Category Archives: Writer Interviews

How I Got Published Jenny O’Brien

Posted on by

There are many roads to publication. But as a forty-year-old with three kids of three and under, including twins and a busy job as a nurse, none of them were for me – or so I thought. Then a character popped into my mind. An earworm that wouldn’t go away. A little boy called Dai Monday. It took me a year to find the courage to pick up a pen. With no time to write at home and a busy day job, I took to carrying a notebook around in my scrub top. This notebook got filled during my 15 minute coffee breaks. Within 6 weeks I had a very poor, first draft of my first book.

Jenny O'Brien , author, writer, how I got published ,

Fast forward five years. I was still writing but with no thought of publishing until peer pressure and a bullying incident at school led me to self-publish Boy Brainy. Six more years quickly followed in tandem with a box full of rejection letters. I’m not sure how many rejections—too many to count but not so many as to blunt my determination to succeed.

It took twelve years to find a home for my writing. Twelve years when my writing improved, but also the quality of my query letters. Never underestimate the importance of a well-crafted query letter!

But, in the end, the years didn’t count for much. It was a few quirks of fate that pushed me over the finishing line. A change in genre from children’s books to romance and finally crime fiction. BookBub accepting me for a book promotion the first time I applied. One last push to secure a publisher and, finally, engineering the date of the BookBub promotion to coincide with my query letter arriving at HQ Digital, an imprint of Harper Collins.

I said at the start that there are many roads to publication. While I wouldn’t recommend mine to anyone, there are lessons to be learnt. If you are struggling to find the time to write, change how you view time. Chunk it into 15-minute sessions instead of hours. Those few minutes add up. It might mean writing in transit but that’s easily catered for with a notebook or even a mobile phone. To rephrase a well-known saying. There is always a way, but first you must find the will. My BookBub deal was a fluke, but what followed wasn’t. There’s nothing wrong with nudging luck along with a little gentle manoeuvring.

Good luck!

Jenny O’Brien is an Irish writer of the Detective Gaby Darin series published by HQ Digital.

My Writing Process Ray Star

Posted on by

Ray Star, author, writer, how I write, my writing processWhat you have written, past and present

I wrote my first story when I was ten, scribbled untidily onto folded green paper, unevenly stapled together with crayon illustrations on every other page. My teacher had tasked our class with writing a story to include three things: a waiting room, a light switch and a wish. I opted to write a tale of a young girl who found herself in a magic waiting room that gave those worthy a wish, if fate called upon them to use the light switch. I received my first A+ and have wanted to be an author ever since.

After my school years, I dabbled in freelance journalism, covering ‘real life’ stories for tabloids and the women’s weekly’s in my twenties but found this mind numbingly painful. To the point, it put me off writing for a while. I ended up starting my own PR firm and then, life got in the way, as it so often does, and my dream of one day becoming a successful author was lost to the 9 to 5 routine and all that falls in between.

It wasn’t until quite recently in 2018 that the idea for a story found me, and it wouldn’t let me be. It would find me just before I fell asleep at night, an array of nameless faces that needed their stories to be read, heard and understood. The title came to me when I was at lunch with my mother one afternoon, and a year later, my first draft copy of Earthlings – The Beginning was ready.

  • What you are promoting now

My debut novel Earthlings – The Beginning, is book one of a YA Fantasy trilogy with a message to the narrative, and launches on August 12th, this year.

Earthlings is the story of a young girl named Peridot, raised with the realities of her world hidden from her by an overbearing mother. One day, a young boy Euan unexpectedly comes into her life only for him to leave as quickly as he came, from that moment onwards, her world is never the same. Peridot leaves the clutches of her mother’s home in the hopes of finding her friend, only to discover all she believed to be true, to be something else entirely. 

We follow her journey into a world filled with magick (yes magick with a ‘K’), wonders and horrors that Peridot couldn’t have fathomed in her wildest dreams – or nightmares. For every step she manages to get closer to her friend, something new and unknown gets in her way. There are many twists and turns in the Earthlings tale but ultimately Peridot’s story is one of finding friendship against all odds and trying to do the right thing – no matter the consequence.

www.raystarbooks.com

  • A bit about your process of writing

I’m going to be completely honest with you – I have no process! I wrote most of Earthlings when I was pregnant with my first born, which was utter bliss. Just me and my bump and a fresh pot of tea, writing away by an open window with the breeze fluttering past to keep us company.

The remainder of Earthlings was written with a new-born, which never in my wildest dreams could I have fathomed would be as hard as it was, but I did it, and then, just to make things that little bit harder for myself, another bump came along. Bump number one is now aged two, and his brother, is eight months.

Writing time now, is done in the rare moments of quiet, which admittedly, are far and few, but when they find me, the story flows and I find ‘the zone’ as I call it, quite easily. Writing is the one thing in this world, other than my boys and a good strong cuppa coupled with dark chocolate digestives, that brings me peace.

  • Do you plan or just write?

Planning to write when you have children, is like planning to have an early night when you have children. It does not happen. It works in my favour to not make plans, and then by not making plans, enables the possibility of that plan taking place… if you follow!

  • What about word count?

For a story to be the best it can be, I have to allow it to flow naturally. If I force myself to write a set number of words, they become in danger of becoming precisely that – just words. I used to set the target of writing 200 words a day but by doing that, I did the opposite. Word counts seem to be counterproductive for my style of writing and I prefer to enjoy the story as I write it, whether its 50 words or 500. The story will write itself if you give it time.

  • How do you do your structure?

Alike the above, I had no set structure for Earthlings, I sat down and wrote the story as it came to me when I was in the moment. Although, Earthlings is book one of a trilogy and with book two, there are specific moments that needed to happen, so I made a point of having a list of key events that I ticked off as they were complete. 

Editing wise; I tend to write a chapter or two, read through and do a light edit, then keep writing. This way, when I come to edit properly when my first draft is complete, most of the leg work is done and the editing process isn’t as daunting.  

  • What do you find hard about writing?

The environmental cost of books plays on my mind a lot. Whilst I’m over the moon to finally be an author, it bothers me that my work comes at the cost of trees. Beautiful beings that have lived on this planet longer than I have are sacrificed for the literature we know and love. This bothers me more than I can put into words. 

My publisher, Chronos Publishing, thankfully, is very supportive of my concerns and has ensured that Earthlings, where possible, is to be printed on recycled paper. However, we were unable to get this secured with one distributor (Amazon) so I have recently launched the #ReadGreen campaign to hopefully encourage Amazon to offer sustainable printing options to the publishing industry.

You can support the Read Green campaign with a simple signature via www.change.org/read_green/ 

I have also pledged to plant 1 tree per book sale via Ecologi to combat any Amazon sales of my book, the Earthlings forest is available to view via my website.

  • What do you love about writing?

Everything. Writing to me, is as wonderous as magick. It is the ability to make your wildest dreams a reality. The ability to breathe life into beings, places and creatures that we dismiss as unbelievable. Pure escapism. If you’re a good enough writer. Anything is believable. If it harm none, so mote it be.

Love and light

Ray Star

@RayStarBooks

www.raystarbooks.com

Earthlings by Ray Star is out now by Chronos Publishing, £8.99

Anna Kent My Writing Process

Posted on by

Anna Kent, author, writer, What you have written, past and present?

I was a journalist before I became an author, so I’ve written an awful lot of articles for publications in the UK and the UAE, and I was also a columnist for The Telegraph for six years and for Stylist Arabia for a year.

In terms of fiction, I have four psychological suspense novels out under my own name, Annabel Kantaria. They are Coming Home, The Disappearance, The One That Got Away and I Know You.

My fifth novel, called The House of Whispers under the pen name of Anna Kent, is due to be published on August 5.

I’m currently writing my sixth novel. It’s yet to get a title but I’m really excited about the premise!

What you are promoting now?

I’m promoting The House of Whispers by Anna Kent.

Tell us a bit about your process of writing?

I try to treat writing as I would an office job, so I have a strict routine: I put in about three or four solid hours in the morning, then I try to go to the gym or do an exercise class before lunch, then I fit in another hour or so of writing before it’s time to pick up my son from school. 

If I can, I’ll work again in the afternoon but it’s not always possible. I never work at night and I try not to work at the weekend, too.

In terms of the writing process, every book begins with the seed of an idea: sometimes it’s the ending, sometimes the twist, or, in the case of the book I’m currently working on, it was the inciting incident – the event that kicks off the whole story. I try and flesh this out, sketching out how the character will change throughout the story, and working out a plot that will carry that internal change and also allow room for a few duplicitous scenes, red herrings and twists.

I try to use a system where I write scenes on index cards and move them about but, generally, once I’ve got a foggy idea of the story in my head, I just want to start writing. It’s a mistake to start too soon, though, as I invariably then get stuck about 20,000 words in because I haven’t planned enough.

There’s always a point, about halfway or three quarters of the way into a manuscript that I lose faith and start to doubt myself. Writing is a solitary process and it can be a challenge to keep up both the momentum and the self-belief. You just have to push on through and trust the process. Having a good support network of friends and family really helps.

How do you do structure your books?

They’re all different. Most of them have multiple viewpoints because I love seeing events through different people’s eyes. 

In The House of Whispers, interviews with one of the characters are interlaced throughout the narrative, only you don’t know who is interviewing the person, nor why – you just know that something major has happened. The Disappearance started half-way through then tracked back, and it also had two timelines set about 50 years apart. I Know You was told with the benefit of hindsight, which allowed me to do a lot of foreshadowing to keep up the suspense, and The One That Got Away had alternate chapters from the points of view of a husband and wife. 

I do love a clever structure, but they can be very tricky to pull off.

What do you find hard about writing?

The hardest thing for me is trying to come up with that million-dollar best-selling idea: the high-concept story that becomes the most talked-about book of the year!

I also hate it when I get stuck in my plot. It happens at some point in every book, and I’m antsy and stressed until I get through that block and start writing properly again.

Other than that, just trying to be creative, day in, day out, with little or no feedback on how I’m doing, and no colleagues to bounce ideas off. Keeping faith in myself that I can do it. Not knowing if my book is any good or not until I submit it to my agent when it’s finished. That’s tough. 

What do you love about writing?

I love the creative freedom at the start of a new book, when the world really is your oyster. It’s like playing God. You have the power to create a whole world, and to populate it with whomever you like, and to make whatever you want happen to those people. There’s nothing like starting a fresh story. Even better if you know it’s a really fabulous idea! 

Days when the words flow and the story just comes flying out through my fingers are also fabulous. There’s no feeling like it.

 

WELSH WRITING WEDNESDAYS: HELGA JENSEN ON WALES AS A SETTING FOR COMMERCIAL FICTION

Posted on by

When I was planning my debut novel, Twice in a Lifetime, there was only one place for me to set it in. Having been brought up in West Wales, I was determined that any book I wrote would focus on some of the stunning areas around us. How you could possibly put those scenes into words was a completely different challenge! However, I knew that I wanted to promote Wales and see it featured in more commercial fiction. We have many women’s fiction books set in Cornwall or Ireland, so why not Wales?

When I first queried my book and sent it to agent’s I had a mixed response. Some loved the idea of a different setting, but one agent stated that perhaps Cardiff would be acceptable for my romantic comedy, but nothing further west. I was quite surprised at this. We often see Cornwall with its beautiful beaches, so why not West Wales with its similar beauty?

Whilst I was surprised at this observation, as always, when someone tells me something might not be possible, it makes me more determined. Therefore, I persevered and, although my book is also set in New York, I finally saw success with my romantic comedy that features the beautiful township of Laugharne.

After all, Laugharne is famous for many things, including the more recent television series, ‘Finding Faith,’ which has helped put it further on the map. But, of course, the association with Dylan Thomas is probably the most famous claim to fame that Laugharne has, so as Dylan spent his time in New York too, I felt a setting for a book with Laugharne and New York were the perfect marriage for my debut novel.

Since Twice in a Lifetime was released, I have had lovely messages telling me how refreshing it is to have a romantic comedy set in Wales. Naturally, I was thrilled at this feedback, as this is precisely what I set out to achieve.

I am now working on book two, which will have a combined setting of Wales and Denmark. It remains my ultimate goal to promote Wales in the world of women’s fiction. There are so many opportunities for the glorious parts to be shown to the world that I simply can’t help promote it through my books. Just as there are many prolific Irish writers, such as Maeve Binchy, with her incredible story, ‘Circle of Friends,’ I hope there will be similar best-selling commercial love stories and adventures coming out of Wales.

Trends are certainly changing, and more and more books are getting published in the mainstream from the region, but I would still like to see Wales in more romantic comedies. We have ubiquitous books traditionally set in mining villages or used in historical fiction, so I would now like to see it featured as a setting in comedies and romance. After all, welsh men can be funny and romantic when they want to be!

So, there might be many tales of Wales in books on folklore, myth and magic and eras gone by, but here’s hoping for a future filled with books set in Wales for romantic comedies and similar commercial women’s fiction.

 

 

Twitter: www.twitter.com/HelgaJensenF

 

 

 

 

WELSH WRITING WEDNESDAYS: INTRODUCING DEBUT ROMANCE WRITER, HELGA JENSEN

Posted on by

As a young child, I was an avid reader, and I was very fortunate that my mother bought me many books. They were beautiful hardback copies of books such as The Waterbabies, Enid Blyton classics, and many books by Hans Christian Andersen. I particularly loved The Princess and The Pea and The Little Matchmaker. Although I grew up in West Wales, as I am half Danish, I was privileged to visit Hans Christian Andersen’s house in Denmark (Odense) many times. It was always a magical feeling when you walked out of there with a new book stamped with the official stamp from his house.

With my love of books, I dreamed of one day becoming a writer, just ‘like Enid Blyton.’ However, there were two dreams I had and being cabin crew was my other dream. Therefore, as soon as I was old enough, I applied to a few airlines for a job. My first dream came true when I successfully got a position with a great airline in Bahrain called Gulf Air. They were some of the best days of my life. I also went on to fly on private jets for royalty which was a fantastic experience.

Having had these experiences, the writer within me started to niggle away at me. So, I did a journalism course through the London School of Journalism in 2002 and started writing. My dream was to write a book, but I thought perhaps if I had published work in magazines and newspapers, it would put me in good stead to get a book published. This led to a successful career as a freelance journalist and I still write for publications in the Middle East.

As I lived in Dubai for almost 25 years, I was extremely lucky to have access to the Emirates Literary Foundation and their annual Literary Festival. At the festival, you had the opportunity to enjoy meetings with prominent writers and agents. At one of the meetings, I met a fantastic agent who encouraged me to keep writing. So, I did, and the following year, the first chapter of my debut novel was a winning entry in the Montegrappa First Fiction competition. Winning this gave me the confidence to believe that I must be doing something right. I then embarked on a BA Hons in English Literature and Creative Writing, which I finished last year. As covid hit, my degree ended a little earlier than expected, which gave me the chance to edit and polish my debut and submit it to publishers. I was delighted when I received two separate two book publishing contracts! I chose to publish with Hera Books, and my debut, Twice in a Lifetime, was released on June 23rd 2021. I am now working on a Creative Writing MA at Bath Spa University, and my second book is due out around spring next year. Both books include settings in Wales. Twice in a Lifetime is set in Laugharne and New York, and my second book will be set possibly in Llanelli and Denmark. I have a few meetings with agents coming up through the Romantic Novelists’ Association, so I am unsure what I will do next, but I still have lots of ideas bubbling away!

 

Follow Helga on Twitter @HelgaJensenF

 

 

 

Susannah Wise: My Writing Process

Posted on by
  • Susannah Wise: My Writing Process
      What you have written, past and present

 Like so many authors, I have always written stories, poems, and the beginnings of ‘novels’ that remained forever unfinished. As a young child these were complete with messy felt-tip illustrations and growing up, pieces of my work would appear in the school magazine each term. I’m still not sure of their merit, but Mum always thought they were great, and she obviously wasn’t biased. 

    In my late teens, I found myself in a long relationship with a playwright and screenwriter, and encouraged by him, began a regular writing practice between acting jobs: short stories, plays, more poetry than I can recall; always poetry – I have an engraved Moleskine at home full of these personal noodlings. When I die, I dread to think of my family going through them. 

     In my thirties, frustrated with the quality of scripts I was reading (I am also an actor), I began to write screenplays and comedy pilots of my own. These would garner modest amounts of interest from the powers that be at television channels, but never reached fruition and they are now consigned to my ‘oh well’ drawer.

    In truth, it was only shock, when my father was given a terminal cancer diagnosis back in 2015, that propelled me into writing seriously. I think it made me reassess what my life and what I was waiting for. I tentatively started the novel that was to become This Fragile Earth, and discovered I loved everything about the daily practice of writing: the space and time long-form prose gave me in my head, the agency I had over my characters and the world-building. I haven’t stopped writing since.

     What are you promoting now?

    This Fragile Earth is my debut, and the hardback is out on 24th June of this year. It’s a post-apocalyptic survival story about a mother, Signy, and her six-year-old son, Jed, who following a tragic event, are forced to flee near-future London and travel to the Midlands to seek out the protagonist’s mother. When they get there, however, things are far worse than they could ever have imagined. The book is a grounded science fiction thriller, with at its centre, the beating heart between the two main characters.

If you’re a fan of John Wyndham, or perhaps Emily St Mandel’s Station Eleven, this is the book for you.

Susannah Wise: My Writing Process, my fragile earth

A bit about your process of writing, how do you do your structure, and do you plan or just write?

 I find it very hard to talk about ‘process’ when discussing art of any kind. I know some people are good at it, I’m not. I’ve written three books and for each one the process has been different. With This Fragile Earth the plot came to me quickly over the course of one night. With only a few small tweaks, I set about writing it directly from the ideas bubbling in my head. I already had a decent grounding in some of the themes in the book, although I made up almost all the ‘science’ myself. I even dreamt one of the main coding theories in there! In the course of completing it though, I did more research, attending lectures and reading books on the subject and so on. 

    My second novel, out next year, is a dark comedy about grief. When I set out writing it, I had no idea what it would be about, barring the bare bones. I had no plot, only two characters and not a clue what the ending would be. I took part in the Faber Academy novel-writing course over six months in 2018 and completed an entire first draft. I really loved the ‘pants-ing’ rather than ‘planning’ nature of this book, though it did mean rather a lot of editing once finished, of course!

    My third novel is set around some dodgy goings-on in a small village in Cumbria. Before I began, I had a plot, all the characters, and a location, and wrote out each point at the start. I did research on some elements in the book (I can’t say what they are here without giving the game away!), but the setting is a place very familiar to me, so that helped a lot. A few plot points have moved within the process of writing it, but basically, I am sticking to my initial ideas. I began during lockdown in April last year and am still going strong: I was hoping the first draft would be about 75K words, but I think it will be closer to 100K. Its completion has been hampered by home-schooling, preparing This Fragile Earth for publication, editing my second book, and the fact my partner has been away for seven months for work since January. It’s been slow-going, but I’m hoping the book is no worse for it. 

    I tend to write in the morning for two hours if I can, either at 9.30 straight after dropping my son at school, or after a walk or some sort of exercise, around 11. I find it very hard to write in the afternoon for some reason but will force myself to if I’ve been unable to complete my daily words beforehand. I’m also an actor, and auditioning and learning lines, as well as acting work itself, eats into a vast amount of writing time. Saying that, there is a lot of hanging around when one is filming, so I always take my laptop with me and use the time to catch up on my word count. It’s a brilliant and unexpected bonus and has made me far less resentful about all the ‘wasted’ hours actors endure.

Most of the time I am not filming and will write at the kitchen table (without music) or kneeling on the rug in our living room, using the coffee table as a desk. I get terrible dead feet after I stand up and will often hobble around comically for half an hour trying to eradicate the pins and needles. I have a special foam support for my wrists too, as I tend to get RSI after a long period of typing. My eyes do go a bit squiffy after a long session of intense focus. Basically, I’m falling to pieces.

What about word count?

    I tend to set myself a very achievable 500 words per day (five days a week) when I’m drafting. This will take me around an hour to an hour and a half. Then another hour perhaps of reviewing the previous day’s words. I prefer to set a low bar as I find I work better if I’m hitting my target than setting unrealistic goals, then spending the rest of the day beating myself up for my failures. This helps me stay motivated, which is important when undertaking such a vast piece of work. 

    When I’m editing a completed draft, I can easily spend three or four hours at my desk and hardly even notice where the time has gone. Even more if I have line edits back from my publisher. I once spent ten hours working on notes from my agent. I would strongly advise against this. 

What do you find hard about writing?

Ha. Well, this is a tricky one to answer, because without meaning to sound like a plonker, I really feel – for me at least – that writing is the best job in the world. I guess if I had to say a couple of things, one would be the loneliness (though ironically, this is also one of the things I love about writing). It can be a little isolating spending all day with only the people in your head for company, before going out for a walk alone. Sometimes 24 hours can pass and the only person I will have spoken to is my 11- year-old son. Love him as I do, he’s not a great dinner table conversationalist. 

The other thing I find difficult is the mental responsibility. By this I mean that like the expression ‘this book isn’t going to write itself’, the completion of any book is entirely in the hands of the author. The manuscript sits like a patient pet waiting for attention, but if there happen to be other things going on in life, it requires huge amounts of discipline and mental energy to carve out time to honour this. Some days the words fly out, some they are like sticks in a muddy dam. It’s important to know when to just close the computer and get one with something else

What do you love about writing?

What’s not to love?! I love that no one else is there making me write, it is entirely my own work, that ‘being left alone’ feeling. I love that it allows time for introspection. I gain a great sense of inner peace from its practice. On top of this, having a whole world in the palm of one’s hand is just the greatest feeling. There is huge satisfaction in putting words in order so that they have rhythm and cadence, just like music. The joy when one reads back a passage and thinks ‘hmm, that isn’t half bad,’ is like nothing else. 

More than this though, is the vast pride and sense of achievement from completing a novel, especially when one gets to see it type-set, or in its proof form, or better still the actual finished version. It is an object created outside oneself, to be held in the hands of others, taking them to new places, and will it live on long after the author is dead and gone. I still can’t quite get my head around this concept. 

This Fragile Earth by Susannah Wise is out now in hardback by Gollancz.

 

My Writing Process Ellen Alpsten

Posted on by

Ellen Alpsten author photo 4 (c) Andreas StirnbergWriting ‘Her-story’ –

Tell us about what you have written?
When hearing about the heroines of my novels ‘Tsarina’ and ‘The Tsarina’s Daughter’, people’s eyes pop: ‘How did you find them?’ No wonder – both belong to the family of which its own Nikita Romanov said in 1669: ‘Our men are meek as maidens, and our women wild as wolverines.’ Both books are the first ever published novels about either lady. ‘Tsarina’ Catherine I. rose from illiterate serf to first reigning Empress of Russia, while the country morphed from backward nation to modern superpower. ‘The Tsarina’s Daughter’, Elizabeth, the only surviving of Peter the Great’s fifteen children, lived the opposite of her mother: she fell from unimaginable riches to rags, before triumphantly rising from rags to Romanov.

What you are promoting now?
‘The Tsarina’s Daughter’ – the second book in a planned quartet – is published in July 2021. It was a privilege to write. Elizabeth emerges from the strict historical setting of the Petrine era – the construction of St. Petersburg, old semi-Asian Muscovy fighting the new half-European Russia – as a very modern woman. At her parents’ death, friends turned foe. Barely out of her teens, she was impoverished and isolated; even loving her was a crime that warranted capital punishment. Yet even when her path proved to be stony, Elizabeth would not surrender. She decides to take what is hers – Russia’s throne – even if it comes at a terrible price.

Tell us a bit about your process of writing.
As a student, I worked as an assistant for the Parisian bestselling author Benoite Groult. Every evening I did my own writing in my little studio, 12 sqm in the 7th arrondissement: a million words before I ever got published. Nowadays, there is no writer’s block. The Muse has to present herself at 9.30 and she better bring coffee. Working on a PC is a blessing – I am in awe when seeing Dostoevsky’s handwritten manuscripts. To finish a novel is a challenge, yet the first draft is a drop in the ocean. Editing is schizophrenic, knowing the manuscript by heart yet reading it afresh countless times. Doing our best is a duty. Readers offer us their most valuable – their time, an ever-diminishing resource.

How do you structure a book?
Mme Groult’s advice for starting and structuring a novel was invaluable: ‘The first stanza is the novel en miniature.’ Which moment sums up the story’s conflict? A life’s ups and downs so not reel the reader in. Choose characters with care – who are they, why are they there, and how do they drive the story forward?

What do you find hard about writing?
Being a writer can be a Janus-faced existence. Lonely and introspective, at publication time the cruellest of lights may be shed on your innermost thoughts and feelings. The path to success is littered with rejection – in a former life, I was either a duck or a teflon-coated pan. Getting published traditionally is artistically the hardest challenge. A painting is judged in a second, a song listened to in three minutes. But convincing someone to read your 650-page tome?

What do you love about writing?

By writing, I am living my dream: making other people dream. The freedom we live, and the alternate worlds we create, are worth any moment of self-doubt. If you doubt, you work harder. Enjoy the trip, as the goals are forever shifting – and as utterly unattainable as the most elusive of lovers.

The paperback of Tsarina is published on the 24th June and the hardback of The Tsarina’s Daughter is out on 8th July,

My Writing Process Joe Thomas

Posted on by

psycho, joe thomasWhat you have written, past and present

I am the author of a quartet of standalone but connected novels set in São Paulo, where I lived for ten years – Paradise City, Gringa, Playboy, and Brazilian Psycho. I have also published Bent, a historical crime novel set in Soho in the 1960’s and behind the lines in Italy during the Second World War, based on the life of war hero and notorious detective Harold ‘Tanky’ Challenor, who was in the SAS with my grandfather.

What you are promoting now

My latest novel, Brazilian Psycho, is an occult history of the city of São Paulo from 2003 – 2019, told through the lens of real-life crimes. It reveals the dark heart at the centre of the Brazilian social-democrat resurgence and the fragility and corruption of the B.R.I.C economic miracle; it documents the rise and fall of the left-wing – and the rise of the populist right.

The novel features the chaos and score-settling of the PCC drug gang rebellion over Mothers’ Day weekend, 2006; the murder of a British school headmaster and the consequent cover-up; a copycat serial killer; the secret international funding of nationwide anti-government protests; the bribes, kickbacks and shakedowns of the Mensalão and Lava Jato political corruption scandals.

psycho, joe thomas

A bit about your process of writing

I am a crime novelist interested in fiction based on fact, inspired by true stories of structural inequality. My fiction addresses the discourses of power and the specificity of crime, why something happened precisely where it did, and is an attempt to illuminate the reasons why. 

I tend to plan my novels loosely and read a good deal before beginning the writing. Once I have a defined structure, then I write in earnest. At this point, I will research, plan, and write at the same time. What this means is that I write one section of a novel and read around the section that follows. I find that this keeps everything fresh! 

In terms of structure, I tend to think in units of time, so do I want each chapter or section to cover a day, a week, six months, etc. As so much of what I write is based on reality, these units of time are often defined for me; I simply follow what happened and when! I find this both an anchor and liberating, too, in terms of having that tightly defined framework to exploit fictionally.

I want to be thought of as a writer pushing the form and writing political, meaningful, literary crime fiction. My goal is to build a body of work and I am very lucky to have the opportunity to do just that.

What about word count?

I have a very irritating habit: whenever I stop writing, or even pause for a moment, the word count has to end in either zero or five. I will tinker with sentences for this to be the case! In some ways it helps with editing; in others it is likely counter-productive!

What do you find hard about writing?

Having to overcome my own irritating habits! I used to think that I had to write first thing in the morning to produce anything of quality; since having a son – who is now twenty-months old – I am learning to use any part of the day I can. This is not always easy!

What do you love about writing?

I love that the days when I do it feel better than the days when I don’t.

Brazilian Psycho by Joe Thomas is out now in hardback by Arcadia.