Tag Archives: Acting

Chichester’s summer musical is a top dollar delight

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Half a Sixpence
Chichester Festival Theatre
Until 3 September. www.cft.org.uk 01243 781312

Photo credit: Manuel Harlan

(ArthurKipps)inCFT'sHALFASIXPENCEPhotobyManuelHarlan-289
Taking David Heneker’s original musical and giving it an almighty kick up the behind, the result is a slick, stylish and fabulously feel-good show.

Set in Edwardian England and based on a story by H.G. Wells, Arthur Kipps is a young lad with dreams beyond selling curtain fabric to the well-to-do. Bidding farewell to childhood sweetheart Ann (Devon-Elise Johnson) to take up an apprenticeship as a draper in Folkston, Kipps splits a sixpence in half so they will each have a memento of the other. Alas, our hero has his head turned by the genteel Helen Walsingham (Emma Williams) and, following a stroke of good fortune that transforms him into a man of means, he promptly proposes to her. But getting to grips with etiquette is a minefield that he struggles to navigate and makes him wonder if becoming a gentleman is all it’s cracked up to be.

sterFestivalTheatre'sHALFASIXPENCE.PhotobyManuelHarlan43Chichester’s sixpence is definitely all the richer for having been overhauled. Thanks to Julian Fellowes new book and George Stiles and Anthony Drew’s additional songs, and their arrangements of the original score, the simple story is now fluidly told to sparkling effect.

Under the direction of Rachel Kavanaugh a superb and energetic cast give their all, with no shortage of oomph, flash, bang and wallop. But it is to newcomer Charlie Stemp as Kipps that the big applause belongs. The full triple threat, with buckets of charm and a beaming grin that warms right up to the back row and beyond, this young man is surely destined for a career that is going to give him plenty to keep smiling about.

A co-production between Chichester Festival Theatre and Cameron Mackintosh Productions, there’s simply not a  duff element. A musical gem that shines as brightly as a newly minted coin, the title may be low budget but Chichester’s big summer musical is a top dollar delight.

Zoe Saldana: Being a Working Mother is The “Biggest Battle”

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Zoe_Saldana_at_82nd_Academy_Awards_(cropped)Avatar actress Zoe Saldana has said that juggling her career while raising her twins is her “biggest battle”, because her requests for childcare is seen as a perk. Zoe and husband Marco Perego welcomed their twins, Bowie and Cy, 19-months ago.

“It should not be considered a perk, I’m not asking for a masseuse on set. I’m asking you to pay for my children to have proper care so that I can give your film the proper care it needs too.” She told the Evening Standard. The 38-year-old actress also said that she wants to “contribute to a greater good” by only doing films that further gender and racial equality. She also said she would not do any jobs which are “objectifying or gratuitous”.

“Studios are the ones that are not green-lighting black projects, they’re the ones sending internal emails and laughing, And bullying women and bullying people of colour. I am speaking up and I am stepping down as well. Sometimes by saying no (to some roles), you’re helping – you’re contributing to a greater good. Women have been compelled to be quiet for too long. We have to shed light on things that are obviously unfair, uneven, unequal – things that should be illegal.”

She said about her role in blockbusters: “In a world where there’s so much turmoil, maybe what our children need is to believe in superheroes,”

 

Elisabeth Banks Was “Too Old” To Play Tobey Maguire’s Girlfriend In Spider-Man At 28

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Elizabeth_BankstoooldtoplaytobymaguiresgilfriendIn an interview with the ever-amazing Glamour Magazine, Elizabeth Banks has revealed that she was deemed “too old” too play Toby Maguire’s Girlfriend in Spider Man, despite being close in age.

Now 42, Banks had a screen test with Tobey Maguire for the film that was released in 2002. She was rejected for the role because of her age, even though she is just 16 months older than Maguire.

“I screen-tested for the role of Mary-Jane Watson in the first Spider-Man movie, opposite Tobey Maguire,” she told Glamour magazine. “Tobey and I are basically the same age and I was told I was too old to play her. I’m like, ‘Oh, okay, that’s what I’ve signed up for’.”

Kirsten Dunst, who is six years younger than Maguire -34 to his 40- ended up playing the part. Banks played a minor role in the movie. As the Daily Bugle secretary Betty Brant.

The actress, director and producer recently directed Pitch Perfect 2, which grossed $285 million worldwide. She won’t be directing the sequel as she wants to spend more time with her family. “The new schedule butts up against my parental responsibilities in a way I’m not really comfortable with,” she said.

 

If you are an actor then check out How To Be a Successful Actor: Becoming an Actorpreneur. It is available in print and in all eBook formats on both Smashwords and Amazon.

 

 

Patricia Clarkson Says ‘A white male actor should never complain’

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The Guardian particia clarkson interview white men should not moanPatricia Clarkson has hit out at people who complain about female-led movie. The 56-year-old actress has had an illustrious career spanning decades, but she has faced pay inequality and notes that there is still a backlash. She used the new Ghostbusters film as an example, which stars an all-female lead cast which includes Kristen Wiig and Melissa McCarthy.

“There are still so many movies made starring 50 men and one woman! A white male actor should never be allowed to complain about anything. Shut up and sit in the corner. I mean, seriously!”  She told The Guardian

“The odds of us having films made which star women… Everyone still references one movie: Bridesmaids! Ghostbusters is a great thing and I love these actresses. I can’t wait to see it.”I think everyone has a right to a good moan, but her point about the Ghostbusters film is a good one.

She also said that female characters are usually “softened” or “some ridiculous caricature like a dominatrix or a one-dimensional boss with no life and bad hair.”

She went on: “When I was younger, of course I had people act inappropriately to me. I’ve had certain directors yell at me. But I didn’t stand for it and I didn’t let it go far enough for it to be in any way abusive to me. People didn’t speak up as much as they do now. Women have risen. But we’re still underpaid and we’re still a vast minority in this business.”

Actresses who have spoken out about inequality in the film industry have talked about a backlash, but the more strong people- both men and women- who fight for equality, the quicker we will get there.

What do you think?

 

If you are an actor then check out How To Be a Successful Actor: Becoming an Actorpreneur. It is available in print and in all eBook formats on both Smashwords and Amazon.

 

 

Review: Ross at Chichester Festival Theatre

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ROSS by Rattigan, , Writer - Terence Rattigan, Director - Adrian Noble, Designer - William Dudley, Lighting - Paul Pyant, Chichester Festival Theatre, 2016, Credit: Johan Persson/ayiinROSSatChichesterFestivalTheatrePhotobyJohanPersson.

Joseph Fiennes leads the cast in in Terence Rattigan’s bio-drama about TE Lawrence

Photographs: Johan Persson

When it comes to writing repressed and complex characters Rattigan is something of a dab hand. The life of TE Lawrence, therefore, gives him plenty to work with.

The story is well known, not least thanks to David Lean’s epic (if not strictly accurate) movie, Lawrence of Arabia. But while the play is light on Hollywood glitz, the writing is pure class. Rattigan’s account of how Lawrence (who was routinely beaten as a child and was a repressed homosexual) rose from being a civilian in the Map Office to a celebrity who led the unconventional but effective 1916-18 Arab Revolt against the Turks is both compelling and disturbing.

The play opens in a far less exotic setting than the Middle East. Having chosen to hide himself away from public scrutiny by assuming a false name and joining the lowly ranks of the RAF, at a base in Uxbridge Aircraftman ‘Ross’ is being charged with insubordination.

Asked to explain his unauthorised absence of the previous night, his insistence that he was dining with Lord and Lady Astor, The Arch Bishop of Canterbury and Mr and Mrs George Bernard Shaw is deemed outrageous cheek. But while his superiors don’t believe him, one of his fellows does. Having assured himself of Ross’s real identity, the opportunity for blackmail is too easy to resist. Cue the beginning of Lawrence’s Arabian story, told through a malaria-induced flashback.

Designer William Dudley uses every inch of Chichester’s thrust stage to evoke the sense of desert expanse, with occasional black and white film footage aiding historical context.

There is much to admire in Adrian Noble’s polished production, but one of the greatest joys is the casting. Without a single ‘slightly less than’ contribution, the overall result is absolutely cohesive and effortlessly fluid.

Joseph Fiennes is superb. Perfectly judging Lawrence’s complexities and contradictions, every nuance is beautifully captured.

Michael Feast is terrifyingly brilliant as the Turkish Military Governor (his vile orders being audibly carried out make for uncomfortable listening and saw theatre-goers shifting awkwardly in their seats), while Paul Freeman as General Allenby and Peter Polycarpou Sheik Auda Abu Tayi also achieve gear changes between light and shade with dexterity and conviction. But it is undeniably a magnificent Team Effort.

A maverick, the conquering hero, an intellectual who was profoundly driven, what is perhaps most interesting about the Lawrence story is the essence of the man himself; someone plagued by demons who waged their own war on him. And someone who longed, more than anything, to fit in and belong.

Highly recommended and with a short run, this ticket looks likely to be as hot as desert sand. Get in quick.

Until 25 June. Box Office: 01243 781312 www.cft.org.uk

True: Lee’s scrumptious! Vicky Edwards talks to Lee Mead

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Starring in one of the most famous musicals of all time, Lee Mead tells Vicky Edwards why he’s so happy to be in the driving seat…

Pictures: Alastair Muir

At the wheel of the most fantasmagorical car in history, Lee Mead freely admits that when the offer to play Caractacus Potts in the stage musical Chitty Chitty Bang Bang was made, he didn’t have to think twice. It is debatable, however, who was more excited: Lee, or five-year-old daughter Betsy.

“I took her to see the show in Southampton and watching her get so involved was really special. She knows all the songs and sings them all the time,” grinned Lee, who is clearly both a proud and hands-on dad.
Having grown up watching the film version, Lee was already familiar with the Chitty story and score, but he also has another link to our fine four-fendered friend; a connection that dates back to the early days of his career.

“When I was just starting out, the show was opening in the West End and I went to an open audition to be Michael Ball’s second cover. Now, I can move really well, but I’m not a trained dancer and you needed to be part of the dance ensemble to be second cover for the role”.
Game over. Footwork not quite up to scratch, Lee lost the gig.

“It makes it all the more special playing the role now,” he told me, eyes twinkling with both amusement and delight.
Talking of things being special, I asked Lee what he thinks makes Chitty such a well-loved show and why audiences of all ages are still so enchanted by Ian Fleming’s story of a magical car and a single dad.
“I think what makes it one of the most iconic shows in the world is that it has such a heart,” he answered, thoughtfully, adding:
“The relationship between Potts and the children, Grandpa and Truly are really important, but you have to hit those beats or it becomes just a show about a flying car; you need those truths. The scenes going into songs are quite tiny so you have to really work to get those transitions right and to mark those moments.
“It’s also a great story. Even as an adult you are taken on that journey; you can’t help but allow yourself to do that. It’s a very clever show with brilliant characters and brilliant songs.”
Ah yes, the songs. Wonderful they are indeed, and thanks to an ace 12-piece orchestra the impact of the music in this particular production is nothing short of spellbinding.
“It’s unusual for a touring production to have such a big orchestra and they are incredible,” agreed Lee, who shot to fame when he won the BBC talent show Any Dream Will Do, and with it the title role in the West End revival of Andrew Lloyd Webber’s Joseph and the Amazing Technicolor Dreamcoat.
Leading West End roles in Wicked and Legally Blonde followed, along with the release of several solo albums, and also being cast in TV’s Casualty as Ben ‘Lofty’ Chiltern, for which he earned a Best Newcomer at the National Television Awards 2015.

Picture Alastair Muir

Not bad going for a lad whose first job was singing on a booze cruise ferry where the clientele was often so well lubricated that Lee sang from a cage in case any of them, worse for drink, took exception to his dulcet tones.
“But actually I loved it and looking back I realise that not being able to afford to go to drama school in London was no bad thing. A lot of young actors now aren’t prepared to go on tour; they just want to walk into the West End, but that’s not where you learn your craft.”
From schlepping around the country on low-budget tours to playing gigs on car ferries and doing cabaret with seasoned old-timers like Ken Dodd, Lee soaked up experience and learnt as much as he could.
“Apart from being great fun I think you have a far greater appreciation of success when it comes than if you had just walked into the West End,” he nodded, explaining that the ratio of actors out of work at any time far and away exceeds those with jobs.
“I do talks in colleges and I always advise kids to go and learn on the touring circuit.”
Starring in a major musical, being a devoted dad, talking to college kids – nobody can accuse Lee of being a slacker.
Laughing, he said: “I’ve also released a new album called Some Enchanted Evening. I wanted to do an album of songs from the 40s and 50s film era, giving them a modern twist.”
A huge hit with fans, the album smashed into the top 20 in the Independent Charts. Typically modest, Lee is quick to credit his band, but is nevertheless thrilled.

“The response has been brilliant and I’ll be touring the album in October when I finish on Chitty.”
Actors are often slightly rigid about their pre-show routines, so while I put my coat on I asked Lee if he had any such rituals.
“I like the five minutes before the show to be silent and focussed; to have that still moment before you go out on stage and it is like an express train,” he says, unnecessarily apologetically.
Wanting a bit of peace and quiet before a musical marathon hardly counts as diva behaviour, I countered.
“And I’m a bit OCD about my desk area,” he joked, in mock hopefulness of sounding like a highly strung artiste.
Sorry, fella. You’re just too much of a sweetheart to qualify as a foot-stamping prima donna. And, after an hour in his company, and later watching him in rehearsal, I can confirm that this triple threat performer and gentlest of gentlemen is also absolutely perfect as Potts.
Vicky Edwards

For more information, visit www.chittythemusical.co.uk
Facebook: Chitty Chitty Bang Bang The Musical
Twitter: @ChittyMusical / #chittymusical

Review: Travels With My Aunt – new musical opens Chichester’s 2016 season

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Travels With My Aunt
Minerva Theatre, Chichester

Photo:Tristram Kenton

FestivalTheatre'sTravelswithMyAuntPhotobyTristramKenton
When retired bank manager Henry Pulling attends his mother’s funeral the idea of globetrotting couldn’t be further from his mind. But finding himself embroiled with his extraordinary Aunt Augusta, of whom prior to his mother’s send-off he knew nothing, the squarest bear that ever there was suddenly finds himself on an extraordinary international schlep.
Following where auntie leads, in quest of the mysterious Mr Visconti, Henry is soon hanging out with hookers, getting comprehensively searched by customs officials and smoking dope aboard the Orient Express with a hippy chick several years his junior. Travel certainly broadens his mind, but for a man better used to the tranquillity of the potting shed it’s all a bit too much of an eye opener.
Christopher Luscombe directs this new musical, based on Graham Greene’s novel, with pep and panache. The late 1960s setting is beautifully realised in Colin Falconer’s effective set and costume designs, aided and abetted by Nicholas Skilbeck’s orchestrations and choreography by Ewan Jones.
Patricia Hodge is on sparkling form as Aunt Augusta, a game and feisty aging beauty with the heart of an adventurer and an insatiable lust for life. If she is occasionally a tad stretched in the musical numbers, Ms Hodge is nevertheless impressively nifty in the dance stakes.
Steven Pacey as Henry is adorable. From nervous hiccupper who would do nothing more reckless than prune his prize dahlias with slightly blunt secateurs, his gradual blossoming is a joy to witness.
Haley Flaherty is in sweet voice as Tooley, the flowers-in-her-hair youngster who brings out Henry’s protective instinct and with it a tenderness he finds both unfamiliar and giddy-making.
Hugh Maynard as Wordsworth is infectiously ebullient (if somewhat clichéd) as Augusta’s toy boy, while Jack Chissick, Sebastien Torkia and Jonathan Dryden Taylor each bring their own gifts to this enchantingly bonkers family party, ably supported by a terrific ensemble.
The Minerva is the perfect space for summer froth and Travels With My Aunt is as elegant and effervescent as the champers being served in the Theatre’s newly renovated restaurant.
Until 4 June at the Minerva Theatre. www.cft.org.uk Box office: 01243 781312

Damian Lewis Interviewed Real Spies For Film Role

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Actor Damian Lewis arriving for the press conference of the movie "Queen Of The Desert" at the Berlinale 2015

John le Carre is having a moment. The Night Manager was a huge hit for the BBC and now Our Kind of Traitor is coming to the big screen starring Homeland actor Damian Lewis.

The actor interviewed real life spies when researching his new role. He will play secretive government official Hector Meredith in the film, Damian said about his lunch with two spies:

“I went to Special Forces Club and had lunch with – for want of a better word – two spooks working for the British government, They were brilliant and discreet, while also being indiscreet – happy to share tidbits.”

Damian missed out on the role that Tom Hiddlestone played in The Night Manager: Damian had read the novel, he told Total Film magazine, “I’ve read the Night Manager, Larry Kasdan gave me a copy when we were making (2003 film) Dreamcatcher. He said ‘You must play this!’ I read it and stuck it on my shelf.” Never mind Damian, you still got to be in a le Carre story.

Our Kind of Traitor opens in the U.K. and U.S. in May (16).