Gustav Mahler in 1907
A breath-taking evening at the Royal Festival Hall is quite normal for the eager audiences. It’s not that they are easily impressed – far from it. It’s the quality of musicianship on display that takes the breath away.
This evening’s highlight was Gustav Mahler’s Fifth Symphony. Almost 100 musicians filled the stage and, under the flamboyant batonship of Robin Ticciati, the London Philharmonic Orchestra rose to the occasion. From the opening solo trumpet fanfare (take a bow Paul Beniston) to the ups and downs of the whole piece, I felt the musical journey was more than worth it.
Robin Ticciati – ⓒ LPO
Ticciati’s gusto and sheer force of character urged the orchestra through the funeral march, the drama, the waltz, the love-song and the vigorous climax of the symphony’s five movements. The whole work – written in 1901 and 1902 – has been labelled as ‘schizophrenic’ and the changes in rhythm and pace at times are a shock to the system. But I left feeling uplifted and enthralled by the sheer power of Mahler’s music.
Francesco Piemontesi – ⓒ Camille Blake
The evening began with Robert Schumann’s Piano Concerto in A minor (written between 1841 and 1845), played by special guest Francesco Piemontesi. The smaller chamber orchestra, still under Ticciati’s control, complemented Piemontesi’s wonderful interpretation – but, for me, the piece lacked any real cohesion. I am not sure why it was placed with Mahler’s symphony, which outshone it in almost all areas. It was good, but I wasn’t moved in the way some audience members were. But you can’t enjoy everything and it doesn’t stop me being enthralled by the skills on display.
The London Philharmonic Orchestra has a vast range of events at various venues around the country. Check out their website for details – https://lpo.org.uk/whats-on/ .
Principal Conductor Edward Gardner Artistic Director Elena Dubinets
Dates until Saturday 31st May 2025 Check with the LPO website for details
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