There is nothing quite like a comfortable slipper during Christmas time. We spend so much time at home and comfort is paramount. Simba are a great brand when it comes to sleeping. My bed is made by them and I love it. I trialled the Rok slipper and loved it. It looks great and is comfortable. The only downside is that I have wide feet and they were a little tight so I would go up a size if you also have weird feet like me. My Christmas style game has definitely been upped and my feet are happy. Simba has taken its expertise in sleep technology to a new level with the launch of the YLUR (£79), ROK (£89), and STORMUR (£69) slippers. These aren’t just any slippers—they’re crafted using high-performance materials like Merino wool, leather, and suede, offering comfort and style in equal measure, for men and women alike.
ROK Slipper: A classic moccasin design with durable suede and Simba’s 9-Zone Reflexology technology, providing all-day support and relief.
Designed with 9-Zone Reflexology technology, simba slippers gently massage the feet, improving circulation and relieving pressure in key areas. Whether it’s for a quick dash outside or for lounging by the fire, these slippers will bring holiday joy and year-round comfort to anyone on your gift list.
Simba Slippers: YLUR, ROK, and STORMUR, £69 to £89
This absolute cracker of a book is one that needs to be read from cover to cover as it is chock-a-block with evidence of the fascinating opulent internationalist culture of Mughal Hindustan 1556 – 1658.
Edited by Susan Stronge, The Great Mughals: Art Architecture and Opulence presents for the first time the age of its greatest emperors: Akbar 1556-1605, Jahangir 1605-1627 and Shah Jahan 1628-1658. Stronge sets out a compelling narrative which describes the origins of Mughal art; it explores the huge Iranian influence that permeated the sophisticated craft traditions of the Indian subcontinent to create a distinctively Mughal style, further modified by interactions with Jesuit missionaries and European traders.
All the arts of the Mughal court are included: from contemporary portraits to jewelled gold vessels and magnificent carpets. In chapters that conjure the unique dynamics of each reign, essays with historical sweep combine with texts focused on important objects to tell unexpected stories about a dynasty perhaps best known for commissioning the Taj Mahal.
As someone whose grandmother was Hindu, I find anything like this fascinating, but this book is broad enough in concept and presentation to enthral everyone, not just me. It is visually impressive, and promotes a train of thought that pursues the sheer magnificence and creativity of all that was produced during this epoch. But not just that, it is also the revelation of the absorption of the influence of outsiders such as Jesuit missionaries that reminds us that we have much to learn from one another.
A wonderful book, though that seems too narrow a term. Let’s say it is a cornucopia, a revelation, one which accompanies the V&A exhibitionThe Great Mughals: Art, Architecture and Opulence to perfection. The exhibition is underway and closes Monday, 5 May 2025. V&A South KensingtonCromwell Road London, SW7 2RL. Gallery 39. £22.00Concessions apply. Advance booking recommended. The Great Mughals: Art, Architecture and Opulence is available here and also the V&A Bookshop
Our loft was a mess, hardly surprising as it is old, rather like me, but moving on quickly. There was old fibre glass insulation, some remnants of spray foam sort of removed, but much more we couldn’t see with all our packages, abandoned furniture, etc. etc. So, after casting around we arranged a free survey from H&J Energy Solutions who explained what they would do and how much it would cost. The reviews said they would do a good job. So off we went and a day was chosen, well three days to be strictly accurate, as bungalows tend to have big lofts.
We explained to the dogs that there were be ‘strangers in the house’ and their noise would outbid the dogs’ so very there. We emptied the loft – well – Dick emptied the loft, I ferried stuff to the garage, or the end of the sitting room, or the bedrooms, or any free space, and glory be, some went to the tip. ‘We really must get rid of more of it,’ we said. Will we? Time will tell. It is then we saw what our loft actually really truly looked like. Thank heavens H&J Energy Solutions had rooted around as they put the survey together.
On the day the dogs watched aliens arrive, in white suits and face masks. No, not the Covid masks, the really McCoy. ‘Don’t panic. Bark bark.’ ‘Aliens invading.’ ‘Help, help.’
Heavens, there were seven in all. Then in bustled the bosses, James and Harry. They were all coming from the other side of the country, so we expected them at about 10. They caught us on the hop at 8.0 am having risen at 4 am. They would be staying in the area until the job was finished. ‘No, no tea, no coffee, thanks. Work to do.’ ‘Morning.’ ‘Morning.’ ‘Morning.’ said all nine as they streamed past us.
First all the hall runners carpets were lifted. Oh the shame at what lay beneath. ‘To stop it being spoiled, and not to worry, all will be spotless before we leave each day,’ Harry said. I wanted him to stay forever. Really? Spotless? Meanwhile, the rest of the team were pounding up the loft ladder and starting work.
Thump as boards were laid so no-one came through the ceiling, but only once the old floor level foam and fibre glass rubbish was out. Grind, as the sanding machines cleaned up the rafters. Full bin bags were taken to the garden full of unwanted foam insulation and old insulation. A mountain grew between two rose beds. The dogs guarded their home, loudly, so were enticed away for a walk. A long walk. On and on it went. Hard work was the order of the day.
Before they left they cleaned wherever they’d been. Heavens, the lavatory was spotless. The tiles on the floor spotless. The wooden hall floor spotless. Live with us …
The next day was all bustle too, but this time, it was the eco wool insulation being laid. This sustainable material is crafted from natural and renewable materials. It is derived from recycled fibres, and natural sheep wool, which minimizes environmental impact while maximizing performance. It also traps pockets of air, providing exceptional thermal resistance and minimizing heat transfer. It is also excellent for protection against moisture related issues , and absorbs sound and dampens sound waves, minimizing external noise pollution. So very there, dogs.
Again not a moment was lost. The mountain of bags was removed, a porous lining was installed between the rafters, the porous insulation was laid at the required depth. Suddenly it was over, all done. Whaat? But you have only been here two days?
Yes, they had been such beavers it was all over. Harry and James decided a price reduction was in order. The house was clean, the loft fully insulated. The dogs were bereft as they had no aliens to guard against and therefore no excuse for barking. We were ecstatic at the job which had been done.
‘Goodbye.’ ‘Goodbye.’ ‘Goodbye.’ They called as they trooped off. They would be heading for their new job first thing in the morning.H&J Energy Solutions are phenominally busy, which says all you need to know, but we are such fans, that honestly, if you need a team that knows what it’s doing, and does it, (see the images) while in addition keeping you up to date with where they are, what they are doing, what they have uncovered, – give them a ring, or drop an email through their website. Do remember, your dogs will want a medal for protecting you so valiantly and… and … here’s the icing on the cake… your house will be spotless wherever they have been. H&J Energy Solutions
Adrian Muller, Dame Mary Perkins and Donna Moore – image: Gary Stratmann
In a statement announcing the closure, Adrian Muller, co-founder, co-host and director of CrimeFest, said: “It is with sadness – but great pride – that we announce that our sixteenth CrimeFest, which takes place from 15-18 May 2025, will be the final one.”
Inspired by a visit to Bristol in 2006 of the American Left Coast Crime convention, the first CrimeFest was held in June 2008. CrimeFest is a convention run by fans of the genre, initially organised by Myles Allfrey, Liz Hatherell, Adrian Muller, and Donna Moore, and more recently hosted by the latter two.
Whereas most crime fiction events are invite-only, with a fixed programme of authors, CrimeFest offers a more democratic model. As a convention, any commercially published author can sign up to appear on a panel. Adrian Muller said: “CrimeFest provides many authors with a platform they would not have been offered elsewhere in the UK. And, subsequently, readers discover and meet writers they otherwise may never have heard of. During CrimeFest, all delegates – be they authors or readers – come together as equals to celebrate the genre they love.”
Taking place across four days, each year CrimeFest showcases around 150 authors across more than 50 panels; over the years, 1,100 authors will have appeared at the event. CrimeFest also invites Featured and Highlighted guests, securing major authors including Cathy Ace, Lee Child, Ann Cleeves, Martina Cole, Michael Connelly, Jeffrey Deaver, Sue Grafton, Anthony Horowitz, P.D. James, Lynda La Plante, and Ian Rankin.
Lee Child attended the very first convention, and was a Featured Guest at the fifth and tenth anniversaries of CrimeFest. Lee Child said: “Sadly all good things come to an end – and Adrian Muller’s Bristol CrimeFest was one of the very best things ever. It was a warm, friendly, relaxed and inclusive festival, hugely enjoyable for authors and readers alike. Myles, Liz, Donna and Adrian, their team of volunteers – and Dame Mary from Specsavers – have my sincere thanks for many delightful weekends over the years.”
The event is sponsored by Specsavers. Co-founder of Specsavers, Dame Mary Perkins, who will be attending again next year, praised the event: “I am an avid reader and fan of the genre, and I always look forward to CrimeFest. It is so friendly, and it feels like all who go are welcomed as part of a big family, connected by a love of books, and reading. We are proud sponsors and I will miss CrimeFest and the camaraderie very much.”
Adrian added: “Thanks to the support of Specsavers, our highly valued sponsor, we introduced reduced cost Community Passes for UK school and public librarians, students and for people on benefits. In 2021 we also created an annual bursary for crime fiction authors of colour. We’ve run community projects at local schools in the community; donated books to many schools and libraries across Bristol and the UK; our anthology Ten Year Stretch and our raffles each year have raised thousands of pounds for the Royal National Institute of Blind People, and the seven awards we present each year celebrate crime fiction, non-fiction, TV and crime fiction for children and young adults – the latter two being the first in the UK. We are immensely proud of these initiatives.”
Author and co-host of CrimeFest, Donna Moore, said: “CrimeFest is a labour of love for us and our volunteers. We are immensely grateful to the authors, readers, publishers, booksellers, sponsors, volunteers, and a whole host of other people who have supported us over the years.”
The organisers promise to say goodbye “in style” with the attendance of some big-name authors to celebrate its 16 years. The final CrimeFest takes place 15-18 May at the Mercure Bristol Grand Hotel. CrimeFest – Bristol’s Annual Crime Fiction Convention
Our little market town, Thirsk, is the best place in the whole wide world, and as it is Christmas it is all lit up and spirits are high. So as per usual I will get the 9.40 bus into town and have a whizz around – have I really enough for the grands? After five minutes, yes, I have, so quick, into The Golden Fleece Hotel which overlooks the Market Place and is, at this time of day, the meeting place for many of us.
‘Hi Jim, (or Louise, or Holly)’ I call having pushed open the doors, not sure who is behind the Christmas tree. ‘How are you,’ they call back.Then into the lounge heading for Table 23, to the right of the picture below. This table is MINE. I like the armchair, you see and from here I can check through the window, which opens onto the hall, just who is coming into the Fleece. I bagsy my table with my hessian bag. Sometimes I am a bit late and Sue grabs it as it is fine for dogs under the table and she has Tilly.
‘Whaat?’ say I, horror stricken (but not really for I can head instead for the other lounge). We hiss at one another, then laugh and laugh:
‘Hello, hello,’ to everyone and into the bar to order coffee and have the loyalty card stamped. There is no looking at the cake stall, especially today, for Maltesers have been changed to little mince pies – it is Christmas month after all. Oh yes it is.
Our lounge has been decorated with foliage and lights. Oh lovely. Yesterday Dick and the dogs came. Polly and Rosie know that Meghan, Kim, Izzy, Jordan or Holly, will bring them a treat along with our coffee. The lounge has comfortable chairs, lovely jubbly carpets, a sense of people sitting here, like all of us, for decades and decades, and there are pictures of sheeps on the wall, because sheeps have Fleeces. The food is pretty fabulous too. Try the Brunch, or… Oh okey doke – have a look at everything.
Yesterday when Dick came, I took a photo of our coffees and mince pies. Then Carol came and gave the dogs extra treats. Carol comes for coffee and loves dogs, and they love her. Anyway, back to me… I drink my coffee, eat my mince pie, chat to others, the time flies, then it is time for the bus. So off I head: ‘Bye, bye.’ Lots of goodbyes back, and as it is a hotel there are strangers who have chatted too, and have needed to be told to have a nice day, once one of us has told them where to walk their dogs, and perhaps nip to the Herriot Museum, or Thirsk Museum, or a toddle to the beck… Safe journey home, too.
Quick quick to the bus, not a lot of shopping done, there never seems to be time… Too much shopping does get in the way of chat chat in the Fleece, and there is, you see, only an hour before the bus comes to take me, well us, back home. I know, I know, I am talking too much. On the way to the Market Place bus stop I pass the Christmas Yarn Bombers’ offerings in the market place. Wonderful wondeful.
Tomorrow I might be strong and not go for a coffee, and mince pie, but instead do a bit more shopping, but I know I won’t be strong, because life is short, and a trip to Thirsk and The Golden Fleece is just a moment of sheer pleasure, so calm, and – well – all right,,, chatty. All that remains is to wish you all a Merry Merry Christmas from all of us in Thirsk. If you are staying at The Golden Fleece for Christmas, or any time we might see you there. Best not to sit at Table 23 – just saying. https://goldenfleecehotel.com/
Every so often a little gem lands on a reviewer’s desk, and here it is – roll of drums – my 2024 little gem: Flying Poets & Other Storytellers – F.L. Ying, in which we have a range of authors, from nine year old twins through to published authors, including F. L. Ying who is author of the fascinating The Ancestral Quest (writing as F.G. Kwong – yes do read it, it’s riveting) and a YA novel ‘A Dangerous Riddle of Chance‘ ( you will note that some of F. L Ying’s poems in the anthology relate to this novel).
In Flying Poets and other Storytellers as F. L. Ying tells Frost Magazine, the topics covered are Love Lost, Love Regained, Grief, Regret, Despair and Hope Restored. I found it unputdownable, and, cat lovers or not, you will all enjoy the odes to the family cat.
And then, oh lord, so many, but tell me, did you know there is the correct way of ordering in a Chinese takeaway? No? Read he Ultimate Takeaway. And then The Mad Hatter’s Tea Rooms both by F. L. Ying.
What about Computers by Simon Holder, which made me laugh. Ian Stuart’s Sculpting with Words which resonated, oh yes it did. Then to the twins: Sweet Music from Saskia, then Aleskia’s Diary – Samson. Oh but what happened? I so want to know. Did Samson really go to a breeder, or was he saved at the last moment?
Emotions were explored with, on the one hand delicacy and on the other robustly, but it was the addition of the illustrations that in my view makes this book especially memorable, they are glorious in their vibrancy, and the photography is ethereal – oh, the image of the magnolia. These illustrations and images are by Tanya Ying, Alexia Young, Saskia Young and Caroline Stuart.
F. L. Ying explained: ‘Alexia and Saskia Young, aged nine, not only illustrated their own work, but also that of the other contributors in this anthology, such as on pages 12, “Roses”: 69, “Temptress”: 83, “Butterfly Whisperers”: 103 -104, “A New Beginning”: 249, “Galapagos”. Alexia (then aged eight) also contributed copies of her paintings of the “Bouquet of Flowers” to welcome potential readers and the abstract, “ The Magical Art of Words” as well as the logo, “Boodles the Flying Cat”.
He also touched on the children’s inspirational teachers at their State School, Hampton Junior School. Now, that’s really wonderful as is the collection – one to keep, to dip into again and again. Flying Poets & Other storytellers – £10.99 ISBN
It’s ski season and our skin will bear the brunt of the cold weather. Skiing exposes our skin to harsh conditions like cold winds, low humidity, and intense sun, which can strip it of moisture and damage its protective barrier. We’ve rounded up the best products from Teoxane, the creators of RHA resilient hyaluronic acid.
To maintain healthy, resilient ski skin, hydration is crucial, and hyaluronic acid plays a vital role as it helps to retain moisture in the skin, keeping it plump, smooth, and protected against the drying effects of the elements.
Teoxane (Teosyal) RHA Serum, £85 Teoxane (Teosyal) RHA Serum contains a potent blend of resilient hyaluronic acid, antioxidants and amino acids, which help to perfect the tone and texture of dull, tired skin within 14 days.
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I’m obsessed with sunscreen and this one is brilliant.
Not at all. I wanted to be a writer! But I studied at London School of Economics in college, and fell in love with living abroad and foreign affairs. It was the 1990s and communism had collapsed, which was a fascinating time to be in Europe. After I graduated, I edited a newspaper in Prague, then worked as an intelligence analyst for the U.S. government in Cambridge, England, shuttling back and forth to the Balkans. I found I was passionate about intelligence work, so I applied to the CIA. While waiting for my application to process, I attended law school and studied international law. 9/11 happened while I was in law school, and I felt grateful I was on a job track that would serve my country.
When did you realise you wanted to be a writer?
For as long as I can remember! I’ve always loved books and words. My adolescence and young adulthood are littered with failed attempts at novels. While traveling Europe in my twenties – exploring, trying to figure out who I was – I remember musing in my journal that, while I’d probably follow a more practical career path, my secret dream was to be a writer. But it wasn’t until I’d worked as a spy that I had something really meaningful to write about, that it all came together.
What do you think is behind the world’s fascination with the CIA and the world of spies?
The secrecy, I think. Espionage is an entire world beneath the surface, a netherworld. And spying is a profession of high stakes, where lives and geopolitics – the fate of both people and nations – are on the line. Also, espionage involves inherently colorful characters – people willing to commit the ultimate betrayal.
Your characters are so vivid. Do you base them on real people?
My characters are mostly composites, except for the station chief, who was inspired by a real person. Also, the expat community is based on real people, and much of the dialogue is taken verbatim from actual conversations.
Can you describe your writing routine.
I try to go for a three-mile run each morning. Then I either go to my local coffeeshop or set up camp in my study and write for a few hours. I can’t write too much without printing out and editing, because things read differently to me on paper, and I need to get the story right before I proceed too far.
The book is negative about the CIA. Where you disillusioned?
A bit. I joined the Agency a few months after 9/11, and it was a time of transition and, at times, chaos. My first tour, as a counterterrorist case office in Baghdad during the apex of the war (fall 2004 to fall 2005), was challenging: we weren’t making much progress, the work environment was stressful, and most of us – myself included – returned with PTSD. I made decisions in a fog of war and espionage that haunted me and carried their own trauma. The fundamental skill required for the job – manipulating people – never sat easily with me. Now, years later, with the dust settled, I have a softer view of that time. I wouldn’t say my book paints the CIA in a negative light so much as it paints espionage in a negative light. For me, spying was an uncomfortable, debilitating profession, and that’s what I wanted to convey.
What are your thoughts on the CIA now. Did you find writing the book healing?
I think the CIA has made a lot of progress. The war on terror is over, and the Agency has had time to take a breath, evaluate its operations and internal culture. It’s more introspective and self-critical now. When I was there, the Agency was a bit of an old boys network. Since then, the “Me Too” movement has had an impact: there are rules about and awareness of sexual harassment; female officers speak up about inappropriate treatment; and women fill more leadership positions. I do think writing my book was cathartic. When I finished, I realized how many of my ghosts had come out on the pages. They’re still with me, but now I can better articulate and make sense of them.
The book is unflinchingly honest and brave. Did you ever have a moment of doubt about putting your heart and soul on the page?
Thank you! Yes – though more so after my book was published. I wrote my manuscript in a vacuum (CIA rules prohibit me from showing my writing to anyone until it’s been cleared), so I didn’t even think about getting my story out in the world at the time. Exposing my inner turmoil was still an abstraction. Once I was published, I realized that now everyone could see my scars and the effect espionage had on me. But so many former intelligence officers have found my book resonant, I’ve felt more reward than apprehension in telling this story.
Joseph Weisberg, creator of the TV series The Americans, called your book the “the most realistic espionage story I’ve read.” How did that feel, and do you agree?
Well, I haven’t read all the spy novels out there, so I feel unqualified to judge! But I take Joe’s blurb as a huge compliment, and was honored to get such an amazing endorsement from the creator of a masterful, iconic series. I do think many spy novels skew toward the sensational – car chases, roof scaling – and mine is based more on my own experiences, and the tradecraft and operations I conducted. Also, tradecraft is fundamentally psychological, not technological or gadget-based, and I think my story reflects this. Above all, I wanted to convey a visceral sense of espionage, and insiders tell me I’ve succeeded at that.
What books, films and TV shows get the spy world right?
For film, Beirut, Spy Game, and Ghosts of Beirut are some of my favorites. For novels, Graham Greene’s The Quiet American and most of le Carré books (The Little Drummer Girl is my favorite) – all written years ago, but, in the most important ways, as authentic today as they were then.
It’s nice to have a female voice in the world of spy novelists. Do you think you’ve paved the way for more?
I hope so! It’s shocking to me how few female spy novelists there are (though, we’re out there – I’m in good company with Merle Nygate and Alma Katsu, to name a few).
What’s next?
Another spy novel! This time, a female protagonist. It’s about the intersection of spying and writing…and I think that’s all I can say for now!