Category Archives: Writing

SISTER SCRIBES GUEST: KIRSTEN INTERVIEWS WRITER AND TUTOR CHRIS MANBY

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Today I ask the questions of Chris Manby.  Chris was the tutor on my very first retreat and we have since become good friends. Over to you, Chris.

  • First off the blocks. Plotter or pantser?

Definitely a plotter! I used to be a pantser but a series of short deadlines meant I had to get a strategy. I use screenplay principles to work out what needs to happen when though of course I often stray from my plan

  • How do you organise your work?

I’m a real geek.  When I get my deadline, I work out a timetable with daily word count based on the average length of a novel.  I make sure I allow myself weekends off (though rarely take them).  Then I just get writing.  I don’t stick to rigid hours but I do stick to daily word counts.

  • What is the hardest part of writing?

Getting through the mid-section of a book without losing pace and enthusiasm. Plotting helps as it means I can write something from the end instead and often that will inform what needs to happen in the middle.

  • And what is the most rewarding?

Most rewarding is returning to a manuscript after a week or so away from it and thinking “that’s actually not so bad”.

  • How has your writing style developed over time?

Photo credit: Michael Pilkington

I’m not sure my style has developed much at all!  I still think the first short story I had published –when I was fourteen – is one of the most elegant things I’ve ever written.  But I do now avoid swearing in my books. American readers in particular don’t like it.

  • What do you see as the greatest success of your writing career?

In the noughties, I had a few top ten bestsellers. That was wonderful.  But what felt like real success was when my sister said she loved one of my novels! It was The Worst Case Scenario Cookery Club.

  • And what was the deepest disappointment?

Any book that doesn’t sell is a disappointment but after twenty years I’m learning not to equate sales figures with a book’s intrinsic merits. I know my best-selling books are far from my best work!

  • Talk us through how you develop your characters.

In the same way we get to know a new friend.  The more time you spend with them, the better you know their quirks, their hopes and their dreams. Sometimes characters surprise me.

  • Sister Scribes is all about women writers supporting each other. Do you have a ‘go to’ bunch of fellow female writers you value and rely on?

I met a wonderful bunch of women in 2000 when, together with Fiona Walker and Jessica Adams, I edited an anthology called Girls’ Night In for War Child. Lucy Dillon and Alexandra Potter are two great friends from those days.  They’re always up for a glass of fizz and a chinwag.  More recently, through the Place To Write I’ve made some fantastic new friends, who are always ready with a word of encouragement. I don’t often show writer friends my work in progress though. I’m easily discouraged by faint praise. Better not to risk it.

  • Can you tell us anything about your next project(s)

I’ve just finished a ghost-writing project and now have three months to write a novel.  Fortunately, it’s already planned to the “nth” degree.  It’s called “What the Heart Sees” and the hero is… well, he’s small, dark and very, very hairy.

 

 

JANET GOVER INTRODUCES THE RNA’S ONLINE WRITING COURSES

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Writers might be solitary creatures much of the time, but that doesn’t mean we are finding the current restrictions any easier to deal with. Our nature leads us to keeping our minds active, and like everyone else, we are missing being with friends and colleagues at social gatherings, conferences and events.

Purely by chance, a project I’ve been working on for a while now is coming to fruition at just the right time. I’m talking about the Romantic Novelists’ Association’s new online learning programme #RNALearning.

Teaching and writing are two things I’ve done all my life, and I’m also a bit of a geek. When online training was first suggested to me in my day job as an IT trainer, I wasn’t too thrilled. I like face to face contact with people I’m teaching. They are more likely to laugh at my jokes that way. But once I started training online, I soon became a convert.

It’s so easy to attend an online course. There’s no special technology needed – just the internet. If you can watch a cute cat video online and send an email, you can do an online course. And in the current world, it’s a great way to keep our minds active in a lockdown.

Online courses can include watching videos (and not feeling guilty about it), joining online chat (see previous comment re guilt), downloading notes and doing exercises. It’s a great way to maintain contact with other writers, and because it’s online you can make it fit into whatever your time commitments are.

The RNA’s courses are open to anyone to join, whatever genre they are writing. Tutors will cover topics of interest for writers at all stages of their career, using the RNA’s online learning portal, via Moodle, a standard teaching tool used in many colleges and universities.

It’s my great joy to be the tutor for the scheme’s pilot course: Taking the Plunge – Your Submission Pack – which runs for the entire month of May. This is aimed at anyone who wants to follow a traditional publishing route and submit their work to an agent or traditional publisher. I’ll be talking about giving a book the best possible chance with agents and editors: preparing the MS, writing a synopsis and cover letter and what to do when the answer is no – or what to expect if it’s yes. Most importantly, there’ll be exercises and feedback for everyone. At the end of the course, participants should have their submission pack ready to go.

We started planning this last year – and never expected to be launching it in a world turned upside down by crisis. I hope it will be more than just a learning experience full of useful information for writers – I also hope it will help us all feel more positive in this difficult time.

Bookings are now being taken for the first course. Details can be found at:

https://romanticnovelistsassociation.org/rna-learning-intro-page/ or email janetgover@romanticnovelistsassociation.org

 

About the author:  Janet Gover is a former journalist and IT specialist turned award-winning novelist. She is also a qualified trainer and a well regarded writing tutor. She runs the RNA’s New Writers’ Scheme and is part of the Association’s education team.

SISTER SCRIBES GUEST: JAN BAYNHAM ON WRITING HER DEBUT NOVEL

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Jan Baynham is a good friend to all the Sister Scribes and here she provides an insight into writing her debut novel, Her Mother’s Secret: The Summer of ’69. Susanna Bavin asks the questions.

You started out as a short story and flash fiction writer. What made you decide to write a full-length novel?

On retirement, I joined a writing group where I wrote my first short story. Very soon, I could see my stories getting longer and longer. After enrolling on a novel-writing course at Cardiff University, I enjoyed being able to explore characters in more depth and delve further into their stories. I still write shorts but now it tends to be when I’m editing or doing research for a novel. When writing a novel, I love getting to know my characters so well that I miss them when I come to the end and I enjoy visiting new locations with them. The length of a novel allows me to create more involved plots and sub-plots for the characters to experience than I’m able to do in a short story or piece of flash fiction.

What was the initial idea behind the story from which it all grew?

The novel started out as a short story. At the time, I’d been reading a novel where the rustling in the trees sounded like whispers and inanimate statues took on the form of the ghosts of people they represented. Combining both ideas, I asked myself what if the whispering could show the presence of a past family member. Always fascinated by family secrets and the bond between mothers and daughters, I knew I had the basis for a story. In both the story and the novel, I leave it to the reader to decide what the whispering represents. In the short story, Alexandra’s search for the truth was resolved quite quickly whereas in the novel there are many more twists and turns, obstacles and setbacks before the story concludes.

Tell us about the places that feature as the backdrops of the story.

Once I’d decided that my main character Elin would be an artist, I chose a setting where the surrounding colours would be more vibrant and intense than in her home country of Wales. Having visited many times and being struck by the wonderful palette of colours seen in every landscape, Greece was my choice of background. The island is not based on one particular place but is an amalgam of areas I’ve visited. Every holiday has contributed to the whole backdrop where I’ve tried to show the climate, the vivid colours of the sea and the flowers as well as the warmth of its people.

How important is the mother-daughter dynamic to the story?

The mother/daughter relationship is central to the novel. Alexandra is grieving after the untimely death of her mother, Elin. She experiences a whole gamut of emotions from deep loss and its accompanying sadness, through to anger that her mother has abandoned her. When she learns there is part of her mother’s life she knew nothing about, Alexandra goes to Greece with the hope of finding answers.

What have you learned about the writing/editing process? Is there a piece of advice you’d like to share?

Everything suggested by my lovely editor at Ruby Fiction was very clear and straight-forward, but one thing stood out. I hadn’t always got the dates or passing of time issues right. Elin’s story is interspersed with diary entries and these didn’t always tally! The way I dealt with these continuity edits was to have a calendar in front of me and highlight the dates as events happened. Although a diary may not feature in another novel, I will definitely use a calendar to check the passing of time in future.

 

SISTER SCRIBES: KITTY WILSON ON HOW ROMANCE IS HOPE

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Back in November I wrote a post here about Why I Love Romance as a genre. I explained that I had inadvertently written an essay on this subject and that first post covered how I believe romance is universal and utterly relatable, especially romantic comedy, my own specific sub-genre.

Today I wanted to return to that theme and talk about romance novels giving us hope in an often bleak and daunting world. I truly believe this – that romance novels help us have hope in life, the absolute certainty of a happy ending is sometimes exactly what you need to escape real life, whether it be dreadful news or just the day to day monotony.

Whilst trawling the internet a while ago I came across a tweet from a writer, Angela James, asking people to share their romance positive moments. The response was overwhelming, hope was right up at the top of that list and I have picked a couple as illustrations as they say it so much better than I could.

‘I found Romance after my brother commited suicide. It was a very dark and hopeless time, but Romance taught me that hope can rise again even after the darkest of moments and love, in all its forms, can be found if you just open yourself up to it.’

‘I began reading romance novels after my first miscarriage. I believe they re-wired my brain and helped me remember what optimism felt like.’

‘I started reading romance novels while was undergoing cancer treatment. I needed positive, escapist stories that promised a HEA.’

Now I’m not saying that romance is a cure-all, of course it isn’t. But romance novels are often easy and quick to read thus providing escape for an hour or two. They can’t rid you of the burdens that life brings, but being lost in the pages of a novel can give you a brief pause from them. I fell in love with romance when I became poorly at the age of thirteen. My friends were ringing me and asking if I was dying (I wasn’t but they were a dramatic bunch) and all I knew was that my body wasn’t behaving as it should. If I hadn’t had romance novels to read, to lose myself in, I think I would have struggled to cope.

We all know that life is not a romance but these books do give us the thrill of living vicariously, of confronting challenges and winning, of reading about someone’s longing turning into reality. To be fair, that’s true of reading in general but with romance you get the added ahhh factor, the satisfaction of a romance played out, of willing the hero and heroine on without any of the risk or leaving the comfort of your own home. I can be sunbathing on a tropical island or dancing the cha-cha whilst in reality I’m wrapped in a blanket and drinking a cup of tea, ignoring the stuff that I don’t want to have to deal with at that minute.

Happy-Ever-Afters are a reminder that not everything in life is bleak, that there’s the possibility of dreams coming true, that life contains so much positivity. Building a future with someone you love – the pinnacle of Romance – is forward-facing, optimistic, both the essence of hope and an act of hope. Romance Novels are the reassuring and toasty comfort blanket of the fiction world and I love them.

Edit – I wrote this well before Covid-19 was dominating the globe and considered pulling it, but I stand by the fact that in an ever-turbulent world the predictability of a happy-ever-after is reassuring so I’m off to hibernate with my kindle. Keep safe everyone,

Much love, Kitty x

 

 

 

Has your holiday been cancelled?

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If your plans for a holiday have fallen foul of the recent travel warnings or flight disruptions, it is a perfect opportunity to put into action all those projects you have been putting off.

You could write a book, compose a song or learn something new. So don’t despair there are plenty of enjoyable ways to occupy yourself without interacting with strangers or flying off to a different country.

Stay at home and learn

If you have always had a burning ambition to learn a different language, play the guitar, or write a book, now is your chance. With a broadband connection or a CD player, you can do all of these and more.

There is a multitude of online resources to help you fill your time in isolation, and some of them are free. With music available for lead, bass or even Ukulele, you can emulate Peggy Lee Radiohead or Oasis. All you need is patience and some equipment.

If you want to learn a language in preparation for when life returns to normal, then the world is your oyster, and it won’t cost a penny. From beginner, intermediate or conversational level, you can learn a little or a lot depending on your mood. It might not make you proficient, but it will give you an excellent start.

Duolingo is a free resource which is easy to use and good fun. OpenCulture can help you learn the most popular languages French, Spanish, Italian, and the harder ones like Mandarin and Russian. Even obscure ones like Icelandic and Gaelic.

SISTER SCRIBES: KIRSTEN HESKETH ON DEVELOPING AN UNHEALTHY AMAZON OBSESSION

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I’m way behind the rest of the Sister Scribes in this publishing lark and my debut novel has just gone up for pre-order. Another Us isn’t being published until May 14th – indeed, it hasn’t even got a cover yet – and yet there it is, sitting pretty on Amazon with one of those big smiley faces where the cover illustration should be.

No one told me it was up there.

In fact, I would have been blissfully ignorant of all this, had a lovely lady in America not tweeted me to let me know she had just pre-ordered my book and how much she was looking forward to reading it.

Well, if she could only know what that has set in motion!

All I can say if that it was a good thing that my publishers didn’t let me know as soon as Another Us went up on Amazon because that would have meant I started the obsessive, frenzied, ridiculous checking of sales rankings even earlier. Does anyone else do this? Several times a day? First thing in the morning? Last thing at night? Or am I am just really, really weird?

But there is so much to check and it is all so really, really exciting (and nerve-wracking and depressing and thrilling depending on what I find.)

  • There’s the overall sales ranking itself – and a helpful little graph of how it changes over time. (My graph resembles a yo-yo on speed and probably correlates neatly with my blood pressure and heart rate.)
  • Then there are the sub-categories. Someone has put my book into the parenting and family humour, parenting and family relationship categories, which I would say is fairly spot on. For one heady moment, presumably when all my friends and family were busy pre-ordering Another Us, my book made it into top ten of a couple of these categories and my squeals of excitement could be heard from here to Timbuktu to be followed by groans of despair when it subsequently went into freefall.
  • As if the above wasn’t enough, within each category there is a ‘hot new release’ section. Doesn’t that sound brilliant – ‘hot new release’?  Another Us – currently the only one without a cover and looking a bit sorry for itself – has featured in the top ten there too and sent me skipping round the kitchen – which meant that when it invariably plummeted, I was handily placed to scoff a couple of soothing Curly Wurlies.
  • And don’t get me started on Amazon USA! That, of course, has all the same categories, which merely serves to double the joy – or pain (delete as appropriate).. Another Us in the ‘motherhood’ category over there as well, and I did have a little chuckle when I discovered it was a ‘hot new release’ – right next to ‘How to have a mindful epidural’! Fun, fun, fun …

Hubbie fails to share my enthusiasm about all this. When I told him I thought I was close to cracking Amazon’s algorithm, I swear I heard him mutter ‘obsessed’ and ‘addicted’ into his pinot noir. In fact, there may well have been ‘words’ after that and I might have told him I that I didn’t want to hear anything about his Fitbit and his 10k personal best ever again!

Marital harmony has since been restored and, my obsession with Amazon has subsequently waned. But heaven help us all when the book is launched!

 

Kirsten Hesketh’s debut novel. Another Us, will be published by Canelo on May 14th and is now available for pre-order.

 

My Writing Process – Tracy Baines

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tracy-baines-author

I’ve always wanted to write novels, but it felt overwhelming, and to be honest, I didn’t have the confidence to dive into something so all encompassing – so I wrote articles and short stories. I’m so glad I did something – other than procrastinate. I learnt so much from writing short stories: brevity, character, structure and so on. It’s the same skills – you just need more stamina if you’re writing a novel. Gosh, I never knew how draining sitting down all morning could be.

I could always find the time for a short story and it taught me that I could finish things. Finishing is so important. I’ve lost count of the times I’ve heard people say they’ve got loads of beginnings. If you’re struggling, I’d say choose one thing and keep going until you finish it. My short stories have been published in magazines various magazines in the UK and abroad.

At the moment I’m working on the Christmas with the Variety Girls  – the sequel to The Variety Girls which was published by Ebury Press in February 2020.

I always write straight to my computer but I make a huge amount of notes by hand. I also go back to writing by hand if I get stuck and can’t get the words flowing. I don’t know why it works, but it does. Most mornings I’ll write a page of A4 of free flow. It’s like a warm-up to get the motor running and I find I can express myself more easily when I do this.

Daydreaming is important to me too. I play around with ideas for as much time as I can before I begin to write. I’ll read a lot of books for background details and research, and some of that will inspire a character or a scene. My books are set in the Variety Theatre during WW2 and I love reading books about old theatre and music hall stars to get creative thoughts flowing.

When I start writing I tend to stick with one character and work out what she wants most of all. Then I work out what could stop her getting it. Gradually all the other characters and events start to pop into my head. I make a synopsis, then develop a plan or outline which will change as I go along. It’s like having a road map. I can take detours here and there, but I always have a road to go back to. I’ve found this stops me from panicking about where I need to go next.

I try to work for a few hours each morning, actually writing, but I’m thinking about it most of the time. I might work in the evening if I’ve had a disrupted day. I tend to write more when I’m past the middle point. Some days are better than others. But if I’m having a bad day I’m happy as long as I get something down that moves the story forward. I know I can always go back and fix it. Again, the short stories helped me because I am not afraid of deleting huge parts of text to get to the nub of the story

Early in my career I was lucky enough to be mentored by Margret Graham – who also writes as Milly Adams and Annie Clarke. I’ve learnt an enormous amount from her and also from reading her many books. I am loving her latest – Girls on the Home Front series.  She is a superb teacher and if you ever get chance to get to one of her workshops crawl there if you have to. She’s also written two books that are brilliant in explaining things such as show and tell etc. No waffle, just practical advice and instruction – and plenty of exercises. You learn how to write by writing – you have to do the work – but having someone wonderful to mentor you makes such a difference.

Margaret’s explanation of structure took me time to understand. It’s very simple but there is such depth to it. It is foremost in my mind when I sit down to work out my novels: normal world, point of change, a rising arc of tension, crisis point or darkest moment, the slipper test, resolution. If you want to know more I can highly recommend The Writers Springboard. She describes structure so simply.

When the writing’s going well there’s nothing like it. It must be what drugs are like. I forget time and am totally in my little world. And when a character  arrives unannounced and tells you their story. Sublime. The difficult part is maintaining the momentum when the words aren’t flowing. It’s turning up at the desk, day after day, in the hope that this will be the day it all starts making sense.

My advice for other writers would be not to think you’re too old, not clever enough, thin enough, rich enough. Have confidence, work hard but most of all enjoy it. It will shine through in your writing.

the-variety-girls-tracy-baines

The Variety Girls published by Ebury Press £6.99

www.tracybaines.co.uk

SISTER SCRIBES: SUSANNA BAVIN ON WHY TALES OF THE UNEXPECTED ARE SO UNUSUAL AND SO SATISFYING

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How many of you out there remember watching Roald Dahl’s Tales of the Unexpected back in the 1970s? Or, if you don’t remember any of the programmes themselves, I bet you remember the opening credits, with the silhouette of the girl dancing in front of what I imagine was a psychedelic background. I can’t be sure about the psychedelic bit, because our telly was black-and-white. I can recall only one of the stories, which featured Susan George as a housewife who cooked a joint of meat . . . and if you don’t know the significance of this, I’m not going to tell you. I’ll just say the story had a very clever twist at the end.

We all enjoy a good plot-twist, don’t we? One of the things about being an experienced reader is that it is rare to be truly surprised by something that happens in a book – though I want to make it clear that this in no way lessens the enjoyment of reading it. It is particularly true for readers of genre fiction, where certain conventions and expectations exist within whatever type of story it is. I once wrote a blog called A Promise Between Friends, which was about the ‘contract’ between the author of genre fiction and the reader. The author writes a stirring story within the conventions and the reader meets the writer halfway. Even so, a good plot-twist is always welcome.

Take Hope at Holly Cottage by saga writer Tania Crosse. The idea of the husband or father drinking his wages and then knocking his wife around is well-known to readers of sagas and historicals, but Tania Crosse takes this familiar idea and gives it a new lease of life. Yes, Anna’s dad has bouts of violence, but the reason behind them is one I haven’t come across in a saga before and it adds extra depth to the tragic dynamics of the family situation. After packing the opening chapters with drama and emotion, Tania Crosse then takes the heroine off into a completely new place for the next part of her story, changing not only the setting but also the atmosphere, and giving Anna something new to strive for.

And if you have read Lizzie of Langley Street by Carol Rivers, then you need look no further than its sequel, The Fight for Lizzie Flowers, for a truly unexpected beginning. The first book ends in just the way the reader hopes it will, but the expectations that this creates for what will happen in book 2 are decisively blown to bits in the very first chapter of The Fight for Lizzie Flowers, which opens the continuation of Lizzie’s story in a thoroughly unexpected manner, paving the way for a dramatic and compelling story in which Lizzie – and the reader – can take nothing for granted. As with every Carol Rivers saga, there is a pacey story with well-drawn characters and a strong sense of family feeling.

I was going to end this blog by saying something along the lines of how good it would be if we could have more breath-taking plot-twists, but now I’m wondering whether that might result in too much of a good thing. After all, one of the reasons we all admire a devious plot-twist is because it’s unusual. And perhaps that’s the way it should stay – as a special treat in the occasional book.