My Writing Process – Margaret Graham

I think a lot before I even put fingers to keyboard. I have a rough plan, and character, and get to know them, and the plot, and theme, which of course will drive the plot.

 

I have been writing for over 30 years, under three different names. Novels, and series, features, plays including a community play. And helped to research a TV documentary that grew out of a novel, Canopy of Silence.
I have written the first of a series The Girls on the Home Front set in WW2. There is fashion in writing, or should I say publishing. At the moment there is a thirst for series about 2nd WW!!. When Downton Abbey was on, it was 1st War. The thing is, a writer must write for the market, we produce a product. Sound basic, but there you are. Packaging is key. You will note there are fashions in packaging too. Sagas seem to be three women against a library photo shot of a street or something.
Tell us about your process
Sit down  and do it! I get the idea, research the period etc. make notes, and all the time one’s mind is working, and arriving at a plot. Then you have to BE the characters, all of them, so they come alive.
Do you plan or just write?
I plan but not nearly as much as I did. I think that’s experience, I know now what is necessary.
What about word count?
Women’s fiction is usually about 100,000 words these days, but if you have a publisher they will tell you what they want.
How do you do your structure?
There is of course, only one structure: one shape, Normal world, then a point of change, then a rising arc to two thirds through the book, when there is a climax and it seems all is well, but like Cinderella the ball, the clock strikes, and it all goes wrong, so the last third is about resolving it finally, though no need to tuck it up neatly, just to show that the characters have developed enough to find a way through.
One main character and protagonist and antagonists. There has to be a theme, or message or it’s without depth.

And exposition, scene setting, showing not telling because we live in a visual age, so people are used to seeing things, not to wading through lots of telling. So create scenes, and it’s best if it’s through the eyes, (or point of view) of one person only in a scene. It helps with empathy.

What do you find hard about writing?
Actually doing it, I suppose. The day to dayness of it.  I write two a year, as well as being a Frost Magazine editor, and running my charity, Words for the Wounded so it’s a rush.
What do you love about writing?
Creating other worlds, and being in control of those worlds. As a parent I realised long ago I was in control of very little, but in fiction the characters have to do as they are told.
Advice for other writers.
Learn the skills – go to a credible writing class, or mentor group. It’s an apprenticeship and as such, you need to learn the craft. It is a craft, a nuts and bolts craft, not an arty farty Art. Basically, get down and dirty, and keep at it, share your work with a group, listen to constructive not destructive criticism, read to see how others do it. And don’t rush.

My first bit of writing, a novel, After the Storm was published. My very first bit of writing, so I had to learn in full gaze of the public. I switched point of view within scenes, and put in too much research and not enough dialogue. But it worked. My later books, however, are considerably better and easier to read. And  of course, enjoy it. No point otherwise is there, life is too short.

http://www.margaret-graham.com

www.wordsforthewounded.co.uk

https://www.facebook.com/margaretgraham4/

My Writing Process – Carol Thomas

Carol thomas, writer, How I write,

I live on the south coast of England with my husband, four children and lively Labrador, Hubble (never give a dog a name that rhymes with trouble!). I taught in primary schools for over fifteen years, before dedicating more of my time to writing. 

In the summer of 2017, I was delighted to gain a publishing contract with Ruby Fiction, an imprint of Choc Lit, for my second novel, The Purrfect Pet Sitter. Currently out as an ebook, with paperback and audio editions due for release on August 6th, it is the story of what happens when you rediscover the one you let get away.

Prior to pitching The Purrfect Pet Sitter, I had self-published a contemporary romance novel, Crazy Over You, and a children’s book, Finding a Friend. Self-publishing taught me a great deal about the publishing process, building an author platform and promotion.

My latest novel, also published by Ruby Fiction, is Maybe Baby, a romantic comedy. It is the sequel to The Purrfect Pet Sitter, but can be read as a standalone story. Having recently completed a blog tour, I am delighted to have received reviews such as:

 “Incredibly entertaining, this book has everything, animals, humour, romance, an old flame and a pregnancy test!” 

It is always scary when you send a new book out into the world and so receiving lovely reviews really does mean a lot. 

My work in progress is a contemporary romance, unrelated to my previous books. I started it before the idea came to me for Maybe Baby, and I have to say returning to it and regaining the same focus, is proving difficult. Though as my husband likes to point out, actually writing instead of being on social media would help.

Self-discipline is not my strong point, but I am working on it and intend to prepare more of my social media posts up front. Having said that, I do think it is important to interact and be present too – with an allocated time limit, of course ;-)

My writing process varies depending on the story. For Maybe Baby, I had a spreadsheet for dates, and plotted precisely, because the story required it. Ordinarily, when I start work on a novel, I buy a new notebook (who doesn’t love a pretty new notebook?) that will eventually contain everything related to that story.

I then plan the outline, build character profiles, and commence research – which I know will continue as I write. Once my new notebook is armed with these essentials, I start writing on my laptop. As the characters develop and the story progresses, I am happy to be led in new and exciting directions.

I love it when the story is flowing, and I feel I can’t type fast enough to get it all down. Conversely, when the ideas are not coming, and the word count is hovering in one place for too long, it can be frustrating. At times like this, I endeavour to keep going and get something down. I can always edit it – once, twice, or twenty-seven times – later. I don’t generally have a set daily word limit I try to reach as I have a busy house and life, but if I am away to write, I set myself goals.

My advice to writers, including myself, would be focus on getting your book written, there are plenty of distractions, but the only thing that will make that word count grow is actually writing!

 

SISTER SCRIBES GUEST: ALEXANDRA WALSH ON HER WONDERFUL FRIENDS

I’ve come to know Alexandra because we’re both signed to Sapere Books and when she told me how much her wonderful friends had helped her on her journey to publication I just had to ask her to write about it. It’s a proper Sister Scribe story.

 

“I’ll be there for you…” sang The Rembrants in the 1990s on the US sitcom, Friends. It was a great concept because friends are universal and I am very lucky to have some wonderful friends.

In June, Sapere Books, published my second novel The Elizabeth Tudor Conspiracy. It is part two of The Marquess House Trilogy and it is dedicated to four friends: Jo, Deborah, Gemma and Dawn. This particular four have been my lifeline while I have been writing this series. Their support has been invaluable but what they do not know is that it is their friendships that have formed the inspiration for the relationships in my historical novels.

During my research, one of my enduring irritations was the isolation in which historical women are portrayed. They are usually placed with people who are instrumental in their downfall. Yet, I find it hard to believe that women in the fifteenth and sixteenth centuries did not turn to each other as women do today.

In my first book, The Catherine Howard Conspiracy, the fifth bride of Henry VIII is my historical protagonist. The only women ever linked to Catherine are those who betrayed her. I created a group of close friends around the young queen, all of whom were real historical figures who had been part of her court. The core of their banter and support was inspired by Deborah, Gemma, Dawn and Jo.

The second book, The Elizabeth Tudor Conspiracy, has Elizabeth I as the driving force. She is often presented as being at odds with the women in her court. There probably were personality clashes but it seems unlikely that she  loathed her ladies-in-waiting as is often suggested. I re-imagined her friendships, particularly those with her Boleyn cousins who were with her throughout her reign, again based on the strength and support provided by my friends.

All four, I met at work: Jo and I became friends on the launch of the women’s magazine Now; Gemma and I met at more!, while Deborah, Dawn and I worked together on Chat and Pick Me Up!.

Each of them is wonderful and they all helped me to get through the many years of sitting alone, writing. First with endless encouragement, then in indignation on my behalf as my books were rejected, before the day I finally had a publishing deal. Cards, flowers and champagne arrived the following day!

Deborah, Gemma and I email each other nonsense most days. Dawn and I have long rambling conversations when she drags me back me from the brink of “I’m-so-rubbish-it’ll-be-a-massive-failure”. Jo and I have so many years history, we can ring each other and rant without even saying hello, while we calm each other down.

So, yes, I’ll be there for them, as they’re there for me and I hope hundreds of years ago, the women I write about were there for each other, too.

And, to all my other friends, I love you too. You bunch of awesome, incredible, wonderful, insane women. You make my life a brighter place!

 

Alexandra Walsh is the author of The Catherine Howard Conspiracy and The Elizabeth Tudor Conspiracy, published by Sapere Books. Alexandra was a journalist for over 25 years writing for a variety of publications including Cosmopolitan, Chat, more!, Now, Shine, The Daily Mirror, The Sunday Times, loaded and Goal. History is her passion and she loves exploring a good ruin or museum. She usually has her nose in a book but, if you can distract her, she does make a mean curry.

My Writing Process – Caroline James

I am proud to have author Caroline James be the first writer to be part of our new series. How I Write gives readers, and other writers, an insight into the minds of writers. Not only how they think, but how they work. Enjoy. Catherine Balavage, Editor-in-Chief. 

I always wanted to write from a very early age, but never thought that I was good enough. A few weeks short of my sixteenth birthday, much to my parents’ horror, I left school, and also home, to work in Cornwall, doing anything from pot-washing to waitressing. In that time, I realised that I loved the hospitality industry and if I couldn’t write, I would work hard and one day have my own business. Fast forward several years and I achieved that dream. After catering college and working for a large hotel group in London and abroad, I eventually owned a pub and then a country house hotel. When I sold the hotel, I became an agent representing celebrity chefs. It was a fabulous career but still I wanted to write and decided that I wouldn’t die wondering and pinned my bum to a chair to write my first book.

Five books on and I am currently writing my sixth. The first was self-published and to my amazement, went to number three in women’s fiction on Amazon. My writing dream had come true. Two of my titles are current Amazon best-sellers and my dream of writing full-time has been achieved.

I am currently writing a follow-up to The Best Boomerville Hotel for my publisher, Ruby Fiction. I am a speaker too and give talks on various subjects including entertaining speeches for large events, such as a guest speaker on cruise ships and at various literature festivals. I write food related articles for various magazines and promote my work through social media and my website.

What is your process?

I like to write early in the morning before the rest of my world wakes up. I never find the process easy; I have to force myself each day, onto a chair and in front of my laptop. I’ve always found the writing process hard, but on occasion it has moments of relief when I simply can’t stop and may write solidly for several days. But that’s rare.

Do you plan or just write?

I always try to plan a novel before I begin the writing process, but the characters usually take over and want to do their own things. I think a framework is a good writing tool, so that there is a beginning, middle and end, however you get there.

What about word count?

Some days it may be 200 words others 3,000. It all depends on what writing demands I have. I may be writing an article or doing social media and blog posts for a client, so I have to fit novel writing in when I can.

What do you find hard about writing?

I find it hard to make myself get on with it. I envy the disciplined author who sets out a target each day and achieves it. I found it easier to write when I was working full-time running a business and had many other family demands. That old saying, ‘If you want something doing, ask a busy person,’ is certainly true for me. Since I decided to take a leap of faith and write full-time, I find it much more difficult to actually write a novel.

What do you love about writing? 

The freedom to write about anything at all. The freedom to express myself. The freedom to live my writing dream. I love to be able to empower other writers and, in any way, possible and pay it forward. I love that I am living my writing dream.

Advice for other writers.

Just get on with it. Don’t waste years wondering. Glue your rear to a chair and get going, write and write and write – no matter what. You will find your muse when you least expect it.

www.carolinejamesauthor.co.uk      https://www.carolinejamesauthor.co.uk

Twitter: @CarolineJames12   https://twitter.com/CarolineJames12

Facebook: Caroline James Author   https://www.facebook.com/AuthorCarolineJames/ 

Instagram: Caroline James Author

SISTER SCRIBES GUEST: ALISON KNIGHT & JENNY KANE ON CREATIVE CONFIDENCE

I’m so pleased to be able to welcome two fabulous writers to Frost today.  Alison and Jenny have come on to tell us all about their latest venture  Imagine, a creative writing business that encourages new writers to have confidence in their work. With a huge (and I mean huge) breadth of experience and wisdom, they are two of the nicest women you could ever hope to meet. 

 

Writing is a solitary occupation so it’s good to have a permanent cheerleader to help you through the bad days and celebrate the good days (and friends and relatives don’t count because they tell you what you want to hear). We’re really lucky because when we met at a Romantic Novelists’ Association meeting, we hit it off immediately and have since become business partners.

Imagine Creative Writing Workshops was born amid much laughter and copious quantities of mint tea and black coffee. For the past two years we’ve been teaching courses and workshops in Wiltshire, Somerset, Devon, Cornwall, Wales and London and have gathered together over one hundred regular students aged from six to one hundred and four!

Our aim is not just to teach people to write but to give them the confidence to write. So many talented people don’t follow their dream of being a writer just because they lack confidence. For us, there’s a certain magical quality in seeing our students develop their skills and produce work they can be proud of. It’s a privilege to be able to watch new writers go from their first writing exercise to completing the first draft of their novel.

The highlight of our year is our residential writing retreat every October at the splendid Northmoor House, a Victorian manor with lots of original features on the edge of Exmoor. There, everyone has the time and space to write with our support and the camaraderie of other writers as well as excellent food and visiting guest speakers.

Between the two of us we write nine different genres, including historical crime, contemporary fiction, YA adventures, family drama and romance. To avoid confusion (or is it to confuse ourselves?) we use five different pen names! We like to think that our broad range helps us to help our students.

When it comes to our own writing it’s nice to be able to depend upon each other for honest opinions, beta reading, and a firm kick up the backside as and when is necessary. We haven’t come to blows yet and are looking forward to the continuing Imagine adventure.

 

Alison’s Bio

I’ve always enjoyed writing and in my forties decided I wanted to learn more about the craft. I studied at Bath Spa University and Oxford Brookes University, achieving a first class degree and an MA in Creative Writing. I’ve been teaching for four years now and have had three books published – two contemporary romances and a YA time-travel adventure. I’ve two further books completed – a second YA book and a family drama set in 1960s London – and I’m currently working on more contemporary romances. I also work as a freelance editor. I live in Somerset, within sight of Glastonbury Tor.

Jenny’s Bio
Lucky enough to be a Costa writer in residence, I spend my days in Devon within easy reach of coffee, writing contemporary fiction, romance, and children’s picture books. I also write medieval mystery novels and audio scripts for ITV as Jennifer Ash. Occasionally I masquerade as award winning erotica writer, Kay Jaybee. Over the past 14 years I’ve accumulated over 200 publications, including 21 novels. I’m published by Accent Press, LittwitzPress, Mammoth, Penguin, and Spiteful Puppet.

Imagine: www.imaginecreativewriting.co.uk

 

 

A PUBLISHER’S YEAR: MAY – CRIME, CONTRACTS, ASSISTANCE

May saw Caoimhe and I head off to represent Sapere Books at our first ever CrimeFest in Bristol. Two of our lovely authors were speaking on panels; newly-appointed Chair of the Crime Writers’ Association, Linda Stratmann, and co-founder of Crime Cymru, Alis Hawkins. The Friday evening saw the announcement of the longlist for the first ever Sapere Books Historical Dagger Award. I can’t wait to get stuck into them all! You can see the longlists for all of the CWA Daggers here: https://thecwa.co.uk/wp-content/uploads/2016/05/CWA-Dagger-2019-Longlists-3.pdf

May saw the release of eight of our books: four books in Cora Harrison’s Victorian London Mystery series; Linda Stratmann’s latest mystery, THE GHOST OF HOLLOW HOUSE; the first in John Matthew’s historical thrillers, LETTERS FROM A MURDERER; the third Inspector Lintott mystery by Jean Stubbs, THE GOLDEN CRUCIBLE; and the penultimate cosy crime novel from Elizabeth Lemarchand, WHO GOES HOME?

We also signed two new authors to our family. We’ve contracted Sean Gibbons for a three-book deal of a series of crime books set in Galway City. We also signed a four-book detail with Natalie Kleinmann for her Regency romance novels.

And we can finally reveal our new Editorial Assistant! Natalie Linh Bolderston will be joining us from June 10th, and we can’t wait! We have lots of books in various stages of production, so she won’t be short of work – but we’ll try not to scare her off! Hopefully I can persuade her to check in with next month’s blogpost to let you know how she’s getting on!

 

Amy Durant

Follow Natalie on Twitter @NatBolderston

SISTER SCRIBES GUEST: MERRYN ALLINGHAM ON HISTORY REPEATING ITSELF

“Researching history… changes our perspective, makes connections.” Historical novelist Merryn Allingham tells Susanna Bavin what she found by delving into the story of the Ottoman Empire.

 

When several members of my book group announced recently they didn’t like historical fiction, I was disappointed. But stunned when one went on to say she couldn’t see the point of history. For me, discovering the past doesn’t just illuminate quirky corners of a bygone age but helps understand the world of today. When I set out to research the background for A Tale of Two Sisters, a novel set in Constantinople 1905 – 1907, it was the nationalism of President Erdogan that I heard in my head, declaiming that Turkey had once been a great power and would be again.

So began my burrowing into the Ottoman Empire, a regime that lasted over five hundred years. The Ottoman Turks were indeed a great power, wielding influence over territories stretching from the Balkan States to the Horn of Africa. A multinational, multilingual empire, that  ended only after the Great War, when it was partitioned and its Arab region divided between Britain and France – helping to explain something of the Middle East today.

My research wasn’t all political. I had my characters travel on the Orient Express – I’d been fortunate to journey on the train myself, to Venice rather than Constantinople. Cocooned in gleaming blue and gold carriages, art deco compartments and mosaic-tiled bathrooms, I stepped back a century. Today the long journey to Istanbul is a once a year event, but in the early twentieth century it was part of the regular timetable and I gave my heroine the chance of travelling alone for the first time time in her life and to an unfamiliar, exotic destination.

I enjoyed researching old timetables, calculating how many days, how many hours, between one beautiful capital and the next – Paris, Munich, Vienna, Budapest, Bucharest – locomotives changing at every frontier, as one national railway system handed over to another. In all, the train covered a route of more than 1,700 miles before reaching Sirkeci station in Constantinople.

Topkapi Palace was my heroine’s destination and I still retain a vivid memory of my visit there. It was one of many Ottoman palaces in the city, sultans moving their court from palace to palace, often in response to external threat. Even though I saw only a small portion of Topkapi, I was overwhelmed by its opulence and beauty.

For this book, I wanted to dig deeper, wanted to know what life was like for the women who lived there around the  turn of the century. I’d read accounts by a number of intrepid female travellers to the Orient – Lady Mary Wortley Montague, Mabel Sharman Crawford, Mary Lee Settle – and been struck that, almost to the woman, their experience ran counter to the prevailing European stereotype of Turkish women as either decadent concubines or slaves.

Women spent most of their lives within the home, it was true, but within those four walls, they had absolute sovereignty. The harem was a sacrosanct space, not just a place where women were guarded, but a place of retreat to be respected. And if they ventured outside, always with a female companion, they were treated with courtesy. It was considered a sin to stare at women in public, for instance, and if a man behaved badly towards a woman, regardless of his position or religion, he would not escape punishment.

The truth, as always, is mixed. The Ottoman Empire was both civilising and brutal. Slavery continued until the last days of the empire, yet it was time limited for the individual and could be a means of social mobility. The children of the court were much loved, but in the early days of the empire, fratricide was frequent – the Ottomans did not practice primogeniture and male relatives seen as a threat to the potential sultan could be executed or imprisoned.

Researching history complicates that first simple ‘take’ on a culture and a period, changes our perspective, makes connections. And, crucially,  illuminates our own troubled present. Worth paying attention then!

SISTER SCRIBES: KIRSTEN HESKETH ON LOCAL RADIO STARDOM

I’ve been on TV and radio a number of times.

I’ve appeared on Flog It (in a filthy temper after the runner referred to my children as my grandchildren!). I’ve had a blink-and-you-miss-it appearance in a documentary about the Docklands. I’ve even been an extra in a comedy filmed at my children’s primary school starring Keeley Hawes no less (no, we haven’t stayed in touch!)

But I’ve never been in a real studio and I’ve never done anything linked to my writing.

Until today.

The lovely Claire Dyer asked if I would like to take her place as a guest panellist on Bill Buckley’s Reading Reads on Radio Berkshire.  I was enormously flattered and said yes before I had a chance to say no because it’s miles out of my comfort zone and Claire has very big shoes to fill.

The book we were reviewing this month was Life Death and Cellos by local author Isabel Rogers. I was sent a copy and duly read it, making notes as I went and feeling ridiculously important.  The book is a treat, BTW – a real laugh-out-loud ensemble piece with a big heart.

Panellists also recommend two others books and I plumped for The Girl Next Door, a taut and twisty psychological thriller by Phoebe Morgan and The Deserter’s Daughter, a saga set in 1920s Manchester by my fellow Sister Scribe Susanna Bavin.

The day itself was such an experience. To my husband’s despair and amusement, I started my day with a highly indulgent blow-dry; ‘it’s the radio, darling’.  Of course, no one took a single photo of me all day, but still; it’s how you feel about yourself that counts, isn’t it?

Radio Berkshire is set in an industrial park just outside Reading – the sort of place where your sat nav leads you to somewhere half way along a dual carriageway with no discernible building in sight. I arrived a trifle later and much more stressed than I would have like.

The regular panellist, David Barker, was already in reception and he was very kind and welcoming. He also explained exactly what to expect which was just as well because there is very little briefing or preamble; Radio Reads takes place half way through Bill Buckley’s afternoon show so you’re wheeled into the studio during a song, a few introductions and you’re off. At first I was very aware of the microphones and the production people behind the windows – they reminded me of the one-way mirrors when I am moderating focus groups, but Bill was so warm and friendly that pretty soon it just felt like a chat. There was even time, when songs were playing or the news was on, for Bill to explain his job and all the things he’s constantly juggling – like what to do when the traffic presenter went temporarily AWOL – whilst making it look oh-so-easy and effortless. It was all terrific fun and I was thrilled when Bill and David chose Susanna’s book as the book of the month.

All too soon it was over. I walked though reception on cloud nine, half expecting everyone to stand up and give David and I a rousing round of applause. Nothing. No one batted an eyelid. I switched on my phone. Daughter was feeling sick, could I pick her up from school? A reminder that I have a dentist appointment tomorrow. Husband had found a ring on the archaeological dig.

Life goes on … but what a blast!

Thank you, Claire Dyer, for the opportunity.