Being an Author Is a Lot of Work. It’s The Love Of It That Gets Us Through.

At time of writing, my book, Where The Light is Hottest, came out yesterday. It has been a long time coming. It took me a long time to figure out how to write a good book. Writing a book is hard, but one that is readable? Really hard. Anyone who is trying to do that now, keep at it. You will get there in the end.

When you are lucky enough to become a writer the amount of time you spend writing can go down. I am busy marketing and doing publicity for the book. I am also on TikTok, Instagram, Threads, X, YouTube, Facebook and Bluesky. Phew! Then there are interviews, podcasts and articles to write for various publications.

@balavage My second novel, Where The Light is Hottest by Catherine Yardley, is out on Thursday. Here is 10 facts about me. If you have any questions, ask away! #booktok#booksbooksbooks#wherethelightishottest#book#writingcommunity#writersoftiktok#writingcommunity#writerscommunity#authorsoftiktok#authorlife#writertok#authorscommunity#booksworthreading♬ original sound – Catherine Balavage Yardley

While being an author is a lot of work I can say that it never feels like work. I love what I do. I love writing and I also love meeting people. The writing and book community are amazing.

My publisher is busy printing more copies of my book as they ran out of stock. There are only eleven copies left on Amazon. It is also available on kindle unlimited and on ebook. The blurb is below.

Natasha Jones has everything – a successful acting career, an Oscar, a wonderful husband and ‎beautiful kids. But what does she have to go through to get there? From humble beginnings in a ‎small town, Natasha’s path to stardom is paved with setbacks, heartaches and moments of doubt. ‎

In the glittering world of fame and fortune, where dreams are spun from starlight and ambition ‎fuels the relentless pursuit of success, one woman’s journey stands as a testament to the resilience ‎of the human spirit. Beneath the facade of glamour lies a story of unwavering determination and ‎unyielding courage. ‎

Where the Light is the Hottest is a gripping tale of ambition, perseverance and the enduring ‎power of hope. Through Natasha’s journey, we are reminded that the road to success is rarely ‎smooth, but for those who dare to chase their dreams, the rewards are beyond measure.‎

If this sounds like your kind of thing you can make my day and get a copy here. It already has a lot of five star reviews.

Interview With The Man She Married Author Alison Stockham

Your debut, The Cuckoo Sister, was a top 10 bestseller. Did you expect it to be so successful?

I came to publishing with my eyes fairly wide open, due to having both worked in film and TV (which has crossovers in terms of how it works) and then at Cambridge Literary Festival as the events coordinator. I knew nothing was certain with publishing so the top ten listing for The Cuckoo Sister was amazing! Obviously I wanted it to be a success and had dreamed about it, but making the top ten was fantastic!

You are known for tackling brave subjects and writing complex characters. How do you come up with your characters? Where do you get your ideas?

I read a lot-of everything. From books to magazines, to online forums, chat groups, newspaper articles. and often snippets of ideas or characters will come from these. Everyday people in extraordinary circumstances is what I like to write about and so inspiration for this can come from all sorts of places. I observe people, I listen into conversations (much to my daughters’ embarrassment!) when out and about and it all slots into the jigsaw when I’m putting together an idea. I’m like a magpie, stealing shiny things!

What was your publishing journey like?

It was strange because it happened during Covid. I had just started approaching agents in March 2020, having been longlisted for the Lucy Cavendish Fiction Prize and then my plans to focus on that got somewhat waylaid! I hadn’t sent The Cuckoo Sister to many, when my now agent, Marianne Gunn O’ Connor, responded and wanted to develop the book with me. I liked how she worked and her vision for the book so we worked on various edits before sending it out. I was on submission for about six months and I wrote The Silent Friend at that time as a way to keep sane! Boldwood then picked up both and offered me a three book deal. So it was quiet and fairly uneventful! 

Describe your writing routine. 

I recently moved to full time writing after juggling working for Cambridge Literary Festival as well as writing and parenting, so now my routine is a little less harried! I work from home and start the day turning the kitchen/diner back into my office! Then I usually work on admin and social media while I turn my brain from mum to writer. I then work from mid-morning to the school run on whatever stage I’m at. At the moment it’s the first draft stage for book five, so I’m aiming for 1000-2000 words a day. Once the children are home I might be able to do a little more work, or it’s back into family life.

Your fourth book, The Man She Married, is out now. What is it about?

The Man She Married is about Beth, who wakes up after a car accident with 5 years of memories missing. She doesn’t remember leaving Australia nor meeting or marrying Rob, the man at her bedside who everyone says is her husband. She goes home to recover but cannot shift the feeling that something isn’t right and that she ought not to trust Rob. But-with her own mind so unreliable, can she trust herself? The book is about strength in adversity and the power to start over again.

Does writing get easier the more books you publish?

Yes and no. The worry of a first draft can be alleviated by knowing that you’ve done it before so you can do it again, and skills and techniques that you’ve learned as you’ve developed as a writer make it easier to some degree. Yet each new book is a new idea, new characters, a new plot and developing these and bringing them to life in a way that readers will connect with, is a new unchartered challenge every time.

What is your favourite thing about being an author?

I love that I get to create all these stories in my head and then share then with the world. I wanted to be a writer from a young age so the fact that I get to do this for a living is still amazing to me! 

And your thing you dislike?

The required self-promotion! I am too British, and I find it difficult to overcome the cringe factor!

What books have you read that you love?

Too many to list but the latest advance copies that I’ve loved include The Rush by Beth Lewis, set in the Canadian gold rush of the late 1800s and 59 Minutes by Holly Seddon which is set in the UK when a alarm is sent that a catastrophic nuclear strike is due in 59 minutes. We follow the main characters as they decide what to do with that time. Both brilliant, both out this summer.

What’s next?

I am working on book five for Boldwood, which is about the intensity of female friendship and what happens when it goes wrong.

Interview With The Deadly Spark Author Roxie Key

Did you always want to be a writer?

I think so. I used to write short stories about my childhood pet cats as superheroes. I didn’t think too much of it until I was tasked with writing a short story for my GCSE coursework. My English teacher told me I should be a writer, and something clicked in my brain. That’s when I knew. After completing my creative writing degree, I attempted to write several children’s fantasy stories before I realised that takes a certain kind of brain – one which I don’t possess! It wasn’t until I picked up Jane Casey’s The Missing, I thought yes! Maybe I could do this. And the more crime fiction I read, the more certain I became that it was what I wanted to do.

What books did you read growing up?

I was an Enid Blyton kinda kid. I had alllll the books. My dad used to read me bedtime stories every night he was home without fail, and we worked our way through The Famous Five series pretty quickly. I remember reading a lot of Dick King Smith, and later went on to discover the Harry Potter series which I fully immersed myself in to. When I got older, I was really into The Lord of the Rings and Phillip Pullman’s His Dark Materials trilogy. I truly didn’t see the crime fiction obsession coming!

What was the idea behind The Deadly Spark?

A few things sparked the idea, one of which I can’t tell you about as it’ll reveal something I really don’t want you to know yet… the killer’s identity! But honestly? The reason I wanted to write about a deadly fire was because it’s one of my biggest phobias, ever since we were shown a video at primary school about how quickly a house can go up in flames. Fire is so beautiful but so destructive, so dramatic, and the mental image of a burning house is so emotive, so naturally, it’s great to write about. And of course, I find inspiration in everything I read, from Gillian McAllister’s incredible characterisation and Louise Jensen’s beautiful description, to Jane Casey’s expert procedural plotting and Clare Mackintosh’s killer twists and reveals.

Can you tell us about your publishing journey?

I started writing The Deadly Spark in the summer of 2019, just after my honeymoon. After many, many rejections, I finally met my dream literary agent Maddalena Cavaciuti on Twitter in 2020. We polished the manuscript together, and landed a contract with HQ early 2021, and it’s been a rollercoaster ever since – not just the publishing journey, but I also managed to have a baby in that time. The book finally launched in May 2024, and I spent 6 months in a bit of a whirlwind of author events, sending out press releases and refreshing the reviews pages. I’m currently out of contract and excited at the idea of working with a new publisher!

What’s your writing routine?

I like to have each act and each chapter planned so I know more or less what’s happening. That way I find the writing and creativity flows better as I’m not worrying so much about plot issues further down the line. Once it’s all planned out, chapter by chapter, I snatch any time I can between my full-time job and parenting my crazy toddler, and write what I can when I can (and try not to stress about it). I can’t have dedicated writing time with my current situation so things are a bit slower than I’d like them to be.

Who are your favourite authors and books?

As mentioned above, I’m a huge fan of Gillian McAllister, Louise Jensen, Jane Casey and Clare Mackintosh – these are the authors I’ll read anything they’ve ever written. I’ve recently discovered Erin Kelly after reading The House of Mirrors and now I’m a little bit obsessed. Louise Minchin’s Isolation Island was SO good, Rob Parker’s The Troubled Deep was absolutely brilliant, and Robert Rutherford’s Seven Days was addictive. I do occasionally read outside of the crime fiction genre – although it doesn’t happen often – and I recently fell in love with Rachel Greenlaw’s Compass & Blade… a stunning book. 

What’s your favourite thing about being a writer?

It has to be reading people’s responses to the book. Luckily for me, they’ve been mostly positive, so reading reviews, seeing social media posts about it, and attending book club meet ups has been such a lovely experience. I’ve also really enjoyed being on author panel events during my debut year – they were a LOT of fun.

And the least?

The waiting… the uncertainty… the fear of failure and rejection. I’m not sure if I can pick just one. There’s a lot to deal with along the way, and I don’t think I felt like a real author until the first time I walked into Waterstones and saw my book sitting on the shelf. Imposter syndrome is a big issue for a lot of authors I’ve spoken to, and it’s pretty hard to shake it off.

What’s next? 

I have a few things on the go. The follow up to The Deadly Spark is almost finished, and I need to find a home for it. I’m working on a standalone thriller which I can’t reveal too much about just yet, but I’m super excited about it. And I’m dabbling in the world of lesbian rom coms with a new idea that I want to get stuck into. I’ve also got my first piece in Mslexia Magazine being published in March, and it’s all about marketing ideas for authors – do check it out if you can!

www.roxiekey.com

THE DEADLY SPARK
published by HQ (HarperCollins)

Roxie Key is a crime thriller author from Northampton, where she lives with her wife, Laura, and their daughter, Hallie. She has always been a writer; although the stories she wrote as a child about her pets will never see the light of day, she knew from a young age that one day she wanted to see her name on a book cover. Roxie studied Creative & Media Writing at Middlesex University and then went on to become a copywriter for a global brand. When she’s not writing, she can usually be found swimming, reading, or gaming.

Interview With Bestselling Author Laura Pearson

Tell us about you.

Hi. I’m Laura, I live in a village in Leicestershire with my husband, our two children and our cat. I’m pretty obsessed with reading and writing, and as well as writing novels I help run a Facebook book club called The Bookload.

Did you always want to be a writer?

I did, from about the age of six. I wrote and illustrated my first book about a witch at that time. It was about two pages long. I didn’t realise that illustrator was a separate job (and only usually required for children’s books).

What do you consider your big break?

I think getting my first offer of publication, because it had been such a long time coming.

What was your publication journey like?

Long and rocky. Which I think is true for most people. I finished writing my first book in 2010 and my first book was published in 2018. It wasn’t the same book but the first one did also get published. I’ve had three agents and two publishers and a huge amount of rejections.

Did you ever believe The Last List of Mabel Beaumont would do so well?

I really had no idea. My confidence was on the floor because I’d been trying to get another book published for four years at that point. My expectations were low, I was just over the moon to be published again. When she started to take off, it was amazing to watch. I think she’s exceeded everyone’s expectations for her.

What has changed since selling so many books?

I think I just feel more comfortable in describing myself as an author and spending so much of my time writing books. It’s really hard to believe in yourself if it feels like no one else does. Now I have an agent and an editor I can go to with questions or for support and that makes a huge difference. Also, people say really lovely things about my books all the time and it’s often so unexpected. Even though I know I’ve sold a lot of copies I’m still always surprised when anyone’s read them!

What advice would you give to other writers?

I think just to keep going if you possibly can. Obviously there can come a point where it’s not the best thing for you, but up to that point, keep writing, keep submitting. It’s all about finding the right match and it can take a long time. Rejections don’t mean you’re not good enough, they just mean you haven’t found the right person yet.

How do you become, and stay, successful as a writer?

Ask me in ten years’ time! I have no idea whether my success will last. I was so delighted when I got my first three-book deal but then I had another years-long rough patch, so nothing’s guaranteed. I am contracted to write quite a lot more novels for Boldwood Books, which I’m very happy about. But whether or not they’ll sell well remains to be seen. I just keep writing the best books I can. That’s all I can do.

What are your writing ambitions now?

We writers are very good at moving goalposts. Now I’ve sold more books than I ever thought I would, I want to be in a supermarket, and sell more foreign rights, and of course have a TV or film made of one of my books. There’s so much to aim for and I’m very ambitious.

What’s next?

My latest book, The Many Futures of Maddy Hart, came out in early February, and my next comes out in May. I’m not sure whether I’m allowed to tell anyone the title yet, but it’s about two women in their early sixties who meet by chance and are shocked to find that they’re identical. And after that, many more books! I like playing around with speculative ideas and coming up with interesting hooks.

Diary of an Author In The Run Up To Publication.

My first fiction book, Ember, came out in 2022. As a baby author my overwhelm was helped by being part of a debut group. I was so grateful to become a published author that I was naive. It was a big rollercoaster of emotions as I tried to make my way. Before And After The Book Deal by Courtney Maum was a lifesaver. Full of great advice. It’s like having someone to hold your hand through a tough journey.

I am two weeks out from publication day on my second book. This is not a drill. Where The Light is Hottest will be out on February 27th. I am excited and stressed all at the same time. I wrote a piece about the book for The Sunday Times. I am also doing a good number of events and podcast interviews in the future.

I don’t think people realise how much work goes into being a writer. There are endless trips to the post office (over £17 to post four books. Yikes), interviews and an endless amount of emails. Months and years can go into the publication of a book. I signed the contract in July 2023. I wrote the first draft of the book nine years ago. I entered it into The Good Housekeeping writing competition. I was upset when it didn’t win but it wasn’t ready then. Nowhere near it. I finally got the book where I wanted it to be by reading other books with the same energy.

Where The Light is Hottest, Catherine Yardley, Balavage

Where The Light is Hottest is based on my experiences in the film industry. It has lots of gossip and backstabbing. It has female friendship and is a feminist tale of survival and what it takes to achieve your dreams.. The main character, Natasha Jones, is Scottish and some of the book is set in Lanarkshire, Scotland. It is also set in London, New York, LA and Gstaad. It is dual timeline, told from the past as Natasha makes it, alongside her friends Scarlet and Claudia from drama school, and in the present as people try to bring her down. She is a famous, Oscar-winning, actress and dark forces are at work. Spreading rumours and sharing stories about her to Popbitch. If any of this sounds like your thing you can preorder here: https://tinyurl.com/Where-The-Light-is-Hottest 

I will be writing a lot about author life. So keep an eye out for more.

Valentine’s Day Selfie | A #Love and the Village short story by Sylvia Hehir 

JOHN

– Are you coming over or what? This pizza isn’t going to eat itself –  

John stifled a groan. He slipped his mobile in his jean’s pocket as his mother came into the kitchen. 

‘Why don’t you go out with your pals instead of getting under my feet?’ she said, pushing him away from the stove where he was warming his hands. 

‘You want me to do the dishes?’ John picked up the frying pan from the hob; swirled around the oily residue in the base. 

‘What’s this? Be kind to your mom day? Just go out for once.’ 

‘It’s snowing. And I’ve been out all day.’ He had. He’d been walking in the hills. 

His mother gave him a look. Clearly that wasn’t the sort of going out that she meant. 

He surrendered. 

He picked up his down-filled jacket from the back of the chair where it had been drying, wrapped his scarf around his neck, and kissed his mother on both cheeks. ‘Okay. I’m off. Don’t wait up.’ 

His mother laughed her throaty laugh and shooed him towards the hall with the dishtowel. 

It was a couple of months now since his breakup with Dee and it had taken all that time for him to finally acknowledged that there was no going back there. 

And Sandi did make him laugh. 

He waited until he was in his van before he replied to her message. 

– On my way. Do you need anything from the store? – 

He recognised the question as another delaying tactic. He’d have to wait for her reply. Although he really ought to go and buy something to take with him; something 

© S Hehir 2021 

for pudding maybe, to go along with the bottle of Pinot Noir he’d lifted from the wine rack before he left. Not flowers though. Wrong message with flowers. 

The reply came back as quickly as he feared: – Just your sexy self will do – 

He couldn’t stifle the groan this time. And when the image with the message finally downloaded, his groan turned into an anguished howl. 

‘How the hell?’ he wailed as deafening hail hit the windscreen. 

The photo was from last night and showed them standing near Sandi’s back door. Kissing. John’s arms loosely draped around Sandi’s waist. He remembered again her hand squeezing his buttock. You couldn’t tell from the image but he knew his eyes were firmly closed at this point. Which is why he wouldn’t have seen Sandi’s other hand, presumably taking the photo. 

He would never have denied that they’d kissed, even though he’d had regrets since, especially when he considered where it might lead. But he really couldn’t understand her need to do this. 

The engine caught on the second try. He let it turn over for a couple of minutes before he switched on the wipers to clear the icy rain from the windscreen, then put the van in gear. He’d be at Sandi’s in less than ten minutes. 

SANDI

She checked again the message from John, and her reply. She needed him to come. 

Tonight. Now. 

Sending the picture was chancy though. It could just as easily make him never want to see her ever again. But John was a gentleman and he’d stick to his word. And, let’s face it, she knew that he’d never want to see her again after tonight anyway. 

She stared in the bathroom mirror and applied another layer of concealer beneath her eyes. They were still puffy but the red splodges on her skin were less noticeable. 

And she needed to get down to the kitchen; put the pizza in the oven; polish up the best wine glasses; light a few candles. 

She almost hoped that he wouldn’t come. Or that he would reject her advances. Even though their kiss had been skin-shiveringly good. But the consequences of him not coming were far scarier. 

There was no question about it – she had to go through with it. Whatever the outcome for John might be. 

‘I’ll think of something,’ she told her reflection in the mirror. She’d been saying the same thing to herself ever since the email had arrived. The email containing the cloud link. The link that she’d clicked on before nearly passing out. 

But whatever that ‘something’ might be, it still evaded her. 

JOHN

Sandi’s parent’s car wasn’t on the drive; meaning they were out. Which was only to be expected, John reasoned. They were rarely at home. 

 Hesitating at the gate, the bottle of Pinot Noir almost slipped out of his hand. He 

readjusted it, tucked it under his arm.

He purposely didn’t look up at the house, at the windows with their open curtains and lights beaming out. He concentrated his gaze on the snowy gravel path and made his way to the front door. 

They were just friends, sharing a pizza. It didn’t have to go any further. 

Who was he kidding? 

SANDI

‘Don’t change your mind now,’ Sandi whispered as John wavered at the gate. She watched him from her eyrie, his movements like those of a condemned man. But he fiddled with the latch and kicked the gate closed behind him before slithering his way up the path. 

She quickly flung a cardigan over her skimpy top, buttoning it up before she got to the front door. She didn’t give him time to ring the bell. She threw open the door and jumped up and down at the sight of him. 

‘Come in. Come in.’ She couldn’t quell her delight at seeing him, with his handsome face and his mournful, deep blue eyes. John smiled at her. Looked like he was pleased to see her too. She needed to forget what the evening was all about for the next half an hour at least. Relax. 

John half-filled her wine glass from the bottle he’d brought with him. John’s mum kept a stock of excellent wine that a rich cousin in Italy kept sending. She would sip at it. Try and appreciate the quality. Who was she kidding? 

He poured just a few centimetres into his own glass. 

‘Mum says hello,’ John said, sitting at the kitchen table. 

‘Cool. Say hi to her from me.’ Sandi sat on the stool across from him and stretched out her hand; rested it beside his hand on the table. ‘Thanks for coming.’ 

She swallowed a sob that was trying to stop her breathing; put on a bright smile anyway. 

‘No! Thanks for asking me.’ 

Why was he always the perfect gentleman? 

John turned his head to look behind him. ‘Your parents are out.’ 

‘Yeah. Grannie’s got a cold. At least that’s what they said when they took the brandy with them.’ She added a little laugh and John gave a polite laugh in return. It was no good. She would have to make the first move if this evening was to go the way it had to. 

JOHN

She was trying too hard. And even though she’d made attempts to cover up the evidence, John could tell she’d been crying recently.  

He let her take hold of his hand. Her fingers were warm. Warm and comfortable. 

The timer dinged on the oven and Sandi quickly moved away to take out the pizza. She still had a smile on her face but was that a tear creeping from the corner of her eye? 

John swivelled off his stool and went to stand behind her; the hot air from the oven blasting over them both. 

He let her put the pizza on the table before he took both of her hands in his. He pulled her towards him and she turned her face towards his. Their lips met in a gentle kiss. 

‘Is everything okay?’ John asked as Sandi lay her cheek against his shoulder. 

‘Yeah!’ she said. ‘All good.’ 

But her shaking body and her shallow breaths told him a different story. 

‘Tell me what’s wrong.’ 

‘I can’t.’ 

‘Just say the words.’ 

‘I don’t want you to know.’ She tipped her head down and pushed knuckles into the corners of her eyes. 

He was getting more worried now. This was so unlike Sandi. She was the bubbly one. The instigator of all mischief and foolishness in the gang. ‘But you called me up,’ he said. ‘Asked me to come over.’ He tried to lighten his tone. ‘Cooked a pizza without burning it this time.’ 

But Sandi still looked morose. 

‘It can’t be that bad,’ he tried again. 

‘Oh, it is,’ Sandi wailed. ‘And it’s not even my fault.’ 

‘Then let me help.’ The words came out before he could stop them. 

Sandi eyed him at that. Sizing him up, he wondered. Assessing if he was up to solving whatever it was troubling her? 

‘Come on then,’ she said at last. She stepped towards the door and held out her hand. 

Nervous now, he said, ‘Where are we going?’ 

‘Upstairs. You need to see for yourself.’ 

JOHN

He sat on the edge of the bed while Sandi bustled about, shifting magazines around, scooping up bits of makeup.  

‘Are you going to tell me then?’ he said eventually. 

Sandi took a deep breath and covered her face with her hands. Then she logged into her tablet. ‘Emails,’ was all she said before she dashed out of the room. 

John saw in a few moments what the issue was. The blackmailer, going by the nickname Skinz, was, as he explained plainly in his email, now in control of all Sandi’s apps and accounts. The ransom he’d demanded to allow the freeing of all said apps and accounts was also very clear and involved Sandi taking a compromising photograph of herself with a partner of her choice. By midnight tonight. A sort of Valentine’s Day selfie as Skinz put it. Sadly, there was more. Skinz had added that if Sandi failed in her task, then the linked file would be circulated throughout her entire contacts, and social media friends. 

John clicked on the link. 

‘I’ve seen it, Sandi. You can come back in now.’ 

‘It isn’t me,’ Sandi said, hovering in the doorway. 

‘Of course it isn’t you. Skinz is obviously skilled in the photomanipulation field. And even though I’ve never seen you naked, I would know those are not your knees and feet.’ 

‘Because that’s what people will focus on first is it? The knees and feet.’ 

She had a point. 

Skinz had conveniently pasted a list of twenty or so contacts that would be the first round of recipients if Sandi failed to comply at midnight. 

‘Mrs McKinnon,’ Sandi groaned, reading from the list. ‘She was my first accordion teacher when I was seven.’ 

‘Mr Jacques,’ John added. Although John secretly thought Mr Jacques might not mind receiving the image. 

‘Oh no. And Mrs Talbot,’ Sandi said. Their old Sunday School teacher. 

‘Don’t you think it’s a bit odd that Skinz has picked these people first?’ 

But Sandi didn’t hear him; she was back in panic mode. ‘What shall we do? All these people. They can’t see this!’

John could only agree. 

‘We can pretend, can’t we.’ Sandi gripped his shoulder and stared into his eyes. ‘Angle the camera so that your face is hidden. As long as Skinz sees me – you know – with somebody else.’ 

‘But if you play into his hands, if you send a picture – pretend or not – he won’t need to manipulate that photo to blackmail you.’ 

Sandi flopped back on the bed. Defeated. ‘You’re right. Why are you always right?’ ‘Sorry,’ John said. 

‘And what I hate as much as anything is knowing he’s sitting in his sleazy den, imagining what we’re going through. What we’re doing.’ 

John stood up. Pacing the room wasn’t going to help but it was all he was capable of right now. 

‘Should we—’ he started. 

‘What?’ Sandi sat up straight, expecting him to have found the solution. 

‘We ought to tell the police.’ 

‘I know. I couldn’t face it. And what can they do before midnight? There’ll be nobody at the station now.’ 

‘I’ll do it anyway,’ John said, thumbing his phone. 

‘Oh God. No. What if Skinz doesn’t go through with it. Jackie will know and … and she’ll tell others.’ 

‘But he needs stopping,’ John tried to reason. 

‘If you say so. But it’s not as if he’s demanding money or anything is it? He’s just a creepy nobody with no mates, thinking he’s a big shot because he can control people.’ 

She sprang to her feet at that. ‘Just a Billy No Mates,’ she said. ‘Well, he’s not going to control me! We’ll show him.’ 

John felt his stomach churn. What on earth had she thought up now. 

‘Get everybody here. All the gang,’ Sandi instructed him. ‘Dee and Tom, and Frankie, and Rhona and Amy. Tell them it’s urgent and they have to come. And to bring a bottle.’ 

She sounded manic now. ‘Do it,’ she insisted as John swivelled his phone around in his hands. ‘I know tomorrow is going to be hell. And I’ve no idea how I’ll cope. But tonight, we’re going to let that saddo know what we think about him.’ 

They were all there in a matter of minutes, filling Sandi’s bedroom with bodies and questions and concern and noise and friendship. 

‘Valentine’s Day selfie everyone,’ Sandi called at two minutes to midnight. They scrunched close to each other. Arms around waists, laughing. And each holding up their right hand, palm flat out, thumb at the horizontal, letting Saddo Skinz know just what a loser he was.

Interview With Former British Diplomat And Writer Leigh Turner

(2017) In his last post as ambassador to Vienna, Leigh gave many interviews about Brexit. 

I am a long-time fan of Leigh Turner, having read his book Palladium and Lessons in Diplomacy – Politics, Power and Parties. He’s a very interesting person and I recommend following him on Instagram.

Tell us about you.

I became a writer in 2002. That was the year I began a four-year break from full-time work at the British Embassy in Berlin to look after our children, then aged eight and ten, so my diplomat wife could work full-time. She took over my job in the embassy. I’d begun my first novel, Eternal Life, in 1986. That was when the British Embassy in Vienna, where I was then working, got its first word-processor. I thought: ‘wow – you can edit your work before printing it! That’ll make writing much easier.’ Of course, it didn’t. But although I made some progress with my writing while I was working full-time as a diplomat, in Vienna, Moscow and Berlin, I found taking a break from full-time work transformative. 

In the four years from 2002, I started writing for the Financial Times, sold two treatments to a film company, attended writing courses, and wrote two novels. When I returned to the Foreign Office full-time in 2006 as Director of Overseas Territories (Saint Helena, Bermuda, the Falklands & Co), then as Ambassador to Ukraine, I continued to write. 

Unfortunately, the Foreign Office hated me trying to publish fiction and be a diplomat at the same time. They even threatened me with disciplinary action if I persisted after a bust-up in 2014, when I was working as British Consul-General in Istanbul. I started publishing excerpts from my romantic comedy The Cheat on-line. They objected to the rude words! It was a difficult situation. 

So the freedom to write what I wanted was a factor in my deciding to retire in 2021 and focus full-time on writing. Since then, I’ve published three books: Palladium, a thriller set in Istanbul; The Hitchhiker’s Guide to Diplomacy – Wie Diplomatie die Welt erklärt (a series of life lessons, in German, based on my 42-year career as a diplomat and civil servant – the subtitle means “How diplomacy explains the world”), and Lessons in Diplomacy – Politics, Power and Parties, an English version of the same book. 

(1965) Leigh grew up in Lesotho, Southern Africa.

What’s your writing routine?

I’m a bit manic, to be honest. Every morning, after a bit of yoga, I walk my partner to her work, then sit down until lunchtime to write. In the afternoons and sometimes in the evenings I focus on writing-related jobs, including organising book tours and social media – I have a website, a podcast, and post on TikTok, YouTube, Instagram and Linkedin. My “Lessons in Diplomacy” videos on TikTok have the best response – I work hard to publish good stuff for my 5,000 followers! Linkedin yields most speaking opportunities, including talks about “Lessons in Diplomacy”. I always make time to attend schools and universities, in particular, to discuss the book and answer questions.

You have written non-fiction and fiction. What is your favourite?

I love both! Creating characters and stories in fiction is a thrill. I love to work late into the night on a scene, then review what I’ve written in the morning, and find that characters, apparently independently, have led the story into unexpected places. Writing Lessons in Diplomacy was a different experience. The months of painstaking research, scouring my records, fact-checking and – above all – choosing the most fun, enlightening stories to illustrate the “life lessons” that make up the book, was rewarding. Like other writers, I sometimes worry that I’m putting too much of myself on display. When the publishers urged me to include even more Russian honeytrap stories about my travels to Novosibirsk, Vladivostok and elsewhere from 1992-95, I declined. But maybe if there’s ever a Volume 2 I’ll go further.

I loved Lessons in Diplomacy. What are your hopes for the book? Do you want to help people become diplomats? 

The aim of Lessons in Diplomacy is three-fold. I wanted a book about diplomacy that was fun to read, opening up the truth about diplomatic life to the non-expert. Too many of us have a stereotypical view of upper-class twits swanning round the globe. Diplomacy is changing fast, including many more women and other under-represented groups becoming diplomats and ambassadors. 

The book is also designed as a collection of life lessons from diplomacy. It’s not for nothing that the book includes chapters on “How to craft a career”, “How to drink wine and know things”, and “How to know people”. The skills and attributes that make a good diplomat can be applied to many – perhaps all – jobs and careers. I hope people find it useful.

Finally, I hope the book is a breath of fresh air for anyone studying politics or international relations. Many academic textbooks about diplomacy are written by great academics who have never been a diplomat. Others are written by great diplomats who have never written a book. I’m hoping readers will find Lessons in Diplomacy both useful and a great read.

You have lived an exciting life. What made you go into diplomacy?

My parents’ life was a lot more exciting than mine! They moved in 1951, as young adults, to northern Nigeria, and later to Lesotho, in southern Africa. Living in different countries instilled in me a deep interest in what made countries tick, as well as a restless desire to travel. Diplomacy was an obvious job choice, and I had great fortune in getting into the Foreign Office – on my second attempt. But as I say in Lessons in Diplomacy, “Don’t judge a book by its cover.” The jobs I did before the Foreign Office – in the Department of the Environment and the Treasury – were some of the most exciting I ever did – far more so than most Foreign Office jobs!

Germany, Berlin, 08.04.2003 Leigh Turner, author, with his children Owen and Anna preparing cakes. Working on a novel set in the Foreign Office. Job Swaps. (c) Stefan Boness/Ipon, www.iponphoto.com

I loved how you took some time out to be with your children. Do you wish more men would do this?

The four years I spent looking after the children full-time, while my wife took my job in the British Embassy in Berlin, were the best four years of my working life. I was able to form a deeper bond with my children, to look at the world in a different way. I encourage all men to take seriously the option of some time out to help raise their kids. I recognise that not all parents have jobs that allow them to stop work for four years; or enough income for one parent to support the family. But do explore the options! Many women thought a man taking time off to bring up children was fabulous. But many men were hostile. They seemed to feel threatened by what I was doing. 

Who are your favourite authors and books?

I’m an eclectic reader. I immensely enjoy modern thrillers such as Lee Child or Vince Flynn. But I also love romantic thrillers – I recently enjoyed books by Sophie Kinsella and Mhairi McFarlane. And I have a soft spot for the classics – I’m nearing the end of a “read all books by Dickens” campaign, and love anything by Anthony Trollope. I’ve written a lot about Trollope on my rleighturner.com blog – although he’s a 19thC writer he has a lot to tell us about relationships, gender and power.

What advice do you have for aspiring writers?

Persevere, and train your writing skills! Submitting books to agents and publishers is a cruel, unrelenting slog. But you have to keep doing it in the hope that one day, your painstakingly constructed work will see the light of day. There’s also the option of self-publishing, which I have tried, and which can work brilliantly. But it’s worth trying for a “traditional” publishing route first, if you can, to give your book the best chance.

I’m also a huge fan of honing your art. Writing courses are great ways to get feedback on your work, and mutual support. I go on courses regularly, and am even teaching on one in September 2025, in Lesbos, Greece. Details of the Lesbos course, and on other writing courses I’ve attended, and recommend, are on my blog. 

Writing groups are also terrific. I’m in a virtual group with five writers from the US and Canada that meets every month. Their comments on my work have helped me improve my writing. They’ve also strengthened my self-belief – invaluable!

What’s next?

I’m currently working on a trilogy of romantic comedies I call the “Diplomats in trouble” series. I’m excited about it, although, as always, it’s not yet certain it will ever see the light of day. My hero Angus is a protagonist many test readers, mostly women, love to see try, and fail, and try and try again, to find love and a meaningful relationship in the chaos that is modern life. Watch this space.

Leigh has also written extensively about Russia’s war on Ukraine, in his book “Lessons in Diplomacy” and on his website.