Tag Archives: Acting

My First Acting Job Was on River City. I Am Sad to See it Go.

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Scottish soap, River City, is sadly coming to an end. I got my first acting break on River City. I was an incredibly ambitious 18-year-old who had studied acting at college and was desperately trying to get as many auditions as I could. Auditions are hard to get so I was doing extra work to earn money and get some on-set experience.
An actor didn’t turn up and I was picked out alongside one other woman to audition for a small part with lines. I was the one who aced it, and got my first ever speaking role on TV, and the BBC no less.


The scene was in a cafe. I ordered a drink from Luca, the character that all of the women fancied. My heart was beating fast, and I was happy. Exhilarated. I knew this was a great credit to have. When the episode came out I watched it with my family. I was left with a feeling that anything was possible. A moment of luck gave me my first proper acting credit. In truth, these moments of luck, along with a huge amount of talent, work ethic and perseverance is they key to success in any creative career.


Seeing myself onscreen was a learning curve. I was a teenager with terrible roots, who needed her blonde highlights redone. I was wearing a coat that looked instantly unfashionable the moment I saw it on screen. I cringed when I saw myself, but I delivered my lines well.

The main character in my book, Where The Light is Hottest, is based on my own experiences. Unlike me, Natasha doesn’t quit when things are going well. She continues on going from small town Scotland to big time Hollywood. As acting books go, Where The Light is Hottest, is a no-holds barred, real and raw inside into what it takes to make it as an actor. My acting career was a wild ride that left me with a lifetime of stories. The highs were like nothing else, but the lows were crashing. All thanks to that moment on the set of River City. Thank you. The show is supposed to end in 2026, but people are protesting and there is a petition. Good luck, River City. Long may you burn bright.

Where The Light is Hottest, Catherine Yardley, Balavage


Where The Light is Hottest by Catherine Yardley is available on paperback from all good book stores and ebook.

Being an Author Is a Lot of Work. It’s The Love Of It That Gets Us Through.

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At time of writing, my book, Where The Light is Hottest, came out yesterday. It has been a long time coming. It took me a long time to figure out how to write a good book. Writing a book is hard, but one that is readable? Really hard. Anyone who is trying to do that now, keep at it. You will get there in the end.

When you are lucky enough to become a writer the amount of time you spend writing can go down. I am busy marketing and doing publicity for the book. I am also on TikTok, Instagram, Threads, X, YouTube, Facebook and Bluesky. Phew! Then there are interviews, podcasts and articles to write for various publications.

@balavage My second novel, Where The Light is Hottest by Catherine Yardley, is out on Thursday. Here is 10 facts about me. If you have any questions, ask away! #booktok#booksbooksbooks#wherethelightishottest#book#writingcommunity#writersoftiktok#writingcommunity#writerscommunity#authorsoftiktok#authorlife#writertok#authorscommunity#booksworthreading♬ original sound – Catherine Balavage Yardley

While being an author is a lot of work I can say that it never feels like work. I love what I do. I love writing and I also love meeting people. The writing and book community are amazing.

My publisher is busy printing more copies of my book as they ran out of stock. There are only eleven copies left on Amazon. It is also available on kindle unlimited and on ebook. The blurb is below.

Natasha Jones has everything – a successful acting career, an Oscar, a wonderful husband and ‎beautiful kids. But what does she have to go through to get there? From humble beginnings in a ‎small town, Natasha’s path to stardom is paved with setbacks, heartaches and moments of doubt. ‎

In the glittering world of fame and fortune, where dreams are spun from starlight and ambition ‎fuels the relentless pursuit of success, one woman’s journey stands as a testament to the resilience ‎of the human spirit. Beneath the facade of glamour lies a story of unwavering determination and ‎unyielding courage. ‎

Where the Light is the Hottest is a gripping tale of ambition, perseverance and the enduring ‎power of hope. Through Natasha’s journey, we are reminded that the road to success is rarely ‎smooth, but for those who dare to chase their dreams, the rewards are beyond measure.‎

If this sounds like your kind of thing you can make my day and get a copy here. It already has a lot of five star reviews.

Frost Editor in The Sunday Times Writing About New Book, Where The Light is Hottest

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Frost editor, Catherine Balavage Yardley, has written a powerful piece for The Sunday Times on her experiences in the film industry. Where The Light is Hottest is based on the real experiences of Catherine and people that she knew. While the book is fiction, it gets to the heart of an industry which is both beautiful and tough. Historically, it hasn’t treated women well. Let’s hope things change.

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The first review for Where The Light is Hottest is below. You can preorder it here. It’s out on February 27th.

Why am I so terrified?

‘Where the Light is Hottest’ is an uplifting but unflinching look at what it feels like for a woman to succeed as an actor. Protagonist Natasha is a wonderful creation: tough, passionate and loving in turn, fighting against a male-dominated hierarchy while surrounded by friends and family who are in turn supportive, dismissive and, all too often, downright poisonous in their readiness to betray Natasha and her dreams. I particularly liked her voice: ‘Being liked is overrated. You can’t take shit from people all the time so they’ll think you are likeable.’

As in Yardley’s earlier and equally readable book, ‘Ember’, torrid family relationships play an important role in ‘Where the Light is Hottest’. But I particularly enjoyed the focus on friendship, the struggle for success in a cut-throat, back-stabbing industry, and the fight for female empowerment. As one character says, ‘Do not doubt yourself, Natasha. They doubt us all the time. Be brave and put yourself out there knowing you are just as good as anyone else.’

I also learned a few terrific new words, including a ‘fashiongasm’ and a ‘floordrobe’. 

‘Where the Light is Hottest’ is a great, entertaining and ultimately joyful read. I thoroughly enjoyed its depiction of a woman’s fight for success in an environment where she never quite can relax. As Natasha says in an insightful moment: ‘My life has completely changed. It is everything I ever wanted. So why am I so terrified?’

Where The Light is Hottest, The Second Book From Catherine Yardley, Out in February. It’s Relevant In The Midst of Blake Lively and Justin Baldoni.

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I have been holding this in for so long I thought I might combust. My new book, Where The Light is Hottest, is out soon. It is my second book after Ember which came out in 2022, but Where The Light is Hottest is actually the first book I ever wrote. It is based on my experience working in the film industry as an actor, casting director, producer and director.

I am very proud of this book. Especially since it took me six years to write and nine years to get it published. The book is dual timeline and is told through the past, as Natasha starts in a small town in Scotland, and in the present as a successful, award-winning actress. Now forces are trying to bring her down because of jealousy. She’s too rich, too successful and too beautiful. People are spreading rumours and starting a smear campaign. I found it fascinating that this book is coming out amidst the Blake Lively/Justin Baldoni drama. It seems that metoo part two is coming for Hollywood and this book covers the first one, up until the present day. If you loved The Comeback by Ella Berman you will love Where The Light is Hottest.

I hope you love this book as much as I did writing it. Let me know. I would love to hear your thoughts.

Natasha Jones has everything – a successful acting career, an Oscar, a wonderful husband and ‎beautiful kids. But what does she have to go through to get there? From humble beginnings in a ‎small town, Natasha’s path to stardom is paved with setbacks, heartaches and moments of doubt. ‎ In the glittering world of fame and fortune, where dreams are spun from starlight and ambition ‎fuels the relentless pursuit of success, one woman’s journey stands as a testament to the resilience ‎of the human spirit. Beneath the facade of glamour lies a story of unwavering determination and ‎unyielding courage. ‎ Where the Light is the Hottest is a gripping tale of ambition, perseverance and the enduring ‎power of hope. Through Natasha’s journey, we are reminded that the road to success is rarely ‎smooth, but for those who dare to chase their dreams, the rewards are beyond measure.‎

Where The Light is Hottest is out on 27th February. You can preorder it here.

REVIEW: Pinocchio, Chichester Festival Theatre

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Photo credit: Manuel Harlan

 

 

 

 

 

 

That any live theatre has gone ahead this December is a Christmas miracle in itself. In Chichester’s annual Youth Theatre production, however, there is a double dose of wonder; against all the virus-related odds the show has not only gone on, but it’s an absolute belter.

Usually boasting a cast of almost one-hundred, in order to manage social distancing this year’s CFYT offering is presented by two smaller teams of twenty-three, with Team Fox and Team Cat splitting the performances. (On Press Night Team Fox were performing, but I am reliably informed that Team Cat are every bit as accomplished.) Directing a full-scale production to meet the pandemic’s stringent safety measures, on and off the stage, is an extraordinary feat of choreography, and one that all those involved in achieving must be congratulated.

Hope, redemption and realising that our differences can be strengths rather than weaknesses are themes that run through this abridged version of Carlo Collodi’s original tale, which has been superbly adapted by Anna Ledwich. Managing to be gloriously heart-warming without straying into sentimentality, Director Dale Rooks has infused Pinocchio with emotions and moments that truly resonate. One such instance is when Pinocchio and Geppetto ‘hug’. Standing apart, they wrap their arms around their own bodies, bringing a lump to the throat and an ache to the heart – oh to hug again!

On stage there’s not a single below par performance. Archie Elliot (Lewis Renninson) in the title role plays the headstrong little puppet with absolute conviction. Pinocchio may be made from wood but he has guts, heart and spirit, ensuring that we are rooting for him all the way. Alfie Ayling (Jack Campbell) as Geppetto is warm and wistful, playing the lonely carpenter with a maturity beyond his years.

There is excellent work too from Meg Bewley (Molly Berry) as the Fairy and Annalise Bradbury (Olivia Dickens) as Cricket, her exasperated sidekick. Marvellous cameo gems include Alex Webb (Noah Peirson) as a chatty French poodle – très magnifique!

The ensemble work is extraordinary. Matching talent with energy,  it is ultimately in the production’s togetherness that its success lies. A masterclass in how a completely cohesive company can create something magical, the story flows perfectly, the singing and dancing are stunning and the set, simple but oh-so clever, is breath taking.

The overall effect is wonderfully uplifting. Moreover, there is a sense of the fantastic; a promise of enchantment. And it delivers. With Christmas bells on.

Vicky Edwards

The Butterfly Lion: Review

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The Butterfly Lion
Minerva Theatre, Chichester
Until 15 November
www.cft.org.uk

Photo credit: Manuel Harlan

Theatrical storytelling at its finest, the importance of treasuring memories is a central theme in this superb adaptation of Michael Morpurgo’s book – a theme that is perfectly reflected in Simon Higlett’s dreamy set. Enhanced by a crack creative team (lighting by Johanna Town, sound by Gregory Clarke and video by Simon Wainright), the play’s journey, which traverses the wilds of South Africa to rural England and the battlefields of France, is a collective design triumph.

Jonathan Dryden Taylor as Michael Morpurgo himself is the story’s guide. Meandering down memory lane, his narration melts seamlessly into the action, sweeping you along for the ride and inspiring a sense of old snapshots coming to life.

All the performances are accomplished. With skill beyond their years the youngsters playing the junior versions of the adult characters don’t miss so much as the subtlest nuance.

The adult cast, many of whom play multiple roles, are equally adept. Effortlessly slipping from character to character, the scenes at the watering hole, in which they take on animal personas, are especially impressive.

Director Dale Rooks has invested such care that not even the smallest detail falls short. Making it feel as if you are watching a labour of love rather than simply an extremely polished production; her Butterfly Lion has palpable heart and soul. It makes the heart sing.

Complemented by Tom Brady’s atmospheric music, Anna Ledwich’s adaption is sensitively and elegantly done. Clearly meeting with the approval of the book’s author, who on Press Night was in the audience, Mr Morpurgo looked proud fit to burst. He deserved to.

Play Up, Malory Towers!

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As the first ever stage production of Enid Blyton’s Malory Towers embarks on a national tour, Director Emma Rice tells Vicky Edwards why these classic stories are an enduring delight…

I’ve always thought optimism a lovely trait. Not only do the ‘glass half full’ brigade seem better equipped to withstand life’s slings and arrows, but their sanguinity is also marvellously contagious; even die-hard Eeyores struggle to maintain despondency when in the company of a fully-buoyant bright-sider. In literature, Malory Towers is the epitome of optimism. Nobody better, therefore, to adapt the original work and direct it than Wise Children’s super-sunny Emma Rice.

Co-produced with York Theatre Royal in association with Bristol Old Vic, and officially licensed by Enid Blyton Entertainment, a division of Hachette Children’s Group (HCG), Malory Towers is the original post war ‘Girl Power’ story. The high jinks of pupils at the Cornish boarding school have thrilled readers ever since the first story was published in 1946 – didn’t we all yearn to join in the midnight feasts and yell ‘Play Up, Malory Towers!’ at nail-biting lacrosse matches? The books remain hugely popular, with new generations devouring them and dreaming of being sent away to boarding school with an overflowing tuck box.

 

Emma Rice credit Steve Tanner

“But there is plenty for boys too,” urges Emma, in exuberant form after a productive week of rehearsals. “The only thing that would disappoint me would be if people didn’t bring their boys,” she added, promising a show that delivers plenty of thrills and spills.

“The animation is fantastic – we see the train arriving at the Cornish coast – and then there is a real cliff hanger just before the interval. We have just been rehearsing that bit today and it’s like Ben Hur!”

Described as ‘nostalgic, naughty and perfect for now,’ what initially appealed to Emma about the project?

“The Malory Towers books are great stories filled with great characters who don’t seem to age at all. It is very hopeful and I think that is right for now. I call it my happy Lord of the Flies: when left to their own devices, a group of girls decide to be the best version of themselves they possibly can be. They want to change the world and be women the world can lean on; they want to resolve conflict. They never talk about boys and they aren’t boring!”

Interestingly, Emma is a relatively new convert to Blyton’s best-loved school stories.

“I’ve worked with David [producer David Pugh] many times. He has great taste and he knows me so well, damn him!”
Laughing, she recalled how David piqued her interest by wooing her with a vintage set of the books, beautifully wrapped in brown paper.

“As soon as I read the first one I just knew they would make a great piece of theatre. They’re such page turners, the characters are so well observed and the powerful feminine voice comes through with such positivity.”

Anyone familiar with Emma’s work will know that music is an integral part of her productions.

“There is always lots of music with me,” she agreed cheerfully, “but I wanted the music in Malory Towers to be virtuosic; simple, but showing how rich the world is. There are some new compositions by Ian Ross and it’s a real musical feast,” she teased; “and it has got fantastic dancing, too. The choreography is incredible. I wanted my Malory Towers to be like Busby Berkeley, but in an earthy, feminist way!”

If the music is a feast then the actors Emma has assembled are a veritable banquet (‘simply top hole,’ as Darrell and her chums might say), and, refreshingly, it was achieved through a ‘character-over-looks’ approach to casting.

“For me, casting is always about getting the right personalities and the people who absolutely capture the spirit of the characters.” As proud as a Head Teacher with an intake of straight ‘A’ students, she adds: “My company comprises a range of actors with different backgrounds.

Gymslip clad, Emma’s performers will transport audiences to 1950s Cornwall where Darrell Rivers is embarking on her Malory Towers adventure. Bright, loyal and big-hearted, her fast and fiery temper is something she must learn to master. And, while she’s about it, can she save the school play and rescue terrified Mary Lou from the grip of a raging storm? Crikey!

But amid all the drama and japes runs Emma’s affection and regard for the generation of women who taught in schools in the wake of warfare.

“With lives shaped by the savagery of two wars, they devoted themselves to the education and nurture of other women. My Malory Towers is for them, and also for the two generations of men that died in those same wars, leaving us with the freedom to lead meaningful, safe and empowered lives. And it is for Clement Attlee and his Labour government of 1945 who looked into the face of evil and chose to do what was right. These people changed the political landscape in their focus on care, compassion and the common good. Malory Towers was written at the heart of this political revolution, and embodies a kindness, hope and love of life that knocks my socks off.”

Something else Emma is passionate about is the work of her company, Wise Children.

“We want to make fantastic world class ensemble theatre based on storytelling techniques that I have developed over my career, and at the same time teach the next generation of creative theatre makers. And we want to create access for people who might not be able to access theatre training,” she told me, explaining that there are free places given to those for whom such aspirations would otherwise be impossible.

Vowing to raid my daughter’s bookshelf and get reacquainted with Blyton’s finest work, on my way home I imagined what Miss Grayling’s comment on Emma’s end of term report might have been:

‘A splendid Head Girl who can surely be depended upon to lead Malory Towers to victory. Jolly good show, Emma!’

©Vicky Edwards

Shadowlands Chichester Festival Theatre: review

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Photo-Manuel-Harlan

Revered author of The Chronicles of Narnia, C.S Lewis (Jack) was also a leading Oxford professor. Setting out his stall right at the start of William Nicholson’s award-winning play, from the lecture podium he offers the theory that only through suffering can we comprehend God’s love absolutely.

Sharing a companionable domestic set-up with brother Warnie, where ‘down time’ consists of philosophical enquiry over a pint in the local with other scholars, it is a sedate and gentle existence.

Enter American writer Joy Gresham. Forthright, brash and with a young son in tow, when it becomes apparent that she needs British citizenship in order to remain in England Jack offers her a ‘technical’ registry office marriage. Soon after, Joy is diagnosed with cancer. Only then, fear and shock forcing his emotional intelligence to catch up with his academic prowess, does he realise that he truly loves her. Insisting on a ‘for real’ bedside wedding ceremony, Joy’s terminal diagnosis also reopens the painful wound of losing his mother to cancer as a boy.

Hugh Bonneville and Liz White inhabit the characters with such conviction that I doubt that I was alone in dabbing my eyes. Equally, the humour is delivered with panache and precision timing.

A terrific supporting cast includes Timothy Watson as Professor Riley, Andrew Havill as Warnie and Emilio Doorgasingh as Rev. Harrington. The role of nine-year-old Douglas Gresham is shared between two boys and on press night Eddie Martin acquitted himself with honours.

Peter McKintosh’s set is both beautiful and clever. Facilitating seamlessly fluid scene changes – vignettes of stylish choreography in their own right – glimpses of Narnia are dreamy and wistful.

Photo-Manuel-Harlan

Nicholson’s play may be nigh on thirty years old but Rachel Kavanaugh’s elegant revival hits home because the universal truth surrounding love and loss does not date: Tis better to have loved and lost than never to have loved at all.

In his exquisite book A Grief Observed C.S Lewis might have been countering Tennyson’s affirmation with a reminder that the poet’s romantic theory still demands a steep price: “The death of a beloved is an amputation.”

A stunning start to the Festival season.

At Chichester Festival Theatre until 25 May.

Tickets: 01243 781312 www.cft.org.uk