JANET GOVER INTRODUCES THE RNA’S ONLINE WRITING COURSES

Writers might be solitary creatures much of the time, but that doesn’t mean we are finding the current restrictions any easier to deal with. Our nature leads us to keeping our minds active, and like everyone else, we are missing being with friends and colleagues at social gatherings, conferences and events.

Purely by chance, a project I’ve been working on for a while now is coming to fruition at just the right time. I’m talking about the Romantic Novelists’ Association’s new online learning programme #RNALearning.

Teaching and writing are two things I’ve done all my life, and I’m also a bit of a geek. When online training was first suggested to me in my day job as an IT trainer, I wasn’t too thrilled. I like face to face contact with people I’m teaching. They are more likely to laugh at my jokes that way. But once I started training online, I soon became a convert.

It’s so easy to attend an online course. There’s no special technology needed – just the internet. If you can watch a cute cat video online and send an email, you can do an online course. And in the current world, it’s a great way to keep our minds active in a lockdown.

Online courses can include watching videos (and not feeling guilty about it), joining online chat (see previous comment re guilt), downloading notes and doing exercises. It’s a great way to maintain contact with other writers, and because it’s online you can make it fit into whatever your time commitments are.

The RNA’s courses are open to anyone to join, whatever genre they are writing. Tutors will cover topics of interest for writers at all stages of their career, using the RNA’s online learning portal, via Moodle, a standard teaching tool used in many colleges and universities.

It’s my great joy to be the tutor for the scheme’s pilot course: Taking the Plunge – Your Submission Pack – which runs for the entire month of May. This is aimed at anyone who wants to follow a traditional publishing route and submit their work to an agent or traditional publisher. I’ll be talking about giving a book the best possible chance with agents and editors: preparing the MS, writing a synopsis and cover letter and what to do when the answer is no – or what to expect if it’s yes. Most importantly, there’ll be exercises and feedback for everyone. At the end of the course, participants should have their submission pack ready to go.

We started planning this last year – and never expected to be launching it in a world turned upside down by crisis. I hope it will be more than just a learning experience full of useful information for writers – I also hope it will help us all feel more positive in this difficult time.

Bookings are now being taken for the first course. Details can be found at:

https://romanticnovelistsassociation.org/rna-learning-intro-page/ or email janetgover@romanticnovelistsassociation.org

 

About the author:  Janet Gover is a former journalist and IT specialist turned award-winning novelist. She is also a qualified trainer and a well regarded writing tutor. She runs the RNA’s New Writers’ Scheme and is part of the Association’s education team.

SAMANTHA TONGE ON WINNING THE VERY FIRST JACKIE COLLINS ROMANTIC THRILLER AWARD

Excuse the pun, but what a thrill it was to win the first ever Jackie Collins Romantic Thriller Award at the Romantic Novelists’ Association 2020 awards ceremony. First and foremost because it is a huge honour to be connected, even in a tenuous way, to such an amazing person. I loved her Lucky Santangelo character when I was a young woman.

Jackie Collins wrote real page-turners that whilst glamorous and escapist, somehow seemed real. And what an inspiration she was, writing 32 novels and achieving over half a billion sales. She was a funny, feisty woman who created kick-ass heroines and it was an extra honour to have the award handed to me by her granddaughter. I was also thrilled to win as the competition was so stiff, the other contenders being the wonderful Dorothy Koomson, Lucinda Riley, Virginia Heath and Lauren Westwood.

Knowing You is my second dark women’s fiction novel – previously I’d had nine romantic comedies published. It was challenging changing my direction, but with my brilliant agent’s help, Clare Wallace from the Darley Anderson Literary Agency, I learned so much and it felt like a real validation, at the ceremony, to hear my name read out. I still remember that moment. A real whoosh went through me and I think I managed to mumble a few words at the podium, in a daze!

I was also so pleased because I’d poured my heart into writing Knowing You. It is a story about being brave enough not to conform, not to fit in. It’s about taking control of your life in the face of adversity. The main character is kind-hearted children’s editor, Violet. When her partner leaves she seeks the advice of her new flatmate, Bella, whom her old friends disapprove of. However when Violet was a child, her closest confidant and companion was a boy called Flint. Her mother didn’t approve of their closeness and he suffered a terrible end. Therefore Violet is determined that the same thing won’t happen to her new best friend now…

Samantha Tonge (centre) with her husband and her agent

The awards ceremony which took place on March 2nd, in the RNA’s diamond anniversary year, was a glittering occasion, attended by legendary romance authors Sophie Kinsella and Carole Matthews – and Strictly Dancing star Anton du Beke. Yes, I managed to speak to all three! Everyone’s outfits were fantastic and after the ceremony we enjoyed a buffet.

I feel incredibly lucky to belong to such an association that promotes such a popular and wide genre. For some reason it’s been much maligned and romance books rarely get shortlisted for the big industry awards, despite its millions of readers. As Milly Johnson said, at the podium, when she collected the Outstanding Achievement Award: ‘We are the glorious counterbalance to this climate of hate.’ More than ever we need happy ever afters and gripping reads that whisk us away and it’s great to see such stories recognised by the RNA. ​​​​​​

Samantha Tonge

 

Ian Chapman, COO of Simon & Schuster and close friend of Jackie Collins announced the new Jackie Collins Romantic Thriller Award in 2019 which S&S will sponsor for a minimum of 5 years. Jackie Collins was a creative force, a trailblazer for women in fiction and in her own words “A kick-ass writer!’. Since her debut The World is Full of Married Men in 1968, her books have sold in their millions in more than 40 countries and she is one of the world’s top-selling novelists. She passed away in September 2015 after years privately battling breast cancer.

 

Click below for all category winners https://romanticnovelistsassociation.org/news_article/romantic-novel-award-winners-2020/

MILLY JOHNSON ON WINNING THE RNA’S OUTSTANDING ACHIEVEMENT AWARD

Sunday Times Bestselling Author Milly Johnson on winning this prestigious Outstanding Achievement Award and what the Romantic Novelists’ Association means to her. 

I cannot tell you how delighted I was to receive an email telling me that I was being given the RNA Outstanding Achievement Award this year – this very special 60th anniversary year too.  It was one of those ‘pinch-yourself’ moments: how was it that me, a northern bird with no industry connections, who always wanted to be an author but never really thought it would be possible, was getting this accolade? It made me quite reflective of all the years between those moments and I realised

Credit: Chris Sedgewick

how much hard work I’d done to be published and stay published. I was never under any illusion that getting a book out there would bring me instant fame and fortune but still, there was never anything I wanted to do as much as hold a book, written by me with my name on the cover. And here I am published, and actually selling a few copies as well.  I never get blasé about it, it’s a thrill every time to see my name on a new book, to see it out there in the wild.

I have grafted, gone above and beyond the call of duty as you do for something you want with all the fibre of your being. I remember reading an early Carole Matthews book, loving her work, looking up to her, wanting to be published like she was, promoting her to status of goddess in my head and then a few years later she was my pal and we had the same agent. I remember well that longing to be ‘one of the chosen’ and so I can easily put myself in the shoes of those who are looking at me and imagining themselves published one day.  If they want it hard enough, and put the work in, and if one agent rejects them, and they move on to the next never taking a no as the final answer, then one day that call will come to say they’ve got a deal. Then the hard work begins. I used to equate that first publishing deal with the pinnacle of Everest, but it’s not even Base Camp. And often in this job, writing the book is the easiest part!

I am so looking forward to the evening. I have many friends there shortlisted for an award that it is sure to be a jolly one, and my plus one for the evening is my best novelist pal Debbie Johnson, because you need someone who understands the intricacies of this crazy job, to trust with all your niggles and to act as a sounding board when you feel like screaming because you’ve had the worst review ever written by anyone. And you are there for them when the reverse happens. A bit of kindness in this game goes a long, long way. And it’s always the best Karma to pay it forward.

I joined the RNA when I was published, not before. I was quite adamant that’s the way I’d do it and what a misguided fool I was! Had I joined before I would have benefitted from so much inspiration and guidance, I would have had so many more writer friends to mix with rather than do it all alone. I missed out on help and fun and a lot of Prosecco. But join I did eventually and it was one of the best investments I made becoming part of the association. I encourage any other writer not to follow in my footsteps as far as my stubbornness goes, but to join as soon as you can and take advantage of the wealth of wisdom its ‘fabulousness of authors’ has to share.

 

My One True North by Milly Johnson is published on 5th March by Simon and Schuster and is available to pre-order now. 

 

A PUBLISHER’S YEAR: DECEMBER – PUBLICATIONS AND PROSPECTS

Hello and welcome to the final Sapere Books update of 2019! We’ve had a fantastic year and it’s all thanks to the incredible authors who have trusted us to publish their books. We aren’t signing up many new authors at the moment because we already have such a great list we are looking after, but we are leaving our submissions page open in case anything pops up that we just can’t say no to!

We are rounding up the year with the publication of some more brilliant fiction. Over the past few weeks we have reissued three of Alan Williams’ classic espionage novels, published THE OCCUPATION – a brand new Second World War saga by Deborah Swift, launched the last book in David Field’s Tudor series and republished PATERNOSTER – the first book in Kim Fleet’s time slip thriller series. We also reissued THE WARNING BELL – a historical novel by award-winning author Lynne Reid Banks.

All of our authors are busy with new works in progress and we have lots of exciting projects to launch in the new year. As well as our thriving fiction list, we will soon be launching our non-fiction list. Richard Simpson, one of my fellow co-founders is currently looking for military history books, in particular backlist titles, and he is preparing the first few to launch on our second anniversary next March.

Thank you to everyone who has been following these update, and to Frost Magazine for hosting us, and we hope you all have a wonderful Christmas and a prosperous New Year! We are very excited to see what will happen in 2020. Watch this space!

 

Amy Durant

Anxiety and Modern Identity

Anxiety and the pressures of modern life seem to go hand-in-hand, with many describing the crippling condition as a ‘21st century epidemic’.  Author Steven Romain is no stranger to anxiety and has drawn upon his own experiences of the illness for his new literary novel, True-Life Walter, which features a central character who takes radical action to rid himself of anxiety, and by so doing also finds himself freed for the first time from the oppressive burden of social expectation.  

By Steven Romain

Caption: Author Steven Romain believes that anxiety is deeply connected to the confining expectations thrust upon us in the 21st century. Copyright Steven Romain 2019

The only people whose ideas about anxiety should be listened to are those who actually experience it. Like a wild dog, anxiety has a particular nature, conducts itself in specific ways, and is even characterised by unusually acute powers. A wild dog hears the heartbeats of a herd of springbok from a hundred metres away and selects the buck with the weakest heartbeat as his target. They have a ninety percent success rate as hunters. 

The complication with being human is that the definition of success eludes our grasp. If those walking around the world with anxiety are impaired in certain ways, and we may safely say they are, they are also gifted with special powers like artistic sensitivity; a highly suggestive imagination; and empathy. In addition, the fact of living with the condition for many years fosters wonderful species of fortitude and bravery. It is impossible for a non-sufferer to know what I mean, but it is a fact that simply getting up in the morning and dressing is, for many people, a great achievement. It’s very much like escaping from the captivity of a sadistic bandit.

The anxiety-sufferer wrestles with his angel from the moment he wakes up in the morning till the moment he falls asleep at night. To me, (especially since I am one of the club), it’s clear that this battle forges a person’s personality to a tremendous degree. And this brings us back to the question of defining a successful hunt for human beings. Who among us is living a successful life? 

Caption: Author Steven Romain, an ordained rabbi, draws strength from his faith to make sense of an increasingly chaotic and superficial world. Copyright Steven Romain 2019

Many might point to the socially adjusted, the financially successful, the intelligent, or the famous. All these I would characterize as effective in some way. I, for my part, see something wrong with this view. Look around you at the world: stars, galaxies, electrons, insects, fire, water, ice, elephants—not to mention dreams, visions and spirits. This is a world which is marvelously complex and mystical, held to together inexplicably by The Holy One. And the crown of it is man, but what was he put here for? To become something, to know his Creator, in my opinion, but the point I wish to make is that G-d didn’t make this wonderfully interconnected world so that there should be people sitting at coffee-shops punching buttons on phones. This can be a pleasant pastime and I don’t mean to sound harsh, but I do think the question of ‘What was I put here to do?’ should be one that is considered in relation to our actual lives and not just pondered theoretically. Effective people can’t be the point of the whole world, for the reason that their effectivity only solves problems, and the Creator did not make the world to solve a problem, since He has none.

If you agree with me that dressing in the morning might be a genuine achievement, you probably also agree with me that succeeding in school, university, socially, romantically, or spiritually do not necessarily make for real achievement. Just a little bit of thought suffices to prove this. Each one of the items on this list is naturally easy for thousands of people, making for little challenge, and for thousands of others an apparent success in one of these areas would really be a failure. Take, for example, someone whose life circumstances are such that academic achievement is inappropriate for him. He has a pressing need to earn money. His graduation seals a four-year-long (and costly) wrong choice. 

A man is a very mysterious thing. Take a fresh look at him: what is he? He is made, in the sense that his powers and faculties are determined by his Creator, but he also makes himself. A very awkward man I know chose, in his youth, to devote himself to a kind of social work that entails mingling closely with tens of teenagers every day. Now, after years of habituation, no one could ever imagine him as anything else. It is what he is. And it came about purely from his choice. Plus, we all know that after the little dance we do on this earth we’ll be sailing away to a totally different place. The question that I’m proposing should at least seem like a question is: what is the dance I should do while I’m still here? The question should be asked again and again, day after day, because many of the answers we give might be straight-out wrong. There’s no point in just following everyone else’s answers: that would be like frantically neatening up an office the whole day, vacuuming and straightening and polishing, when the whole building is set for demolition.

A man like me wakes up this morning and faces the familiar forms of his anxiety, like an old enemy standing over his bed, waiting for him. Who is to say what it means—in this fantastically mysterious world—that he manages to put on his shirt, his pants, his shoes, drink a cup of coffee and drive to the supermarket? Maybe, as a result, it will rain on farms in Kenya. Maybe, when he leaves this world in his old age, the angels will tell him that the dance he did down here was just perfect: the heavenly hosts were cheering him on for every move. And maybe a man who is sentimentally eulogized as the greatest benefactor of mankind in his generation, a lifelong philanthropist, is told by the angels, on his departure from this world, that his life was a dismal failure. A totally different dance was expected of him.

Caption: Steven Romain’s new literary novel True-Life Walter features a central character suffering from extreme anxiety. His actions to free himself from the condition, and what follows, elucidate the deeper meanings of identity and purpose in post-Apartheid South African society. Copyright Steven Romain 2019

The relationship between anxiety and the crisis of identity in our age, in which many of us are divorced, for certain reasons, from our real purpose, is too complex to deal with in a short article. Like everything in G-d’s world, anxiety is not only one thing. The Divine wisdom manifests through it in many different ways. But it is worth noting that, through anxiety, we disable our own lives in their futile rush toward vain ends. We are forced to re-evaluate what we are and what we want to be. 

In my novel, True-Life Walter, I explore modern anxiety by depicting it in the setting of modern Johannesburg, where, for men of colour like my protagonist, new identity is built every day. New lives are lived in newly discovered social and economic statuses. New possibilities of achievement dawn all the time: identities shift and change. As does any writer who strives for real art, I strive to render the suchness of anxiety in modern life without reducing it to easy tropes and explanations. In this way, literature has a unique power in assisting our understanding of anxiety, which is, at this point, an issue we need to take strides toward, not so much comprehending, as appreciating.

True-Life Walter by Steven Romain is available on Amazon priced £3.47 in paperback and £2.46 as an eBook.

5 Ways to make your office more productive

An office is a space that needs to be as productive as possible. After all, it’s a place where we go to work, not to relax or unwind. There are a lot of things that can be done in order to have a very productive office, so make sure to give a good thought of what you need to do for your own office.

 

Make the layout functional

No one wants to work in an office maze, where getting from one point to another feels like an unwanted adventure. That goes double when you have clients. The layout of the office should feel natural, and whenever you’re looking for the thing you need, you shouldn’t have to spend a lot of time looking for it. Spend extra time reinventing your office’s layout if you have to because it will save you a lot of time and hassle in the future.

 

Have your collaboration space feel unique

More often than not, colleagues need to work together on a project. They’ll definitely need extra space to work, but a mere conference room is rarely enough. The amount of space is rarely the problem, as to how that space is utilized is much more important. Making sure that the collaboration space has its own décor, and with all the necessary equipment is key to having your employees work as productively as possible.

 

Have all the desks fully equipped

No employee likes to borrow items from a colleague. While there are items that the employees themselves are solely responsible for, most times, it’s the employers obligation to make sure that the desks are equipped with all of the necessary basics. Stationery supplies should never be overlooked, which is why you’ll want to find a store that has everything you need, like TheWorks.

 

Use lighting efficiently

You’ll be surprised as to how much lighting affects productivity. Bad lighting is absolutely unproductive, as it can cause headaches, eyestrain, and fatigue, while a severe lack of lighting can even feel entirely depressive. Making sure that the entire office is fully lit with the type of lighting that’s called task lighting is definitely the way to go. However, break rooms should be lit differently, so as to make sure that the employee actually rests once they’re there.

 

Make sure the air quality is adequate

Air quality has a tremendous effect on office ambience. Making sure that all of the air filters are maintained, and functioning is key, otherwise you risk total unproductivity. Stale air has a severe negative psychological effect, which can be devastating in any kind of office, either big or small. Keep the air fresh and clean at all times, and never skimp out on quality filters.

 

Maintaining productivity in an office can be difficult. There are so many things to keep track of, and every little detail can mess up the already delicate balance. Make sure you spend more than enough time analysing the situation, because unproductivity can really cripple a business.

 

Sponsored Post.

 

My Writing Process – Juliette Quenin

I was born in France but I travelled and lived in many countries as a child and as a teenager. I always had two certainties in life. One was that I wanted to be a creative, artistic person and the other one was that I wanted to live in London. I have now fulfilled both those dreams so I am a happy person. I have tried my hand at different creative mediums. I studied acting in Paris, I sang Opera for a few years and I have done a cinema school. As such I directed a couple of short films and worked on other fellow students’ short films. But writing has always been a constant passion of mine and since in London (nearly 12 years now), I have dedicated myself to playwriting.

What you have written past and present?

Over a period of 10 years I have written 8 full length plays. The Beauty of the Cactus Flower talks about the difficulties of being a woman in this age and time. Dear Wallis is about a teenager revolting against an abusive alcoholic mother. My play Sugar talks about the strong bond in between a grandmother and a granddaughter and the healing power of baking. 430 King’s Road, An Urban Odyssey tells the story of the punk movement’s birth, narrated as a Greek Tragedy. Little Wing exposes the difficult relationship between two brothers carrying the burden of a past accident. Womb’s talks about the demolition of buildings and key historic buildings in the Soho Conservation area and the impact this has on the local residents. Catsville tackles the problem of animal hoarding and loss. And my last play is still a work in progress, so I won’t be talking about it today.

What are you promoting now?

I have decided to self-produce and direct one of my plays. Little Wing, the story of the two brothers, is going to be on stage at the Jack Studio Theatre in London from the 7th of April till the 18th of April 2020. I have produced and directed short films and readings before, but this is a very different adventure and I am very excited about it. Hopefully this will be the beginning of a new modus operandi: Part time playwright/part time director.

Do you plan or just write?

Years ago, I used to just write. Not anymore. I miss this very spontaneous way of working because it can produce beautiful and poetic writing but I have noticed that in terms of storyline I would get stuck, sometimes finding myself in a cul-de-sac. I wanted to take my writing to the next level, so I started planning. Now, as far as I am concerned, the work is less spontaneous but much more structured and of course playwriting is about structure, structure and more structure.

What about word count?

For me as a playwright, it is more about number of pages. I know that when I hit the 70 pages mark (knowing that a page of dialogue is more or less 1 minute and half on stage) I have a play that is about 1 hour and 30 minutes long, so then I can relax, before starting a new draft.

How do you do your structure?

The play and the subject matter command it really. My plays are rarely about big dramatic situations and twists, so I am not worrying too much about the climax for instance. Of course there is always a climax, but mine tend to be quite subtle. I tend to favor two act plays. They work well for me. I’ve learned through the years that a scene did not need to be of a certain caliber and length, that it’s all about balance and rhythm. I have studied music for many years and I love the idea that my plays are like scores. 

What do you find hard about writing?

Endings! It’s always hard to finish a piece. It’s like a little death and I don’t like that. Also, the time in between two plays is a difficult one for me. I get crippled with doubts, I become a bit crazy. Will I ever be able to put pen on paper again? I have a few coping mechanisms now but it’s still difficult. One thing I don’t have, fingers crossed, is the famous writer’s block.

What do you love about writing?

The craft. It puts me in a zone like nothing else does. Nothing makes me happier than a well-produced page of dialogue. I love this wordsmith business. I fancy myself as a lacemaker, only it’s with words and sentences. Beautifully written pieces can move me to tears (more that the content of the play itself actually). For that reason, I am a big fan of Jean Cocteau, J. M. Barrie,  Edmond Rostand and William Shakespeare for instance. I recently reread Hamlet. Everything, absolutely everything you need to know about plays and playwriting is in there. And if I dare say, everything you need to know about life!

Advice for other writers?

Do the 1%, which is present yourself to the page consistently and preferably at the same time of the day, and the universe will do the 99% left, which is inspiration, willingness and the courage to push forward. Drink lots of water, exercise (I’m not very good at that myself) because sitting hours in front of the computer can be hard on the body. If it’s a first draft, don’t indulge in endless rewriting (that’s a tough one). And don’t give up! My production company is called Five Minutes Before the Miracle (short for Don’t give up five minutes before the miracle!) which is a constant reminder that one needs to be perseverant in life. That’s the key.

 

My Writing Process – Sue Kittow

I’m Sue Kittow, a Cornish author, freelance journalist, researcher and copywriter, been living in Falmouth for 25 years.

I have written five books on Cornish walks – Discover Cornwall, Walks in the Footsteps of Cornish Writers, Walks in the Footsteps of Poldark, Walks in the Footsteps of Daphne du Maurier and Walks in the Footsteps of Rosamunde Pilcher. I am also writing a novel set in Cornwall but don’t have an agent or publisher for that – yet!

As a freelance journalist I have interviewed many authors including Bill Bryson, Ian Rankin, Lionel Shriver and Rosamunde Pilcher. I have also written for Daily Mail, Cornwall Today, Writers’ Forum, Woman’s Weekly, Classic Boat and many other magazines.

I am currently promoting Walks in the Footsteps of Rosamunde Pilcher, published by Sigma Press August 2019.

Walks books need a lot of research and planning so my writing is quite structured – I write lots of notes for research then incorporate that into the walks as I transcribe them. It’s lovely playing the tape back and listening to the conversations we had, the birds and sea and whatever else going on. When I’m writing fiction it’s very different – I plot a lot and make notes on that but the writing itself is very free – I love the excitement of a first draft. Editing I find much harder.

As these are books on walks, a lot of planning and research goes into each one. My publishers like a geographical spread of walks around Cornwall, so I have to start off with ideas and make sure the walks are all over the county, not just focused on a few areas. Then research them, walk them, take photographs, transcribe them – it’s a lot of work!

My contract stipulates 35-45,000 words but that’s quite a loose guide.

The structure for each chapter is roughly the same so I’m used to it now – Introduction (about author, character, location), The Walk, incorporating more research as relevant, Factbox, Content, Photographs, Summing up.

The hard bit is always the editing, then the proofing and checking the maps. And self belief.

I love the physical part of writing – actually putting the words on the page and then transmitting the idea of the place – capturing the sounds, the sea, the birds, the trees etc, so that the reader can come on this walk with me while they read it.

Advice for other writers – find your voice. Read lots. Be realistic. Study agents and publishers carefully, see what’s happening online but don’t compare yourself to others – social media is full of people sharing their Amazon rankings, reviews etc. For every good review there is a not so good one (don’t read reviews!). Make sure your work is as good as it can be before you send it out – get advice from people you trust and listen to what they say. Good criticism can only improve your work. Persevere. This is a lonely business, so network with other writers. And write because you love it.