SISTER SCRIBES: CASS GRAFTON ON MRS GASKELL… ON CHARLOTTE BRONTE

The other day, I had the urge to watch North & South again, the well-received BBC dramatization of Elizabeth Gaskell’s second novel.

I’m not sure if this stemmed from a need to watch a classic film or simply the shallowness of wanting to wallow in Richard Armitage’s smouldering interpretation of John Thornton, but whatever the attraction, it did make me think about Victorian writers.

Written originally for Charles Dickens’ magazine, Household Words, North & South has more recently been dubbed the ‘industrial’ Pride & Prejudice. It is typical of the stories spilling from Mrs Gaskell’s pen at this time: ones that didn’t flinch away from contentious social commentary but always had, at their heart, a bit of romance – and a copious body count!

It wasn’t a novel, however, that first introduced me to Mrs Gaskell’s writing. Back in school, I was obliged to read Jane Eyre as a set book.  My teenage heart was swept away by the passion of Charlotte Brontë’s classic and, considering myself plain and unnoticeable, I relished reading about this ‘oh so ordinary’ heroine getting her man.

Intrigued by the story behind the author, I bought a copy of a popular biography of Charlotte – the aforementioned Mrs Gaskell’s account of ‘The Life of Charlotte Brontë, having no idea of the drama surrounding the book.

It was written at the invitation of Charlotte’s father soon after his daughter’s death in 1855. Encouraged by Charlotte’s close friend, Ellen Nussey, Patrick Brontë wanted Mrs Gaskell, also a friend of his daughter’s, “to publish a long or short account of her life and works, just as you deem expedient and proper”.

Mrs Gaskell was used to her own writing exciting controversy amidst the admiration, but although the biography attracted critical acclaim, it was not universally well-received, with some critics not appreciating the whitewashing of certain aspects of Charlotte’s life. Mrs Gaskell had been stuck between the proverbial rock and a hard place – after all, parts of Charlotte’s life (like anyone’s) were not really for public consumption.

More controversy, however, came back to haunt the author. Published in March 1857, the Life attracted enough attention for a second edition to be announced in May of the same year. Suddenly, though, the book was withdrawn from sale, due to the threat of libel proceedings on more than one count and general grumblings from those who felt they had been unfairly depicted in the book.

The three main issues seem to have been these: how Patrick Brontë himself was portrayed; the account of Charlotte’s brother, Branwell’s, decline – exacerbated by the implication of the influence of a ‘lady’, who was described in such a way, all of society knew her identity; and descriptions of Charlotte and her sister, Emily’s, time at the Clergy Daughters’ School at Cowan Bridge.

Mrs Gaskell went on to describe herself as being in ‘the hornet’s nest with a vengeance’ and referred to the biography as ‘this unlucky book’ in a letter to her publisher. Its overall success, however, meant the Life wasn’t going to disappear. Balancing out the unpleasantness of the above, Mrs Gaskell began to receive additional information, either from others who admired what she had already achieved or those who wanted to correct certain details.

She faced a daunting major revision, but set to and the third edition – Revised and Corrected – appeared in the November, less than six months after the original had been withdrawn from sale. It contained a substantial amount of new material.

Despite the challenges she faced, Elizabeth Gaskell did an admirable job, and her insight into the life of Charlotte Brontë is a fascinating read and one I would highly recommend to anyone who enjoys reading about Victorian authors.

As for myself, I think I’ll avoid any attempts to pen biographies for my writing friends and immerse myself in fiction instead – the visual rather than the written version on this occasion! Excuse me whilst I hit play again on North & South… I may be gone some time!

 

Sources: Various Gaskell letters, and Alan Shelston’s Introduction and Appendices to the Penguin English Library 1975 edition of Jane Eyre

 

What The World Needs Now Is Love. Balance Editor Interviews Peace Activist & Mindfulness Author

Annabel's Jungle Bar, annabel's, Catherine Balavage, Stephen Fulder, Sophie Scott, Mindulness, LoveIn a world that is so divided I was excited to head to Annabels to hear Sophie Scott, editor of Balance Magazine and Author and Peace Activist Stephen Fulder of What’s Beyond Mindfulness come together for a talk on mindfulness and love. Stephen Fulder was full of wisdom and Sophie Scott was adept at getting the wisdom by asking great questions. Fulder says that we have to love ourselves. It comes from within. He has spent time in Israel educating people to look differently at themselves and others. A 10-year-old Palestinian boy was so moved by Fulder and his words that he told him that he had seen so much suffering that he was sure he human heart was cold and hard, but meeting Fulder meant he then knew there was goodness in the human heart. Fulder says people have to tell themselves I am a whole human being. I love myself. That people have to be a friend of their spirit. We have to allow ourselves to be the shape we are.

When it comes with dealing with difficult and negative people he says that first; you have to look at the person. No automatic pilot. See the person and look at their pain. There will be a lot of ignorance and blindness. Protect yourself by not digesting the stuff. Refuse to let it get to you. Don’t let it get inside. Feel steady and stand your ground. Listen but do not take it in. See the buttons but do not accept it. Say ‘I see you, I see this, I let if go’.

Stephen Fulder is a buddhist but he says being buddhist does not mean taking everything but you have to challenge your ego. If you are the one in the wrong saying sorry has wisdom to it. It is gone, it is finished. A line drawn on the water is just gone. Started afresh in the garden of now.

We are conditioned to run after goals but we can stop and just be mindful. Be happy with our lives and who we are. Rather than just chasing the next thing. The key is joy.

This was a wonderful talk to discuss how we can heal division and conflict both at a societal level and also within our families and communities.  https://annabels.co.uk/events/january-wellness

Here is a link to a recent article that Fulder wrote for Balance on using mindfulness to heal conflict. https://balance.media/resolving-conflict-christmas/ Fulder is doing a tour of UK pubs bringing mindfulness to the masses called Buddha At The Bar.

Image

 

 

What’s Beyond Mindfulness is a life-changing guide on every aspect of modern life from using mindfulness to resolve conflict to how to age wisely, deal with tiredness, find fulfilment at work and make friends with your body, heart and mind. It’s a uniquely practical exploration of Buddhism in everyday life that will appeal to people of any faith and to those of none. What’s Beyond Mindfulness was a bestseller in Israel for 18 weeks and is written by leading Peace Activist Stephen Fulder, founder of the Israel Insight Society which has been at the helm of peace talks between Palestinians and Israelis and guided thousands of people in Israel and worldwide in exploring Buddhist teachings. The book is endorsed by Jack Kornfield and James Baraz.

The book is available here.

Call me Vicky at Pleasance Theatre London: reviewed by Paul Vates

 

Call Me Vicky  at The Pleasance Theatre, London  “I want to know more about this world and these people”

 ‘Based entirely on a true story’ makes for an interesting tale, but does it transform into an entrancing theatrical event? Ever so nearly!

Call Me Vicky is a part of the You Will Know Their Names New Writing Season at The Pleasance. The one-act play is about a young man in the 1980s, Martin, who has always known that he is a woman and is soon to undergo the full NHS treatment to become his true self: Vicky. In the meantime, we see his loving working class mother, Sylvie, so accepting and understanding, coping stoically with her child’s transitioning. Wendi Peters plays the part to perfection, handling the comedy and the pathos so gently that one feels her part is woefully underwritten. Maybe the whole tale is too obviously through Vicky’s eyes, whereas a different challenge would be to see Martin’s situation through the mother.

[Wendi Peters as Sylvie]

 

Martin/Vicky is played by Matt Greenwood, full of nuances and quirks, and, one would assume, having the shoulders upon which the play rests. Not quite. Luckily for him, not only does he have Wendi Peters, but Ben Welch – a gruff, loveable bear of a transvestite, singing, flirting with the audience and ad-libbing his way through the few sticky patches in the cabaret.

[Ben Welch as Fat Pearl]

 

Writers Nicola Bland and Stacey Victoria Bland both play fellow strugglers in this put-upon world, Debbie and Gabby respectively. Both have their own problems, both acting as useful devices in showing the huge heart and love for others that Vicky possesses.

[Matt Greenwood as Vicky]

 

A romantic twist occurs with the arrival of Sid, played by Adam Young. A gay punk who, not only plays against type, but genuinely stands by Vicky – there is so much that is tantalising about Sid’s story, too, that I feel director and dramaturg Victoria Gimby’s focus on telling Vicky’s truth, means the others have been left behind – they are all fascinating characters in a harsh world and somehow I felt short-changed. The actors are ultimately let down by a story, even if it is true, that is a little bit monochrome.

[Adam Young as Sid]

 

Wonderfully designed by Martha Hegarty, in what is a difficult space – far wider than it is deep – the play fair zips along, but I want to know more about this world and these people.

 

Photographer           Fabio Santos

Producer                  Post-It Productions

Playwrights              Stacey Victoria Bland and Nicola Bland

Director                    Victoria Gimby

Set Designer            Martha Hegarty

 

Venue                      Pleasance Theatre, North Road, London N7 9EF

Tube                         Caledonian Road (Piccadilly Line)

Performances          until Saturday 9th March 2019

Times                       8pm Tuesday to Saturday, 6pm Sundays

(3.30pm Saturday 9th March)

Tickets                     from £12

Box Office                www.pleasance.co.uk and 020 7609 1800

Running Time          75 minutes (no interval)

Twitter                                 @callmevickyplay, @ThePleasance, #CallMeVicky

Age                          14+

 

DAVID LEDAIN EXAMINES GENDER DIVERSITY IN HISTORY AND CULTURE

David Ledain is the author of Gay Dad – Ten True Stories of Divorced Gay Men with Kids, Living in the UK Today. Ledain, divorced himself and with two grown up sons, lives in Chichester, West Sussex. His latest book; This Forbidden Fruit: Male Homosexuality – A Culture & History Guide explores what it means to be gay; to live an authentic life when there are little or no references to base it upon.

Our culture provides heterosexual men and women with a vast tradition and depth of lore about what it means to be straight. Women grow up with the myths of Eve, Gaia and the Virgin Mary, while men have Adam, Mars, Zeus and the great religious prophets to identify with. Imagine a world for instance without the representation of women anywhere; a fictitious world in which there are no positive images or examples of women in the church, in government, in film, books or on TV, or indeed of playing any meaningful role throughout history. It is unbelievable, yet this is the way homosexuals have lived, without any gay male archetypes. Because of this lack of backstory, every new gay-themed film, TV show or book that appears, every new celebrity or politician who comes out, is so significant to our collective gay story that we jump on it voraciously. Often, this causes a backlash and straight people can be heard saying things along the lines of ‘They’ve got equal marriage, they can join the army, there are no anti-gay laws anymore, what more do they want? Why do they have to keep harping on?’

Growing up without proper foundations of myth, gender diverse references or role models, is not equality, so every single gay story is as important today as it ever was, even when we have come so far. Story-telling is a fundamental building block of any society. It is what makes us human – passing on our traditions, our wisdom, our folklore and myths from one generation to another. And that is true for homosexuals as well.

This Forbidden Fruit reveals the facts and legends; from Homosexuality in Literature to Coming Out in the Forces; from the First World War – Homosexuality Under Fire to David Bowie 1972; and why, against all odds, homosexuals exist at all.

One possible reason for the evolutionary existence of homosexuals is a means to defend their mothers and siblings by bringing special skills to the family unit that might otherwise be lacking in the other sons. Research shows that another factor in the propensity to bear a gay son might be due to a traumatic event endured by the mother during pregnancy, thus creating the correct hormonal environment for the unborn male foetus to develop more caring, nurturing traits that would be necessary to safeguard the mother’s future well-being. These scenarios require the son to have good caring and nurturing skills, and also to be a character who can negotiate and reconcile situations when for instance, food and resources essential to the family are in limited supply. Homosexual men, though often portrayed in the guise of the stereotypical drama queen, the self-centred narcissist or the vitriolic one-line bitch, more often than not possesses the antitheses of these less desirable character attributes, with softer, more compassionate and supportive qualities. Drawing people together, reconciling, co-operating, and understanding opposite points of view, is familiar to the homosexual character. It is this mythos we need to explore, refine and tell.

 

 

You can follow David on Facebook & Twitter @Davidledain

And visit his website www.gaydad.co.uk for more information and his blog.

 

 

 

AUSTRALIA – A TRIP OF A LIFETIME   By Jan Speedie – One of Frost’s fabulous book reviewers.

To cheer us all up as we end winter 2019 Frost Magazine is thrilled to publish Jan’s account of her wonderful holiday taken at about this time last year – to cheer us all up as we end the 2019 winter.  Over to Jan.

On a cold and icy day in March I leave Heathrow bound for Dubai, the first leg of my journey to Australia.  I meet up with my friend, Georgina, who had flown in from Newcastle.   Together we fly on to our stop over in Singapore.

As we leave Singapore’s Changi Airport, we notice that it has warmed up, it’s about 33 degrees. Never mind it’s a wonderful change from the freezing weather we left behind.

Singapore is a lovely clean, orderly city sitting very near the equator so hot and humid. After a good night’s sleep we are off on a tour of the city starting at the Botanical Gardens and it’s amazing displays of orchids, past Raffles (which is closed for refurbishment) so no ’Singapore Sling’ for me and on to the Gardens by the Bay with its iconic hotel with a swimming pool built across of the hotel pillars.

 

Singapore River

 Our hotel is situated near the river and we are able to wander along taking in the local sights, restaurants and China Town which is decorated to celebrate the Chinese New Year.  Next stop is Melbourne.

At Melbourne airport we are met by James, our tour guide for the next 21 days. Following a tour of the city to orientate us we book into our hotel.   During the next 2 days we discover the Victoria Market, the Botanical Gardens, Federation Square, the Melbourne Cricket Ground and the Rod Laver Arena, St Kilda and Port Melbourne and the wonderful free trams to ride on round the city and save our legs. We treat ourselves to a lovely dinner on the Colonial Tramcar Restaurant which winds its way around Melbourne and St Kilda while we eat a delicious dinner. We also visit the penguins on Phillip Island; they look so small and cuddly as they make their way up the beach to their night burrows. Melbourne is a friendly and interesting city.

 

Our next flight is only one and half hours to Adelaide and a half hour time change. Once again we have a tour of the city to orientate us but due to the ‘Festival of Light’ the city is very busy. Today is a leisure day so we decide to take the tram to the beach. Glenelg beach is about a 40 minute tram ride from Adelaide centre through the outskirts of the city. We discover a beautiful sandy beach with lots going on. The local youngsters are engaged in surf board racing in the bay. Bravely we don our swimming gear and take to the waters for a welcome swim.  A quick coffee and cake and we make our way back to the city centre to explore the Festival of Light. Lots of the parks and buildings around Adelaide are lit by coloured laser lights and loud music filters out from various venues around the city.

                             

Glenelg Beach

 The following morning we head for the Ghan train for our overnight journey to Alice Springs.  The Ghan is one of the world’s most iconic train journeys. A journey to the heart of Australia’s outback. We settled into our comfortable twin cabin with en-suite shower and air conditioning. There is a large seating

Area to relax in and enjoy a drink before meals in the excellent restaurant. The next morning at 5.45am we climb down from the train to witness the sunrise and early breakfast before continuing our journey to Alice Springs.

  

The Ghan and lounge area

While we are in Alice Springs we visit The School of the Air, teaching school children in outlying homesteads, The Royal Flying Doctor service and the old Telegraph Station who care for the Outback’s medical needs and emergencies. We also visit The Western MacDonnell Ranges: Ormiston Gorge, Standley Chasm and Ellery Creek all spiritual and ‘dreaming places’ of the Aborigines.

 

 

The following day we have a 6 hour coach journey to Uluru. An air conditioned coach and a ‘comfort stop’ with a collection of camels and emus to look at all makes the long journey reasonable.

As we travel round Uluru (Ayres Rock) resort we see the amazing rock formations in their deep earth red colour. The main formations are Ayres Rock, Kata Tjuta (The Olgas) all sacred to the Aboriginal culture. In the evening we go the watch the sun set over Ayres Rock, a beautiful sight.  It is a short stay in Uluru – Cairns is our next stop.


After a 2 hour 30 minute flight from Uluru we arrive in Cairns. We book into our hotel on the sea front overlooking the picturesque Esplanade with a lagoon for a quick swim.  We spend the rest of the day exploring the resort and are fascinated by the large fruit bats hanging in the trees waiting for their evening flight. The following morning we embark on the high speed catamaran to the Marine World platform at the outer reef of the Great Barrier Reef. From the platform Georgina and I take a short helicopter ride and see the amazing colours of the reef below us. Once safely back on the platform there is scuba diving and snorkelling to enjoy plus a glass bottom boat and a Helmet dive to watch the wonders under the sea.

On our second day in Cairns we take a trip to Kuranda a town above the rainforest. Before joining the Sky Gondola we visit the Aboriginal Tjapukai Centre and learn more about Aboriginal customs and learn how to throw a boomerang (well try anyway). On the Sky Gondola we ride over the rainforest to Kuranda and explore the town and even get to hold a Koala bear.  Mid afternoon we make our way to the Kuranda Scenic Railway to make our way back to Cairns on this classic locomotive. This amazing engineering feat was opened in 1891 to help improve transport for the growing workforce involved in gold mining in the hills.

 

 

Now it is time to move on to Sydney with its famous Sydney Harbour Bridge and Opera House. Our hotel Room has a fantastic view of the harbour and our window sill is visited by colourful Lorikeets hoping for biscuits crumbs. The following day we have a sightseeing tour of Sydney visiting Bondi Beach for a quick paddle, Hyde Park, Mrs Macquarie’s Chair, The Royal Botanic Gardens then on to a lunchtime cruise round the harbour. In the evening we have booked seats to see La Traviata by Verdi at the Opera House – a wonderful experience. Great, it is a freedom day, unfortunately the weather has changed and it’s raining! We walk across the bridge from our hotel and climb one of the pylons giving us a wonderful view over the whole city and harbour. Circular Quay is our next stop and we take the ferry to Manly Beach and find time to do some souvenir shopping. With the change in the weather the ferry across the harbour is rough and exciting.  This is our last evening with our group so we gather for a farewell drink before our fellow travellers depart to make their way home by various routes – Hong Kong, Bangkok or Singapore.  We have chosen Hong Kong for our stop off before our holiday/TOUR finishes.

On our arrival in Hong Kong we are amazed at the high rise blocks of offices and apartments all squeeze in to small spaces on Hong Kong Island and Kowloon. A sightseeing tour is on the agenda for the next day. We ride on a sampan round part of the harbour seeing the boat people, visit a jewellery factory, Stanley Market, Repulse Bay and Victoria Peak where we travel down on the Funicular Railway.  There is so much to see in such small space.  On our final day we take ferries to Discovery Bay, a complete change from bustling Kowloon and Hong Kong Island; quiet and peaceful and home to ex pats enjoying life in Hong Kong.

 

This tour of Australia has been an amazing experience thanks to the enthusiasm and knowledge of our tour leader who enjoys showing off his country. We flew many miles and enjoyed 8 hotels and an amazing train journey.  The jet lag has now faded but the memories and photos remain.

Just remember this was a TOUR holiday – tiring but great fun.

More information at Distant journeys

 

 

 

 

 

 

 

 

 

 

 

 

Celebrate National Margarita Day with the Cointreau | Cocktail Recipes

Margarita Day, cointreau , cocktails, cocktail recipes. This National Margarita Day on February 22nd celebrate in style. Be inspired by the beaches of Acapulco and the iconic, ageless cocktail created by ‘Margarita’ Sames in 1948, who famously said of her instantly classic concoction, ‘a Margarita without Cointreau is not worth its salt’.

This year marks the 170th Anniversary of the House of Cointreau – a celebration of all things Cointreau, the heart of cocktail culture and a key ingredient in over 350 classic recipes, including the famous Margarita. Bringing together generations of loved ones, Cointreau is the heart and soul of cocktail culture, and its bold orange flavour and incomparable freshness have solidified its role in cocktail history.

Celebrate the origins of this iconic cocktail with delicious, innovative Margarita inspired cocktails from Cointreau, as well as the classic itself.

 

Original
The classic, created by Margaret Sames herself.

Ingredients:
30ml Cointreau
50ml Blanco Tequila
20ml Fresh Lime Juice

Method:

– Shake with ice
– Serve in a salt-rimmed margarita glass.

The Spicy Margarita
Bring a little heat to an iconic classic by adding jalapeno and cilantro to your Margarita. Your taste buds may walk on fire, until the subtle sweetness of Cointreau washes over the flame – bringing that perfect balance to life.

Ingredients:
30 ml Cointreau
50 ml Tequila
20 ml Fresh Lime Juice
2 slices Jalapeño
2 sprigs Cilantro

Method:
– Combine all ingredients in a mixing glass and add ice
– Shake and strain into an iced rocks glass
– Garnish with cilantro and a jalapeño spiral

The Pina Margarita
Nothing brings the beach vibe to life like fresh pineapple juice. Adding a cinnamon-sugar rim provide an indulgent, sweet taste you wouldn’t usually get from a margarita – expect the unexpected.

Ingredients:
50ml Tequila
30ml Cointreau
20ml Fresh Lime Juice
10ml Fresh Pineapple Juice

Method:
– Shake all ingredients with ice-
– Strain over ice in a cinnamon sugar rimmed rocks glass
– Garnish with pineapple wedge

The Matcha Margarita
A modern twist on the classic, the vibrant colours and complex flavours will be the highlight of your Margarita Day soiree.

Ingredients:
30ml Cointreau
50ml Tequila
20ml Fresh Lime Juice
½ tbsp matcha green tea powder

Method:

– Combine all ingredients in a mixing glass
– Shake with ice
– Strain over ice in a rocks glass
– Garnish with a lime wheel

The Berry Margarita

The perfect bright, pink twist on a classic, bringing the sweet tastes of summertime to life – inviting to even the most timid tipplers.

Ingredients:
30ml Cointreau
50ml Blanco Tequila
20ml Fresh Lime Juice
3-4 blackberries

Method:
Shake all ingredients with ice
Fine strain over ice in a rocks glass.
Garnish with blackberries.

 

Vera Wang Perfect White is a Wedgewood joy to behold – by Annie Clarke

 

I seem to be morphing into my mother … I’ve started using bone china, because she said everything tastes better if one does. So out went the heavy mugs, in come LARGE bone china cups china and saucers, and now I have white bowls and am steadily building up my collection. What’s more, my mother was right, as I now realise she was about so many things.

My youngest daughter came to stay, and started to ridicule my cups and saucers until she realised that I was right, just this once. Bone china does make all the difference.

My mum, and daughter would be interested to see that Wedgwood have introduced a tableware collection – Vera Wang Perfect White – a timeless collection of translucent fine white bone china that is ideal for both casual and formal entertaining. Vera Wang believes in using good china every day, like me, and her Perfect White design, with its chic simplicity and adaptability, represents a modern interpretation of the classics.

Vera Wang Perfect White continues Wedgwood’s partnership with international designer Vera Wang, who has designed tableware, crystal, stemware, barware, flatware and giftware for Wedgwood since 2002.

The Vera Wang Perfect White Dinnerware Collection comprises Vera’s signature coupe shapes in fine white bone china that has an incredible translucency and superior strength. Four new tableware configurations are introduced – bowls, plates, small plates and dipping bowls – that reflect the modern trend for sharing food, served with style. To brides, home-owners or passionate foodies, this stylish collection is the perfect canvas for expressing personal style through mixing and matching with the full Vera Wang tableware collection. Sets are presented in a signature Vera Wang Wedgwood gift box making it an ideal bridal gift.

Wedgwood, the iconic premium lifestyle brand, was founded in 1759 by Josiah Wedgwood, not only an astonishing craftsman and potter but also an exceptional pioneer, philanthropist and marketer. With its rich heritage of over 250 years it has become a true British cultural icon and is a testament to British entrepreneurial spirit and craftsmanship. With product and design development continuing in the UK the brand guarantees English authenticity and values.

Founded on the principles of design, quality and innovation Wedgwood makes the highest quality fine bone china dinnerware, tea ware, and iconic Jasper ware as well as beautifully crafted ornamental pieces. Wedgwood’s influence extends into fashion with long standing collaborations with world renowned designers Vera Wang and Jasper Conran.

Today the legacy of Josiah remains as Wedgwood continues to make a lasting impact. Wedgwood was acquired by Fiskars Corporation in 2015 and is now part of Fiskars’ English & Crystal Living Business.

www.wedgwood.co.uk

www.fiskarsgroup.com

Annie Clarke’s novel Girls on the Home Front pub Arrow is out in May.

Art world celebrates the 60th anniversary of The Mini – a true British icon by Annie Clarke

Oh yay, the Mini, the most popular British car ever built and a true British icon, celebrates its 60th anniversary in 2019.

I had a Mini called Mabel. It was an estate version. By then I was a mum with four kids at various schools. In we’d pile every morning, and off we’d go, zipping along the dual carriageway into Chester where we lived then. If felt like zipping, because  – well why? Was it just close to the ground, or did it really zip? ‘Him Indoors’ came one day, because his BMW was in for a service. In we all squashed, school bags, school kids, a business man and me. It was like Toad’s family roaring along, being  hooligans, or so said ‘Him Indoors’ gripping the door handle and shrieking to slow down. But I was only doing the speed of the others, and that was under the speed limit. It was just such a joyous zip zip car. I adored it, we all did, and it’s the only car we ever named.

The original Mini ranked fourth in a poll of British design icons organised by the BBC and the Design Museum; it has had starring roles in films like The Italian Job and at the London 2012 Olympic Games; it has gone racing; it has been a troop transporter; and has won the hearts of many millions across the globe for six decades.

Now, the Birmingham-built classic is the inspiration for a new series of arresting pop art-style art works launched by world-leading art agency, Thomas Crown Art (TCA).

International art dealer at TCA, Stephen Howes, comments: “The Mini, the greatest success story that the British motor industry has ever known, was never meant to be an icon. 

“It was meant to be practical and efficient.”

He continues: “But with its unconventional looks, its daring-to-be-different charm, its personality, and its design, the Mini was cool from the very beginning. 

“From the moment it was launched in 1959, there was a coolness about it that has endured and undoubtedly grown over the last six decades.

“It’s place as a true, mould-breaking British icon was cemented in the epicentre of the Swinging Sixties and has been galvanised in the 21st century’s Cool Britannia movement.”

Oh, Mr Howes, if only I’d known all this, I could have refuted the Toad hooligan label with aplomb, and I never realised I was, ,for once in my life, ‘COOL’.

Mr Howes goes on to add: “How could we not celebrate this timeless, fun-loving legend as it prepares to celebrate its diamond anniversary? And who better than Birmingham-born artist Gary O’Neil?

“These bright, arresting, highly original and collectable mixed-media pieces encapsulate the spirit of the Mini. They have an electrifying sense of freshness about them and have their origins in the 1960s pop art scene.”

For his part, artist Gary O’Neil, explains: “Like a lot of people, I’m quite nostalgic about the Mini. My parents owned several, and I had one for my first car. More recently, I bought myself a “Cooper S” which I love to drive.

“We thought it would be great to recognise the Mini’s 60th birthday by producing some artwork. I decided to enhance the paintings using old tax discs, and to emulate the dominant style of art from the period. I think the result of painting the iconic Mini in the pop art style works really well.” 

Stephen Howes concludes: “Against the backdrop of Britain quitting the EU, the Mini, which embodies all that is cool about Britain, celebrates its 60th birthday.  With these collectors’ pieces of art we’re looking to continue to ride the wave of Cool Britannia into the future.”

The Mini series by Gary O’Neil is available globally and can be viewed here.

Annie Clarke’s novel, Girls of the Home Front pub Arrow is out in May 2019