SISTER SCRIBES’ GUEST: ALISON LARKIN ON WHY SHE WRITES

Welcome to Alison Larkin, bestselling author of The English American, award-winning Austen narrator and now the narrator of The Particular Charm of Miss Jane Austen and The Unexpected Past of Miss Jane Austen. 

I’m with Dorothy Parker who said “I hate writing. I love having written.”

I was born in Washington DC, adopted by English parents and raised in England and Africa and I’ve written for as long as I can remember – poems and plays mostly. But they were usually pretty surreal.

Then something happened that changed everything. Including the kind of writing I did.

It was the early 1990’s. I’d recently left drama school and was playing Flora Poste in Cold Comfort Farm in Newbury when the ‘phone rang back stage and I learned that the birth mother I knew nothing about and had been searching for was alive and well and keen for me to come and visit her at her home – in Bald Mountain, Tennessee.

So I went to Tennessee to meet her. Then I moved to New York and became a stand-up comic, because what else do you do?

Growing up, we didn’t talk about feelings in my family, which was helpful I think because the. absence of any other outlet meant I had to write, even though I hated it. I’m sure I never would have written the stand-up comedy act that led to the one woman show that led to my novel The English American if I hadn’t had to.

Photo credit Sabine von Falken

But I did have to. Why? Because people kept asking me what it was like meeting my ‘real’ mother and every time they used those words I felt as if I’d been punched in the heart. Because, to me, my ‘real’ mother was the mother who had raised me. And yet I had needed to find my birth mother and people didn’t ‘get’ why.

So I decided to combine stand-up comedy and theatre and show people through a one woman show in which I played myself, my English mother, and my American birth mother who were diametrical opposites in every way. The show was a hit and led to sitcom development deals in Hollywood and a run in LA and London. And then I had children and stopped performing comedy because I wanted to hang out with my kids while they still wanted to hang out with me.

But then I started to get really annoyed with the way adopted people were portrayed in books and on TV as eternally damaged victims at best, or serial killers. So I thought that maybe if I could put an authentic adopted heroine at the center of the kind of novel that I like to read  then maybe people on a beach or a plane would understand why someone from a very happy adoptive family would need to find the people she came from. And maybe, just maybe, instead of having to go through the whole thing every time someone said “What was finding your birth mother really like” I could say “It would take a book to explain. Oh! Wait! I’ve written one.”

After The English American came out I was rescued from writing by the audiobook industry who set me up with my own studio and hired me to narrate the first of over 200 audiobooks I’ve narrated to date. And I was so busy raising my children there was no time – or need – to do any writing.

My handsome, brilliant Indian fiancé, Bhima, loved my writing. “Why don’t you write more,” he pressed me four months ago. “Because I’m happy,” I said smiling again at the first man I ever dared to fully love. I’d spent a lifetime looking for him. And finally, in my 50’s, there he was.

Then he died. So maybe I will be writing again after all.

 

Between now and Christmas, for every audiobook downloaded directly via www.alisonlarkinpresents.com one will be donated to people in need.

 

 

 

JANE CABLE INTERVIEWS CAROL THOMAS ABOUT HER CHRISTMAS BOOK FOR CHILDREN

In a year where kindness and thinking of others have been brought to the fore, I am delighted to be chatting to Carol Thomas about the release of her latest children’s book, Being a Friend at Christmas. You may be more familiar with Carol as a romance writer, but her children’s books are wonderful too.

In this, the second in her Little Pup series of books, Little Pup is looking forward to his first Christmas in his new home, but he also remembers the dogs he left behind in the shelter and wants them to have a happy Christmas too. Little Pup has an idea, but he needs Father Christmas’ help to make his wish come true.

I love the premise of the book and the fact it carries a message of thinking about others, what inspired you to write it?

Having seen Little Pup settle into his forever home in the first book, I couldn’t resist revisiting him at Christmas. I had the idea for the story soon after writing the first. As a teacher and a mum of four, I think children are good at grasping concepts, such as empathy, kindness and generosity, from the books they read. Stories can be enjoyable and fun, as well as inspiring a conversation, and I believe that’s what this book does.

I know you illustrated the book too, which do you prefer illustrating or writing?

Writing definitely, but I did love drawing the pictures for Being a Friend at Christmas. I drew them during lockdown while homeschooling my son and supervising my two high school aged daughters with their studies. It was quite therapeutic. I love dogs, so bringing Little Pup to life was a lot of fun.

How did you manage to keep the creativity going during lockdown?

There are five of us at home, and it was actually lovely to find our own rhythms for the day. We started work at times that suited us, went for walks, and did things like sit down and eat together – something usually prohibited by getting to various after-school clubs. I think focusing on those positives and not putting pressure on ourselves really helped.

I wasn’t the only one who got creative in our household, either. My daughter started making bracelets, earrings, bead art and keyrings and opened an Etsy shop. She’s had some lovely, positive feedback and I think it’s great to see a teenager being creative and using their initiative. You can check out her crafts here: https://www.etsy.com/uk/shop/RedDaisyCrafts

 As people turn their attention to buying for Christmas, I am sure they will make great stocking fillers, as will your book.

Thank you. I hope so. I love to share Christmas stories with my own children and hope others feel the same. There is something very special about sharing a book, and snuggling up in the winter months complete with pyjamas, slippers and a heartwarming story; it’s is a real treat!

 

And with being a friend and thinking of others in mind, between now and Christmas, Carol is raising funds for Angel’s Garden, dog shelter, in Xanthi, Greece on all purchases of Being a Friend at Christmas, made from this link: https://www.carol-thomas.co.uk/blog-dogs-at-christmas/

SISTER SCRIBES’ GUEST: ALISON KNIGHT ON WRITING A VERY SPECIAL BOOK

Alison Knight is a writer, teacher and editor living within sight of Glastonbury Tor. She is a member of the Society of Authors and The Romantic Novelists’ Association. She carries the dubious distinction of having introduced Kitty and Jane at an RNA conference.

I’ve always found entertainment, wisdom and solace in reading. When times are tough, it’s good to be able to escape into a story that takes you away from your everyday life and worries. So I suppose it was natural for me to become a writer.

Creating a legacy

My latest book, Mine, which is published by Darkstroke Books, is my fourth novel and a project that is very close to my heart because it is based on real events that happened in my family in the late 1960s. I’m the only one left who can tell this story and it was important to me to wrote it in order to introduce my children, nieces and nephews to people that have gone before. It’s my legacy to them, helping them to understand that the world was very different fifty-odd years ago and the people I portray in Mine were driven by the attitudes of society at that time. If the same things happened today, the outcome would be very different.

Understanding why

I also wanted to write Mine for myself. My memories of that time were stuck in the mind of a ten-year-old child. By putting myself into the minds and shoes of the main characters, I was finally able to understand what happened with an adult’s perspective.

I’ve written it as a novel rather than a memoir because I didn’t want it to be all about me. Instead, I wanted to explore how ordinary people made decisions that led them into an extraordinary situation. I was also aware that I would never be able to find out exactly what happened as the people who could tell me are not longer here. Instead I used my memories, conversations with family members, newspaper reports and official documents to piece together the story. Where there were gaps, I used what I knew and took into account the culture of the times and used my imagination to fill them. It soon became clear that the guiding themes were class, ambition and sexual politics.

Getting published

It has been an interesting journey to publication. At first, the book was far too long at 140,000 words for any publisher to take it on. A rewrite reduced it by over 20,000 words. Some agents and publishers suggested I give it a happier ending or turn it into a psychological thriller. If Mine had been pure fiction, I’d have considered these suggestions. But because it is based on real events, there were some things I simply couldn’t do.

The question of genre was a problem too. It’s a love story, but not a romance with a happy ever after. It was turned down several times because publishers weren’t sure how to market it. When asked to categorise Mine, I describe it as a family drama, or domestic noir.

But then I found Darkstroke Books, an excellent small publisher with a reputation for hard-hitting fiction. After years of rejection, Darkstroke’s acceptance happened quickly and Mine is finally being launched in November 2020. The editing process was fairly painless – my brilliant editor totally ‘got’ what I was trying to do and Darkstroke have been wonderfully sensitive and supportive.

So, how do I feel about finally sending this story out into the world? I’m excited, but also slightly terrified. It’s not often a writer is featured as a character in her own novel!

 

Find out more about Alison at www.facebook.com/alison.knight.942

 

 

 

 

 

 

 

 

 

INTRODUCING NORFOLK ARTIST AND PRINTMAKER, SUE WELFARE

I‘m an artist, printmaker and writer living and working in West Norfolk. I’ve got no formal arts training and only began working full time as an artist in my very late 50’s after a career as a freelance writer.  I think one really helped the other – I’m used to being self-employed, self-starting and self-motivating, and I’ve always been very visual – when writing I could always see and hear what was happening to my characters, and I think that visual imagination has really helped me develop as an artist.

I live in a little market town in Norfolk and love the diverse nature of the Norfolk Countryside, its amazing unspoilt coast line and its wildlife – as some-one pointed out recently, I’m all about Birds, Boats and Beaches!

Before becoming a printmaker I tried lots of other arts and crafts. I’ve worked with mosaics, stained glass, wet felting, papercutting – all of that experience and experimentation was really worthwhile, helping to build up skills in composition, mark making, colour, handling tools, finding out about inks and blades and glue. And along the way I’ve also met some amazing people who have been prepared to show me, teach me and share their knowledge.

I now work primarily as a linocut printmaker, which for me is the perfect balance of art and craft. I love working out the composition and drawing the blocks, but then also love the carving and the technical challenge that comes with creating a print.

I also love, and have missed, going to fairs, workshops and exhibitions this year – I enjoy the village feel of events, and showing and explaining to people what I do –  while lockdown may have curtailed the trips and adventures I had planned it hasn’t stopped me enjoying the garden, walking the dogs or imagining trips to favourite places.

Those things have kept me going over the last few months and inspired lots of new work.

 

You can find me on Etsy:  www.etsy.com/uk/shop/SueWelfareArtist

 

 

 

 

SISTER SCRIBES: KIRSTEN HESKETH ON NANOWRIMO TAKE TWO

I’m writing this on 30th October. It’s nearly a very important date … and one that has been eyeballing me from the calendar for weeks. No, not Halloween – with both children at uni (sob!), there seems little point in ‘celebrating’, (although we have been invited to Zoom into the wedding of the daughter of American friends in our finest Halloween regalia tomorrow!) Not even Firework Night which I do enjoy and which was An Important Social Occasion growing up (and I once got off with Paul Richardson from the swimming club at the Beaconsfield Firework Display in 1977) ….

No. November 1st marks the beginning of #NaNoWriMo …. and I can’t wait!

For the uninitiated, #NaNoWriMo stands for National Novel Writing Month and the challenge is to try and writing 50,000 words (the best part of a novel – or, at least, the first draft) during the month of November. Bonkers, but fun!!!

I’ve attempted – and completed – NaNo once before in 2017. I loved it – and I think it suits me and my writing very well. I have a terrible habit of ignoring the old adage ‘don’t get it right, get it written’ and I can spend hours – days – polishing and repolishing the same old passages or chapter – passages or chapters that never actually make it into the final cut!! What a monumental waste of time and effort that is! So, for me, there’s something very liberating about ‘having’ to write 1,667 words a day, come hell or high water (and there’s been a lot of that, lately, hasn’t there?!) No time to angst over the perfect word, the perfect phrase, the perfect cadence. All that can come later. Now is just the time to get the bare bones of the story down, to ‘tell it to myself’, to commit it to paper. Onwards, always onwards – no looking back – after all, you ‘can’t edit an empty page’! And, for me, all that striving forward makes me a better (maybe) – certainly a braver – writer. With little time to ‘vet’ what I am writing, now is the time to take risks, to go with the flow and to see where it takes me. After all, I can sort it all out later …

NaNoWriMo Mark Two is a different beast for me, though. When I attempted it three years ago, getting an agent – let alone a publishing deal – was just a twinkle in my eye. Now I am lucky enough to have my debut novel ‘out there’ as a proper book, thanks to Canelo. I also have a deal with Hodder & Stoughton for a saga series set in London in World War One. The first book in the series is done and dusted (and out next April) and I am due to start work on the second. To begin with, I dithered. Should I bash out a first draft during NaNo or make a start on the ghostly rom-com I’m dying to write? In the end, I wrote a couple of pages of the second saga book, fell in love with it – and now I want to keep going. So I’m good to go!

Five-page plan agreed with my editor – tick!

Online group of writing buddies – tick! If last time is anything to go by, I will really need them from days 17 to 20 and I’m ready to support them in any way I can too.

Are you doing Nano?

If so, good luck – and see you on the other side!

 

 

 

 

HISTORICAL NOVELIST NICOLA PRYCE ON HOW SHE APPROACHES HER RESEARCH

My books are set on the south coast of Cornwall, 1793-1800, so it’s wonderfully fitting that Cornwall’s new archive centre has moved to the old Redruth Brewhouse, built in 1792. The former Brewery has been transformed and incorporated within it is Kresen Kernow which houses 1.5 million records, covering 850 years of Cornish history. I believe there are fourteen miles of shelving!

I loved the Records Office in Truro, but this new centre is fabulous. Starting with the user friendly catalogues, the e-mail lists of chosen archives, the spacious research rooms, and the efficient and charming archivists, it adds to the serious problem of deciding when to stop researching and start writing!

But I’m getting ahead of myself. Other writers tell me they start with a kernel of an idea, a spark that fires their interest, and they expand it from there. I, however, like to start with the whole picture, gradually narrowing it down to the themes I want to explore.

I began my journey into historical fiction knowing the place I wanted to set my stories in – an area I have loved for thirty years. The date was an easy decision because since my Open University degree I’ve been mildly obsessed with the end of the Eighteenth Century, and as the books were to be set on the coast I had a community of shipbuilders, fishermen, clay speculators, merchants, and landowners around whom I could weave my stories.

Hoping my books might make a series, I decided to keep separate areas of research for each book and not cram everything into the first. It was a matter of holding back. Britain was at war with France and the areas I wanted to research were the high levels of bankruptcy among shipbuilders, raising the Volunteer Militia in the face of the very real threat of invasion, the patent row between the engine builders Boulton and Watt and how it impacted Cornish mining, the influx of French prisoners into the prisons, and building the new Infirmary. So much, and yet there is still so much I haven’t mentioned.

We are spoilt for on-line information. The touch of a key brings facts, dates, names, portraits, maps. We can access academic research papers detailing the lives of shipbuilders, midshipman, physicians tackling tropical fevers and the stories in my head slowly become plausible. But I need to know what I say happens could have happened. Every detail is checked – every inn, every stagecoach, every boatyard, even evidence of a French dressmaker in Truro.

I march round the area. I have a plot that could have happened to people who could have lived in the houses I identify. I have the setting, the time, the characters but missing is the most vital aspect of all – authentic voices of people living at the time.

And that’s where the days previously spent in the Records Office are now spent in the stunning Kresen Kernow. I only feel able to start a new book when real voices jump at me from the pages of primary sources – the threat of invasion, the woeful state of the sea defences, the lists of returns in case of subscription. The writs and legal wrangling that kept the price of tin high. The building of the sea-lock, details of rents charged to the tenants in the new harbour, Charlestown. The shambles at Pendennis Castle. The Naval ships awaiting orders in Falmouth.

The words they use, their tone, their sense of urgency or frustration leap from the pages. I can hear my characters and I can finally start writing.

 

Find out more about Nicola and her novels at: https://nicolapryce.co.uk/

 

VIRGINIA HEATH TAKES US BEHIND THE SCENES OF THE ROMANTIC NOVELISTS’ ASSOCIATION’S LEGENDARY PARTIES

When we are not in the midst of a global pandemic, the Romantic Novelists Association parties are the focal point of our calendar. Members travel the length and breadth of the country, and even further, to attend so they expect a good show. That’s my job. As the Events Co-ordinator, I organise all of the behind the scenes stuff to ensure everyone has a wonderful time.

We host two massive parties in central London every year. The Romantic Novel Awards in early March, which celebrates the best of romantic fiction in all its many genres in glittering splendour, and the eagerly anticipated jewel in the crown—the Winter Party which usually includes the prestigious Industry awards. Planning for both starts a good two years prior when I source the venues. As the RNA has grown in size, the needs of the venue become more specific. We require somewhere with the space and capacity to hold 300 plus romantic novelists, keep them majestically fed and watered and comfortable. However, that isn’t the only consideration. With people travels from all corners of the British Isles, it needs to be central, close to public transport and be fully accessible to all members of our wonderfully diverse institution. I also negotiate the contracts to ensure the best value for money.

A few months before each party, the serious work starts. Tickets have to be sold so I personally run all the marketing for the party and invite the dignitaries and press. Menus have to be organised; the free-flowing booze has to be chosen. I liaise with the venue on all aspects of this, from the number of bottles of prosecco to the individual dietary requirements of our guests. As the big day gets closer, I work with the AV technicians to select the correct music and lighting to create the perfect ambience. Then, on the day, I normally arrive at the venue first thing in the morning to consult with the hospitality managers and catering staff. I oversee the set-up, the rehearsals and run throughs, double check the layout, the seating plans for the awards and the green rooms for the nominees and VIPs.

Finally, I’ll man the reception desk and issue all the partygoers with their branded RNA scarlet lanyards which is their golden ticket to the fun. At the designated time I’ll throw the doors open and enjoy the oohs and ahs as everyone pours into the room. Once I am certain everyone has a glass in their hand and that the buffet is laid out, I’ll have a glass of something sparkly and pat myself on the back. Then I’ll enjoy the party myself and forget about all the organisation and hours it took to create it. Until the next party looms and off it all goes again.

Being the RNA’s Events Co-ordinator is a huge and often exhausting responsibility on top of my writing career, but when it all comes together and I see the how delighted it makes everyone who attends, it’s worth it.

 

Virginia Heath writes slightly racy Regency Romcoms which are published in many languages all across the globe. Amongst them are her critically acclaimed Wild Warriners and King’s Elite series for Harlequin Historical. She has two Romantic Novel of the Year Award nominations and cannot wait to launch NEVER FALL FOR YOUR FIANCEE, the first book in her upcoming Merriwell Sisters trilogy with St Martin’s Press loose into the world.

You can find her procrastinating online on her busy Facebook page and at www.virginiaheathromance.com

 

 

 

 

SISTER SCRIBES’ READING ROUND UP: OCTOBER

Jane

The most incredible thing about Joe Heap’s When The Music Stops is the way it mixes the ordinary with the extraordinary. In one way it’s a version of David Nicholls’ One Day, but set over a longer period (the protagonists meet in childhood) and in the world of jazz music; the parts of the book that happen in the present day are very surreal indeed.

The clever structure gives the book rhythm. It’s very much tied to the music, so rhythm seems like the right word. It makes for very long chapters (sections, really) but that’s fine, because I didn’t want to put it down. At first you wonder what’s happening in the present day but then it begins to make sense and you expect each section to have a certain chain of events. You even know what will happen in the end. But that’s comforting when the boundaries of your imagination are being stretched in other ways.

The love story running through the book is compelling too and each decade incredibly well researched so you feel each period, rather than words being wasted describing it. Ella and Robert meet as children in pre-war Glasgow and have so many near misses you wonder if they will ever get together. I would have enjoyed it on its own, and have appreciated the quality of the writing, but adding the extra dimension makes this a standout book.

Kitty

Anne O’Brien – The Queen’s Rival

I have long been fascinated with the Neville sisters and Cicely in particular so I was excited to read this book. Anne O’Brien is reliably one of my favourite writers of historical fiction and took the brave decision to write the story of Cecily through letters sent largely to family members but also to some of the major players in the turbulent story of her life, Margaret of Anjou for example, who literally held the life of Cecily’s family in her hands. This form must have been so hard to write but I really enjoyed it. It reinforced how hard life must have been without the immediacy of contact we are so used to nowadays. Writing letters to children and a husband that may or may not be alive or dead, knowing that your words could be the ones that help carry them to the scaffold. It reinforced the dangers and uncertainties of the times and all through the mouthpiece of a woman underrated for the role she and her family had to play in the development of Plantagenet England. Very well done.

Kirsten

What with publicity for Book One, final proofs of Book Two and starting to bash out the first draft of Book Three (and a fab new idea – I hope! –  for Book Four) I haven’t had much time to read this month. But one book I have finished and really enjoyed is People Like Us by Louise Fein. This is the coming of age story  – I’ve learned this month that this this can be called a Bildungsroman  – of Hetty who is brought up in a Nazi household in Leipzig in the years building up to the second war and who falls in love with a Jewish boy. It’s beautifully written and is – by turns – fascinating, poignant and heart-breaking with, I think, a lesson for the times we find ourselves in today. Highly recommended.

Interestingly, I’ve just been sent an ARC of a love story set in lockdown. It’s the first story I’ll have read with Covid-19 as a backdrop and I’m not sure how I feel about reading it. Having had quite a difficult year personally, the jury is out on whether it just too soon to read a story set in the time of Covid. I’ll keep you posted.