My Writing Process – Kimberlie Hamilton

rebel dogs, book, I used to live in sunny Southern California and now live in misty Northern Scotland with four cats. Life has been a whirlwind ever since I moved to the UK a year and a half ago – lots of travel, enrolling in a Master’s programme at the University of Aberdeen, getting an agent, earning a coveted “Blue Peter” badge and publishing three books. I’m currently working on a new book (my third for Scholastic UK) and will be presenting at the Edinburgh International Book Festival for the first time this August  Really looking forward to that.

I have written all sorts of things over the years, including advertising copy, travel brochures and blogs, screenplays, newspaper articles, websites, PR and marketing materials, digital content and even some teaching materials (for my English language students in Kyoto, where I once lived). But my true passion is writing entertaining nonfiction books for children ages 8 to 12. 


My latest book is Rebel Dogs! Heroic Tales of Trusty Hounds, published by Scholastic UK (August 2019). It features 30 real-life dogs that all did something amazing and memorable with their lives, plus pages and pages of fascinating trivia about canines across the centuries. It’s the follow up to Rebel Cats! Brave Tales of Feisty Felines (November 2018).

 

I write nonfiction and that requires a load of research, both online and the old-fashioned way, with proper books. After a stack of ‘source material’ starts to pile up, I go through everything, type up a rough outline, and begin distilling and editing. I always edit my manuscripts with a pen, then re-type all my messy scribbled notes the next morning to get myself back into a productive writing groove for the day.
Do you plan or just write?
I’m a Virgo, which means I always plan everything down to the tiniest detail. I’ve met other authors who work without a plan – they simply write a scene here and a scene there and somehow it all magically comes together in the end. I cannot relate to these people at all! I think most nonfiction writers need a structure of some sort.
What about word count?

In the initial phase of writing, I don’t think much about it. I tend to be a very concise writer, even when not writing for children, so there’s little chance of me ‘going off the reservation’ in terms of excess prose. With the Rebel titles, the books were designed and formatted while I was working on the manuscripts, so the Art Director was able to tell me precisely how many characters would fit on each page. I loved that. It was like a game for me, making sure everything fit just right.

What do you find hard about writing?
For me (and I suspect most writers), everything about writing is hard. I vastly prefer editing. Sometimes I think I write just so I have something to edit.

What do you love about writing?
I love the challenge of taking something based on fact and making it sound as playful and entertaining as a good piece of fiction. Tough to do so it’s very satisfying when I actually manage to pull it off.

Advice for other writers. 

My first real job after university was as an advertising copywriter, and everyone in the agency worked way too many hours. But my boss encouraged me to get out of the office and read and travel and see movies and try new things…to experience life to the fullest. He said that the creative spirit is like a battery that needs to be recharged now and then. Life experiences are what sparks and feeds creativity. 

 

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A PUBLISHER’S YEAR: JULY – DREAM GENRES, DREAM JOB

We’ve been busy publishing lots of books in June and July to get ready for summer reading – August in particular tends to be one of our highest sales months. We’ve published the first two books in a brand new Tudor series by David Field. We released ANOTHER YOU by Frost’s own Jane Cable! This week we also released the first novel in a Victorian crime series featuring a feisty female photographer – SNAP SHOT by Marilyn Todd. We have also managed to sign up quite a few classic military thrillers, in the genres we were searching for, and we have published our first few – some Cold War espionage thrillers by Geoffrey Davison. We are excited to see how those sell on Kindle, especially as Caoimhe is specifically growing our list of readers interested in the ‘action & adventure’ genres.

We have signed another new authors to our books – the lovely Ros Rendle. We have signed a six book contract with Ros – five of which are backlist titles we are reissuing, and one which is a brand new contemporary romance, due for release in 2020.

For the rest of the post, I’ll let our new Editorial Assistant take the reins to let you all know what she’s been learning so far!

Amy

Here are Natalie’s thoughts on her first couple of months:

Since joining Sapere Books, I have learned a lot about the careful work that goes into publishing commercial genre fiction. My role is very hands-on, and involves formatting and proofreading manuscripts, as well as reading new submissions. I love the level of engagement that I have with the books, and the fact that I’m working with stories that will appeal to a wider audience. My duties at my previous jobs in publishing were largely admin and project management-based, so it’s great to have the chance to do some more detailed editing! It’s also great to be part of the decision-making process with regards to the books that are signed up, and I’m still developing my eye for what makes the ideal Sapere submission.

I’m a big fan of historical fiction, so I’ve had a lot of fun working on Elizabeth Bailey’s Regency romances, as well as the first instalment of Marilyn Todd’s Victorian mystery series! But working on genres that I’ve had less experience with — e.g. crime fiction and political thrillers — has also been a welcome and rewarding challenge. I’m very grateful for the breadth of Sapere’s publishing; this has allowed me to expand my horizons both as a reader and as a young publishing professional.

I’ve never worked from home full-time before, but I’ve found that this suits me well. I’m good at setting boundaries in terms of space and working hours, which helps me maintain a productive, energised and disciplined mindset. Amy is always on hand to help with any queries I have, and the training and support that I’ve received has been fantastic. There are plenty of opportunities to meet up with the rest of the team for catch-ups and industry events, and they’ve all made me feel very valued and welcome! To summarise, this is my dream job and I’m looking forward to continuing to assist with Sapere’s exciting projects!

SISTER SCRIBES’ READING ROUND UP: JULY

Cass:

“Everyone should be adopted, that way you can meet your birth parents when you’re old enough to cope with them.” So says Pippa Dunn, the eponymous heroine of Alison Larkin’s debut novel, The English American (which has its roots in her autobiographical one-woman comedy show of the same name).

Adopted as an infant and raised terribly British (attending a posh boarding school, able to make a proper cup of tea and in the ‘love’ camp for Marmite on toast), Pippa – now 28 – discovers her birth parents are American. Finally, she begins to understand why she’s so different from everyone she knows.

Pippa sets off for America, soon meeting her creative birth mother and her charismatic birth father. Moving to New York to be nearer to them, Pippa believes she’s found her ‘self’ and everything she thought she wanted. Or has she?

This is a hilarious yet poignant story where you are laughing out loud one moment and holding back tears the next. Pippa’s journey is very funny, yet deeply moving, and I highly recommend The English American to anyone who loves to finish a book with a smile on their face and a warm feeling in their heart.

 

Kitty:

I’ve been in editing mode this month so have listened to audiobooks to relax, sitting there as the words wash over me reminds me of story tapes and childhood and I quickly sink into a blissful state.

Helping me do this was Celeste Ng’s Little Fires Everywhere.  Having read rave reviews and knowing it had been optioned made me curious and I was greatly rewarded for being so. I got utterly caught up in the story of the families in this book, Ng’s characterisation deft and skilful with surprises around every corner as she explores themes of motherhood and social class.

I’m currently listening to Sally Rooney’s Normal People and again can’t help but admire the way she captures that insecurity and self-doubt of adolescence that lies behind the masks we don. Two remarkably skilful writers that I highly recommend.

I’ve also devoured Jill Mansell’s Don’t Want To Miss A Thing – in book form. As ever, Jill Mansell can be relied upon to be utterly perfect as she delivers that hit of escapism and brings a smile to your face. Faultless.

 

Jane:

I’ve been reading two books set in Italy this month; both romances and both by members of our ‘Take Four Writers’ team from last year. But apart from that they couldn’t have been more different and it was a joy to be reminded how broad the church of romantic fiction is.

The first was The Tuscan Secret by Angela Petch. This is a dual timeline between the present day and the Second World War and the historical part is loosely based on Angela’s husband’s family. Tuscany is a part of the world she knows very well and her love for it shines through in the achingly beautiful descriptions of the settings. This very gifted writer can certainly take you with her, both in terms of location but also the richness of the story. It’s a much loved trope (daughter is left to discover mother’s secret after her death) and so well told I really missed the characters when I had finished reading.

In complete contrast Lucy Coleman’s Summer on the Italian Lakes is a thoroughly modern love story. After a rather nasty bout of writers’ block, romance author Brie Middleton agrees to help out at a summer retreat on Lake Garda, and of course love is just around the corner. What I particularly liked about this book was the ‘shape’ of the romance – it wasn’t formulaic or predictable – but to say more would be a spoiler. The characterisation was fabulous too and it makes a great holiday read.

My Writing Process – Dr Kathleen Thompson

I suppose I’m an unusual writer. I write lots of factual stuff for my day job – I’m a doctor and test new medicines to check they work and are safe. However I am also enjoying writing an Italian novel currently. I’m familiar with the Italian way of life, psyche and language and it’s fun to create an insight into the truth behind la vita bella d’Italia for the reader. 

My first book was a self-help guide for breast cancer – From Both Ends of the Stethoscope: Getting through breast cancer—by a doctor who knows which won two book awards –the Words For The Wounded Book Award 2016 and the Janey Loves (Radio 2’s Janey Lee Grace) 2017 Platinum Award. When I had breast cancer myself, even I found the hospital experience confusing and frightening. How much harder for people without a medical background? So I wanted to provide the knowledge people needed, quickly but easily – people with cancer are in a state of shock and it’s hard to absorb things. I wrote the guide using my personal experience, whilst drip-feeding what people needed to know. You can read my book from start to finish, or dip into chapters – each one deals with a specific aspect of your cancer journey, and finishes with a summary and further information. Because of my background, I’m passionate about debunking internet medical ‘facts’. There is good information out there, but also much which is misleading or dangerous. I share simple rules for assessing the quality of the information in my book, and also summarise how to reduce cancer risks through life-style. 

Since then I’ve written articles for Frost Magazine, and Huffington Post. I love demystifying medical issues for people – it shouldn’t be complicated.

So how do I write? My biggest challenge is expressing emotion. As a scientific writer I’m used to stating facts, there’s no place for feelings in a scientific report. But people kept asking me what having breast cancer was like. So I had to take a deep breath and really describe my feelings. I’m getting better, but I still find it hard to let go and show my vulnerability. 

My breast cancer guide pretty much wrote itself. Odd things happened during the course of my cancer – unpleasant for me, but perfect material for a book – such as when my operation was nearly cancelled literally at the final hour, and when a doctor tried to give me radiotherapy to the wrong area – it was as though a writer in the sky were choreographing my life to make a perfect story. For novels, I try to write a plan first. I detail the synopsis, the characters and the chapters. 

I like to write concisely – and prune my work repeatedly. This lends itself to online journalism, like Frost Magazine, as people can see the whole article on a smartphone page. 

If you’re inspired to start writing, you should find a good creative writing course, run by an experienced published author. I learned so much about writing technique from my mentor, the best-selling author Margaret Graham. Join a writing group and share your work with your peers – you’ll get essential feedback. Writing a book takes longer than you think. Until you’re very experienced you’ll need to rewrite until it works. But if you enjoy it – keep going, it’s a lot of fun.

 

My Writing Process – Tora Williams

A bit about you. 

I’m one of those people who was always wanting to write a book, but could never find the time to write. Not that I wrote nothing at all—I used to write fan fiction and short stories purely for my own entertainment—but I never quite believed that anyone else would be interested in reading anything I might write. Then about ten years ago I signed up for an Open University course on writing fiction and was encouraged by the feedback I got. Suddenly writing a novel didn’t seem such an impossible task, and I started writing seriously. Much to my parents’ horror, I resigned from my job and set up as a maths tutor and freelance proofreader to give myself more time to write.

What you have written, past and present.

I write historical romance, set in medieval Wales and the Welsh Marches. My debut novel, Bound to Her Blood Enemy, was published by The Wild Rose Press last year. They’ve now published two more of my books, the latest one being His Clandestine Bride, published in March. I’m currently editing a fourth medieval romance with others at various stages of completion.

A bit about your process of writing. 

I try to get up early and write between about 5 and 7am. I then get on with my day job until mid-afternoon, then return to writing. If I don’t write first thing in the morning, I find it really difficult to write later in the day, so I have to be strict.

Do you plan or just write?

A bit of both. Before starting a new story, I plan the hero and heroine’s characters and have a rough idea of where the plot is going, but after that I write as the story comes to me.

What about word count?

I try to write 1000 words a day. If I can get down 500 words in the morning, writing another 500 later on never seems like too terrible a task.

How do you do your structure?

I don’t consciously follow a structure when writing the first draft, but when editing I always find the story falls roughly into a 3-act structure and I edit to firm up that structure.

What do you find hard about writing?

Every day it’s a struggle to force myself to silence the inner voice telling me the story is rubbish and no one will want to read it. Once I get going that voice goes away, but dragging myself out of bed every morning to turn on my computer is never easy. 

What do you love about writing? 

I love dreaming up the characters who inhabit my stories and get a real rush planning how they’re going to achieve their happy-ever-after. It’s the best job in the world. Who else can say they’re a professional daydreamer? 

Advice for other writers.

Take every opportunity to connect with other writers. Writing is a lonely business and rejections can be hard to handle. Meeting others going through the same experience can help you stay sane and provide the motivation and encouragement to keep going, especially when your family and friends think you’ve lost your mind!

 

SISTER SCRIBES GUEST: DAISY TATE ON GAL PALS

I’m over the moon to invite the wonderful Daisy Tate to the blog today. I met Daisy at a conference a couple of years ago and have reached out to her many times for the huge amount of wisdom she carries. From worries about contracts to the far more personal she is never anything but supportive, perceptive and insightful. Daisy, you’re a queen. 

 

Hello and thank you so much for letting me thumb a proverbial ride with the Sister Scribes.

The sun is sort of shining, the cows are out to pasture, and I’m counting myself a lucky bean as in a couple of week’s time my first book is coming out and let me just say…this baby wouldn’t have seen the light of day if it weren’t for my gal pals.

Happy Glampers is a four parter about four women (there’s a theme here) who were roomies in uni, lost touch, and are now rekindling their friendships en plein air. You can indulge in little one quarter reads or go mad and read the whole thing as they’re releasing all of them in a oner. One of the best parts about writing it was staring up at my corkboard where I pinned pictures of friends who are constant reminders of just how special female friendships can be. I was never a clique girl. Terrified of them in fact. Terrified because I was afraid of being kicked out for being the kooky, lone wolfish, drama nerd that I was. But now that I am a (vaguely) grown up woman, I am finally beginning to realise just how important the risk taking is. Is it scary to let someone close? Always. Are the rewards of a tight friendship incalculable? Absolutely.

Firstly, a good friend will tell you if there is spinach in your teeth. And a whole lot more. Like reading the early drafts of your novel for instance. I cringe to think of how awful my book was in the beginning (sheer genius, obviously glinting through, but…there was a lot of dreck to chisel away). None of that shiny polished prose would’ve seen the light of day if it hadn’t been for my gal pals who read this book over and over until it was finally deemed ready for the general public. Trusting that you’re going to get honest feedback is a huge thing. Trusting that your friendship can survive  constructive criticism is also a rather stupendous experience.

Being invited to appear with the Sisters Scribe-tastic is a testament to just how supportive women writers are. When I first entered the magical world of writing a few years ago I was prepared to get my very short nails out and, well, not claw my way to the top because I have zero upper body strength – but at least fend off any scary foes. THERE ARE NO FOES in the world of women’s fiction. (Please let this not be the moment where I unearth a mortal enemy). Along this windy path I’ve walked, I have only met people who are there to help others (like Kitty Wilson!). All of which is a hugely long-winded way of saying if you think you’re in this journey alone? You don’t have to be. You’ve got a host of friends – ready and willing to stand up by, beside and for you. So go for it.

 

 

Daisy Tate loves telling stories. Telling them in books is even better. When not writing, she raises stripey, Scottish cows, performs in Amateur Dramatics, pretends her life is a musical and bakes cakes that will never win her a place on a television show. She was born in the USA but has never met Bruce Springsteen. She now calls East Sussex home.

Twitter:  https://twitter.com/DaisyTatetastic

Facebook:  https://www.facebook.com/daisy.tate.92167

Instagram:  https://www.instagram.com/daisytatewrites/

Goodreads:  https://www.goodreads.com/author/show/18660359.Daisy_Tate

Ditching the daily grind and taking off in a camper van was novelist Rosanna Ley’s fantasy. Then she and her husband actually tried it… 

Who doesn’t fantasise about getting away from it all? Escaping the daily grind, travelling to somewhere warm and wonderful? Who doesn’t occasionally dream of cloudless blue skies, golden beaches and a sparkly Mediterranean sea – not just for a week or two on an annual holiday, but for longer… much longer?

Ten years ago, my husband Grey and I resolved to make this fantasy a reality. We were both in our frivolous 50s. We had both spent our adult lives working full-time. And we were both a little weary. Where had the excitement in life gone? We seemed to have reached some sort of turning point – a bit ‘do or die’. Now that the children had left home – almost – shouldn’t we be thinking about doing something we’d always dreamed of?

Need Text

‘If we weren’t working,’ Grey said mournfully one day, ‘we could just up sticks and leave.’

‘Leave?’ I echoed. It sounded so final. My younger daughter was still living at home, although she too had the travel bug and was planning to visit Australia for a year. How could we just leave? And what about all our… stuff?

‘We’ve got far too much,’ he declared dismissively. ‘We’ll do a car-boot sale, put the rest of our stuff in storage, rent out the house and go.’

Grey made it sound so easy. I thought of those clear blue skies, imagined the writing inspiration that might be had from such a trip.

But this shared dream was just a fantasy – wasn’t it? Couples talk like this all the time – well, we do. We go somewhere on holiday and by day two we’re looking in estate agents’ windows. It doesn’t mean we’ll be moving there anytime soon.

But a few days later, we spent our savings on a camper van. (Yes, the woman who dithers over cans of beans in the supermarket can spend £20,000 on a second-hand camper van in the blink of an eye.)

Should we have done this earlier, later, never? Were we too young or too old for a camper van? Who cared? We so fell in love with that van and were soon trundling off happily for weekends in Dorset. But it wasn’t enough. It was like a drug. We needed more of the open road. We needed to be living our dream.

So we took the plunge. I gave up my teaching job, Grey wound down his client diary. We cleared the house and begged the loan of friends’ garages for storage of all our worldly goods. We organised shelter for my younger daughter until she went to Australia and for my elder daughter who had moved back home to save up for a trip to South America. What was going on with this family?

We redecorated the house and advertised it for rent – this would be our income. We would go on a road trip – for six months or more. We would live close to nature. We would make our own entertainment – Scrabble and reading, no TV for us! We would be free to go wherever the wind blew us. It was a fantasy, yes. But we would make it come true.

Our day of departure dawned. We waved goodbye to my daughters and headed for Dover. We had done it. We were on the road and heading for Italy.

The first two weeks were wonderful. OK, there were some minor hiccups. We hadn’t taken into account the hilly terrain in Liguria – many a steep, narrow road proved too much for our van. Nor had we realised that campsites in Italy were so expensive. And we hadn’t dreamed it would be so hot. (I will never complain about air-conditioning in an apartment in the Med ever again.)

Getting stuck up a mountain on a tight bend, damaging the camper van’s back panel in a complex manoeuvre designed to get us to the beachfront then getting lost while scrambling down a hillside of olive trees… Such things are bound to make tempers fray – especially in that heat. And in our haste to be free of all our possessions we had forgotten a few vital pieces of equipment – such as the coffee maker and the duct tape. But that’s what it’s all about, we reminded ourselves, as we settled in for another interminable game of Scrabble. It’s about having exciting adventures, new experiences, being free. And there’s always another camper vanner around with an unfeasibly large toolkit to help out in times of trouble.

But, two weeks in, things were not going as smoothly as we’d hoped. Our van was small – with the table erected, the person trapped on the far side could barely breathe, let alone move – and we had to make up the bed from scratch (or should I say slats?) every night. Yes, every night. It’s surprising – even when you have little else to do all day – how very tedious this can become.

It turns out that – surprise, surprise – size matters. Claustrophobia set in. We tried to stay outdoors most of the time but, actually, it rains quite a bit in Italy. Still, we remained cheerful. This was our shared dream, remember. If this was what it took to make that dream come true…

By week three, like Napoleon once was, we were exiled on the island of Elba. And very nice it was too, we agreed, as we sampled the delicious gelato. But money was getting tight, which meant two things. One, we had to eat in – every day. And two, we couldn’t afford to stay in campsites. But, hey, weren’t we at one with nature? Heating up bottles of water on the dashboard for an outside shower after a day on the beach only went to show how resourceful we had become.

And, as all camper vanners know, there is an alternative to campsites – it’s called ‘wild camping’. In our fantasy, this meant finding deserted beauty spots in which to park the van and gaze out at an unspoilt landscape. In reality, it meant car parks (marginally safer and quieter than roadside parking, though I didn’t say this the night half a dozen youngsters practised their motorbiking skills around the car park at 2am).

How to keep the shared dream alive

  • Remember that sometimes a fantasy is more fun when it stays in your head
  • Check from time to time that you still want the same things
  • Value what you leave behind – you won’t know how much you miss it till it’s gone
  • Have a back-up plan
  • And don’t forget the Scrabble dictionary!

In one such car park we met some friendly Italian camper vanners, immune to the hordes of mosquitoes we fought to escape from at twilight every night, who showed us around their (much larger and homelier) van with pride. There was a language barrier, which may explain why they left the car park and we stayed – only to wake up at 5am with a raucous Italian market setting up around us and no way out. But, well, it’s all part of the fun.

Back at home, we had friends, family and colleagues to chat to; on the road we had each other. It was good to have so much time to talk. But… in small spaces, over time, conversations with your nearest and dearest can become a little, shall we say, intense. Past misdemeanours and misunderstandings that you may or may not have forgiven may once again rear their heads. But we could get through this – together.

It was lucky we were so close, we kept telling ourselves. But did we want to be quite that close? All the time? We had given up material things – but had we also lost sight of civilisation? When we eventually left Elba, Grey was following a camper van with GB plates at breakneck speed. I glanced across at him (by this point we didn’t need words).

‘They’re British! Why don’t they pull over and talk to us?’ he asked me through gritted teeth.

This, let me tell you, is what travelling in a camper van can do to a person.

And then autumn arrived, and it began to get cold. We realised with a feeling of mounting horror what this meant – more time in the van, together. More talking, more Scrabble, more opportunity to examine our relationship. Did we really want that? Could we survive?

We considered travelling further south in search of sunnier climes. But funnily enough, driving was beginning to feel monotonous, too. And finding places to sleep at night was also becoming a strain. It was still great to be on the road – but wouldn’t it be even better to stop in one place for a while?

‘Why not just dump the van and rent an apartment?’ Grey suggested.

I stared at him. Dump the van? Rent an apartment? What about our shared dream?

‘Somewhere hot,’ he continued. ‘The Canaries?’

Which is how we came to leave our van in Italy – to be collected in the spring – and book a flight to Fuerteventura. Sod the expense. We rented an apartment with entire rooms to be alone in. It had a bed that remained a bed, day and night, and a bathroom with proper drains – no chemical toilet to empty and clean. Pure bliss.

We started enjoying each other’s company again. We began looking forward to returning home. That’s right. Going back home became our new shared dream.

Rosanna’s latest novel The Lemon Tree Hotel is published by Quercus in hardback, priced £20.99.

 

My Writing Process – Helen Baggott

Helen Baggott is the latest author in the series How I Write, which gives readers, and other writers, an insight into the minds of writers. Not only how they think, but how they work. 

Helen Baggott

 

I grew up in Swanage and although I no longer live in the seaside town, home is still in Dorset. For as long as I can remember, I have always loved history and writing. Before I reached my teens, I recall creating my own magazine – and making my family read it. I even tried charging them to advertise!

I’ve always enjoyed writing both fiction and non-fiction. Despite having some success with short stories, I’m now focussing on non-fiction. I have written articles for local magazines and papers, and now my own book.

Posted in the Past was published in June and it’s the culmination of a project that was as much about research as writing. Through genealogy, I’ve researched the people who sent and received postcards more than a hundred years ago. The cards open the door to our pasts, but what was so surprising were the links I found to events of national and international importance. A housemaid who worked for Edward VII’s doctor was particularly exciting, not to mention discovering Arnold Schwarzenegger was linked to a postcard sent before the First World War.

What is your process of writing. 

Unless I’m in the right frame of mind – something that even I can’t describe fully – a blank page will remain blank. I possibly work best when a deadline looms.

Do you plan or just write?

When I was writing fiction I found that I would sift a story through my mind for days, if not longer, and then type it out. That first draft seemed to always work fairly well – although if you include those sifting stages, it was possibly version 20 that found its way onto paper.

What about word count?

With Posted in the Past I made a conscious decision to simply write each postcard’s story. The length was irrelevant – it was the story that mattered. I didn’t want to pad any of them – sometimes the shorter stories are just as interesting as the longer ones.

How do you do your structure?

I ask myself the questions that a reader might and I answer them on the page. A loose end is a distraction and tying everything together forms that structure.

What do you find hard about writing?

When the mood’s right, the planets are aligned, and I have the perfect cup of coffee, nothing is hard. Without the ideas, writing isn’t hard, it’s impossible.

What do you love about writing? 

Irrespective of whether it’s fiction or non-fiction, I love the escapism, living in another world and time.

Advice for other writers.

Have faith and confidence – to not write when you feel you should is the only time you will fail.

 

Posted in the Past is available on Amazon

www.helenbaggott.co.uk

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