Category Archives: Culture

Three Romance Novels To Read Now

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Secretly Yours by Tess Bailey.

This is the first Tess Bailey book I have read and, damn, now I believe the hype. It’s fun, deep, rom-com steaminess. Secretly Yours is a fun book with so many layers and excitement that I raced through it. Brilliant.  

From #1 New York Times bestselling author and TikTok favorite Tessa Bailey comes a steamy new rom-com about a starchy professor and the bubbly neighbor he clashes with at every turn…

Hallie Welch fell hard for Julian Vos at fourteen, after they almost kissed in the dark vineyards of his family’s winery. Now the prodigal hottie has returned to their small Napa town. When Hallie is hired to revamp the gardens on the Vos estate, she wonders if she’ll finally get that smooch. But the grumpy professor isn’t the teenager she remembers and their polar opposite personalities clash spectacularly. One wine-fueled girls’ night later, Hallie can’t shake the sense that she did something reckless—and then she remembers the drunken secret admirer letter she left for Julian. Oh shit.

On sabbatical from his ivy league job, Julian plans to write a novel. But having Hallie gardening right outside his window is the ultimate distraction. She’s eccentric, chronically late, often literally covered in dirt—and so unbelievably beautiful, he can’t focus on anything else. Until he finds an anonymous letter sent by a woman from his past. Even as Julian wonders about this admirer, he’s sucked further into Hallie’s orbit. Like the flowers she plants all over town, Hallie is a burst of color in Julian’s grey-scale life. For a man who irons his socks and runs on tight schedules, her sunny chaotic energy makes zero sense. But there’s something so familiar about her… and her very presence is turning his world upside down.

Secretly Yours is available here.

The Ex Next Door by Jo Platt.

If you want to immerse yourself in a pacy romance with characters you love, and others you can hate, then grab a copy of The Ex Next Door. A smart idea well executed. 

Thank you, n(ex)t.

After burst pipes destroy Esme’s city-centre flat, she temporarily relocates to a delightful and small cottage in a village on the edge of town. The change is a big one, but Esme soon settles in and, as the art gallery she co-owns with her business partner, David, continues to thrive, life is sweet.

Until Elliot – an ex whom she hasn’t seen or spoken to for years – moves in next door, along with his perfect new girlfriend, Morgan. Suddenly, Esme’s past is right on her doorstep, or at least just over the fence.

When Elliot and Esme decide to keep their former relationship a secret from those around them, their subterfuge sets off a chain of events which not only forces Esme to re-evaluate her past relationship with Elliot, but also puts her friendship with David under the microscope and under pressure.

A laugh-out-loud romance of second chances and near misses, perfect for fans of Mhairi McFarlane and Jenny Colgan.

The Ex Next Door is available here.

The Corner Shop on Foxmore Green by Lilac Mills.

I loved this wholesome and happy novel. It’s a lovely story about community and love. Single mum Rowena lives in a beautiful village  with her daughter Nia. She has hopes and dreams and you root for her. Perfect for lovers of romance. 

Can a new shop change the village’s future – and Rowena’s?

Single mum Rowena is always looking for ways for her and Nia, her four-year-old daughter, to live more sustainably. So when she visits a zero-waste shop in Cardiff, she’s inspired to start one up in her home village of Foxmore, where local businesses and artisan shops are a core part of the community.

For Huw, it’s love at first sight when he bumps into Rowena the day he moves to Foxmore. But a series of misunderstandings keeps the two from getting closer, and now a conflict of interest over Rowena’s shop might put a stop to any fledgling romance…

When a figure from Rowena’s past makes a surprise appearance, both her shop and her relationship with Huw are suddenly under threat. Can Rowena still realise her corner shop dreams and find love?

A gorgeously fun and feel-good cosy romance, perfect for fans of Sue Moorcroft, Holly Martin and Suzanne Snow.

The Corner Shop on Foxmore Green is available here.

WRITERS ON THE ROAD: CHARLIE COCHRANE

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Imagine a castle. A castle that was confiscated by Henry VIII after he’d chopped off the owner’s head. A castle that may not have been “knocked abaht a bit” by Cromwell, but which went seriously downhill after the civil war. One that was restored in the 19th century and may—rumour has it—have been where they hid the crown jewels during World War Two. Sounds interesting, doesn’t it? Better still, it’s a place where you can stay because it’s now a hotel, so it provides a tremendous venue for an author who writes historical novels and who wants both inspiration and an opportunity for immersive research. That’s my story about why we’ve stayed there several times and I’m sticking to it.

There’s nothing better than experiencing the era you write about, albeit at several removes. Work a sash window and see how tricky—and draughty—they can be. Trot up and down a spiral staircase and discover how that fight scene you had in your mind could physically never work. Stand next to a thick stone wall and see how much cold the thing radiates. While none of the detail might make its way into your story, it’ll give you a clearer idea of what your characters experienced in their everyday lives and why, for example, people wore bed socks and night caps, because their rooms would have been so flipping freezing.

Research is little use unless it turns into or backs up a story, so inspiration for what that story will be is the other factor writers can find when on the road. The Cochrane family first stayed at Thornbury Castle back in 2006, which was just before I started work on my first murder mystery. I needed a family home for Jonty Stewart—one of my pair of amateur sleuths—and it was obvious that Thornbury had to provide the template for it. I could so clearly see the characters occupying the place in its new guise as The Old Manor, especially the glorious walled garden which is a little jewel of colour and tranquillity. That garden was the setting for some significant scenes, and the strange grey cat we encountered there had to be incorporated, especially when the staff said he didn’t belong to the hotel or to any of the local houses. This mysterious moggy became a ghost cat who had inhabited The Old Manor since the time of Shakespeare and may just have been the “harmless, necessary cat” the Bard refers to in The Merchant of Venice. A small thing, maybe, but the kind of element that can enrichen a story and provide a useful thing for your characters to chat about while you’re fleshing them out.

Real life occurrences can spark a fictional equivalent, too. That rumour about the crown jewels being stored at Thornbury Castle…where would you hide such valuables? In a hidden vault, surely. What else could you hide there? A body. All of a sudden there’s a story up and running. In my case, it inspired the cosy mystery The Case of the Undiscovered Corpse, which is part of my 1950s Alasdair and Toby series. (Imagine two actors who play Holmes and Watson onscreen and off and you’ve got the idea.)

I’d always advise aspiring authors to keep their eyes and ears open and their imaginations ready to be launched, whether they’re on their travels or simply in the local supermarket. So often I hear fellow authors talk about the tiny seeds—a snatch of conversation overheard, an interaction observed or a place visited—which have subsequently developed into full-grown stories. Be alert!

 

Link: https://www.amazon.co.uk/Undiscovered-Alasdair-Cambridge-Fellows-Mystery-ebook/dp/B0BHLN5HB8

 

 

 

 

JANE CABLE REVIEWS…

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Three books read for pleasure and another for research… My book of the month for January is the brand new family drama from Judith Barrow, Sisters, which was published by Honno last week.

Sisters by Judith Barrow

This novel about how childhood lies spiral into adulthood had me gripped from the very first chapter. One sister causes a dreadful accident and the other is blamed. The set up sounds simple enough – one moment changes both their lives. But it is the complex and realistic emotions involved that made this book as we follow Angie and Lisa from the estrangement of their teenage years into their twenties and beyond.

Judith Barrow is such a skilled storyteller I was completely immersed in the narrative, living alongside the characters as the plot played seamlessly out. It is hard to say too much about the story itself without including spoilers, but take it from me, Sisters is a first class read.

 

The Thursday Murder Club by Richard Osman

I’m not sure why I didn’t expect to enjoy this book; perhaps it was the style of the prologue and first few pages that put me off, but once I got into the story I forgot all about it.

I have to say that happened very quickly. Such brilliant characters, I think I could have forgiven them anything, and there were plenty of things to giggle at too, which I didn’t really expect. As for the mystery I enjoyed the ride and the red herrings very much, but I wasn’t completely convinced by the final outcome. It just didn’t seem as well embedded as the rest of the plot, which was a bit of a shame.

 

A Christmas Miracle for the Railway Girls by Maisie Thomas

I can hardly believe that this is the sixth Railway Girls saga; I have enjoyed them all so much and the stories still feel fresh. Of course the characters are familiar and this book focuses on Cordelia, Mabel and the return of Colette. I had a hunch that would happen, but how it came about, and how this important strand of the story was hold surprised me.

The tension attached to this storyline had such emotional power I was so invested at one point I had to put the book down. I couldn’t bear to carry on reading, and yet I had to know what happened. Always an excellent writer, think is Maisie Thomas hitting a new high. Challenging, uncomfortable, and it made me angry.

But the book ends at Christmas and of course miracles do happen. And the gentler counterpoint of Cordelia’s story was perfect foil to Colette’s making it a brilliantly rounded read.

 

The Four Swans by Winston Graham

I love a Poldark novel; they are fast becoming a go-to comfort read, although in this case I read the next in the series to immerse myself in the era in Cornwall. Although I am writing some fifteen years later I was delighted to discover that the family inspiring me, the Bassets of Tehidy, had more than walk on parts in The Four Swans.

The swans are the four women in Ross’s life and although I loved the full richness of the tapestry drawn, the thread that drew me most was Demelza’s and Hugh Armitage’s pursuit of her. As ever the whole novel was superbly written and brilliantly researched. These are not modern classics for nothing.

 

 

WRITERS ON THE ROAD: SUZANNE FORTIN

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When I first started out writing, my novels were all contemporary, so I didn’t need to do a great deal of research as most of the things I wrote about were within my own experience. However, when I moved into writing historical fiction and, in particular, the Second World War, research became one of the key elements. With so much information out there, it was important that I got my facts right.

Prior to this point in my writing, I had never been much of a historian. I moved into historical fiction by accident really, when my editor wanted me to expand on the backstory of one of my characters. I wasn’t sure if I could do it at first. Researching the Second World War seemed a huge task but the internet, friends, family, colleagues and the local library/bookstore have all been my assistants in helping me in this area.

Most of my novels have been partly set in France – a country that has been close to my heart for many years. Me and my husband first started visiting France in the early 90s and fell in love with the country and culture, so much so, that in 2003 we bought a cottage of our own to renovate in the Morbihan department of Brittany.

Little did I know back then how the area would influence and inspire my writing. Since then, I have found a wealth of information, a lot of which is widely known and many things that are smaller more personal stories of events during the occupation and the efforts of the local French Resistance who fought to disrupt the German war effort as much as possible, proving invaluable in the lead up to D-Day and beyond.

One of my research trips in Brittany took me to the Musée de la Résistance Bretonne in Saint-Marcel. It is, in fact, built of the very site that was once woodland where the local resistance group lived, trained, organised their attacks from and saw actual fighting as Brittany was liberated after the D-Day Landings.

Some of the displays within the museum have recreated scenes of the fighting as well as what every-day life was like under the occupation. All the displays are very detailed. There are some personal accounts, and these helped greatly to the authenticity of what I was writing, rather than just relying on well-documented war facts.

As with so many villages and towns within the area, memories of the war are never far away. On the edges of a village near to our cottage, is a small stone cross on the side of the road with the names of three local men engraved who were captured and executed by the Germans for being part of the Resistance. I have always felt a great sadness when I pass this memorial and initially it was hard to find out any information about the local men but over time this has become recorded online. Their personal stories have stayed with me and although not directly recounted in my writing, I hope I have managed to include the sentiment and acknowledge the sacrifice made by so many men and women in Brittany during the occupation.

 

 

Book link: https://bit.ly/3Z0ECxk

 

DIANE HARDING ON HER HARROWING MEMOIR, ALWAYS IN THE DARK

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My memoir ‘Always in the Dark’ tells of secrets, scandal and survival.  It is an extraordinary account of my bizarre homelife and is my search for answers from a family shrouded in secrets.  A mysterious tale of growing up, unbeknown to me, with my mother trapped in a menage a trois on a continent from which there was no escape, it tells of her selflessness, sacrifice and of putting others first.

After my parents emigrated post war, my idyllic and cosy childhood was ruined at the age of three after the arrival of a mysterious and glamorous visitor with my roller coaster existence and mother’s mental breakdown adding to my confusion during my formative years.

Although the first half of the mystery unfolded in the leafy suburbs of Cape Town, after moving to England at the age of fourteen the scandal continued to follow us around.  It was obvious my home life was a weird one and it was only after my mother’s death decades later that I rummaged through her secret box and discovered a wealth of staggering information I did not know about, the unimaginable circumstances cleverly hidden from me during my early years.  But I was a young child when it all began and the fact that I had lived my life to the point of naivety was beyond baffling.  But it was my mother’s life-long confidante, her sister Linda, who supplied me with many missing pieces of the puzzle and whose revelations helped clarify many of my childhood mysteries including the reason why I was to be an only child.

Making my heinous discovery was difficult to grasp and the realisation that I had lived through the trauma as the child of the victim equally upsetting; rage, bitterness, anger and a disbelief that my childhood had been dismantled by greed and my mother treated with such humiliation consuming me.  And because of the hurt and embarrassment my shocking revelation was not something I felt willing to talk about, least of all with my husband, a secret I kept from him for two long years.

The search for the truth sent me on numerous missions to talk with close friends and family only to discover that I was the last to know, hence the title ‘Always in the Dark’.

For too long domestic abuse has been a hidden issue and in order to raise aware of the horrors of coercive control I am now on a mission to encourage people to open up and tell their story which for me has been life changing.  It is a known fact that it is particularly hard for older people to open up and will experience abuse for twice as long before seeking help compared to those who are younger.  Writing my memoir has not been an easy ride but out of it has come great solace which has allowed me to come to terms with my past and move on.  I did not want to be someone with a massive grudge, determined never to allow my past to spoil my future.

This is a book about final freedom, my openness which I hope will help others to come forward and speak out and to understand that however traumatic a situation there is hope and a way through to happiness.  I am a firm believer that to experience the tough times gives us backbone in order to cope with what life throws our way.

 

 

 

 

 

WRITERS ON THE ROAD: GILL THOMPSON

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Back in spring 2018, I visited Prague to research my second novel, The Child on Platform One. Known as ‘The City of a Hundred Spires,’ the capital of the Czech Republic is characterised by gothic splendour and quaint medieval charm. It’s dynamic and vibrant, a brilliant collision of past and present.

But I wasn’t just there to admire the scenery, stunning though it was. If my story was to come to life, I wanted to see for myself the locations I’d placed my characters in. First the conservatoire, a large sand-coloured building situated close to the river between two of its central bridges. My novel starts with a young girl and piano-playing prodigy, Eva, having a music lesson at this famous musical venue. But she is late – we don’t initially know why – so has to hurry home to her parents who will be anxiously awaiting her. For this reason, she takes a short cut through the old Jewish cemetery, a decision with fateful consequences. I was shown round the cemetery by a wonderful Czech guide, herself called Eva, who stood amused whilst I checked my Eva’s route through the graveyard. She agreed with me that Eva would have been able to enter and exit at different points, essential to my plan.

My next destination was even more sobering: Terezin, the old eighteenth century fortress 60 km northwest of the capital which was converted to a Jewish ghetto for the duration of the war. When I first read about this ‘holding camp,’ the hairs on the back of my neck stood up. Although they were prisoners, fed a meagre diet, and worked until they dropped, the Jewish inmates were allowed to paint, sing, dance and act in their ‘free time,’ most notably performing Verdi’s Requiem to an audience of Germans, who were unaware that the choir were singing of God’s judgement on their captors. As I was shown round the camp with its poignant gallery of portraits, reconstructions of dormitories and the terrifying crematorium, I was moved, appalled and inspired in equal measure. What came across to me most strongly was people’s capacity to use their creative talents to make meaning in the darkest of times. I hope I have brought this quality to life in my novel. It was certainly a tour I will never forget.

My final destination was the Wilson station. It was here, on platform one, that I discovered the statue of Sir Nicholas Winton, the British man who rescued 669 children from Nazi-occupied Prague before the start of World War Two. Later in my novel Eva, terrified for the safety of her child, sees her daughter Miriam safely onto one of Winton’s trains before Eva herself is sent to Terezin. It was this episode that finally provided the title for my novel: The Child on Platform One.

The novel has been published now, and I am delighted that it was also translated into Czech and sold in bookshops throughout the republic. Eva’s story will finally be shared with the people who inspired it.

The beautiful city of Prague won my heart. This is an amazing place to visit but its history is sometimes dark and terrible. I hope I have done these events justice in my novel.

 

 

 

 

 

 

WRITERS ON THE ROAD: PATSY COLLINS

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Hi! I’m Patsy Collins aka The Travelling Writer. Ten years ago I was a tour guide. That job kept me in one place but ever since being made redundant and becoming a full time writer I’ve spent a lot of time travelling – mostly in a campervan shared with my husband. We’re on the road for three months a year, so naturally I write in the van. So much so that I often refer to R’ten as the mobile writing retreat. She’s absolutely perfect for that. She’s also a pretty good photography base for Gary.

There are things about a campervan which may initially seem like disadvantages, such as limited internet access and restricted space, but are really the opposite. When we can go online it’s all too easy to ‘just quickly look that up’ and get distracted by emails, funny memes, brilliant opportunities to submit our work if we ever get it finished… If we have to go into another room to make a cup of tea, we don’t always return to the keyboard the moment the kettle has boiled. Even the limited power supply can be a plus, because it encourages me to get the words down straight away, rather than wasting battery power faffing about.

Sometimes the places we visit for Gary’s work inspire my stories. Sometimes we spend time in an area so I can write my novels and short stories ‘on location’. It’s really useful to be able to literally walk in my characters’ footsteps along the beach, up a mountain or through town. I enjoy seeing what they see, eating what they do, even sharing a few of their mishaps – my research has occasionally been more thorough than intended!

One of my six novels, Leave Nothing But Footprints, is actually set in a campervan, and that’s where it was written, even if it wasn’t always parked in the same country as Jess and Eliot took their own trip. Although the storyline is nothing like my own life, some of the small details are based on reality. I think they help make the story believable, and using them in a positive way helps me feel better about some of our mini disasters in the early days. Oh, and I might sometimes try convincing Gary to unleash his romantic side for the good of the current WIP!

Another book written entirely in R’ten is From Story Idea to Reader; an easily accessible guide to writing fiction, co written with Rosemary J Kind. We know each other well, but didn’t physically meet during the writing stage as when she was in England we were in Scotland, and when we came home she went to Switzerland. We did park the van on her drive while we worked on the promotion stuff though.

Having the van, and being able to go where we like has enabled me to deliver writing workshops and attend events which wouldn’t be practical if they couldn’t be incorporated into a working trip.

Of course the locations we visit provide distractions. We’ve parked up on beaches, in the depths of forests, at the foot of mountains, alongside rivers, in the grounds of a castle, in view of seals and otters or surrounded by wild deer … But I’ve been a writer for over twenty years now and have learned to accept the ups and downs which that entails.

If you’d like to learn more about me and my writing, then please visit patsycollins.uk where you’ll find links to all my books and lots more photos from my campervan adventures.

PUBLICATION SPECIAL: NEW BEGINNINGS FOR THE SURPLUS GIRLS BY POLLY HERON

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I have loved every Surplus Girls book and New Beginnings is no exception. I was drawn into Jess’s story from the moment she appeared on the page. Her position as a working woman with a responsible job, but absolutely no security of tenure when a man came along, made me really think what pioneers the career girls of the 1920s were. The suffragettes may have won us the vote, but the ability of women to prove themselves at work was just as important, although of course we had to wait another fifty years for the Equal Pay Act and even now do not have true equality in every workplace.

The history behind The Surplus Girls books is expertly and meticulously researched, from the big issues like these to the slang names for particular cakes. Each and every detail sings from the page, which is why you feel you are actually there, sitting on the slightly worn sofas of Wilton Road in a suitably genteel manner, chatting to old friends and new.

This is the book that pulls all the strands of the Hesketh sisters’ stories together into a really satisfying ending. No graduate of their school is forgotten in the final chapters, and Jess’s seemingly impossible dilemma is solved as well. A fabulous read.

 

The backdrop to the whole series is the place of women in the world of work, so I asked Polly Heron what sort of research went into it in order to create a variety of different employments in such rich detail.

 

The Surplus Girls series explores the predicament faced by many young women in the aftermath of the Great War. They had grown up expected by society to marry and become housewives and mothers. Then came the war – and a generation of young men perished. Many women lost their sweethearts or fiancés while others, without knowing it, lost the men they would have married had they ever had the chance to meet. This meant that many girls now faced a future in which they would have to provide for themselves, while being regarded as ‘on the shelf’ or ‘old maids’.

The world of work offered women far fewer opportunities than came the way of men. Moreover, a woman doing the same job as a man would typically earn one third less. It was legal to refuse to employ a woman simply because she was a woman and it was considered patriotic to employ a former soldier even if a female candidate would have been more suited to the job. During an interview, an unmarried woman could expect to be grilled about her marriage prospects, because should she marry, the expectation would be that she would leave in order to be a housewife. In plenty of jobs, marriage automatically meant dismissal.

In The Surplus Girls series, I have explored various jobs that would have been open to girls and women in the early 1920s. Each book has a different heroine whom the story centres around, but one of the things that links the books together is that each heroine attends a business school to learn secretarial skills.

I loved delving into the social history of the time and seeking out suitable roles for my characters – ‘suitable’ meaning appropriate to the time, not necessarily the right job for the character personally – as Nancy finds out to her cost in Christmas with the Surplus Girls. In the newly published fourth book, New Beginnings for the Surplus Girls, Jess makes a particularly interesting heroine, as she sees herself as a career woman, not an unfortunate surplus girl. She dreams of creating a successful working life for herself but has to cope with all the disadvantages that women faced at the time.