Monday Club A Collective For Actors and Creatives

ttf-photographer-tom-metcalfe-1Monday Club is a collective of creatives who meet once a week as a company of actors, dancers, writers, directors and more to generate new ideas and to share skills from our various artistic backgrounds. We encourage collaboration and the development of new writing and performance, and support individuals in the exploration and achievement of their artistic goals.

TAKE THE FLOOR

Take the Floor is an exciting new scratch night, hosted by Monday Club at Chelsea Theatre. The night promotes new work within all forms of the arts and forges connections for collaboration between these varying mediums. At the event, we encourage creative support between participants and we provide ‘no pressure’ networking opportunities. All of our pieces are handpicked from a variety of promising new artists with fresh and dynamic ideas.

The evening begins at 6pm when visual artists exhibit their new work in and around the bar. The auditorium then opens at 7pm for a number of eclectic ten-minute performances on Chelsea Theatre’s wonderfully spacious stage. The twenty minute interval sees the first of our selected singer-songwriters perform in the bar, with the second musician playing at the end of the night, when performers and audience members discuss what they’ve seen, and perhaps even swap details for future collaboration over a very reasonably-priced drink at the bar.

Following our first Take the Floor in October, writing partnerships have been formed, advice has been shared from participant to participant, and pieces shown have continued on their various trajectories with feedback from our Take the Floor audience to help shape their development.

A celebration of diversity and collaboration within the arts, Take the Floor is a stimulating evening of creativity for those interested in seeing short bursts of varied entertainment, and those who are looking for inspiration to create their own work.

Visit www.mondayclub.co.uk to find out more.

Date: Sunday 15th January 2017

Time: 6pm for visual art; 7pm for performances on stage

Location: Chelsea Theatre, 7 World’s End Place, King’s Road, London, SW10 0DR

Tickets: £6 for one or £10 for two tickets for the whole night; £3 entry on the door for music only.

Tickets available from www.chelseatheatre.org.uk soon!

Take the Floor is run by James Bailey, Charlotte Whitaker, Robyn Hoedemaker and Guy Remy.

info@mondayclub.co.uk

 

Emma Dyson Interview: Acting Advice From Spotlight’s Career Expert

acting tips, acting career, acting, advice, book, how to be a successful actor, quit, Catherine BalavageI interviewed a lot of great casting directors, actors, directors and experts in the acting industry for my book How To Be a Successful Actor: Becoming an Actorpreneur. One of those interviews was with Emma Dyson who gives actors career advice for Spotlight, the main casting site for actors and casting directors. Spotlight is also the essential casting site for actors, if you are not in it, you are invisible. An extract from the interview is below. Read it and learn.

Emma Dyson works for the main casting website for actors in the United Kingdom, Spotlight. She also does one-on-one talks for Spotlight members to give them career advice.

So tell us about you.

I’ll tell you a bit about my background. I trained as an actor at the Guildford School of Acting in the 1990s and then, having got the training out of my system, I quickly realised I couldn’t be an actor. I probably didn’t have the talent or the perseverance or the backbone. Then I was an agent for six years. Then I left being an agent thinking that I would go into a different career, something entirely different, but every job that I was getting was pulling me back to the business so first of all I was working at my old drama school back at Guildford, I was the personal assistant for Peter Barlow who was the then assistant director, and then I left two weeks into the job because he was leaving. Subsequently a casting director put me in touch with Thea from United Agents, and I was temping at United Agents sort of off and on for about six months which is when I got the job here at Spotlight being the PR manager.

I used to do castings within the agencies and get the Spotlight breakdown and put roles and the actors that fit them together. It was interesting, having worked in an agency, because the first point of contact that you do in casting work is Spotlight. Now I am very happy here as PR manager and I go to the drama schools and talk about acting and Spotlight member benefits. How to get a good CV and photo, what type of letters to write to casting directors, agents. Time and time again they are incredibly green. They are in their final year of drama school and have hardly written any letters to agents or casting directors. They leave thinking ‘Here I am, come and get me!’ it just doesn’t work out like that. It’s really important and I empathise that it is very important to write letters, to hopefully reach your future employer, who will, across the course of your career, become your friends, and keep re-employing you.

acting, acting advice, acting book, how to be a successful actor, actorpreneur, auditions, castings, casting breakdown, how to be an actor, It is such a shock when people leave drama school. They don’t really know what to do.

I know and it is such a shame. They go to Central, LAMDA and RADA. Those are very central London schools. They get so spoilt for choice because it’s awash with agents and casting directors, it carries the kudos of being at the best drama school. Where I was at Guildford  we were terribly cut-off  despite the facts it’s only a twenty minute train journey, but, we felt very cut-off.  It’s a shame that schools that are not in central London get kind of left out and not thought of. There are some interesting actors in regional schools. The Welsh college is a very good school with a lot of good courses and a brilliant reputation. Conversely Rose Bruford has some really good students and that is in Kent.

I think you have got to train, you have got to workshops, you have got to keep classes going. Try to teach yourself as many skills and techniques as possible because the more skilled you are as an actor the more you should work. I always like the actors who go into musical theatre, straight theatre, film and do a bit of everything,  And what we are noticing is that there is more of a vogue for musical theatre and films are being made from those musicals. I know of a few film directors who are making films which are musicals. It is kind of a renaissance or a nod to the 1950s. The MGM sort of musicals. Musicals are very popular.

So learn to sing

Learn to sing if you can, and if you can dance then I think you will probably work all the time.

Daryl Eisenberg, an American casting director, told me two things when I met her: One, you are not special. Don’t think you are more special than anyone else and are just going to make it,  and two, whatever is stopping you from getting a job, remove it.  So if you can’t dance then learn to dance, etc.

I think that is just a roundabout response to what I just said. If you do just keep yourself as skilled and as tuned in as possible then you will get work. You have to do as much theatre as you can and as much film as you can. Not only that but I extend it to: if you are a London actor or a London based actor see as much art as you can, culturally exploit everything which is on your doorstep. Because I think that tunes you in to everything. It keeps you aware of what is current. You pick up on working trends and that reflects across the arts.

Tell me about Spotlight events,

Yeah, we do events. Being PR manager. ..We did one in October in conjunction with the London Film Festival. I got three casting directors. I got Karen Lindsay Stewart and Lucinda Syson. It was held at the British Film Institute and it was chaired by Pippa, my boss, and myself, it was just about how to become a working actor, keeping your CV up to date, how to get an audition, and also I do seminars where I talk a lot about being a working actor, how to network, all of those things, and at Spotlight offices on every Monday we have Spotlight Mondays where I operate 20 minutes chats with people who are stuck in their careers. They are incredibly popular. They always sell out very, very quickly. And the seminars are sometimes in conjunction with Actors Expo or other bodies. We just hold little seminars in house.

How do you break through?

I think it depends because some actors burn out very quickly, and other actors, they see an opportunity and they become very successful and popular when they are in their forties. So I think it just depends because there is so much reliance on good luck and you have to have a lot of charisma, a lot of talent. But then the rest of it is luck. I think you can make your own luck, but a lot of it is out of your control. Probably one of the reasons that I didn’t become an actor was because I couldn’t stand being in a career with no control.

To answer your question, I think it depends on many things. They have to have a good agent behind them and the rest of it I think is luck.

What is the most common mistakes actors make?

Not being proactive, not writing letters to casting directors. Even with a good agent you should still do your own work. Not looking after themselves, not working out, not eating well, not networking, I think all of these things, the actor has to do that. It is part of their homework.

How many actors are on Spotlight?

Just over 40,000

 

For the rest of the interview, and great interviews from our acting industry professionals get your hands on a copy of How To Be a Successful Actor: Becoming an Actorpreneur now.

 

 

 

Interview With Game of Thrones Star Maisie Williams

Most of us know Maisie Williams from her excellent turn as Arya Stark in Game of Thrones but she is also in excellent new Channel 4 show Cyberbully. Here she is interviewed about her new role.

Interview With Game of Thrones Star Maisie Williams

At 17, Maisie Williams has probably achieved more, seen more than most of us will in a lifetime, yet the star of Game of Thrones remains a remarkably modest, unaffected, eloquent young woman. Here, she discusses her new project, Cyberbully, a remarkable one-off drama for Channel 4 about the dangers lurking on the internet.

Cyber Bully airs on Thursday 15 January at 9pm on Channel 4.

Your new project is Cyberbully. You play Casey. What’s her story?
Casey begins as a young teenager who’s struggling to express herself, and the only way she feels safe is to do that anonymously through the internet. She finds that, using a fake name, she can post honestly about things that annoy her, things that make her laugh, things that make her happy and sad. That’s the way she gets teen angst out of her system, I guess. When we meet her, she’s battling with sharing her best friend with her best friend’s boyfriend, which is a common issue for a lot of teenagers. We see that first-hand in the first few minutes. As the story picks up, she realises that, through hacking and whatever, people can take anything that you’ve written, anything you’ve recorded, pictures you’ve taken, anything like that, and they can turn it into something you never meant it to be. Really, anyone with the power of their computer taken away from them and used against them, even the nicest and most genuine of people can be portrayed as something they’re not, which is something extremely current at the moment. It’s something we’ve seen a lot of, with phone hacking, computer hacking, iCloud hacking, in the news recently. That’s something that really attracted me to the project.

Explain a little more about that. Why were you attracted to this role?
I feel like Cyberbully is a really honest representation of interactions between teens and their parents, and each other. A lot of the time things aren’t always at they seem. Teens get it hard for being grumpy and being rude, and this shows the other side to that, and actually what could be going on behind closed doors, I guess. In a pretty extreme way. She battles with anxiety, and that comes into its own story arc during the hour. We never leave her, we never cut away to anything else, we only see her in her bedroom, and other characters are only referred to through shadows or video clips or pictures and Skype calls. Apart from that it’s just her, in a room – that’s something that’s very different to other things I’ve done.

The fact that it’s really just you, on your own, on screen for the whole time – has that made it quite an intense experience filming it?
Yeah, of course. It’s been one of the most intense two weeks of my life. I’ve thoroughly enjoyed it, but it’s come with its difficulties. For the first week I was quite ill, so that didn’t help at all. But it’s been really exciting, and I’m so glad to have done it. As a young actor, you’re constantly looking for things that are going to push you out of you comfort zone, and show different emotions. With this, I feel like it’s got everything all in one. Such a range of emotions. That’s something you really look for. There’s not very many good, honest teenage roles written, without them being just a platform for the lead character. Teenagers are written pretty poorly, and this was such a good representation of a normal teen, who doesn’t have some extreme family issue or mental issue, or is a drug dealer or something. She’s just a normal girl who gets her life completely changed.

Have you been acting against a blank screen, or have you been interacting with stuff that’s happening on the screen?
We’ve got a full package, which, when you load looks like your home screen and your Facebook page and whatever, but isn’t. That’s really been helpful, actually being able to type, and being able to send messages and minimise browsers and all sorts, all within this one package. It’s been really, really great, and was something that, for our director Ben, was really a must. To really be reacting to a computer screen that’s actually using these words and photos.

Have you even met the other people who have acted in this [appearing on skype calls and in videos etc]?
We had a big rehearsal about a week before we started shooting, which was very beneficial, and we did a big run-through of the whole four acts. That was great, to meet everyone, but apart from that, during shooting I haven’t seen anyone. It’s been intense for that reason, but also necessary.

The story is pretty frightening, in terms of how much a person can hack into and destroy someone’s life. Is everything that happens genuinely possible?
Yeah, of course. There is no one story that Cyberbully is based upon, but everything included is very much possible, or has happened to various different people.

Has it made you think about internet security and what you do online?
Yeah, definitely. From the age of 12 I’ve been on the internet, on Twitter and Facebook and things like that, and I’ve had a very different experience of it from most teens of my age. But I can very much see the difficulties it presents, and the difficulties it has caused some of my friends and things like that. I think people always assume that it’s going to happen to someone else. It may not all play out the way it does in Cyberbully, but just because someone isn’t there hacking you and talking to you and manipulating your screen doesn’t mean they’re not there looking at you. In America, for example, everyone always puts a sticker over their webcam, little things like that, which really makes you stop and think. It’s something we’re all very new to. In the grand scheme of things the internet is still so young, and we know nothing about it. So it’s something we need to all think about. You think something’s safe just because it has a password on it, but that’s not always the case.

You mention being on Facebook and Twitter and stuff. With your profile, does that mean you’ve experienced negativity and trolling?
Yeah, of course. Trolling is the biggest thing that anyone faces, and it’s easy to dismiss, but it does hurt. As much as we like to say we don’t care, of course we do. People laugh at me when I try to stop people from behaving like that. Just in my followers, not on the internet in general. But I don’t want that. I don’t want Twitter to be that sort of place. People laugh at that, saying “If you’re trying to teach manners on the internet, you’ve got another thing [sic] coming.”

69 per cent of young people say they’ve experienced some form of Cyberbullying. That’s an extraordinary statistic, isn’t it?
Yeah, it is. Everyone I know is on Facebook, and if they’re not it’s because they’ve had a negative experience with it. That’s just awful. People turn a blind eye to stuff like that until someone’s gets really fucked up and goes too far.

One of the things that struck me about the script is that Casey has inadvertently done a bit of cyberbullying herself. Is that part of the problem, that people just don’t really realise the damage they may be doing to others?
Exactly! You don’t even realise that what you’re saying really does hurt people. And it kind of spirals out of control. “Oh, she’s saying it, so I can say it too.” That’s what was so interesting about it. It’s not all that straightforward. There’s not just an honest victim and an honest predator. We all say things that we regret, and especially on the internet. That was an eye-opener for me. You need to ask yourself “Would I ever say that to somebody in person? Would I be happy for my mum to see that I’d just written that?” Just because you’re hiding behind a fake name doesn’t mean you’re not talking to real people.

Your first ever professional acting role was as Arya Stark in Game of Thrones, a lead in one if the biggest dramas ever on TV. How has your life changed in the last few years?
Completely! But it’s like I’ve never known anything else, really. I was a child, and then I started doing Game of Thrones, and now all of a sudden I’m growing up, I’m nearly 18 and I’m nearly officially an adult. It’s been a brilliant experience for me, I couldn’t really have asked for a better opportunity. So many kids of my age are struggling to know what they want to do for the rest of their lives, or what subjects they’re going to take, or what they’re going to do at Uni. I’ve been so lucky to have been given the opportunity to do something I love for the rest of my life.

Do you get recognised a lot? What’s that experience like?
I get recognised a lot, and it’s usually very lovely. People are always really nice, and it’s the price that you pay for doing this job. It’s still awfully strange. People forget that they don’t know you. Sometimes people get a bit – particularly when its parties or festivals and people are a bit drunk – it gets very intense, and people forget that you’re actually a person, and they’re not allowed to just grab you and pull you by your arm and grab your t-shirt. They’re never trying to be nasty, but sometimes that’s really overwhelming. Sometimes that’s not okay. But usually it’s a very, very positive experience. I’ve got more used to it.

How have you kept up with studies? Are you going to continue with studying, or carry on with acting full time?
We tried to juggle school and film, but it was very difficult. My school weren’t very supportive of it all. So we decided to drop that and do home tutoring, which went well for a few years. It came round to my GCSEs and I landed a role in an Irish movie called Gold, and I ended up not doing the exams and doing the film instead. So to this day I haven’t got any GCSEs, because I haven’t stopped, and that was a conscious decision. We decided that I was going to do acting, and school will come later. I’m still very happy with that decision. At the moment it’s going so well, I’m getting to do so many fantastic roles, I’d rather just stay doing this. That doesn’t mean in the future I’m not going to go back. I’d love to be treated normally as other kids, and not have horrible things written about me because I didn’t do this exam or haven’t got that qualification. But at the moment it’s the decision that we made, and it feels like the right one.

What one message would you want young viewers to take away from the drama?
Some people on the internet are never going to be satisfied with any reasoning. The answer is just to close your computer and walk away, because it doesn’t matter. Don’t try reasoning with the trolls or the bullies, don’t engage with them, just walk away. You can’t win, so just walk away, and find people who really care about you.

Charlize Theron Admits To Lying On Her CV

Actors are known for being a little bit economical when it comes to the truth on their CV. We can all ride horses and snowboard, oh, and speak French. It turns out that not even famous actors are immune. Even Charlize Theron has admitted she has told the odd lie on her CV.

charlize theron oscars 2013

Charlize says she didn’t lie about being able to ride a horse (and I am proud to say I can too). Which is just as well as she had to ride in new comedy western A Million Ways To Die In The West.

You can hear Theron’s interview with the BBC’s Genevieve Hassan here.

Famous People Who Became Successful Later In Life

It just occurred to me today that I have spent far too much of my twenties trying to fit a lot of stuff in before I hit 30. And I actually have no idea why. Nothing huge is going to happen when I become 30, I doubt any huge revelation will happen. I actually reckon it will exactly be like becoming 29 only with one more year added on.

Of course it matters to other people. And bitchy people too. The moment I turned 25 people started asking me how I felt about being 30 soon, I mean, calm down. But who cares what other people think anyway, especially when they are rude. Of course, these people will be 30 themselves one day and will probably have someone younger than them act the same way towards them. That is one of the joys of aging: it’s equality. Nobody escapes.

What I have realised is that, actually, the only thing that bothers me about getting older is feeling that I have not done enough to be that age. But even that goes out of the window when I read about the amazing people below. Success doesn’t have an age limit, and neither does talent. In fact, when I hit 30 I will be married, have a successful business and a few other careers, I will have traveled and have amazing friends. Life can only (hopefully!) get more amazing from this point.

 

Deborah McKinlay

That Part Was True book

Deborah is the poster girl for life beginning at 40: she had a baby, got a seven-figure advance and a film deal for her novel, That Part Was True, and went back to University. The University just happened to be Cambridge. She was pregnant when she wrote her thesis and says: ‘You never know when life is going to turn around.’ She truly is an inspiration.

 

Betty White

BettyWhiteJune09

Betty White was a jobbing actress for decades but it was her role in The Mary Tyler Moore Show that made her famous. She was 51 at the time. The now 92-year-old actress has won numerous Emmys and was also a Golden Girl. Still working: she stars in Hot In Cleveland and hosts her own show Betty White’s Off Their Rockers.

 

Leslie Neilson

LeslieNielsenOct08

It was his role in the classic 1980s movie parody Airplane! that made him famous at the age of 54. He starred in over 50 television shows in 2 years before that and worked for decades before making it big.

 

Hulk Hogan

Hulk_Hogan

After failing to find work in movies Hulk became a wrestler and found fame in his 40s. This strategy worked as, after finding fame as a wrestler, he got work in movies and became a huge star.

 

Steve Carrell

Steve_Carell_2010

Made his name with The Office when he was 43 after sharpening his skills on The Daily Show With Jon Stewart for 6 seasons. He is now a movie star in his own right.

 

Morgan Freeman

Morgan_Freeman_Cannes

Became famous at the age of 52 after starring in 1988 film Driving Miss Daisy. He was Oscar nominated for his role. Morgan has starred in over 90 films and paid his dues for decades before finding fame.

 

Vera Wang

success later in life

Vera Wang only started designing wedding dresses in her 40s after failing to make it on the US Olympic figure-skating team and then being passed over for the editor-in-chief position when she was an editor at Vogue. She is now an incredibly famous and successful designer. So there you go.

 

Burt Reynolds

Loni_Anderson_and_Burt_Reynolds

Became an actor after an injury sidelined a professional football career. Burt Reynolds has starred in over 70 movies. His breakthrough role was in 1972 film Deliverance. He then became famous and has his own star on the Walk of Fame.

 

Steven Seagal

seagal

Steven Seagal starred in Above The Law as a favour to a student from his dojo. He was a martial arts teacher before that point and Under Siege became a box-office hit a few years later making him an action hero at 40-years-old.

 

Samuel L. Jackson

success after 40

A former crack addict and alcoholic, Samuel decided to turn his life around in his 40s and is now one of the most famous and hardest working movie stars with over 100 movies under his belt. His breakthrough role was in Spike Lee’s 1991 film Jungle Fever.

 

Julia Child

Julia Child, Miami Bookfair International, 1989

Published Mastering the Art of French Cooking when she was 50 and then got her own show The French Chef which was successful. She discovered French cuisine after moving to Paris with her husband in 1948 when she was 36. She enrolled at the famous Le Cordon Bleu to learn how to cook. The rest is history.

 

Alan Rickman

alanrickman

Got his first film role in his mid-40s after plugging away for decades.

 

Feeling inspired? Have any thoughts? Comment below.

 

The Top Ten Shakespearean stars.

Tate and Tennant’s Shakespeare pulls in the crowds -The Doctor duo are top celebrity Shakespearean stars.

To mark the launch of the World Shakespeare Festival this week a survey by viagogo has revealed which celebrities give the Bard’s plays the most pulling power.

The winning combination of Catherine Tate and David Tennant, who starred together in Much Ado About Nothing, topped the list keeping ye olde English flame alive and narrowly pipping Hollywood star Kevin Spacey to the top spot following his hugely popular role of Richard III.

When deciding who is best to be or not to be Hamlet, theatre producers should take heed; real-life Romeo Jude Law, who starred in 2009’s Hamlet came in third with audiences preferring him to Michael Sheen, who treads the boards in fifth place for the 2011 version of the same play.

Newcomer Eddie Redmayne comes in at fourth place; his rising star has seen him proving more popular than luvvie veterans Ralph Fiennes and Patrick Stewart.

Judy Dench’s pulling power is still going strong. The national treasure came in seventh place for her appearance in A Midsummer Night’s Dream just ahead of TV funny-man Lenny Henry who starred in A Comedy of Errors.

Ed Parkinson, viagogo spokesperson said: “While Shakespeare plays are consistently popular we always see a huge spike in demand when a household name is announced in a leading role. Both Shakespeare and celebrities have natural pulling power, and the two combined make a winning combination.”

Top 10 Shakespearean celebrities :

1. Kevin Spacey – Richard III – 2011

2. Catherine Tate and David Tennant – Much Ado About Nothing – 2011

3. Jude Law – Hamlet- 2009

4. Eddie Redmayne – Richard II – 2011

5. Michael Sheen – Hamlet – 2011

6. Ralph Fiennes – The Tempest – 2011

7. Judy Dench – A Midsummer Night’s Dream – 2010

8. Lenny Henry- A Comdey of Errors – 2011

9. Sienna Miller – As You Like It – 2005

10. Patrick Stewart – The Merchant of Venice – 2011

Frost Magazine Writers Launch Arts and Social Group – The Bloomsbury Net

Frost editor Catherine Balavage and writer Mary Tynan are launching The Bloomsbury Net on Friday, 16 March 2012, a monthly evening for people who work in, or appreciate, entertainment and the arts – writers and readers, actors and audiences, artists and viewers, filmmakers and watchers, musicians and listeners, to name but a few. Come and meet like-minded people in the convivial atmosphere of Truckles Wine Bar in the heart of Bloomsbury; make new friends; and progress your career.

The first event is on 16 March 2012 from 6.30 onwards. As this is our first month, the structure of the evening will be fairly fluid, but if you have something to promote please feel free to bring flyers. Join us downstairs at Truckles of Pied Bull Yard, Off Bury Place, Bloomsbury, London WC1A 2JR (close to the British Museum). Admission free. Frost readers particularly welcome!

Downton Abbey Star: Its Harder For Working Class Actors

Downton Abbey star Rob James-Collier has said that it is harder for working class actors to make it as they don’t have the “comfort blanket” of wealth. The actor, who plays Thomas the footman in the hit period drama, said the early years of acting are like any other profession with the middle-class and privileged the only ones who can afford to work for free.

 

He said:

“You have to work for a year with no money. How on earth are you going to finance that?” he asked and said he had found it hard to make it as a “working class lad”.

The acting industry is full of Oxbridge graduates and people who went to Public School. These include Thandie Newton, Alexander Armstrong, David Mitchell, Olivia Williams, Sophie Winkleman, Eddie Redmayne, Tom Hardy, Dominic West, Henry Cavill, Freddie Fox, Benedict Cumberbatch, Sophie Okonedo, Colin Firth, Helen Bonham-Carter, James Purefoy, Tom Hiddleston and Damien Lewis to name a few.

James-Collier, was raised in Stockport and he told the Radio Times that the acting industry favours the wealthy. He worked in manual labour jobs to fund his acting dream.

“Because you’ve done the horrible jobs it gives you an even grittier determination to succeed,” he said.

“If I had a comfort blanket, I wouldn’t have been as passionate and driven. When you get there, you really do appreciate it because you know where you have been.”

He also said that his mother had been supportive and that his father had allowed him to try his luck.

Join the debate, do you think working class actors have it worse? Do you think the acting industry favours the rich? Have your say.