
Suffers from OR is a victim of Down’s syndrome Has Down’s syndrome
A Down’s baby/person/child A person/baby/child with Down’s syndrome or who has Down’s syndrome
Retarded/mentally handicapped/backward Learning disability
Disease/illness/handicap Condition OR genetic condition
the risk of a baby having Down’s syndrome (in relation to pre-natal screening and probability assessments) the chance of a baby having Down’s syndrome
Down’s (as an abbreviation) DS (as an abbreviation if necessary)
MYTHS FACTS
People with Down’s syndrome don’t live very long. Today, people with Down’s syndrome can look forward to a life of 60 years plus.
Only older mothers have babies with Down’s syndrome. Although older mothers have a higher individual chance of having a baby with Down’s syndrome, more are born to younger mothers, reflecting the higher birth rate in this age group.
People with Down’s syndrome cannot achieve normal life goals. With the right support, they can. The vast majority of people with Down’s syndrome learn to walk and talk, and many are now attending mainstream schools, passing GCSEs and living full, semi-independent adult lives.
People with Down’s syndrome all look the same. There are certain physical characteristics that can occur. People with Down’s syndrome can have all of them or none. A person with Down’s syndrome will always look more like his or her close family than someone else with the condition.
People with Down’s syndrome are always happy and affectionate. We are all individuals and people with Down’s syndrome are no different to anyone else in their character traits and varying moods.

 

 

EatFirst x Kra Pow LDN; Thai Street Food Fresh to You

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Londoners… just when we thought take away’s couldn’t get any more tempting, accessible and down right delicious, we now have revolutionary delivery service EatFirst to add to the list.

To give you an idea, EatFirst does not sit in the category of Deliveroo or Hungryhouse. EatFirst is an online restaurant delivering chef-made meals around London. Serving everything from Mac Cheese to Beef Jerky, EatFirst are now starting a very special residency with Kra Pow LDN to serve you up some fine, tasty tasty Thai treats.

Get to know Kra Pow LDN. Their food will do the talking. Formed by two pals inspired by their love of Thailand, they planned to bring the fiery taste of Chang Mai Street food to London. Feeding hungry Londoner’s since 2016, the pair have been serving up their take on Thai Street food in markets around the Capital and for the very first time, you can try their menu at the click of a button. Frost were lucky enough to try out some of the menu at their rooftop launch party and we can safely say, there are some pretty mind-blowing dishes to choose from. We recommend the Kra Pow a delicious Pork and Basil stir fry, with rice and poached egg. We could’ve eaten this all day long but we’ll let you try for yourself.

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The full menu is available NOW from EatFirst which you can view online;

EatFirst

Delivery is also available from the EatFirst app via Android GooglePlay and iOS App Store

THEATRE REVIEW   by Paul Vates

Merely Theatre’s Twelfth Night at The Greenwich Theatre

 

“A theatre company that, literally, makes you want to come back again…”

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Merely Theatre in association with The Production Exchange are currently touring the UK with a Shakespeare double-bill: Romeo & Juliet and Twelfth Night.

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[Robert Myles as Malvolio – with Belch and Aguecheek looking on]

 

Nothing unusual in that, surely? Well, Artistic Director Scott Ellis is proud to point out that Merely is an old-fashioned repertory company and is based around a gender-blind casting scenario. So for this tour, the company has ten actors in total. But there are only ever five performing on any given night. Each role has been doubled up with actors, so the combinations available are manyfold.

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[Robert Myles as Malvolio]

 

The style is bare and in-your-face. The script edited so we stick to the action for most of the time. The story, told as plainly as possible, zips along at a cracking pace, at times dragging the actors along behind.

 

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[Luke Barton as Olivia]

 

Luke Barton stands out for me – doubling as Olivia as well as Andrew Aguecheek. He shows his range, playing the former’s femininity without campness or humour, but throwing himself wholeheartedly into the slapstick of the latter. Close on his heels is Robert Myles, revelling in a Rigsby-esque Malvolio while playing Sebastian straight and calm. Emmy Rose only has the one part – but don’t feel sorry for her. She plays Viola with openness and honesty. Hannah Miles tries a little too hard to be funny as Sir Toby Belch for my liking, but her warmth as the Duke Orsino makes up for it. Finally, the troupe has Tamara Astor as Feste and Antonio. Her laid-back, hippie Feste is at times lost amidst the manic energy of Aguecheek and Belch.

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[Hannah Miles as Sir Toby Belch]

 

One cannot fault the production for its energy and urgency. Sometimes, though, this flows over into a desire to drive the comedy at the pace of a farce, thereby losing some focus. What could be laughter from the audience only receives smiles at times – and perhaps that is the only issue here. In the need for pace, the audience has no time to take it all in which is exactly what we need to appreciate the skills on show. When the pace dropped for romantic and sad scenes, it came somewhat as a relief. I also became fascinated by Barton’s constant fringe maneuvering (slick it back or cut it!) and Rose’s little hops (one step back before moving two forward).

 

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[Tamara Astor as Feste and Luke Barton as Aguecheek]

 

I leave wondering how the ‘missing’ five actors would do the play – and, for that matter, how they tackle Romeo & Juliet. A theatre company that, literally, makes you want to come back again to find out…

 

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Review by Paul Vates.

 

 

 

Tour details: www.merelytheatre.co.uk

 

Performances Length: 2 hours (plus interval)

 

Facebook: /MerelyTheatre

Twitter: @MerelyTheatre

 

 

Winky Lux Make-Up Review: Taylor Swift is a Fan, But Are We?

Winky Lux Make-Up ReviewWinky Lux make-up caught my eye thanks to its awesome packaging, bold colours and original ideas. It helps that all their make-up is gluten free, vegan and cruelty free. Taylor Swift is using their colour ‘Bond’ at the moment and looks fab. The range is full of inventive beauty products from Diamond Powders, PH Flower Balms to Lightbox highlighters. The brand has just launched their Matte Lip Pills. I got sent some of their products to review. Here is what I thought.
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 Kitten Powder Eyeshadow
Cute packaging, cute name and a great colour. Wins all-round. It has a great texture and is good for blending and creating definition.
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Light Box Strobing Balm
A highlighter is always an essential addition to any make-up bag. Since having a child I always put some on before a special event. Or when I want to look like I am not dead. This is a brilliant balm with high impact. The cream is smooth and melts into the skin. It feels good applying it and leaves you glowing.
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Lip Velvour in Mermaid
Now this is not usually a colour I would go for, but it looks stunning and dramatic. A strong, high-impact teal. I love the lipstick pills. It is hard to be original in the make-up industry and these are really striking and stand out. It is a great lipstick that goes the distance. Feels good on your lips too. It is also paraben free.
lipvelvourmermaidWinkyLux Mermaid.lipstick
Flower Balm Pink
This is my favourite lip balm ever. I mean, just look at it. When I took it out of the box I almost gasped. It truly is a thing of beauty. I almost didn’t want to use it. The flower inside is just such a great detail. The lip balm itself is great of course but when you could just stare at it instead, who cares?
Pink Flower Balm pH Stain Winky Luxflowerbalm
Glossy Boss Romeo And Juliet
This is a great long-lasting lip gloss. I love the colour, which is perfect for me. I usually hate lip gloss but this has none of the usual stickiness associated with other glosses and is lightweight. It gives sheer colour and shine. It is infused with vanilla for delectable application.

winkyluxlipglossI really love Winky Lux. I have become quite jaded over the years but I really love this brand. Their packaging, originality and the actual make-up itself is such a winning combination. I feel this is the start of a long love affair.
In Winky Lux news, the digital cosmetic has released its range of Matte Lip Velour in ‘Lip Pills’ in a range of unique shades from Blue Moon, Mermaid, Meow Winky Lux, the new luxury yet affordable digital cosmetic line is now available in the UK.

Ultra long-wearing matte lipstick delivers intense pigment with a delectably lightweight moussy texture. Infused with natural vanilla for the ultimate lip experience, this lipstick is packed with suspended pigments to give lips a cushiony, plush feel. All products are cruelty free, vegan and gluten free!

Matte Lip Velour​ in Mermaid Shades, Purples & Darks, Nudes, Marzia Mattes, Reds & Pinks.

Price: ​£13.00

Available: ​Asos.com

 

 

Idle Women of the Wartime Waterways by Milly Adams

 

Worcestershire Poet Laureate Heather Wastie and writer/performer Kate Saffin will be recreating the Idle Women’s journey from London to Birmingham, and back to London via the Coventry coal fields.
This double bill will be touring the canal between Saturday 15th April – Saturday 5th August 2017

The nickname Idle Women relied on the initials IW, or Inland Waterways. Once a trainee on the Wartime Inland Waterways scheme had completed her training she was presented with an Inland Waterways badge. So – the nickname – fair or foul?

And what was the scheme anyway? And why am I particularly interested in this particular wartime endeavour, and this production?

The scheme was designed to train women to support the indigenous ‘boaters’ narrowboat and butty carrying of wartime cargo.

My interest? I have written the first in a series of novels for my publisher, Arrow, about three women on the wartime waterways women’s trainee transport scheme. – The Waterway Girls.

Why? Because I wanted to share their experiences amongst others, having heard about them through an elderly friend. Another then revealed that she had taught canal children, and opened my eyes to a culture, which has now gone, just as the commercial freight is gone from the waterways.

I particularly wanted to produce the first in the series of my novels in 2017 in order to celebrate the 75th anniversary of the launch of the Women’s Training Scheme as they journeyed to and from Birmingham.

These crazy and gallant girls, (bloomin’ filthy too, by the end of their trip through the coalfields) kept going, come hell and high water, come driving snow, and searing sun. They actually had to physically haul the ‘butty’, which was the motorless narrowboat, through the Bottom Road’s short pounds (stretches of water between locks) and through the locks themselves, much as the horses had to do in days gone by until towards the end of the war they were allowed a better route.

 

The Bottom Road was hellish, and fragile, hence the authority’s refusal to allow the butty to be towed by the motorboat as it approached, used and left the locks. Idle Women they were not.

Day after day they slogged up and down the cut, or canal to you and me, carrying 50 tons of cargo in the motor narrowboat, which pulled the butty with a similar weight of cargo.

Where did they live? In a tiny cabin about 9’ by 7’, and the loo? Don’t ask, but the word bucket comes to mind.

So I was thrilled to hear of this enterprise, and will be going to see it on Monday 24th April with our drama critic, Paul Vates, and Frost’s staff photographer, Cire Simone of Cire Simone Photography

Worcestershire Poet Laureate Heather Wastie and writer/performer Kate Saffin will be recreating the Idle Women’s journey from London to Birmingham, and back to London via the Coventry coal fields.

This double bill will be touring the canal between Saturday 15th April – Saturday 5th August 2017

Isobel’s War is a solo play written and performed by Kate Saffin based on the experiences of the wartime trainees. Isobel doesn’t think that rolling bandages and serving tea in the leafy suburbs of Oxford counts as proper war work, then she spots an advertisement and encounters a world she didn’t know existed. Idle Women and Judies is written and performed by Heather Wastie – it started as an audio piece (commissioned by the Canal & River Trust) based on the wartime memories of three women. Wastie has now added a collection of short poems and songs celebrating the work and adventures of the women.

On completion of their training they received their national service badge imprinted with the letters IW – Inland Waterways. After the war they were nicknamed the Idle Women and they have been known as such ever since.

Kate Saffin comments, The stories, or at least the existence, of the trainees are known to many boaters and waterway enthusiasts but few beyond the towpath know they even existed never mind what they did. We are recreating this journey to celebrate their achievements, recognise their contribution to the war effort and explore their relationships with the indigenous boaters. We think it’s important to make this journey with these local stories so that we can share the history that is on the audience’s doorstep – or at least the nearest bit of towpath or the pub.

Accompanied by an historic narrowboat ‘Tench’ crewed entirely by women, Wastie and Saffin will tour our canals this summer, stopping to perform this inspiring double bill at waterside pubs, village halls, gardens, an historic pumphouse and even a community wood.

Supported using public funding by the National Lottery through Arts Council England.

alarum_theatre, #TheIdleWomen

Check out ‘2017 Dates’ on http://www.alarumtheatre.co.uk/

Frost will be publishing a review of Idle Women of the Wartime Waterways next week – can’t wait.

CanO Water Opens Educational Hub to Encourage Londoners to Think about Swapping Single Use Plastic Bottles

CanO Water Opens Educational Hub to Encourage Londoners to Think about Swapping Single Use Plastic Bottles 1 CanO Water Opens Educational Hub to Encourage Londoners to Think about Swapping Single Use Plastic BottlesCanO Water, the alternative to single use plastic bottles, is launching a new campaign to encourage Londoners to be more environmentally friendly. The #canthebottle education hub, in Old Street station, will raise awareness of the damaging effects of using plastic. The campaign encourages Londoners to visit the hub, and drop off their plastic bottles, receiving in return, a more sustainable can of water. 

 The Stats

In the UK, we consume 18 billion plastic bottles a year and only a quarter of these are recycled. 

38 million plastic bottles end up in landfill every day and drinking one bottle of water a day has the same impact on our environment as driving a car for a kilometre. 

Plastic water bottles also contribute to several health issues due to BPA which is the industrial chemical that is used to make plastic. The ripple effect of BPA on our health effect your sleep, mood and has even been proven to promote risk of breast cancer cell growth. 

A report published by the NHS reveals that it also increases risk of lower sperm count or creates an erectile dysfunction. By making smarter choices with such a simple swap, CanO Water is encouraging people to become part of a much bigger movement and come down to #canthebottle

 The temporary space features powerful imagery, showing the current state of our beaches and oceans, contrasting with projected imagery from 2050, highlighting the devastating consequences of continuing to use plastic bottles. There will be educational talks hosted by a range of experts, as well as drop in opportunities to speak to the founders about their mission.

The educational hub runs until the 20th. Come down to take part in the #canthebottle campaign and learn how you can make a difference. 

CanO Water launched in 2015 hoping to inspire other millennials to work together in hope to ban ‘eco-unfriendly’ products.  Determined to offer everyone an alternative to single – use plastic bottles, CanO Water created  a simplistic and stylish aluminium can. Aluminium has the highest recycling rate of any drink on the market, recycle your can and it could be back on the shelf in as little as 6 weeks. Cans provide a long shelf life by protecting products inside from light, oxygen and other factors that can affect taste, and product safety. The ‘can’ also has a smart releasable lid making it the perfect on – the – go product. 

CanO Water has recently caught the eye of several high profile environmentalists such as David Gandy, Ellie Goulding and Dougie Pointer by offering a simple alternative that can really make a difference. Most notably, the brand was flown by Vanity Fair to feature at their prestigious Vanity Fair’s 2017 Oscar party. The state of California has banned plastic bottles, and the guest list for the event included well known sustainability personalities, including Leonardo DiCaprio and Meryl Streep.

The Business of Books: Passion For Publishing

the-business-of-books-interviewswithjanecableThis week I’m genuinely excited to welcome Karen Sullivan, the powerhouse behind the most talked-about independent publisher in the UK
 

1)   What is your book related job or business?

I am publisher and owner of Orenda Books, an independent publisher that specializes in literary fiction, with a heavy emphasis on crime thrillers and about half in translation. We turned ‘two’ last November.

 

2)   What is the most rewarding part of it?

In all honesty, all of it is rewarding. It is a genuine privilege to be in a position to work with talented authors from around the world, and to bring them and their brilliant books to readers. The Orenda list is very much my own taste, and I account to no one, so while I can often feel quite exposed when a new book comes out, it makes the positive response all the more exciting. With each little success, there is more attention paid to the list as a whole, and everyone benefits. 

 

I love the thrill of finding a new book, and working with authors from the moment a book is signed, right through the editing process and then onto marketing and PR and even sales … none of the original excitement is diluted en route. One of the most moving and satisfying parts of my job is publishing debuts, making some often very long-held dreams a reality. I work incredibly long hours, but as we inch towards increasingly strong book sales across all formats, shortlists for awards, mainstream press, invitations to prestigious festivals, and fantastic endorsements from highly regarded authors, every challenging moment is worthwhile and I am in a constant state of wonder that this is mine!

 

karen sullivan, writing, publishing, Jane cable

Credit: Ian Patrick

 

3)   What do you consider to be your major successes?

There have been many! It was fabulous to be shortlisted (twice) for the Nick Robinson Newcomer Award at the Independent Publishing Awards. Watching Ragnar Jonasson’s debut novel Snowblind knock The Girl on the Train off the number-one kindle spot for the first time was unbelievable (sorry, Paula!), as were the exceptional sales of the Dark Iceland series. We’ve had three books selected for the excellent WHSmith Fresh Talent promotion (Amanda Jennings’ In Her Wake, Agnes Ravatn’s The Bird Tribunal ­[translated by Rosie Hedger] and Matt Wesolowski’s Six Stories), and The Bird Tribunal was a Radio 4 Book at Bedtime. Ragnar’s Nightblind won Most Captivating Crime in Translation at the Dead Good Reads Awards at Harrogate, and In Her Wake was shortlisted for Most Recommended Read. Louise Beech’s How To Be Brave was a Guardian Readers’ Pick, as was Ragnar’s Blackout. David F. Ross’s The Last Days of Disco was sold for stage to the Scottish National Theatre, and to Random House in Germany. It was the first-ever book that I published, and a massive boost! 

 

There are more of these ‘individual successes’, but I suppose the most exciting thing is to see the company grow. We quadrupled turnover in less than two years, and Orenda Books is definitely becoming a recognizable name both with readers and in the trade. Every positive review (and there are thousands), every bit of support from the ‘community’, every opportunity to bring my brilliant authors to festivals and events and bookshops, has added to the thrill of it all.  

 

 

4)   Have you always loved books, and what are you reading at the moment?

I have always been a reader. My dad was transferred a lot when I was young, and books were my solace and my friends. I would take a dozen books out of the library every week and be transported! When I was about eleven, I read a novel where the protagonist got a job in a publishing house, reading the slush pile. I couldn’t believe it! That was a job? And here I am! I always have a few books on the go. I’m reading Stav Sherez’s The Intrusions and Sarah Perry’s The Essex Serpent at the moment, plus first drafts by Orenda authors, including Louise Beech’s Maria in the Moon and Michael J. Malone’s House of Spines. All are AMAZING!

 

Karen Sullivan is founder and publisher of independent publisher Orenda Books, and a Bookseller Rising Star for 2016.

Coffee Gator – Pour Over Coffee Maker

 

pourover coffee maker

Easter break is over and it’s back to work with a vengeance. If you turn to coffee for a kick start Coffee Gator might hit the spot. Pour over has become quite a hipster thing and many are choosing this method of brewing coffee over their flat whites and lattes.

I’ve used a Chemex for many years but I’m not always so good at remembering to buy filter papers, so when I want coffee and I’ve got no filter papers, I’m stuck.

The Coffee Gator pour over coffee maker appealed to me as it has its own laser cut  reusable steel filter cone, so I’d never have to buy filter papers again. At a time when pollution is high and waste has become a topical issue it’s great to see companies tackling this head on.
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The pour over coffee pot brews enough for two good mugs worth, just what I want.

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If you’re looking to banish instant coffee from your kitchen and start enjoying better coffee, this is a great little coffee brewer.

The pour over method highlights every delicious note and aroma in your coffee in an effortless way.

This high-quality coffee maker is backed with a 100% satisfaction guarantee and can be purchase for £29.97 (usually £39.99) from coffeegator.com