Category Archives: Culture

EVA GLYN’S HIDDEN CROATIA: EATING WITHIN DUBROVNIK’S WALLS

Posted on by

First let me say that I am one lucky, lucky writer. Long have I dreamt of eating at Dubrovnik’s only Michelin starred restaurant, and on my last visit, I did it. It’s a very special place (with prices to match) but I had cause for celebration – it was publication day for The Collaborator’s Daughter, my novel set in the city.

I had visited Restaurant 360 before, but only through the pages of The Olive Grove. Where else would wealthy businessman Josip Beros take Damir to impress him?

‘The design of the place alone took Damir’s breath away, the cubed rattan furniture in turquoise and grey in the lower courtyard contrasting in both colour and style with the honeyed stone of the old fort into which it was built.’

It is, indeed a stunning location, and in the summer open air tables grace the tops of the walls giving stunning views of the harbour, but on a breezy evening right at the beginning of April I was pleased we would be eating inside.

Everything about Restaurant 360 is precise, except for the service which is as friendly as it is knowledgeable about the food and wine they serve. As well as a la carte choices, there are two tasting menus; Antalogica, which showcases the chef’s latest signature dishes, and Republika, a modern take on heritage dishes from the time of Dubrovnik’s Ragusa republic.

We were delighted when the sommelier was able to match a different Croatian wine with each course. Croatian wines are hugely underrated (and my husband knows a thing or two about wine, having worked in the industry) and we were able to enjoy a selection of the best with our meal. We were especially impressed with a Grk from Lumbarda on Korcula. All the more delicious to me because that’s where The Olive Grove is set.

All the food was wonderful, but it was with fish that Restaurant 360 excelled. We do sometimes treat ourselves to Michelin starred food, and some of the dishes bettered anything we have eaten. Anywhere. The absolute star of the show was what sounded an unlikely combination of smoked eel, foie gras, melon, and date cream. The man who thought that one up, and then delivered it, is some sort of genius.

A great deal of time goes into perfecting the dishes. Our waiter told us that the ‘fish soup’ accompanying the brodet (a very traditional Croatian dish) of grouper and clams had gone through almost forty iterations before it was deemed worthy of serving. And I would imagine it was the same with everything else; the sea bass with leek and langoustine was one of the most amazing things I have ever tasted. And the scallop tartar with kohlrabi and yuzu gel was as delightful as it was refreshing.

Great care was taken with my gluten free diet and I felt very safe all evening. The bread was delicious and plentiful, accompanied by a colourful array of butters, and where a dish could not be adapted, (as with one of the amuse bouche) the chef made something specially for me. Nothing was too much trouble for kitchen or staff, which made dining at 360 a wonderful experience.

I couldn’t resist taking a copy of The Olive Grove with me, and gave it to our fabulous sommelier when we left. He was delighted to hear it was set on Korcula, where he and his wife had honeymooned. It seemed such a small thank you for a night we will never forget.

Spotlight on Priest and Poet Ian Tattum

Posted on by

I have long been a fan of writer Ian Tattum. Ian is incredibly intelligent and a keen observer. Ian’s poems have been published in a number of magazines and it’s easy to see why. Ian’s talent is outstanding and his poems stay with you for a long time after you have read them. I cannot recommend his poems enough, nor insist enough that you keep an eye out for what he does in the future.

It was hard to find just three poems to publish here. I loved them all. One such line ‘for a bruised heart will kill first what others love’ had a huge impact on me. Ian’s poems are full of truth and beauty. He is a fantastic nature writer and a wonderful person. May we may have more like him. Now. Thank you.

Ian Tattum, poet, priest, nature, writer

Nativity

I didn’t croak, I cried.
Long armed and long legged,
and long breathed.
It was not an amphibious belch,
but a human yell
as I left my pond for the world.
And my arrival wasn’t
a leap but a tumble.
I was not smooth and green,
but red and wrinkled.
My mother objected when my father said, ‘he looks like a frog’, but looking closer she saw his point, and kept her silence.

For my mother
JOAN TATTUM

Landlocked at Olney

The Ouse lives up to its name,
slowly winding through a gentle valley.
Overlooked by the modest high point of Clifton Reynes,
and windmills that march without moving.
It floods less now, hardly a boot covering but
wild swimming still provides the odd drowning.
A snaking mirror of the sky and trees,
of barely rippled blues, greys and greens.
Where a damselfly’s stained-glass wing or a sudden kingfisher
can arrest your attention without troubling it.
A place for a closer walk with God,
where the breeze curtains out the traffic
as it did for Cowper the noise of industry and cart.
But the river leads to the sea,
one hundred and forty-three miles east.
To a place where the water and the sands move,
footing is unsure, and the tides are wilful.

Attic Verses. Cowboys and Indians

I rarely felt the cold in those days before central heating,
when the coal fireplace in the front room was only lit
for necessity and the kitchen harboured the hypnotic
skin-searing paraffin stove.
When my bedroom was icy my mind was warmed by travel.
I knelt on the carpet moving my soldiers across prairies,
and over rivers and hiding them in clefts in the rock.
Some would take refuge in a cardboard stockade,
while others whooped from plastic horses,
in circling menace.
In TV Western Land even when it snowed
it was always temperate.
There were countless deaths, but no one ever died.
Until my brother, proving how wrong Wilde was,
instituted an irreparable massacre by beheading;
for a bruised heart will kill first what others love.

Ian Tattum is a priest in the Church of England, who writes mainly about nature, local history literature- including a recent essay for Little Toller’s ‘The Clearing’. His poetry has previously been published by Spelt Magazine , The Pilgrim and Black Bough Poetry. He is a Fellow of the Linnaean Society. https://stbarnabas-southfields.org.uk/essays-and-
reviews/
Follow Ian on Twitter at @ITattum.

JANE CABLE ON THE BENEFITS OF A WRITING ESCAPE TO THE SUN

Posted on by

I have just returned from a third fabulous week of writing led by one of my favourite authors, Rosanna Ley, in one of my favourite places, Finca el Cerrillo in the mountains north of Malaga. My first was in February 2020 then, courtesy of Covid there was a gap before I returned in March 2022 and again this year.

So why do I keep going back? And if you are looking for a writing retreat, or writing holiday, as Rosanna calls them, what might help you to decide which one to choose?

The first year I went my objectives were quite broad; I had a contract with a small publisher but was desperate to break into the mainstream, so I wanted to hone my skills, find inspiration for ‘the book with the hook’, and pick Rosanna’s brains about where my writing career might take me.

On every level, the retreat worked for me. Every morning, after a hearty breakfast and an optional walk through the finca’s olive grove, we met in the light and airy classroom for a themed session aimed to both inspire us and improve our skills. There were people at every stage of their career and Rosanna managed the sessions cleverly so we all got something out of it. Topics ranged from beginnings and endings, to writing dialogue, and short stories so there is plenty to get your teeth into, whether you are writing a novel or not.

After that, the day is your own to write, relax, or chat to other participants. One-to-one sessions with Rosanna are offered, including feedback on your writing, which is always detailed and incredibly valuable. Everyone meets in the dining room or on the terrace for lunch, and part of the whole joy of the week is making connections with other writers. In fact, simply having time to be a writer, with no distractions, was a revelation in itself.

Towards the end of the afternoon is a feedback session where we could read a piece of our work for comment by the group. I had never done this before but soon lost my fear as the other participants were so constructive and helpful.

A couple of evenings we had dinner at a local village, but otherwise ate at the finca, where the food is excellent. There is always some sort of entertainment; a quiz night, group singing, dancing, party games… and on the last night the finca tradition of desert island discs, where we have to guess who from the group chose a particular song.

All of this goes to form strong bonds, and after my first retreat, when we were plunged into lockdown so soon afterwards, we kept in touch via Zoom. This year we have a WhatsApp group instead. Time marches on.

Rosanna is very flexible in her approach, and this year arranged things so that those of us who wanted to focus on a particular project could leave the morning sessions early, and as a result my wordcount went through the roof. I was bashing out the first draft of my summer 2024 Eva Glyn novel and when I wasn’t at my laptop took invigorating and mentally stimulating walks around the olive grove between scenes, or when I needed to unknot a thorny problem.

Because of the way the week is structured it is quite genuinely suitable for everyone from absolute novice writers to published authors. And Finca el Cerrillo is a little piece of heaven on earth. At the time of writing Rosanna has a place or two left on this June’s retreat, and is taking expressions of interest for next year. I hope to see you there!

For more information, visit Rosanna’s website: https://rosannaley.com/writing-retreats-events

Her Sweet Revenge by Sarah Bonner

Posted on by

Her Sweet Revenge is another stunning thriller from Sarah Bonner. It’s ambitious, covering four years and numerous POVs but that makes me love it more. The relationship between the different characters (the mother-in-law and her daughter-in-law, the female friendship) is all done so well. You’re not quite sure who or what to believe until the very end. It made me feel so many emotions.
It’s a great read and I couldn’t wait to find out what happened. I finished it in 24 hours. Sarah Bonner is a formidable talent and this is another triumph,

Secrets and lies ruin lives

Two women receive the same anonymous note.
For one it’s a threat.
For the other it’s an invitation for revenge.

Helena is beautiful, successful and living in married bliss in Exeter. But she’s hiding a secret that could tear her perfect life apart. When the notes begin to arrive, she realises someone else must know. But what might her husband and his overbearing family do if they find out the truth?

Thea is reeling from her best friend Helena’s death. But when she starts digging into the circumstances, she receives a threatening note warning her to stop. She knows her friend’s death wasn’t an accident. This was murder. And she is determined to get revenge. And everyone knows, it’s almost always the husband . . .

Her Sweet Revenge is available here.

Spotlight | Author and Podcaster Georgina Scull

Posted on by

I’m very excited to introduce a new series to Frost. Spotlight does just that, it finds people, or things, that deserve to have a light on them. Launching this is Georgina Scull who I’m a huge fan of. Her book, Regret’s of the Dying, is a wonderful, life-affirming book. Georgina is such a talented person, and also a thoroughly decent human being. Grab a copy of her book now. You won’t be disappointed.

Georgina Scull

Tell us a bit about you.

I’m originally from Central London, but live in Cambridge now. My family is small; English on my mum’s side and Romani Gypsy and Norwegian on my dad’s. I have one daughter and I’m happily separated.

You work in different mediums. Which one is your favourite?

That’s like asking someone who their favourite child is! Honestly, they’re all great. I work in podcasts, radio, and books, and am forging into film. Really the story dictates where it should be told. Sometimes you get an idea that you can hear and is more dialogue-based, so it’s natural home might be audio. It’s just different ways of storytelling and they’re all brilliant.

Have you always wanted to tell stories?

No. I’ve always loved stories, and always loved English at school, but to be honest it never occurred to me that someone might get paid to write, or that it might actually be a job you could choose, but I knew I wanted to do something creative. I started when I was 19 – and had no idea it would take me this long!

How do you come up with ideas?

I think I’m pretty lucky, because I always have more ideas than I can work on. Where do they come from? Just living, and listening to people, and connecting the dots. Lots of the time it might come from one central question you want to answer – with Regrets it was ‘if you only had one year to live, what would you do with it?’. Sometimes it’s an image you imagine or something you see in real life. And then it becomes – what if that couple who look like they’re in an embrace are actually arguing, and vice versa. I think it’s about finding a question or moment you want to explore; and I’d say that’s true of both fiction and non-fiction.

You started Regrets of the Dying as a podcast. How difficult was it turning the idea into a book?

It wasn’t hard, because most of the people that feature in the book weren’t on the podcast so it felt very new. The most difficult thing was finding people who wanted to talk, and being worried about upsetting them when we did sit down together. That, obviously, would never be my aim. Luckily, from what the interviewees told me afterwards, the experience seemed to be a cathartic one.

What’s your favourite thing about becoming a published author?

Probably receiving messages from readers, telling me that my book helped them. That, to me, is really amazing. I’m not sure if this’ll make any sense, but when the hardback came out last year I was 48. I’d been plugging away for so many years, mainly writing fiction, but really didn’t have much to show for it. I’d made a podcast series, and created a radio play which was well received, but really hadn’t achieved much for the amount of years I’d been working. I felt completely invisible. So to write a book that may have helped others was a very special thing, and something I am really proud of.

Tell us about your creative process.

When I start a new project I always buy a new pad, always A4 and always lined. I usually come up with the title very quickly and then do a bit of a one-two sentence blurb just to keep me focused on the main story and my reason for wanting to tell it. If I can’t come up with that blurb quickly, chances are the idea isn’t ready yet. Then, if it’s a podcast or a book, I’ll sketch out the cover art. This is purely for me: it helps to see it as a finished thing. Then I brainstorm the characters, the basic beats of the story and then make a schedule to write it. I then try and write most days but don’t really do set hours. It always takes me longer than I hope. Always. But if I try to do too much each day I end up doing nothing. I have a small office, but I tend to write in bed, or in cafes. And if I get stuck I go walking. It’s strange how a plot point or problem can seem impossible, then you go walking, listen to a podcast about a completely different subject, and by the time you sit down for a cup of tea that impossible thing seems weirdly obvious.

What is the highlight of your career so far?

Probably going on Woman’s Hour, mainly because I remember my mum listening to it on the radio when I was growing up.

What advice do you have for people who want to have a career like yours?

It’s important to be practical: to have another stream of income because making a liveable income from writing is incredibly hard; to not wait for some magic moment to write, and to crack on in the little pockets of time you do have; to have a clear idea of what you want to achieve; and to send your work out – if you’ve written something it serves no purpose sitting in a bottom drawer. You have to remember, like finding love, it’s a bit of a numbers game: not everyone will like/love your stuff, but you don’t need everyone to love it. You just need one or two people on your side that will open the gates wide enough for you to sneak in.

But I think probably the biggest thing I wish I’d learnt a lot sooner is to have a few people around you who believe in you. People who can cheerlead and help you keep the faith when you’re consumed with doubt and drowning in rejection (because it can feel like that sometimes, unfortunately). For years I was in a relationship with someone who wouldn’t read my work, wouldn’t listen to my podcasts, and really didn’t want me to talk about it at all. And in those moments of doubt, when I needed reassurance, all I had was myself. I now have that mutual support from my new partner and a small group of lovely friends and writers. I just wish I’d realised my need for it sooner because we all need support. Even those of us who are used to being the ‘strong one’.

What are you working on now?

I’m working on my next book, and have a couple of audio projects that are in the pipeline; one factual and one fiction. I’m a bit superstitious so I won’t say any more than that!

The paperback of Regret’s of the Dying is available on March 30th. Other formats are out now.

WRITERS ON THE ROAD: LIZZIE LAMB

Posted on by

People often talk about Castles in Spain however the inspiration behind my novels comes from an entirely different source – castles in Scotland. We visit Scotland every year with our caravan and I spend part of the day writing on my MacBook and the rest researching/exploring castles, researching ideas for my next novel. My favourite castle is Castle Stalker on Loch Linnhe, the castle featured in Girl in the Castle, although I’ve renamed it Tearmannaire, meaning guardian or defender in Gaelic. We stumbled upon it almost by chance as we were driving from Oban to Ft William and it loomed at us out of the Scotch mist. It was like something out of a film set – grey, imposing and sitting squarely in the middle of the loch.

Catching a sign advertising a café, Castle Stalker View, we pulled in for a better look. There we discovered that the owner gives guided tours of the castle. Even better, he collects potential visitors from the shore and ferries them across to his home in his launch. That later used that in a scene from in Girl in the Castle where the heroine arrives on the shore,  shrouded in an autumn mist, and rings a bell for the ferryman to take her over to the castle.

The following year we discovered Bioran Dubh Caravan Site overlooking the castle and have stayed there in subsequent years. The thrill of seeing the castle every morning when we open the blinds never palls. We’re booked ourselves in there this summer on our way south after touring the highlands. A word of warning, there is no toilet block at the site, only water and electricity so your caravan needs to be pretty much self-contained if you fancy staying there.

Anyway, I’m getting ahead of myself. . .

The tour of the castle revealed details which I subsequently used in Girl in the Castle. How the RAF practices low level flying along the loch using the castle as a marker and dip their wings as they fly past. How Castle Stalker became Castle Argg in Monty Python and the Holy Grail, including the scene where John Cleese hurls abuse at King Arthur from the ramparts. I learned how canny landowners were reluctant to dine at the castle in the past because there was a good chance it would be their last meal; all very Game of Thrones. (I later used that detail in Dark Highland Skies my current novel).  I also learned about heiresses being dragged to the altar to secure their dowries, the groom who was murdered by a rival before the ceremony was over and the Jacobite gold allegedly hidden there after the 1715 uprising.

They’re still looking for that!

As a nice touch, I was able to give the owner current a signed copy of Girl in the Castle as my thanks for him sharing his iconic home with us. And, as an extra, you can dine on the pub on the shore which was a notorious haunt of Jacobites back in the day.

We’re really looking forward to our tour of Scotland this summer, who knows what gems we’ll uncover and how that will influence what I write next?

https://viewAuthor.at/LizzieLamb

 

EMMA BENNET ON RUNNING A SUCCESSFUL AUTHORTUBE CHANNEL

Posted on by

For anyone not familiar with it, Authortube is the little corner of YouTube with writers producing videos. Not only is Authortube full of writing advice, but there are author life vlogs and lots of opportunities to take part in live writing sprints, which definitely make the writing process less isolating.

I loved watching Authortube videos and felt I could add something to the community. I wanted to offer support to writers as well as tips and tricks which could help them in their writing careers. I also figured I would learn an awful lot myself while researching for my videos. Becoming a proper part of the Authortube community also really appealed, they all seemed very supportive of one another, sharing one another’s videos, co-hosting live streams, and shouting out about each other’s books. I discovered this to be true very early on, and it’s made such a difference to my writing to have this wonderful group of cheerleaders.

I mulled over starting my own channel for more than a year before I finally took the plunge in March 2022. The time commitment to running a channel being a major hurdle as well as my complete lack of equipment. I didn’t even have a lovely, quiet place to film: I share a house with five boys and two large dogs!

I began filming on an iPhone 5s one afternoon when all my family were out. I had to prop the phone up on a stack of books because I didn’t have a tripod. The lighting was dreadful, and the video quality wasn’t great. Oh, and I’d made the mistake of filming in portrait instead of landscape. I also didn’t make a thumbnail for it. But, I had officially had a video available. This is definitely how I would advise anyone interested in starting any sort of YouTube channel to start (although maybe get the camera the right way round!): use what you’ve got and try it out to see if it’s for you before committing to buying a load of equipment.

The first few months were a very steep learning curve! I’ve never been very interested in technology and suddenly I found myself on a crash course in filming and editing as well as graphic design for thumbnails. I watched numerous YouTube videos to teach me what to do and cannot recommend Canva enough for thumbnails and putting your videos together!

Almost a year on, I’m on track to be monetised this year, which would be amazing. I upload two videos and at least one short (a video less than a minute long, like a TikTok) a week, as well as hosting at least two live writing sessions a week. I’ve also been able to collaborate on videos and live streams with other authors, and will be taking part in the Authortube Writing Conference later this year.

Running a YouTube channel is definitely hard work and isn’t for the faint hearted, but I absolutely love it. I’ve learned so many new skills, not least becoming confident speaking to a camera, and I’ve made lots of new friends who all share my passion for writing and sharing our skills with others.

The resources available for writers on YouTube now, and all completely for free, are just astounding, and I would advise anyone who hasn’t yet to check it out, whether you’re very new to writing or a seasoned veteran.

 

Find Emma on YouTube at: https://www.youtube.com/channel/UCKJKt8kmDXrWQAGkTV1VHMQ

The author of seven romances, Emma’s YouTube channel is full of tips and tricks for writers, book recommendations, author life vlogs, and live writing sprints.

WRITERS ON THE ROAD: ELAINE EVEREST

Posted on by

Little did I l know that my first Saturday job at the age of fifteen and three months at the Dartford branch of Woolworths would lead me to write a series of historical sagas over fifty years later, or that the home I lived in for twenty years when first married would provide me with such a wealth of happy memories. Those memories still feature in my books today, in fact I’ve just filed my tenth book set in and around Woolies during the early 1950s.

I was born and brought up in Erith, Kent, growing up listening to my parents and family members talking about ‘the good old days’ even there were times when life wasn’t so good. The history of the small town on the south bank of the Thames has a rich history not only of its involvement during the two wars, but also of family life which fascinated this young child – and still does to this day. With my mother passing away at the age of forty I hung onto the stories she told me about growing up in the war and what happened to her family members. I would need to write many more books to cover all her memories and what I’ve discovered since she died. Even though I’ve moved away from the area I only have to close my eyes and I’m back there in the street where I had such happy memories and, in my mind, walk through the old Erith which was, in my childhood very much as it was during WW2.

As I explain to new writers, memories are fine, but writers must ensure stories we’ve grown up with fit in with the history of that time. Use archives and read, read, read as much as you can about your subject. Believe me if we get anything wrong our readers will soon correct us. One of the joys of being an author and setting my books in and around North-West Kent is being able to chat with local people and hearing their family stories and memories of the town and Woolworths; there is a large community of ex Woolies employees, and they love to share their stories.

When I wrote that stand-alone book – yes, The Woolworths Girls was originally commissioned as one book – I become so interested in the history of that well-known store and started to collect old copies of The New Bond, the Woolworths monthly staff magazine. I have copies from as far back as the 1930s and they hold a wealth of information about the different stores, staff celebrations, employment anniversaries as well as advertisements from those times; I lose hours reading through my stash!

Of course, local history and store information is important, but this author needs to know what is going on in the outside world away from the town and Woolworths, and importantly how it plays a part in my ‘girls’ lives. Hours spent at the local archive centre as well as having my nose in a non-fiction book means I glean information that may just appear in my stories.

Do I envy authors who set their stories in exotic locations? Of course, I do! However, the joy for me is knowing I only need to close my eyes and step outside the front door of number 13 Alexandra Road to see again my characters and hear their stories.

 

Elaine’s website: www.elaineeverest.com