Category Archives: Entertainment

Dulwich Literary Festival 2017 programme announced

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Ali Smith, Alan Hollinghurst, Sam Leith, Henry Blofeld, Mihaela Noroc and many others to appear on the main weekend, 10-12 November. Additional events to take place throughout November, including a spooky All Saints Day special with Andrew Michael Hurley, a pop-up at West Norwood Feast and an evening in conversation with Robert Peston.

 

Dulwich Literary Festival returns this November with a striking line-up of speakers, including celebrated writer Alan Hollinghurst, Man Booker shortlisted Ali Smith, ITV Political Editor Robert Peston, renowned sports journalist Henry Blofeld, The Spectator’s Literary Editor Sam Leith and photographer and social media sensationMihaela Noroc. Presented by award-winning independent bookshop Dulwich Books, events will be hosted at various local venues including Dulwich College, Dulwich Picture Gallery and the bookshop itself. The 2017 programme includes something for everyone, with talks for children, walks for adults, ‘how-to’ workshops and thought-provoking discussions covering everything from sport and literature, to faith and global affairs.

 

Commenting on the festival programme, Susie Nicklin, owner of Dulwich Books said: “We are delighted once again to bring together some of today’s most celebrated authors, leading thinkers and local writers in Dulwich, to celebrate the best that words have to offer. In times of uncertainty we need to join together in celebrating the things that matter in our communities, whether feasting, worship, education or culture, and books and writers are the perfect way to link them. From Man Booker Prize-winning writers to a creative writing competition for all the young writers of Southwark, there are opportunities for all to participate and engage.”

 

Stand out events taking place across the main weekend include a unique evening with Ali Smith, who will celebrate the work of author and illustrator Tove Jansson at Dulwich Picture Gallery, a free exhibition of photos by Mihaela Noroc, who became a social media sensation with her images of women taken around the world, and a talk with Alan Hollinghurst, who will discuss his much anticipated new novel, The Sparsholt Affair, with the BBC’s Razia Iqbal.

 

Inspiring debate at the festival will be Political Editor Robert Peston, who will draw insights from his career in journalism to address the problems of our time and how we might put them right. Catherine Nixey will discuss the controversial findings of her new book The Darkening Age, which suggests early Christianity might be more violent, ruthless and intolerant than first thought. And, as new protest movements rock the political mainstream, Alexei Sayle, Courttia Newland and Francesca Rhydderch willlook back at dissidents who made history, discussing their contributions to a new anthology of stories re-imagining key moments of British protest.

 

As well as engaging ideas and debate, the festival will offer a number of sessions and workshops for visitors to celebrate pleasurable pastimes and new skills.  Veteran broadcaster Henry Blofeld will discuss a career in cricket with Nicholas Lezard, former National Trust chairman Simon Jenkins will lead a session on Britain’s best railway stations, Peter Fiennes will offer a guided tour of the remnants of the Great North Wood, and Anjula Devi will hold a tasting and book signing at the festival’s West Norwood Feast pop-up to explore the secrets of Indian cuisine.

 

Helping people to write clearly, correctly and persuasively, The Spectator’s Literary Editor Sam Leith will offer top tips from his latest book Write to the Point, award-winning illustration agency Scriberia will hold an interactive drawing session to encourage people to use images to think and communicate more effectively, and designerSusan Wightman will discuss the art and science of typography.

 

The festival will also cater for families, with two exciting children’s events and a short story competition for schools across Southwark. Picture book author and illustratorKate Pankhurst, a descendant of suffragette Emmeline Pankhurst, will lead an interactive session on fantastic women who changed the world, including fun role-play and craft activities. Local mums Lucy Reynolds and Jenna Herman will also run a free story-time session at the festival’s West Norwood Feast pop-up, reading from their book Parrots Don’t Live in the City. Expect plenty of squawking.

 

Tickets will go on sale on the festival’s website from this weekend. For tickets and more information, visit: http://dulwichliteraryfestival.co.uk/

 

Mother!

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If you are the kind of person that gets twitchy when a hot cup of tea is plonked beside, instead of on top of, a perfectly good coaster then Mother! is not the film for you.  It is the tale of a frustrated poet (credited as Him) and his house-proud wife (credited as mother) living in an idyllic country house.  He spends his time not writing while she noodles about sploshing muted Farrow and Ball tones on various walls of their chic wooden dwelling.  Her domestic goddessing routine is upset when strangers start arriving and, crucially, not leaving however many times she screams “Get out.”

An unknown couple stay over at the behest of the poet followed by their bickering sons.  What follows is rather like watching an episode of Grand Designs in reverse.  Strangers begin to arrive at the house in greater numbers as the film initially plays out as a home invasion horror.  The mother’s show home is steadily ruined as hordes of the poet’s acolytes descend on them, literally tearing the house down.  The film unfolds like the kind of nightmare where you are entirely impotent to events going on around you.  mother dashes from room to room straightening rugs and emptying ashtrays only to find a new group of hell raisers have arrived.

Critical chatter around this film has been mixed, with a good deal of words devoted to the allegory that the film purports to represent.  The sharp-eyed among you will have noticed that the poet’s credit is Him with an upper case h while mother and everyone else including ‘man’ and ‘woman’ are all lower case.  Yes, we are in God territory here.  Javier Bardem is God, Jennifer Lawrence is Mother Nature., the house the Garden of Eden.  The first two strangers to arrive, Ed Harris and Michelle Pfeiffer are Adam and Eve, the sons Cain and Abel etc.  The destruction of the house is the pollution of the world and so goes the allegory.

If Mother! feels burdened by a need for interpretation it succeeds in being a nasty and very difficult film to watch – which is a good thing.  Director Daren Aronofsky is tapping into his previous work with the bristly paranoia of Black Swan and the way the camera is often stationed just behind Lawrence’s shoulder as it did behind Mickey Rourke’s in The Wrestler.  The choreography and escalation of the violence and horror make for a deeply uncomfortable second hour as Aronofsky tightens the umbilical cord he has wrapped around your neck.  That Mother! chases its own tail will come as no surprise for some.  However, you may well share the sentiments of four unlikely geysers sat to my left.  As the credits rolled one of them queried, “What was the f****** point of all that?”  What indeed?

 

 

Chichester’s triple threat… Review: The Norman Conquests

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The Norman Conquests
Chichester Festival Theatre
Until 28 October
Box office: 01243 781312
www.cft.org.uk

Photo by Manuel Harlan

Three interconnecting plays, Alan Ayckbourn’s cleverly conceived trilogy gets the red carpet treatment in this excellent revival. While seeing all three provides the complete story, Ayckbourn wrote each play as a standalone, so you don’t lose out if you’re only in town for an evening. But there are several dates when the marathon triple bill can be seen and, if you possibly can, take your seat for the longer haul.

Fabulously staged (a first for Chichester is the addition of on-stage seating, thus creating a full in-the-round experience); the setting is a rambling country house and garden in Sussex where Annie (Jemima Rooper) lives and looks after her ailing mother. Desperate for some much-needed fun (in the absence of local nice-but-dim vet Tom putting the moves on her), she plans a dirty weekend away with her incorrigible brother-in-law, Norman (Trystan Gravelle). The arrival of her brother Reg (Jonathan Broadbent) and sister-in-law Sarah (Sarah Hadland), followed by eldest sister – Norman’s wife – Ruth (Hattie Ladbury) puts paid to Annie’s plans. The collective convergence also unleashes fall-outs, flirtations and some enthusiastic hurling of home truths.

Taking place over the course of a weekend, in the first play, ‘Table Manners,’ the action takes place in the dining room. In ‘Living Together’ we relocate to the sitting room to see what has been going on in the meantime. Finally we catch up on the outdoors action (and oh boy there’s plenty of it!) in the concluding ‘Round and Round the Garden.’

Making her Chichester debut, Blanche McIntyre directs. Written and set in 1973 (superb design and detail from Simon Higlett), while the period is evident, McIntyre injects a sense of newness; vintage Ayckbourn with a contemporary twist.

Without exception the performances are polished. Delivering beautifully played comedy while highlighting the foibles and struggles of their individual characters, there is a pleasing synchronisation between the actors that aids the flow of the entire trilogy.

Very funny, neatly done and with moments of sharp poignancy, this is a hugely satisfying three-course theatrical feast.

The Soft(er) Side of Stephen King By Richard Warburton

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Via YouTube.

Many of you will have noticed the posters for the latest adaptation of Stephen King’s It.  Some feature a sinister red balloon being proffered to a small boy while others show the eponymous killer clown’s grotesque face – a malevolent grinning monster.  This sort of thing sends me bolting to the nearest Cineworld while others avert their eyes and try to think nice thoughts.  However, for all you cinephiles who don’t ‘do’ horror, then Stephen King’s cinematic canon does offer pleasures that are not so reliant on scares and gore.

It was probably the success of The Exorcist that gave King his break.  William Friedkin’s occult shocker was the second most popular film of 1974 eventually becoming the ninth highest grossing movie of all time.  Publishing houses took note and signed the likes of Anne Rice and James Herbert.  Over sixty cinematic adaptations of his work have been filmed which have varied wildly in terms of quality and revenues.  Nevertheless, amongst the horror classics like Carrie or The Shining there are several sensitive and thoughtful films that may interest viewers put off by the King brand.

Discussions of this subject usually begin and sometimes end with prison drama The Shawshank Redemption.  No supernatural monsters here, just the human variety in a film that accents perseverance and hope in the face of institutionalised brutality.  Instead, I would consider Stand By Me, a tale of four young boys who set out into the woods to search for the body of a missing child.  The film captures something that Stephen King renders so well in his prose, that is the exhilaration, vulnerability and confusion of what it is to be a kid.  Ironically King masters these themes in It and the latest film does a solid job of conveying childish camaraderie in the face of undiluted evil.

Of course It is not for the squeamish so next I would turn to Hearts in Atlantis which stars Anthony Hopkins as an elderly psychic who becomes the confidante of his landlady’s son.  It’s a curiously old fashioned film that played poorly in cinemas and divided critics.  However, its whimsical charms should win over the less cynical while its supernatural elements never dominate what is really a simple coming-of-age story.

Dolores Claiborne is a sombre and profound psychological mystery starring Jennifer Jason Leigh as the daughter of the eponymous Dolores played by Cathy Bates.  Dolores is the prime suspect in the suspicious death of her frosty employer and her estranged daughter is not convinced of her mother’s innocence either.  The mother / daughter relationship is delicately teased out.  King’s empathetic depictions of women, something rarely appreciated in his writing, are on show here.  And, despite the gothic gloom, Dolores Claiborne tightens its grip over two mesmerising hours.

Horror fans would no doubt be disappointed if they watched these films based on their familiarity of King’s signature output.  They might take some solace from another prison drama, The Green Mile, with its graphic execution scenes but the film spends more of its time examining humanity and dignity than revelling in shock and gore.

There is more diversity to Stephen King than his reputation suggests.  If you are willing to dip your toe into an unfamiliar genre then reading the long and terrific novel of It would be a rewarding starting point.  The film adaptation is the first of two with the second part due to go into production next year.  And, if you are curious as to why horror is such a popular genre then the upcoming book Why Horror Seduces by Mathias Clasen should provide the answers.

 

What’s More Popular for Online Gaming Laptops, Desktops, Tablets or Smartphones?

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Video games have never been in a stronger place than they are in 2017, with the estimated market value of the industry sitting at around $108 billion dollars. Of this staggering figure, mobile gaming takes a huge percentage, valued at around $35.3bn, consoles following closely at $33.5bn and PC gaming, often considered by many gaming elitists to be the better platform, coming in last at $29.4bn, down 2.6% since the previous year.

What’s considered best will always come down to personal preference, but in the last decade mobile gaming, and mobile technology in general has seen a colossal, almost unbelievable rise in popularity. Although it really comes as no surprise, as of 2014 the number of mobile phones on planet earth surpassed the number of human beings, with roughly 7.22 billion handsets being in circulation. In history, no product, device or trend has proved as popular, especially as it’s only been in production for less than fifty years. Mobile gaming has taken the world by storm in a way that neither PC nor Console ever could. Casual players across all genders and age ranges can now enjoy their favorite puzzles, platformers or beat ‘em ups at the tips of their fingers. Not only is convenience a huge factor, but accessibility also makes a huge difference, as most people have smart phones with access to an App Store. The average apps are incredibly good value, with the majority of the market under $5 or even free, meaning anyone on any pay scale can take part, where as many AAA console games can reach prices up to $70 simply for standard editions. That’s before taking limited editions, collectors’ items and day one versions into account. Another huge factor in mobile gaming’s favor is the ever increasing graphic and performance capability. Let’s take a look at Apples flagship product, the ever infamous and often controversial iPhone.

  • 2007 – iPhone: 32-bit 412 MHz Samsung ARM processor, 128MB of RAM, 4GB or 8GB storage
  • 2016 – iPhone 7: A10 processor, 2GB RAM, 32GB/128GB/256GB storage

Just to put that into perspective, when the original iPhone arrived in 2007, it had 93.75% less processing power than the 2016 model, released less than a decade later. Its largest available storage capacity, was 32x smaller than the iPhone 7, showing you just how far mobile technology has come.

Despite being costly, consoles are still a huge part of many peoples day to day life, with Sony’s Playstation 4 selling 63.3 million units and Microsoft’s Xbox One selling around 30 million units. Sony’s Playstation 2, released in 2000 is the world’s highest selling console, shifting upwards of 155 million units in less than a decade and a half. Sony & Microsoft have led the console world for over a decade now, with Japanese company Nintendo following closely behind, with a global value of $32.8 Billion.

The argument that PC is better than all has raged since the earliest days of video games, but how much of this is really true? The PC will always be the most powerful platform for gamers to play on, improving their gaming experience (especially online) dramatically. PC is also the exclusive home of the platform Steam, the digital distribution platform (store) that allows players to buy digital versions of games. As of 2015, it had 125 million users, and accounted for 15% of the total PC game sales that year. According to an industry report by Spil Games, an estimated 1.2 billion players are gaming across the globe, with roughly 700 million of those playing online games. That’s an estimated 44% of the entire online population, proving just how popular the world of video games truly is.

Article provided courtesy of games.paddypower.com 

 

 

 

TheBruvs – Animated Comedy Series

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Why hasn’t there been a massively successful UK animated sitcom – in the style of US juggernauts The Simpsons or Family Guy?

That’s a question that got me thinking about 10 years ago. Just over two years ago I decided to try to do something about it. That is how TheBruvs.com was born.

Short, punchy comedy animations featuring a family of London villains trying to go straight in Essex – and failing, the films feature brothers Doug and Den, their dad, sister Janice, her son Jason and the lovely Chanterelle.

It’s my first proper venture into animation, although I was lucky enough to write a piece for Homer Simpson, no less, for a message to Simon Cowell on his This Is Your Life programme.

My background is news, current affairs, comedy and entertainment TV shows. Throw in projects with Jeremy Clarkson and some Top Gear credits and that makes up my CV – working with a lot of household names along the way.

But I wanted to do animation. I had the idea for The Bruvs and touted it round broadcasters and production companies. The costs and time involved with animation put all off.

Then I managed to persuade award winning animation director Eoin Clarke and sound and editing wizard Paul Richmond to come in on the project with me.

It is a passion project – which means persuading others to work on something with you on less than a shoestring.

We decided to have a go and put the films on YouTube. We also set up a website. And I had to get to grips with social media… setting up The Bruvs’ facebook, twitter, tumblr and instagram accounts.

Two years on and we have 17 films on YouTube – and 11 films running on the UKTV channel Dave and their on-demand service UKTVplay.

We have many more big ideas. I’m not saying we are anywhere near The Simpsons, American Dad or South Park but The Bruvs is growing and there has been a lot of positive feedback from round the world.

To have taken something – literally – from page to screen – is very rewarding. The instant feedback from the social media sites is also a great encouragement – on the most part. Our hope is to gradually lengthen the episodes and develop them and the characters into more of a sitcom style. We have many plans for all the characters.

Now we have music too – thanks to the very talented Stig Winslet and Pete Harbour – who have brought a new dimension to The Bruvs with songs about their antics. If something we come up with amuses us, we tend to put it into the films – subject to our budget and time constraints.

It’s still relatively early days, but The Bruvs are growing and are finding their feet on the world stage.

They have come a long way since they moved to Essex. It might be something in the water.

By Ian Brown

TV writer and producer / co-creator TheBruvs.com

THEBRUVS

CREDITS  

Writer : Ian Brown

Director : Eoin Clarke

Sound : Paul Richmond

Music : Stig Winslet, Pete Harbour

 

YOUTUBE CHANNEL: https://www.youtube.com/channel/UCI5al_Dl4V0kh-dxBsbjyig

twitter / facebook : @TheBruvsTV

instagram: thebruvstv

 

Justice League Film To Bring Different Caped Crusader Says Ben Affleck

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Source: TNT America Latina via Facebook

While many people quite liked the dark, out-for-blood Batman that squared off against Superman in the Batman vs. Superman: Dawn of Justice film, Batman actor Ben Affleck has said the superhero won’t quite be the same in the new Justice League film. This comes a month after Affleck had to deny media rumors regarding his departure from the series. The Chasing Amy star told the press that not only would he be staying on as Bats, but he would be changing his demeanor to fit with the mood of the upcoming Justice League film.

In an interview with Entertainment Weekly, he said “BvS departed a little bit from the traditional Batman. He started out with all this rage directed at Superman…” However, it seems Batman is turning over a new leaf with the Justice League as he struggles to assemble a team of heroes and make them a cohesive unit. Affleck then goes on to say fans should expect to see a Batman more familiar for people who read the comics – one that’s a bit more heroic and less focused on revenge.

Source: Weiss Auctions via Facebook

But as any fan of the comics knows, that could suggest quite a lot. Are we talking about the Batman that spouts off righteous one-liners before he finishes a fight, or is this the softer spoken Bats that disappears having the last word? Often times, Batman can act many different ways. He is, after all, so cherished because he’s complex in ways that many superheroes are not *cough* Superman *cough*, so what’s the formula Affleck is looking to use? It’s clear that Batman was emotional and a bit more rough with his foes when compared to Christoper Nolan’s take on the hero, but dialling back the drama a bit seems to be a route Affleck is looking to explore.

If we look at some of the Justice League source material, Batman is around for the formation of the group but starts out as an “on-call” member. Elsewhere, such as in the Justice League slot machine, Superman is portrayed as the central figure in the video game art. Oddschecker even has sign-up bonuses available for multiple sites housing the game so it’s a title viewed and played by many. Despite not being seen as the head honcho, Bruce puts his life on the line all the time. While some might argue that Superman is the face of the Justice League, Batman often commands the group in the heat of the moment or when a clever plan must be devised. However, it looks like Batman is going to need to do it all with Superman, at the very least, incapacitated at the end of Batman vs. Superman. In the more recent New 52 comics that relaunched the DC universe, Batman seems to be more or less the leader of the group. In this, we might expect to see some of Affleck’s claims come to fruition as the senior superhero has to pull together a team of younger recruits such as Cyborg and the Flash.

Affleck goes on to say this very position of power mixed with the task of team leader is where much of the film’s excitement will come from. “He’s put in this position of having to reach out, find other people, convincing them to do something. The actor goes on to say the movie will be more about multilateralism and the focus of the movie is on the formation of the team and whether or not they have what it takes to work together.

Source: Taran Adarsh via Facebook

A promo picture and website for the Justice League film put that thought on full display as it shows members of the group standing front to back with Batman in the center. Words read “Unite The League,” and the picture fails to show the Son of Krypton, Superman. So, perhaps in the Kryptonian’s absence, Batman will step up and lead with a cool head. It would certainly seem so if we’re to take Affleck at his word but it’s all conjecture until the movie finally comes out November 17, 2017.

What do you think Affleck is bringing to the table and what would you like to see? Let us know in the comments below!

 

 

Review: The Stepmother

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The Stepmother
Minerva, Chichester Festival Theatre
Until September 9

www.cft.org.uk
01243 781312

Photo credit: Catherine Ashmore

The words ‘seldom performed’ in a marketing blurb can trigger alarm bells. In many cases there’s a damn good reason why directors don’t dust down certain plays. In this instance, however, it’s an absolute mystery why it has taken so long to revive Githa Sowerby’s beautifully observed drama, in the experienced hands here of former artistic director of the National Theatre Richard Eyre.

Written in 1924, money, equality – or the lack of – and career are core themes. The setting is the home of widower Eustace Gaydon (Will Keen). A financial chancer lacking in integrity, kindness and sincerity, when he discovers that shy young Lois Relph (Ophelia Lovibond) is set to inherit his sister’s estate he promptly marries her, thus providing a stepmother for his two young daughters and shoring himself up financially. Ten years on and the shy young woman he married has become a successful society dressmaker, but Eustace’s dodgy deals have turned on him.

Keen is superb as Eustace. Shifty, sly, domineering and full of self-justification, he is irredeemably unpleasant.

Lovibond also convinces as the young girl who, as she morphs into a confident businesswoman, gradually comes to realise just what a ghastly situation she has signed up to.

A strong supporting cast includes Eve Ponsonby as stepdaughter Monica. Desperate to marry but constantly blocked by her father’s refusal to make good with an allowance, her youthful passion and increasing desperation are beautifully portrayed.

Historically fascinating, this stylish production deserves a life beyond Chichester.