Author Archives: Jane Cable

WELSH WRITING WEDNESDAYS: INTRODUCING DEBUT ROMANCE WRITER, HELGA JENSEN

Posted on by

As a young child, I was an avid reader, and I was very fortunate that my mother bought me many books. They were beautiful hardback copies of books such as The Waterbabies, Enid Blyton classics, and many books by Hans Christian Andersen. I particularly loved The Princess and The Pea and The Little Matchmaker. Although I grew up in West Wales, as I am half Danish, I was privileged to visit Hans Christian Andersen’s house in Denmark (Odense) many times. It was always a magical feeling when you walked out of there with a new book stamped with the official stamp from his house.

With my love of books, I dreamed of one day becoming a writer, just ‘like Enid Blyton.’ However, there were two dreams I had and being cabin crew was my other dream. Therefore, as soon as I was old enough, I applied to a few airlines for a job. My first dream came true when I successfully got a position with a great airline in Bahrain called Gulf Air. They were some of the best days of my life. I also went on to fly on private jets for royalty which was a fantastic experience.

Having had these experiences, the writer within me started to niggle away at me. So, I did a journalism course through the London School of Journalism in 2002 and started writing. My dream was to write a book, but I thought perhaps if I had published work in magazines and newspapers, it would put me in good stead to get a book published. This led to a successful career as a freelance journalist and I still write for publications in the Middle East.

As I lived in Dubai for almost 25 years, I was extremely lucky to have access to the Emirates Literary Foundation and their annual Literary Festival. At the festival, you had the opportunity to enjoy meetings with prominent writers and agents. At one of the meetings, I met a fantastic agent who encouraged me to keep writing. So, I did, and the following year, the first chapter of my debut novel was a winning entry in the Montegrappa First Fiction competition. Winning this gave me the confidence to believe that I must be doing something right. I then embarked on a BA Hons in English Literature and Creative Writing, which I finished last year. As covid hit, my degree ended a little earlier than expected, which gave me the chance to edit and polish my debut and submit it to publishers. I was delighted when I received two separate two book publishing contracts! I chose to publish with Hera Books, and my debut, Twice in a Lifetime, was released on June 23rd 2021. I am now working on a Creative Writing MA at Bath Spa University, and my second book is due out around spring next year. Both books include settings in Wales. Twice in a Lifetime is set in Laugharne and New York, and my second book will be set possibly in Llanelli and Denmark. I have a few meetings with agents coming up through the Romantic Novelists’ Association, so I am unsure what I will do next, but I still have lots of ideas bubbling away!

 

Follow Helga on Twitter @HelgaJensenF

 

 

 

THE DIARY OF A BOOK, JUNE 2021

Posted on by

Research for The Lost Heir continues – and Jane Cable puts pen to Papyrus

DIARY OF A BOOK… JUNE 2021

June can be instantly categorised as a month when I didn’t get as much work done on The Lost Heir as I’d have liked to. This was for a number of reasons including a long overdue trip to visit my father-in-law and the edits arriving for my first Cornish Echoes book, The Forgotten Maid. But they have now been done and dusted and a review copy is ready and waiting for anyone who wants one (hint!).

But of course that does not mean I have been entirely idle on the next book in the series. Indeed, I have actually put pen to paper. Or to Papyrus to be precise, because I use writing software.

The first task with a new project is to set up the files. It’s not as complicated as it sounds – in fact you can just open a new document and get writing, but that isn’t using the system to its best advantage. In order to track your story and to keep your research together you need to use it properly. It’s an upfront investment in time that saves ages later.

One of the great features of writing software (and I understand that Scrivener works in much the same way as Papyrus) is the ability to move scenes around. So the first thing I did was to set up my scenes in the organiser. Just a line or two, so I know what happens in each, then you tag characters, locations and important items into each one.

Every tagged item has its own file so you can record all the important details about it or them – in other words, I never need forget the colour of a characters’ eyes again. I know perhaps it sounds a bit unprofessional, but while I know their backstory inside out I do struggle to remember physical characteristics. I’m the same in real life – I can’t even picture the faces of those closest to me (apparently it’s a known syndrome) – so to have descriptions to hand is a godsend.

I also loaded in the research sources and notes I wrote about last month, but of course some have stayed in my notebook – like the detailed family tree I spent a couple of days constructing for the Basset family, which started with truth but quickly and necessarily descended into fiction. But for this particular story it was vital to get it right – especially as each timeline deals with one end of it.

Alongside this I drew up some mind maps for my characters, and as I was planning to start writing in the present day timeline, took the contemporary protagonists further with detailed notes on their conflicts and emotional journeys. That done, I was ready to write the opening scene.

I always find it helps to play with your story a little before you settle down, and I know much of what I’ve written so far won’t make the final cut, but it helps me to establish people and places in my own mind. Some of the minor characters even surprised me a little, which is always good, and this is the point to open my heart and mind and listen to them. After all, The Lost Heir will be their story more than it will ever be mine.

There are still some loose ends to tie up before I get stuck into writing the 1810 narrative, largely driven by two more research books which have just arrived from the library. And then the exciting part can begin.

 

 

 

 

 

CARIADS’ CHOICE: JUNE BOOK REVIEWS, PART TWO

Posted on by

Lisa Hobman’s Under an Island Skye, reviewed by Morton S Grey

I loved this book and wanted to make my own escape to the Isle of Skye! Tackles some difficult issues – bereavement, depression, divorce, children of divorce but in a way that carries you along wanting the characters to find their happiness. Believable characters especially the hero, Reid and the heroine, Juliette. Evin and Chewie the dog wormed their way into my heart. A lovely escapist read.

 

Carol Cooper’s The Girls from Alexandria, reviewed by Jessie Cahalin

The mystery of Nadia’s missing sister hooked me from the outset. There are many layers in this book. Set in Egypt, London and in a London hospital ward, this novel explores the impact of one’s culture life experiences on our identity. The insight into life in Alexandria intrigued me and I could feel the exotic heat of Cairo. I enjoyed the contrast between the voices of Nadia as a girl and a mature woman. The naïve girl becomes a wise and witty woman, and the impact of her past on the present is explored beautifully. The way Nadia makes sense of a patriarchal and disrupted society is enlightening and relevant: revisiting memories sparks new connections and insight. The novel kept me guessing about Nadia’s sister and Nadia’s illness. There are wonderful gems of wisdom sprinkled throughout this novel. An intelligent novel I know I will reread.

Readers who enjoy Maggie O’Farell’s The Vanishing Act of Esme Lennox will love this book.

 

Natasha Lester’s The Paris Secret, reviewed by Jill Barry

Skilfully plotted, beautifully written, and with a cast of fascinating and ‘real’ characters, this dual time novel is a joy to read. Word pictures of Cornwall, the sensation of becoming airborne, the loneliness and horror of the war years against the camaraderie and determination to enjoy being young and alive, all contribute to this magnificent novel with its tiers of separation and reunion, even if the latter is sometimes not entirely welcome. Family secrets and historical facts blend with real life dramas. Devotees of haute couture will drool over the name dropping and the exquisite descriptions of dresses most of us can only dream of acquiring. This is a book you won’t want to put down. This is a love story that will stay with you long after you regretfully reach The End.

 

David Sivers’ In Ink, reviewed by Evonne Wareham

Dave Sivers is an established indie/self published crime author specialising in police procedurals. In Ink is the first in a new series in which a murder team under DI Nathan Quarrel investigates a serial killer in the leafy and affluent communities around Tring. When the body of a middle aged accountant turns up in a churchyard with a macabre facial disfigurement Quarrel’s team have to unravel a scheme for vengeance from a killer who is a meticulous planner and who always seems one jump ahead. Why have the victims been chosen and what is the significance to the killer of tattoos and tarot cards? A twisty plot, a policeman with a haunting act of violence in his own past, a killer with a grisly calling card and a cast of interesting characters – both police and suspects – make this a satisfying read.

 

 

 

CARIADS’ CHOICE: JUNE BOOK REVIEWS, PART ONE

Posted on by

Audrey Davis’ Lost in Translation, reviewed by Jessie Cahalin

A clever twist on the romantic comedy genre. It was wonderful to meet Charlotte and follow her new life in Switzerland with her husband and children. I adored the way the character found her voice and her identity and slowly changed. This story had me hooked from the outset because I feared the worse and wanted Charlotte to triumph. Perfect escape to Switzerland for me, and I read it very quickly. The writing style is fun and engaging – so entertaining to get inside of Charlotte’s head and hear what she thinks. There are some fantastic moments in this novel. This is an uplifting feel-good book with a satisfying ending. I loved it!

 

Natalie Kleinman’s The Reluctant Bride, reviewed by Jane Cable

In the notes to the reader at this end of the book, Natalie Kleinman mentions Georgette Heyer as an inspiration, and if you love the classic Regency romances by the doyenne of the genre, you are going to enjoy this book too. Widowed after just six weeks of her arranged marriage, Charlotte emerges from mourning with no intention of letting her newfound freedoms go. But she is young, beautiful and spirited, so of course she attracts admirers.

I read this book in a day and so enjoyed being transported to a different world. A world of Almack’s, riding out in Hyde Park, shopping (not to mention taking the horrible waters) in Bath, and picnics under the trees in the park of great country houses. The central characters are beautifully drawn and I enjoyed finding out how many of them achieved their happy ever afters. Recommended!

 

Jessie Cahalin’s You Can’t Go It Alone, reviewed by Judith Barrow

I really liked You Can’t Go It Alone. The characters are well drawn and multi layered and there are so many familiar ‘human life’ threads running throughout all the relationships. All thought provoking.

The dialogue is exceptional; the personalities of the characters were instantly revealed, through both the internal and the spoken speech.

It’s the Olive Tree Café where most of the action occurs and there is a strong sense of the cafe’s ambience. Indeed, all of the settings have a good sense of place and it’s almost as if the Delfryn itself is personified as a character in the story, with the interweaving, individual lives it holds at its centre.

Initially, the story appears to be a light-hearted look at life in a Welsh village, but actually, it’s a story that explores the contrasting mindsets and distinct possibilities between different generations of women.  Jessie Cahalin’s debut novel, You Can’t Go It Alone, is an interesting and thoughtful story.

 

Sue Moorcroft’s Under The Italian Sun, reviewed by Morton S Gray

I think this is one of my favourite Sue Moorcroft books to date. The hero Piero is fanciable just from Sue’s words on the page. Zia has a lot going on with her complex family dynamics and the fact her ex-boyfriend is best buddies with her best friend’s husband. Add into this an interesting and complex plotline spanning across England and Italy and there is plenty to keep you guessing. Can’t wait for the next novel already!

 

 

WELSH WRITING WEDNESDAYS: ALEXANDRA WALSH ON APPLYING MYTHS TO FICTION

Posted on by

Wales is a land rich in mythology and here Alexandra Walsh explains how she researched and applied some of it to her latest novel.

In The Wind Chime, my main character Amelia Prentice is sent on a quest by her dying mother, Joan. Requesting Amelia should tidy the attic of their family home before she made any decisions about selling it, Amelia discovers a box of Victorian photographs, with a hand-drawn family tree. The annotations on the back of the images names them as the Attwater family from Cliffside in Pembrokeshire.

Amelia has never heard this name before but she is intrigued by the family and is drawn to the youngest daughter, Osyth Attwater. When she discovers Osyth’s journal among her mother’s papers, she feels compelled to visit Cliffside and find out more.

The Mythology

At night, the Attwater family of old would gather on their veranda, listening to the wind chime and watching the sun set into the roaring ocean. They told each other stories and Osyth revelled in the tales her Uncle Noah wove around them, using them as a guide to her life.

In order to make to create Osyth’s interior life, I drew on tales far and wide. These included old fairy stories, local legends and Celtic mythology. At the beginning of the book, Osyth is in her late teens and is letting go of her childhood as she enters the adult world, yet she cannot fully abandon the magical world of her childhood. Throughout, I was aware the tales needed to fit in with Osyth’s story rather than distracting from it, so the fairies invited to join the party were chosen with great care.

Tylwyth Teg was the most important tale. This is the Welsh translation for the Fair Folk or Fairy Folk and their magical home can take a number of forms, from the underground land reached through the doorways of the Celtic stone circles or in mysterious green lands that can be glimpsed off the Welsh coast. Osyth is fascinated with Tylwyth Teg and it is from here she draws on other magical creatures who are her talismans and protectors as she discovers bitter family secrets.

It is during the celebrations of a family wedding, Osyth’s aunt, Hannah, tells the story of how the world of the Fair Folk was created. It is the tale of a woman who hid her children from Jesus when he visited her home as she was ashamed of her fecundity. However, when she searched for her family later, there was no sign of her children. She was told God had taken them as a punishment for hiding the gifts he had bestowed upon her. In the legend, these children were taken underground and became the ancestors of all the creatures in the Land of Tylwyth Teg.

While dressing for this wedding, Osyth references Gwenhwyfar, the fairy of the White Moon Shadows. This fairy dances through the world leaving tiny white flowers in her wake. White flowers became a theme throughout the story, including the name of her perfume, White Rose, from the perfumiers, Floris.

The most interesting creature I discovered was the gwrach-y-rhibyn, the witch of death from Welsh mythology. This terrifying creature with her red eyes, green-tinged skin and dark leathery wings, gathered the souls of the dead and would visit houses whenever a death was imminent. It calls to mind the Irish banshee, which considering the close proximity of the two coastlines is unsurprising.

I hope this small insight into the fairies and their world will make your reading of The Wind Chime – and Welsh mythology – more interesting.

 

JANE CABLE REVIEWS LIZ FENWICK’S EXCEPTIONAL NEW NOVEL

Posted on by

For some years the pinned Tweet on Liz Fenwick’s profile has been about kindness, and it struck me that in many ways The River Between Us is too. The First World War heroine, Alice, must learn to be kind to others, and her modern counterpart Theo needs to be kind to herself.

Their stories are more than linked – they are woven together – by place and by so much more. But as always with Liz Fenwick’s books, it isn’t so much the resolution of the mystery that is important, it is the journey itself. And this is an especially rich and sensual one.

Newly divorced Theo buys a ramshackle cottage on the Cornish banks of the River Tamar, once part of the estate belonging to the manor house, now hotel, on the Devon side. The seeds of mystery are planted quickly, as Theo discovers a box of letters dating from the First World War, and when her grandmother dies it comes to light that she had secrets of her own.

In the historical narrative, which begins in 1914, Alice is a rebellious debutante, determined to speak out for force-fed suffragettes to the king and queen during her season. When she does so she is banished to Abbotswood in Devon, where she is attracted to the ghillie, Zachariah Carne.

The coincidences may fall a little too thick and fast for some, but this takes none of the enjoyment from the story. Liz Fenwick’s prose takes the reader from seeing Abbotswood as a prison for a young girl, to casting it in a dream-like quality, full of beauty and wonder, as Theo falls in love. In this book the tiniest of details matter – the tying of flies, the shells in the shell house, the flowers and their meanings. And that is brilliance of it.

But The River Between Us is more than an exhibition of faultless prose; the characters leap from the page and sink into your heart. Both contemporary and historical plots are complex and resonate with each other, and by the end of the story all the strands are as neatly woven together as DNA.

Books as good as this one are the reason I don’t read when I am writing a first draft, because they have the power to transport you to a different world, even when you aren’t physically turning the pages. But I am discovering they are excellent to read when editing; tomorrow I need to return to my own work in progress, inspired to make it so much better.

 

Publisher’s blurb:

Following the breakdown of her marriage, Theo has bought a tumbledown cottage on the banks of the river Tamar which divides Cornwall and Devon. The peace and tranquillity of Boatman’s Cottage, nestled by the water, is just what she needs to heal.

Yet soon after her arrival, Theo discovers a stash of hidden letters tied with a ribbon, untouched for more than a century. The letters – sent from the battlefields of France during WW1 – tell of a young servant from the nearby manor house, Abbotswood, and his love for a woman he was destined to lose.

As she begins to bring Boatman’s Cottage and its gardens back to life, Theo pieces together a story of star-crossed lovers played out against the river, while finding her own new path to happiness.

The River Between Us beautifully explores the mystery and secrets of a long-forgotten love affair, and is published by Harper Fiction on 10th June.

 

 

 

 

 

 

WELSH WRITING WEDNESDAYS: INTRODUCING ALEXANDRA WALSH

Posted on by

West Wales has always held my heart. Although I was born and brought up in London, I have family in Milford Haven and St Ishmaels – Tish to residents and locals – in Pembrokeshire. My memories of holidays here are wide, varied and full of laughter.

My writing, like my links to Wales, have been life-long. There was never any question about what I would do but, as it was necessary to earn a living while trying to fulfil my ambition of being a published author, I toyed first with the idea of acting and writing for theatre. At the age of 18, I set up and ran a touring theatre company, however, acting was not for me and a few years later I closed the company.

Instead, I moved into journalism. My first job was on a local newspaper, from here I progressed to women’s magazines, national newspapers and prestigious launches.

Yet still, I wrote fiction. For a while, I focused on scripts, both film and TV. I sold three film scripts and, for a while, worked in the British Film Industry but it’s an unpredictable and strange place. In the space of two weeks, due to the large companies who were producing my scripts suffering internal upheaval, I saw my dream vanish. My response was to run away to Pembrokeshire.

Using the last of the money from the script debacle, I took the summer off and wrote my first novel, returning to London to find a new agent and sell my masterpiece. Sadly, it didn’t happen, so it was back to freelancing as a journalist.

Things changed again, I became seriously ill, losing my ability to walk for nearly 18 months. My solace as I battled to regain my health was to write. A new manuscript, a new agent, new hope but still no publishing deal. Another book languished.

Then a new idea arrived, in a direction I had never before explored: an historical thriller.

It centred on the Tudors and as I lived not far from Hampton Court and worked near the Tower of London both places issued a siren call. On my commute to work, I researched the historical thriller, then began writing it every morning in a notebook. The Tudor link to Wales, to Pembroke, to the area I knew and loved spurred me on, even leading me to set the book in St Ishmaels.

Life changed again, resulting in a move to Milford Haven. Settled in my purpose-built writing hut, a few miles from my cousins, I took the story from my notebooks and began to polish it. A new agent made all the difference and The Marquess House Saga was born.

Then, one day, the first book I’d written popped back into my mind: The Wind Chime. Rethinking and restructuring it, I pitched it to my agent and publisher and suddenly, I was in the Victorian era, weaving my own family history into the story. The same happened with the book that had sustained me through my illness, The Music Makers. This, too, became a Victorian time-shift with both drawing on the Welsh countryside, the myths and folklore of Pembrokeshire and the endless backdrop of the sea.

Wales is the land of bards, story tellers, of Merlin, Druids and the Fair Folk. The landscape holds magic in its rolling hills, its jagged mountains, its sparkling streams and rivers. It was the place that always held my heart and is now the place I call home and it has helped me make my dream come true.

 

 

 

 

THE DIARY OF A BOOK, MAY 2021

Posted on by

The first of Jane Cable’s monthly post charts acquisition and initial research

There is always a fascination with how books are written, but so very often when they’re started an author doesn’t know whether they will see the light of day so we’re unwilling to share what could be a disappointing journey. But as I signed the contract with Sapere for my second Cornish Echoes novel, The Lost Heir, in April, I thought I would tell the story of its creation too.

All the Cornish Echoes books will be standalone dual timeline romantic mysteries with one foot in the present and the other in the Poldark era (as I like to think of it), or the Regency period (for the purposes of Amazon classification). It was a fascinating time in Cornwall’s history when mine owners were making fortunes and building houses to prove it but there was still an element of lawlessness in the Cornish spirit. You’ve probably read or seen Poldark, so you will know what I’m talking about.

Each book is based around one of these great houses and at least some of the people connected with them – both in the early nineteenth century and the present day. The first, The Forgotten Maid, takes its inspiration from Trelissick, now owned by the National Trust and open to the public. For The Lost Heir it’s Tehidy, which burnt down in 1919, had a hospital on the site for almost seventy years, and is now a country park.

Sapere acquired the book on the basis of an outline, which for me means a four page summary of the characters, setting, history and plot. I had very little of the 1810 story but had discovered that the daughter of the house, Frances, remained unmarried – most unusual at the time, especially given the baronetcy was drawn up to pass through the female line as well. You could say my curiosity was piqued.

So in May the detailed research began and initially it involved a great deal of walking. Luckily my husband and I really enjoy it, so we tramped paths old and new to us both within the country park and around it; along the fabulous North Cliffs which run a field’s width from Tehidy’s boundary, then heading out to discover the farmhouse where important characters would live, and down old tracks into the harbour village of Portreath. All valuable settings for both timelines.

Alongside this I set out on some internet research into the history of Tehidy and the Basset family in the Poldark era. To my great delight I unearthed the possible existence of an illegitimate son, William. And the more I dug, the more certain it seemed he existed and what’s more, led a pretty colourful life.

His and Frances’ father was no slouch in that respect either, but as one of Cornwall’s most famous landowners it was easy to track down information about him. The online catalogue of Cornwall’s library system has an excellent search engine and through it I discovered books which mentioned him and a slim volume all about him, including accounts of how his household was run and guests’ impressions of the family and their magnificent home. Gold dust for a writer. The era – and the plot – were filling out.

But if these books were gold dust, a footnote in one of them led me to the actual gold. A family memoir of the type I assumed I would need to go to Kresen Kernow, Cornwall’s archives, to ferret out. But no, here it was in the library catalogue and it popped up at Truro branch within a few days. And it started with William. Lots about William. But to tell too much would spoil the story…