Interview with Dani Atkins The Author of The Memory of Us

The Memory of Us is a fantastic book. How long did it take you to write it?
The Memory of Us took approximately one year to write. I don’t write particularly quickly and
would panic if I had to produce a book any faster.
When I gave up work to write full-time I thought I’d begin at nine o’clock and work through
until five (with an hour for lunch, of course). It wasn’t long before I realised I’m not disciplined
enough for that.
People might be surprised it takes me twelve months to write a book, but I’m just amazed it
doesn’t take even longer!

Where did the idea come from?
My books have recurring themes of love, family, and friendship, often set against a life
changing moment or event. From the outset I knew I wanted this story to feature two sisters
and the unshakeable bond between them. Lexi and Amelia were a joy to write, and I miss
spending time with them.

The book has many themes. How did you manage to thread them all together so well?
I’d like to say it was a result of meticulous planning – except I don’t plan at all. However, I
knew the important plot points, so it was a matter of letting the story unfold naturally and
trusting everything would fall into place.

What is your writing routine like?
My day starts with a dog walk, when I’ll formulate my plan for that day’s writing and often get
ideas for conversations between characters.
Before I begin, I go back and edit the previous day’s work. I know many authors prefer to
keep their eye on the finishing line, but I’m not happy going forward if I think there’s
something that needs fixing.
Mornings are not my most productive time, so it’s mid to late afternoon before I usually hit
my stride.
Before turning off my computer I read that day’s work out loud. I find this to be a useful way
of checking both the pace of the story and the authenticity of the dialogue.

What advice would you give writers who want to maintain a career?
First, to keep reading in many different genres. Seeing how authors tackle a story, handle
the pace, the dialogue and the plot can be very inspiring. It motivates you to bring all you
have to the table the next time you begin to write.
Next, is to just write. Don’t tell yourself that ‘one day I’ll write a book’. Do it. Do it now. It’s
easy to think you don’t have time to write, but you just need to be disciplined and
determined. Don’t set impossible goals. If you aim for just 1000 words a day, in three months
you’ll have a novel.
Lastly, write the book that’s in your heart. It’s more important to be aware of current literary
trends than it is to follow them. At the end of the day, you must write the book you want to
write and tell the story you have to tell. Perhaps it isn’t the same one that everyone is
reading right then; perhaps you are bucking the trend… but it’s just possible you’re starting a
new one.

What’s next for you? 
My next book is well underway and has a working title of PROMISE ME – although I’m sure
that will change – they usually do. It is another emotional drama with some strong characters
who I hope people will fall in love with every bit as much as I’ve done. I don’t want to reveal
too much more, but I will say that I made myself cry writing the very first chapter, which was
a first for me.

The Memory of Us’ by Dani Atkins is just published by Head of Zeus in hardback. I loved it. It is a beautiful and heartfelt novel which takes many themes and ties them together beautifully. The characters are divine and I adored the love story. I was fully immersed in this beautiful book. Superb writing mixes with a novel that keeps you guessing all of the way. I can’t recommend it enough.

My Heart is in Venice by Helga Jensen Book Review

I love Helga Jensen’s books. They are the perfect mixture of exotic destinations and romance. Her character’s are always unique and different. My Heart is in Venice is set in Wales and Venice. It’s lovely to see a book set in Wales.

The characters are also older which is refreshing.
Helga has a way of writing highly original and fun characters. I loved Libby and was rooting for her. If you want a great midlife second chance romance novel then this is it.

I highly recommend this entertaining and enchanting novel. It has wonderful, unique destination in Wales and Venice, along with wonderful characters and a great plot. I loved this escapist novel. Grab a copy now.

Venice was where it all began… Libby and Will spent a glorious honeymoon in this magical city. They didn’t have much money, but they had a whole lot of love and a bright future ahead of them. And Venice was where it all went wrong… Two kids and twenty-five years later, they are struggling with money problems but somehow Will manages to fulfil his promise to Libby to take her back to Venice for their anniversary. This time, they are doing it in style and a masked ball awaits. But among the beautiful buildings and romantic canals, Libby learns that her husband has a secret that breaks her heart. The trust is broken and the marriage is over. But there are decades of love and two grown sons between them. Can they ever find their way back to each other or have they missed their chance forever?

NELL DIXON SHARES HER INSPIRATION FOR THE MISS UNDERHAY SERIES

For the last two years I’ve been living full-time in Devon in a small fishing village. If anyone is unfamiliar with the area, it is a particularly beautiful place with sandy beaches, wide rivers, green farmland and historic and lovely towns and villages. Thatched cottages abound in a chocolate box setting. The Miss Underhay series is set in and around Torbay during the 1930’s. Torquay was the birthplace of Agatha Christie so clearly this is a landscape to inspire crime writing!

The world my intrepid amateur sleuth, Kitty Underhay inhabited in 1933 would be familiar to her today despite some damage done by the second world war and over enthusiastic building works in the 1960’s. Punctuating the landscape are several beautiful and unique buildings. All of which feature in or have inspired scenes in the series. Landscape has always been important to me as a writer. I’ve always been fascinated by the built environment and the human stories that are told through both the building and the spaces between them.

One such building is the now sadly neglected Pavilion theatre in Torquay, a gorgeous art deco affair on Torquay seafront. Set amidst green space and flowerbeds, in the twenties and thirties it hosted operas and a beautiful tearoom. It was the place to see and be seen. This was also a building familiar to Dame Agatha Christie. Hopefully it will take its place again soon as one of Torquay’s jewels.

Another favourite building is run by the National Trust, tucked away down a country lane on the way from Torquay to Dartmouth. Coleton Fishacre is a gem of a jazz age country retreat. Once the summer home of the D’Oyly Carte family, it’s set in beautiful gardens that lead to the sea. A wonderful cream tea can be enjoyed, and the house is one of the loveliest places to visit.

In nearby Dartmouth, the inspiration for Kitty’s home is York House. A black and white half-timbered building, it’s easy to picture Kitty and her grandmother running their hotel there. Dartmouth itself is full of amazing buildings, from the medieval Dartmouth Castle which guards the mouth of the river estuary to the Butter walk, a colonnaded stone walkway housing shops and tea rooms. The Butter walk was damaged in the Second World War but has been so well repaired that you wouldn’t be able to tell.

Dartmouth is also home to another incredible building, St Saviour’s Church. Listed as one of the best 100 churches in England, it was constructed around 1372, and underwent significant restoration in 2014 to preserve it for future generations. It has magnificent medieval wooden doors, heavily carved with gryphons and supported on huge iron hinges.

Another building that sums up the spirit of Torbay in the jazz age is a mansion owned by the local council which is now coming back to life. Oldway mansion in Paignton was home to the Singer family, a name known to anyone with an interest in sewing. Oldway mansion was modelled on the Palace of Versaille and the interior is a magnificently painted masterpiece. During the first world war it was a hospital for injured American servicemen and went on to become a country club. The house is currently closed to the public, but the beautiful grounds can be enjoyed by anyone and there is a lovely tearoom. It’s easy to picture Hercule Poirot strolling in the grounds.

As well as the places listed above there is also Greenway House, Dame Agatha Christies’ own home, which is well worth a visit.

Helena Dixon’s latest release in the best-selling Miss Underhay series is Murder at the Highland Castle available as ebook, audiobook or paperback https://www.nelldixon.com

THREE CHRISTMAS AND A SUMMER BOOK REVIEWS

The Christmas Love Letters by Sue Moorcroft, reviewed by Morton S Gray

Classic Sue Moorcroft.

I enjoyed being back in Nelson’s Bar, Norfolk reading about Ruthie, Maddy and Raff. A Christmas novel with twists and turns in the present and the revelation of secrets from the past too as Ruthie shares her treasured love letters.

A romance between Maddy and Raff seems inevitable, as they help Ruthie heal wounds from her past, until Maddy receives a message about her own mystery and the world changes.

Sue Moorcroft has a skill of carrying you along with a story and leaving you wanting for more.

A story to tug at your heart strings.

The Recipe for Hope by Fiona Valpy, reviewed by Jane Cable

I fancied a Christmas story, and for me this one was close to perfect. For a start it’s a novella, just a touch in under two hundred pages, and for a relatively simple festive romance it doesn’t need to be any more. And the cast of characters is small, and yet still a community is created for Evie to fall into when she escapes to France to avoid Christmas.

What really made this book stand out for me was the way I almost instantly slipped inside Evie’s heart and mind, and cared about her. I finished the book hours ago, and still she’s with me. On top of that, the customs and settings of rural south west France are described so beautifully, and with love. As is the food. The icing on the cake was a proper, real world, grown up ending. Five stars from me any day of the week.

New Beginnings at Christmas Tree Cottage by Georgia Hill, reviewed by Morton S Gray

A great read that will have you thinking about Christmas and maybe buying Baileys!

I loved reading this book, which was a complete tonic in a stressful time for me. I always say that a book that can produce an emotional reaction is a good book and this one produced not one, not two, but three heart affecting scenes that had me thinking and reaching for the tissues. A cosy read, but with serious underlying themes of starting again after loss.

The characters are likeable and relatable, particularly Jago, trying to be the responsible son and brother, whilst nursing his own demons and heartaches, Honor, the primary school teacher with a big venerable heart and the amazing vicar, Verity, who is mad on ABBA. Merryn is a very wise little girl beyond her years. Georgia Hill weaves her story around community of Lullbury Bay, with each person living there having a distinct role and backstory. It sounds like somewhere I would enjoy living. I’d even take part in the yarn bombing brigade!

Highly recommended to get you in the mood for Christmas.

Secrets of the Shell Sisters by Adrienne Vaughan, reviewed by Jessie Cahalin

Magical tale of secrets, second chances and sisterhood

Set on Ireland’s ancient east coast, the Morgan sisters are in crisis. Cassandra runs the family hotel and it’s struggling, as secrets from her past threaten to resurface making things worse. Greer is fleeing a failed relationship with a powerful man, but if she returns will she stay? And then there’s Orla – fey, funny and mysterious – insisting messages from the shells must heeded or what will become of them all?

Returning to Rosshaven was a delight, especially as this story, while fresh and original, is cleverly intertwined with characters from the first book, Summer of Secrets.

A beautifully written tale of relationships, lost love and second chances, laced through with a touch of Irish magic – so deftly delivered it feels as natural as the sea itself.

This is romantasy at its best and I loved it.  

JANE CABLE REVIEWS

 

Circe by Madeline Miller

A rich reweaving of Circe’s story with threads from a number of other Greek legends pulled expertly together into a spell-binding book. How very appropriate for a witch.

It did take me a while to get into the story, but when I looked back at the end, not an incident – even from her childhood – was wasted. Everything was poured into making Circe the woman she became; everything fitted, nothing jarred. An absolute masterclass in building a character.

And indeed, in building worlds. Worlds of faraway and long ago, inhabited by gods and mortals, and creatures somewhere between the two. Once I was past the initial chapters I became totally immersed in the story, even when it was so brutal I did not want to be. Story-telling at its best.

 

The Socialite Spy by Sarah Sigal

The sense of place and time in this book was wonderful and I was transported back to the highest echelons of society in 1930s London, which was at times far darker than I might have imagined.

Fashion journalist and socialite Lady Pamela More finds herself drawn into the world of espionage as she is asked to report back on Wallis Simpson and her circle, in particular any fascist sympathies she might have. The historical characters including Simpson, the King and the obnoxious Moseley are blended seamlessly with fictional ones, and as Lady Pamela becomes more immersed in their world the plot stretches and thickens and, in the best tradition of Le Carre et al, it becomes hard to know who to trust.

My only issue with this book is that the personal story of Lady P’s childlessness seemed superfluous to the main plot, and sat rather strangely alongside it. The spy story was quite enthralling enough on its own.

 

No 23 Burlington Square by Jenni Keer

Such a great premise for a book; a sliding doors-type story based on which prospective tenant sentimental yet wise Agnes Humphries will choose. Perhaps in will be her troublesome niece, Clara. Or the very respectable Mr Thomson, or even shy Mercy Mayweather who lost her husband in the war.

Set in 1927, the book is structured to take each scenario in turn, and for me Clara’s story took a tad too long to reach her turning point. Once it did I was certainly more invested in the characters’ individual tales and the way they twist together with the existing residents of 23 Burlington Square – and eventually with each other.

 

The Perfect Golden Circle by Benjamin Myers

A beautifully crafted work of literature that pulled me in, night by night, and circle by circle. Many small stories of the lives of cornfields after dark, drawn together by a single summer in the lives of Calvert and Redbone, unlikely friends and co-conspirators with a single purpose.

This is a literary novel; don’t expect a fast paced plot or a satisfying ending. It’s one to savour during the journey. The descriptions that take you into the countryside at night; the interactions of the characters, the designs they create and the reasons for it. Four stars not five because of the retrospective preachiness as the book nears its end.

 

 

From self publishing to Penguin Random House without an agent: A Writing Journey By Ivy Ngeow

Pitching to Penguin after being signed to small publishers and being self-published.

Beginnings: I had not planned to be an author. I grew up believing that books were written by others, not me, for us to enjoy. Three or four events in my life, like special occasions, led me to “think” I was a writer. I was raised in a rich environment of stories, via my mum, my aunts, my grandparents, my dad, my teachers. I enjoyed hearing them so much that I also began telling them. I had a little burst of success as a 16-year-old in a national short story writing competition with the New Straits Times. I felt that indescribable buzz when I saw my byline among 30 highly-commended entries. 

The hotel rooms: As a university student and an adult, I wrote nothing. I only started when I started travelling for work in hospitality and resort design. I was in hotel rooms and airports a lot. I learned that I really valued and enjoyed observation and being alone, which of course, are the prerequisites of the writing life. I was surprised to be flooded with ideas which had nothing to do with work. I began writing again because as you know, you don’t need any fancy tools or equipment. In those days, I printed and posted my stories from airports, or the nearest post office to the hotel. This period led me to believe I had again some chance of success because I was getting accepted by the Sunday magazines. One story was bought and broadcast by the BBC World Service. I had meetings with agents in Soho back in London, which led to nothing but an inkling that my writing was getting attention, any attention. I took writing more seriously when I invested in an MA in Writing at Middlesex University. As you know it’s not free, so I was taking a big chance but I was working and it paid for the fees. I was astonished to discover that I won the Middlesex University Literary Prize in an international competition, a cash award large enough to cover a third of my fees. The judge was Penelope FitzGerald and about my story, she said she had never read anything like it in her life. 

The agent: I was snapped up by an agent immediately following the prize, a decision that was poor. I had no other offers. After 5 years, she did not get me a deal despite my writing not one but two novels for her to market. I did not write a word for 10 years. My writing stayed on my hard drive. It was deliberate. I had two children whom I wanted to give 120% of my attention. After 10 years and they were in primary school, I started submitting the novel again, and following 87 rejections I won a prize in Hong Kong, also a large cash prize. This novel, my debut, Cry of the Flying Rhino, was the turning point for me, because I now was an author. My entire family flew out to Hong Kong for the award ceremony and the publication. It was a small publisher, like my second novel’s, Heart of Glass.

The pandemic: Following the two novels with small publishers which were given zero marketing and publicity and unsurprisingly, hardly earned any royalties, I started to wonder if indeed they had even been published. I wrote another, Overboard. I got 50 rejections and I decided to start an imprint to publish it as I consider it to be my best book yet. I think my limit for rejections is now 30. I do think there is a limit otherwise you will be querying until you die. I don’t think I have the time or the patience to withstand 87 rejections like I did with the first, and 55 with the second. There’s no point and nobody cares. It’s an art form. It’s not a pizza which is edible and sort of OK even when bad. During the 2-3 years of the pandemic. I ate, sleep, wrote, published. Repeat. It was like a bumper sticker. 

Keep going: I did online courses on self-publishing, keywords, genres and copywriting to study the market. I cannot stress how important it is for a writer. Without knowing the market and the audience, you can’t pitch. I learned to write through editing other people’s work and through reading hundreds of books in the genres I was interested in. The MA will not teach you these skills. My objective had always been to write the best book that could write. This kept me going in the lockdown years. I published a couple more, short stories, and another novel, White Crane Strikes.

Perfect pitch: A famous author, unfortunately I forget who, said that if you cannot tell your story in 17 words, you don’t know your story. That intro letter, one-page synopsis and first paragraph in your manuscript is everything. I wrote The American Boyfriendin November 2021 which I decided I would query until that magic self-imposed 30 rejections before I would publish it myself. I would trade the complete control and higher royalties in self-publishing for a traditional deal because of the connections. By the time I started querying again post-pandemic, I had already distilled my book to the most grabby Netflix 40-word synopsis. I saw a window of open submissions from Penguin Random House Southeast Asia. I was just about to release my book, because I got to 27 rejections. 9 months after querying, in August 2022, I got the best email ever. It was from Penguin and consisted of 5 words: has this manuscript been acquired? 

Worldwide connections: The worldwide connections have been the most astounding and rewarding part of the publishing experience. Having a publicist was already mind-blowing as I had never had one before with self-publishing (that would be me) or with the small publishers I had been with (that would be no one). 

The Penguin publicity, marketing and sales team have opened doors from day one: no. 1 Sunday Times authors providing the cover endorsement quotes, media and press outreach including World Literature Today, Nerd Daily, Culturess, Book Riot, The Telegraph and Elle, being no. 4 on the Straits Times bestseller list in its opening week, being on sale at WHSmith at the airport departure lounge, book launch at West End London bookshop and in the USA, in Barnes and Noble physical bookstores throughout USA and at the airports such as in Key West, Miami International and JFK. I have also been invited to the Jaipur Literary Festival (“the greatest literary show on earth”) in February 2024. I have also seen an uptick in the sales of my other books. These opportunities to build audience trust and author visibility would not have been possible without the Penguin label. This experience has changed the way I see publishing as I come from a “nothing happens” school of thought from my previous publications. I am proud that my book now belongs with the orange-spined classics I grew up reading. I am inspired to keep writing. Stories keep us alive. Stories are more than ever what we need in these times.

My parting words and 5 rules of writing: Persevere. Learn to write. Write the best book that you can write. Believe that top quality writing always stands out. Above all, read.

MORTON S GRAY REVIEWS

 

The Girls of Bomber Command by Vicki Beeby

Vicki Beeby has done it again!

I enjoyed her last two WW2 series about The Ops Room Girls and The Wrens, but I loved the first in this new series about The Girls of Bomber Command.

A poignant subject, Beeby comments in her notes that the RAF Bomber Command had one of the highest casualty rates of any Allied unit during the Second World War and yet the author manages to portray this sensitively in a very enthralling read.

I loved Pearl, who reminded me of myself as she tries to look after her younger sister and strives to find her own place in the world whilst staying true to her aspirations. Greg has to deal daily with the thought that he might not survive the next bombing mission and that colours how he lives his life.

The author’s notes on the research undertaken to inspire and also to make this story authentic were fascinating.

I can’t wait for the next book in the series.

 

Wild Hope by Donna Ashworth

I cannot speak too highly of this volume of poetry. Comfort in troubled times and wisdom for everyday living.

Having seen a social media video of the author using the volume as an oracle, I now open this book daily at random and the results have never ceased to surprise me. I have my favourite poems of course but each page has the ability to touch my heart and often to produce tears.

I don’t think I have ever read a volume of poetry so often. Wonderful.

 

The Paris Affair by Victoria Cornwall

I really enjoyed this book and felt as if I was actually Charlotte, the heroine as she negotiated the sadness, excitements and uncertainties of her life and relationship with Pierre.

The Parisian scenes, particularly the characters’ visit to The Sacre Coeur took me right back to a long ago visit to Paris.

Victoria Cornwall is a skilled storyteller who makes you care about her characters and root for them as they tackle dangers and challenges.

I have always wondered how I would have coped in times of war and hope that I would step up to the challenge of helping with the war effort just as Charlotte, Pierre and their colleagues did in the book.

A thoroughly enjoyable read that made me reflect on the war experiences of members of my family.

 

The Lost Heir by Jane Cable

Jane Cable captures the time of the Covid era lockdowns, which caused many people to re-evaluate their lives and make changes, as does the modern day character of Carla in The Lost Heir. As a family historian myself, I enjoyed the research Carla and Mani’s research adventures. I liked the present day story, even though I wasn’t sure I wanted to read about Covid times when I started reading the book, and would really like to know more about what happened to these characters after the end of this story.

Franny in the historical story, with her different way of seeing the world and her companion, Harriet, is a very complex character. I loved the secrets and risks surrounding William.

Loved the fact that Carla had inherited her grandmother’s skills for seeing auras and presences. Fascinating to read in the notes to the book about the inspiration for the story and the research done by the author.

All in all, a great read.

 

 

RETREATING IS THE BEST STEP FORWARD BY CASS GRAFTON

One of the many things I’ve learned as a writer is the importance of location. This isn’t about the settings of novels so much, but rather places where it’s possible to escape from day-to-day life and become fully immersed in a story in the making.

Most authors, when at home, tend to write in whatever space they have created for the purpose, anything from a desk in the corner of a room to a dedicated office or (my personal dream) a writing hut in the garden. When the opportunity arises, though, the chance to go away—especially with other writers—is the perfect mix.

Although I’m lucky enough to ‘retreat’ with four of my writing friends each year, usually on an escape into the Shropshire Hills, I’ve also enjoyed a few Cornish writing experiences through The Writing Retreat, superbly run by Jane Moss and Kath Morgan, who not only offer their insight and experience through optional tutoring and one-to-ones they also provide plenty of personal time to write. I’m booked onto my third retreat with them next March and can’t wait—though I’ll have to diet before I go so that I can enjoy the delicious meals they dish up every day!

My most memorable stay with Jane and Kath so far took place a few years ago in a truly remarkable location: the Old Sawmills, a property situated on a secluded creek off the River Fowey in Cornwall.

I was deep into the writing of a book I hoped would be the first in a romance series, set in the fictitious town of Polkerran Point (also in Cornwall), which had several parallels with the town of Fowey and the village of Polruan, situated further down the river from the isolated creek that is home to Old Sawmills.

This fabulous property sits on a tidal inlet, only reachable by boat at high tide or by walking through the woods from Golant or uphill and down dale from Fowey (a much longer route).

The mill building has a fascinating history spanning centuries and was converted some years ago into accommodation, with a music studio built on the lower ground floor. Many musicians have stayed there over the years, and some iconic albums have been recorded in this distinctive location, including Oasis’s Definitely Maybe, and several by Muse, including Showbiz and Origin of Symmetry.

Stalled in my writing for months, once installed in my room at Old Sawmills, I quickly realised I’d found my happy place. My bedroom overlooked the top end of the creek, beautiful in any season, and sat in the window there or curled up on a squashy leather sofa in the light, bright sitting room, the words flowed.

Perhaps it’s not surprising. Not only had many musicians created their masterpieces there, but Kenneth Grahame is also believed to have been inspired to write Wind in the Willows after picnicking in a little creek off the River Fowey—allegedly this one—an experience that is reflected in the opening chapter and describes the setting perfectly.

For myself, not only did staying at Old Sawmills give me the space and opportunity to pour my heart into my book—now published as New Dreams at Polkerran Point—but the setting of the recording studio will be a key location in the third book in the series.

Currently for sale, who knows what the future holds for Old Sawmills? In my dreams, a reclusive writer will buy it and happily sit in the conservatory, nature all around, as they pen novel after novel, lost in a world of their own creation.

 

Visit https://www.thewritingretreat.co.uk/ for more information.