Tag Archives: Advice

My Writing Process Caroline Walker

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caroline walker, authorI came to writing through teaching. After graduating in Geology, I couldn’t find a job (in the 1970s it was virtually impossible for a woman to be employed in what was still considered a man’s world), so I changed direction and trained to teach English as a Foreign Language. It was a decision I’ve never regretted. I’ve taught teenagers, overseas graduates and business professionals both in the UK and abroad and a big part of my job was improving their writing skills for letters, reports and dissertations. It was good preparation for the writing I began at the end of 2006.

 What you have written, past and present?

I’d become fascinated by my great-uncle MacDonald ‘Max’ Gill (1884-1947), artist brother of the controversial sculptor Eric Gill. Max was best known for the beautiful maps he painted for places like Lindisfarne Castle and the humorous posters he designed for the London Underground. I was astonished to find that his story had never been told so I decided to write it myself. Over the years I’ve curated several exhibitions of his work and written text for these as well as articles for magazines such as Country Life. This year – fourteen years after I started – my biography MacDonald Gill: Charting a Life has finally been published, receiving a five-star rating in its first national review.

What are you promoting now?

Recently I’ve been busy writing articles for various publications to promote the biography. I don’t have any plans for another book at the moment – this one has taken so long, I think I deserve a break!

A bit about the process of writing

The key to writing a good biography is meticulous research. This has been one of the greatest pleasures too – days spent delving in libraries and archives, the excitement of finding pieces of key information and long-lost artworks, and the joy of meeting hundreds of people eager to share their own connections to Max. A pivotal moment was the discovery of a major private collection of Max’s work and memorabilia. Thankfully, I was permitted to photograph all the letters, diaries and work documents, so I could pore over these at home. I made copious notes, highlighting important events and quotes that I might want to use later. I also kept separate lists of names, artworks and key dates. Setting aside good chunks of quiet time for writing was essential, as was having a table and space of my own.

Do you plan or just write?

I don’t write a plan although I do think it’s vital to have a basic structure in mind. With a biography, it’s quite easy as it’s a chronological narrative. Writing articles is different – I always think hard about the audience so that the angle, text and images are relevant.

What about word count?

As my publisher’s submission deadline for the biography came ever closer, it was clear the manuscript was far too long so I had to make some major cuts and revisions. It still ended up at just over 300,000 words! 

What do you find hard about writing?

I was unsure how to begin until a writer friend suggested: ‘Why don’t you start by setting down why you want to write this book?’ So that’s what I did. The words then flowed easily and I often found it hard to stop. I do sometimes agonise over sentences and even single words – I may change a passage umpteen times but end up with the original. 

What do you love about writing?

It’s an absorbing, creative process that – for me – has been the way to achieve recognition for a neglected artist and relative. And I now realise that I can actually write quite well!

Advice for other writers

Don’t be afraid of the blank page – just get something down – you can always change it. Use your own ‘voice’ – don’t be tempted to copy others. Remember to save when you’re writing (I once lost several pages when my laptop crashed). Avoid cliché and don’t be afraid of using tools such as a thesaurus if you can’t find the right word. And finally, have faith in yourself and enjoy the experience!

MacDonald Gill: Charting a Life is available here. 

My Writing Process David Gilman

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  • David Gilman, writerWhat you have written, past and present.

I wrote my first story when I was about six years old. It was The Runaway Sixpence,  written in the first person, and the sixpence got swallowed by a cow. I remember the teacher berating me in front of the class, saying how could I write from beyond the grave. Stupid woman. Obviously, she had never seen Sunset Boulevard.  That put an end to my writing career there and then. But a storyteller is not someone you can keep down. My verbal storytelling skills got me out of plenty of jams and allowed me to talk my way into jobs I would never have had otherwise. I left school at 15 to support my mother and siblings. When I was a teenager, I wrote a few Battle Picture Library comic books. It was wonderful. All those ‘movies’ in my head, the visual images being described to the artist in the script, and then writing the dialogue, tight and expressive with a narrative description. Economy of scale and a lot of fun. That was abandoned when I travelled around the world and took any job I could to pay my way.

After a few adventures over the years, I ended up in South Africa working as a sales rep for an international publisher. I had hundreds of books to read – and sell – and I was good at it. So much so I ended up going to night school to study marketing and management and became a regional marketing manager for Penguin SA. But the urge to tell stories nagged away. Visual imagery was my strong suit. I had once worked as a professional photographer, so I decided that radio drama was my milieu. It is the perfect visual medium for the listener. Dialogue and sound effects creating every listener’s unique picture in their mind.

In those days there were no writing schools, no one extended a helping hand, and you could not get your hands on a script to see the layout and how to present it for love or money. It was a lockdown business. The broadcaster owned the scripts, and they had no intention of letting you see one.  I stumbled on an old BBC publication, long out of date but gave a couple of pages from an example radio script. I copied the format, was forgiven a lot of sins by a producer, rewrote, learnt – and ended up writing hundreds of radio dramas and a daily soap that ran for 18 months. I did all of this late at night and every weekend while working full time. The payments were abysmal. Barely enough to buy typing paper. 

But that’s where I learnt to write.

I felt confident enough to hand back the company car, quit the well-paying job and have a crack at television. I wrote several 13×60 minutes of multi-stranded drama series and 4×60 minutes mini-series.

I returned to the UK in 1995 and started from the bottom again at 48 years old. And that’s a late time to start from scratch once more. I came to realize that the stiff competition here meant producers of existing series preferred to work with writers they knew. It was all a bit of a club. I found a tv agent and wrote outlines for tv producers and a couple of television movies for the German market that did very well, but I still could get none of my scripts for tv series being picked up here. Some years previously I had met the producer for A Touch of Frost when he filmed a movie in South Africa. So six years after my arrival here The producer asked me to submit a script, (you had to be invited onto the series) it was accepted and I ended up writing A Touch of Frost for several years until Sir David Jason retired from the series.

I then had a choice. Stay in television or have a crack at writing novels. Once again I threw caution to the wind and wrote a Young Adult series called Danger Zone: The Devil’s Breath, Ice Claw, Blood Sun. The three books were published by Puffin, won a French literary award, was short and long-listed for the Carnegie Medal. I spent a lot of time travelling to schools, giving talks and attending all the major literary festivals. I decided to have a crack at adult fiction. What was it going to be? Crime fiction, which is so popular, or something fresh and challenging. I had seen a painting of an English adventurer who fought for Italy in the 14th century and not knowing anything about the period plunged in to research the period. That was how the Master of War series began. I have just finished writing the seventh book in the series, and I’m pleased to say that because of the various established characters – especially the main protagonist Thomas Blackstone – and the breadth of the storylines and the strong women characters in the books, I have a diverse readership with many women readers who are fans.

The long, hard slog of writing a series means time is at a premium. But I also wanted to write other books, and that meant writing longer hours to achieve this. A favourite is my children’s book Monkey and Me, and then I squeezed in an evocative story set in Southern Africa, The Last Horseman which was shortlisted for the Wilbur Smith Adventure Writing Award. And last year my standalone novel,  Night Flight to Paris, set in France during WW11 was well received.

Now I have created a new character for a new contemporary thriller series. The first book is called The Englishman. Dan Raglan is a former Foreign Legion soldier who works quietly behind the scenes and who is a modern Paladin – a knight errant who rights the wrongs – and gets hurt along the way. Perilous journeys undertaken to help those in danger.

I write this lengthy explanation in the hope of encouraging writers starting out, and others who look at the blank page and think the journey might be too difficult. It can be a natural and daunting experience but if an uneducated, wandering storyteller like me can make it then so can others. Never give up. Let the passion and determination drive you on. 

  • What you are promoting now. 

The Englishman. The first book in a new series.

  • A bit about your process of writing.

I start in the morning and write my day’s worth – but it’s a mixed full day at my desk because of the breadth of research I do. The added hours come in when I want to write a standalone novel in between my ongoing series. That means I have to go back to my desk late at night for a few more hours.

  • Do you plan or just write?

When I wrote A Touch of Frost, for example, the producers needed a synopsis or an outline so they could see where the storylines were going (there was always more than one in every episode). This was a broad brush stroke and often became embellished or diminished as the writing went on. There are writers meticulous in their planning and when it comes to the actual writing, they tend to breeze through it. I have tried that approach with my novels but abandon it. I get bored. So I just write.

  • What about word count?

I have a year planner next to me and every day I mark my word count. It’s a ‘kick up the pants’ aid. I can see when I have to finish a book – I have never yet missed a deadline – and what it is going to take to finish it in time. I plan for 1500 words a day. They have to be good words. Considered and rewritten every day.

  • How do you do your structure?

For books  – there isn’t one. A general idea, an incident or a place that attracts me. Something that pops into my head. I write the first line and see where it takes me. If I can be entertained and surprised by the journey, then so too will my reader. There is, though, an understanding in the writing that the rhythm has to feel right. It’s a composition. And as the story builds and often changes, then the structure emerges. Plant the seeds and watch them blossom. It’s a wonder.

  • What do you find hard about writing?

Everything. The long hours. The misery of self-doubt. The grappling with the jigsaw puzzle of a story without being able to see the picture on the box.

  • What do you love about writing?

Everything.

 

 

The Unknown Health Benefits of Indoor Plants

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Plants can certainly brighten up your living space, but did you know that they can help improve your health too? There are a multitude of different ways that indoor plants can benefit you, both physically and mentally.

Indoor plants can improve the air quality in your home by breaking down compounds from man-made fibres and absorbing nasty chemicals from the air, essentially acting like a natural air filter. They are also highly effective at balancing humidity levels in the home as plants are capable of harvesting moisture from the air and absorbing it.

Having balanced humidity levels is essential for good overall air quality but it also prevents the growth of mould and mildew which are particularly common in damp spaces like the bathroom.

Houseplants have also been proven to help alleviate stress, resulting in reducing blood pressure, fatigue and even headaches. This combined with their air purifying abilities means that houseplants can help with sleep, as they create a fresh and breathable space. Plus, they also look super stylish and can really brighten up your bedroom.

 

wilko’s guide to helpful houseplants, and how to look after them:

Cactus plants

Cacti help to remove carbon dioxide in the air by absorbing it and then supplying us with fresh oxygen to breathe. They are easy to care for as they require very little watering. Miniature cacti look great on a home office desk – perfect for those who like clean, contemporary living spaces.

Snake plants

Snake plants have a lot of character and resemble the skin of a reptile with long, dark green leaves with colourful yellow edges. They survive with little moisture – perfect for those who forget to give it a water! They’re usually quite large in size so would be perfect sat next to French doors or on a large table top.

Succulent plants

Succulents are the perfect companion for your home office and are very on-trend with lots of stylish options to choose from. As a rough guideline, water them every 7-14 days in the warmer months and every 3-4 weeks in winter. Make sure to let the soil dry thoroughly between watering and put them near the window for some time to get extra light.

Peace lily

If the name isn’t calming enough then the plant certainly will be. This plant purifies the air and doesn’t need a lot of light. It does however need adequate watering when the soil is dry so does require some attention but remember, too damp and it won’t flourish!

Fresh flowers

If leafy plants aren’t your thing, or you can’t get hold of any, a nice big bunch of fresh flowers in a stylish vase will do the trick. You can even look for pretty foliage and flowers from your own garden – wild flowers and lavender also produce a beautiful smell throughout the home, perfect for creating a calm, relaxed ambience.

Indoor herb garden

If you want to kill two birds with one stone, then an indoor herb garden is just the thing. Not only will the process of growing the herbs purify the air, but the end result should provide you with tasty herbs for dinner! Not to mention, growing your own herbs is a great hobby that can bring the family together. To create your own mini indoor herb garden, all you’ll need is some small plant pots, compost and seeds. Herbs thrive best when soil is moist, but not soggy. A great tip is to use separate pots for each type of herb – this means you can care for each plant individually and top up any that may need more water than others.

Peter Hardie, garden buyer at wilko, said: “Indoor plants and herb gardens are a great way to inject a touch of nature into the home, particularly as they have been proven to benefit our physical and mental health. Not only can we accessorise our homes with trendy plants and pots, we can also create a breathable and non-toxic environment in our homes, just by adding a few plants around the house.

“We recommend choosing pots and planters to suit your interior style, but bold colours and fun prints are really on-trend at the minute, and can be a great way to accentuate mantlepieces, balconies or windowsills.”

 

For more information on wilko’s garden and outdoor living range, please visit wilko.com.

 

 

Coronavirus SARS-COV-2 Health Advice From GPDQ’s Dr Gero Baiarda

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NHS GP Dr Gero Baiarda is one of the hundreds of GPs currently on-call at GPDQ – the UK’s leading GP-on-demand service. Dr Baiarda has myth-busted 10 common beliefs associated with the SARS-COV-2:

The virus is a living organism that we can kill. It is not alive. It is a protein chain of RNA within a protective layer of fat. Since the virus is a protein super molecule rather than a living organism, you cannot kill it. It will, however, decay spontaneously given enough time. The time it takes to break down depends on the environmental temperature, humidity and type of material upon which it settles.

People are most contagious before they even know they have the virus. This is untrue. Infected cells are invaded and destroyed by the virus, allowing millions of new viruses to burst forth and be shed on surfaces or passed to other people. Spread is most effective, therefore, in coughed droplets. Patients who are asymptomatic can, however, pass on the virus as soon as they are infected.

SARS-COV-2 is a hardy virus. It isn’t. SARS-COV-2 is surprisingly fragile. The only protection it has is a thin outer layer of lipid or fat. That is why any soap or detergent (both of which break down fat) will destroy it – even washing up liquid works well. By dissolving the external lipid layer of the virus, the virus is rendered completely inert and unable to penetrate human cells. Hence why washing hands often with soap and water is so important.

If delivery drivers wear gloves, they won’t spread it. This is wrong. Every item that a gloved hand touches can then be contaminated. According to a recent study from the New England Journal of Medicine, the virus can live up to eight hours on cardboard. To stay safe, the best advice is not to touch the parcel until ideally the following day.

The virus can’t be passed on by food. It can be transferred easily. If someone who has the virus on their hands touches food, it is very likely to become contaminated for many hours. To denature and inactivate the virus, food should either be washed or cooked at 65 degrees celsius at least for 4 minutes or more.

Alcohol-based sanitizer with a 60 percent alcohol concentration is as effective as washing your hands in soap and water. Wrong. Squirting a little bit of alcohol gel on your palms and rubbing them together is not effective. You need to cover the entire surface of both hands including fingers and thumbs, but this should be done only after the hands are free of any residues – such as after sneezing. The small nozzle on bottles of sanitizer are part of the problem, as people assume a small amount is ample.

Drinking alcohol will prevent people getting the virus. This is not true. The only alcohol that will help to prevent the spread of the SARS-COV-2 is that in hand sanitizer. This is only for external use, and even then, it is only effective if it has a concentration of 60 percent or above, if you use enough, and in the right way.

Moisturising hands after washing reduces cleanliness. Incorrect. Moisturizing the skin is very important. The virus can lodge itself in damaged skin on your hands cracked by repeated washing, so it’s important to try to avoid this. Keeping fingernails short will reduce the risk of sheltering and passing on the virus too.

Washing hands isn’t as important when self-isolating, as you’re all virus-free. Wrong. If there are any external items (shopping / deliveries / post etc) entering your home, hand washing remains important. Every time you wash your hands you will break the chain of infection. If in doubt, give them a wash! Do this for at least 20 seconds with warm, soapy water and if you have paper towels that you can throw away, this is better than using a communal towel. If using towels, dedicate one to each person in the house, keep them separate, and wash them daily.

Vinegar is good for keeping bathrooms and kitchens free of the virus. Incorrect. Vinegar will not work against SARS-COV-2 and is not advised. The cleaning of bathrooms, kitchens and surfaces is still best carried out with hot water from the tap and a surface detergent as you have always done. If you have a case of SARS-COV-2 in your house and want to disinfect common areas, you can use a dilution of household bleach or hydrogen peroxide – this is a mild antiseptic.

Will you be covered by your travel insurance?

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We are in worrying times and faced with the ultimate decision would you choose health over money. Is it worth the risk?
Insurance is a necessary evil and an added expense designed to safeguard travellers. It could be a saviour if you are caught in a difficult situation once you are on your holiday. But will it cover you if you want to cancel your holiday and stay at home?  

Insurance rules for epidemics and pandemics

Unfortunately, everything comes down to the stuff we hardly ever read – the small print. Previous outbreaks of world-threatening viruses like SARS, Ebola and Zika, have influenced insurers to be cautious and include only the necessary coverage for such events. And epidemics and pandemics have become excluded from most insurance coverage. Leaving holidaymaker covered for what will happen to them, but not what might happen to them. The World Health Organization has declared the latest virus outbreak as an international health emergency. However, although the insurance companies agree, they aren’t surprised by the newest virus to reach epidemic proportions, and to them, it is an expected risk they have already factored into their policies

Despite the lockdown happening in Italy at the moment, Europe is not on code red yet. There has been no official warning from the FCO not to travel in Europe. Special care should be taken in areas of South Korea (Daegu & Cheongdo) and China is still a no go zone. An FCO warning is the deciding factor for the airlines, travel agents, holiday and insurance companies, to motivate them to cancel flights or holiday packages and issue refunds.

Should I take my family on holiday?

The general insurance small print on the matter of epidemics or pandemics states that most claims will be assessed based on individual cases. But this doesn’t give much assurance to an average family about to embark on an international flight. And it doesn’t provide enough information for anyone debating whether to put health & safety first and stay at home instead. At the moment The Foreign and Commonwealth Office (FCO)  and the government are asking travellers to reconsider their need to travel rather than giving a direct warning. Unfortunately, this doesn’t mean much to the insurance companies and asking the public to contemplate whether it is wise to travel will not entitle them to a refund for their holiday. Deciding to travel without heeding the advice of the FCO may forfeit your right to claim back any of your medical expenses or costs of repatriation. However, if your destination was not on the ‘no go’ list when you travelled but has subsequently been upgraded, you will fall into an insurance grey area, and any settlement will be based on discretion when you make a claim. In some areas, the risk may be low, but that doesn’t mean that in the worst-case scenario, it won’t escalate or in the best-case, diminish to nothing. Cancelling a holiday you have promised your kids for months. Or have saved your pennies to make happen, is a tough choice. But there may be other factors to consider when making a final decision. Do you need to go? Is your health good? Is anyone you will be travelling with vulnerable (young, elderly, or has a suppressed immune system? The decision will be a real tug of war between your head and your heart.

Best and worst-case scenarios

If you’ve planned your trip a long way in advance. Hopefully, you booked your insurance before the latest epidemic scare started too. If so, it is likely you will be refunded if the FCO advises against travel to your destination, and your journey is cancelled, rescheduled or shortened by the providers. Unfortunately, if the FCO haven’t declared your destination a ‘no go’ zone, it is unlikely that you will be able to recoup any of your initial your costs unless you can change or defer your holiday. Hotels are usually more forgiving in these cases. And some airlines are more forgiving when changing flights than others. However, the budget airlines tend to be strict unless you have taken precautions in advance and booked a trip with extra adaptability. If you decide to take the risk and travel to a destination not banned by the FCO, you should be medically covered if something happens, as long as your insurance policy was booked in advance. However, the level of cover differs between companies and policies. And make sure you take appropriate precautions to reduce the risk of infection. Otherwise, it is unlikely you will receive any compensation at all.

Cancer-causing gas is present in EVERY household

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More than half of UK homes haven’t been tested for a cancer-causing gas – which is found in EVERY household.

Radon is a natural radioactive gas which comes from rocks and soils and is the top cause of lung cancer among non-smokers.

Reassuringly, levels of radon tend to be low indoors – but higher levels pose a serious health risk and there’s no way of knowing how severe levels are without testing.

Despite the possible health impact, two thirds of adults don’t know what radon is and that it can cause cancer.

Commissioned by Airthings, makers of smart radon and indoor air quality monitors, the research of 2,000 adults found six in 10 haven’t given any thought to the health impact of the air in their homes.

A spokesman for Airthings said: “Radon is the number one cause of lung cancer among non-smokers.

“In fact, radon-induced lung cancer kills more people than house fires and carbon monoxide combined.

“It’s an invisible radioactive gas with no smell or taste and comes from rocks and soil.

“Low levels can be found in the air outside however levels of radon can be higher inside buildings – homes included.”

UK homes also contain gasses called volatile organic compounds (VOCs) which, although not lethal like radon, can cause headaches, sore throats and fatigue.

But the study found eight in 10 have no idea what VOCs are and 80 per cent are unaware they can cause eye, nose and throat irritation.

The compounds can be released when doing a number of apparently harmless everyday activities such as burning scented candles, using non-organic cleaning products and even when cooking.

Further to this, nine in 10 regularly do things in their home which could increase levels of radon and VOCs.

Almost half don’t often open the windows when cooking, 42 per cent frequently burn candles and a third use diffusers in their homes.

Perhaps as a result, the Airthings study, carried out through OnePoll, found six in 10 ‘regularly’ suffer from symptoms associated with poor air quality.

These include headaches (25 per cent), constant dryness and irritation of the eyes, nose, throat, and skin (22 per cent) and ongoing fatigue (21 per cent).

A fifth also have a tendency, or noticed a tendency among their cohabitees, to cough and sneeze.

A spokesman for Airthings added: “In addition to testing your home for radon and VOCs there are simple steps you can take to reduce levels of these gasses.

“But the first step is to have your home tested to get an indication of the severity of the problem.

“There are also things you can do to minimise VOCs in particular – such as ditching toxic chemicals and using natural cleaning products, opening windows, vacuuming regularly and having lots of house plants in the house.”

SYMPTOMS/EFFECTS OF VOCS BRITS HAVE NOTICED IN THEIR HOMES:

1. Their home has mould

2. Their children developed a cough

3. They developed a persistent cough

4. It affected their energy levels

5. Their children don’t play outside as much/very often

6. The plants in their garden have struggled/died

7. Their lung condition or their child’s lung condition (e.g asthma) has worsened

8. They have to keep their windows closed all year round

9. They don’t cycle to work anymore as a result

10. They have developed breathing difficulties

TIPS FOR REDUCING VOCS IN YOUR HOME:

• Open the windows

• Do not smoke indoors

• Keep air humidity levels between 30 per cent to 50 per cent

• Avoid synthetic fragrances such as plug ins and candles

• Use house plants

• Ditch the toxic chemicals – use natural cleaning products

• Improve ventilation

• Vacuum regularly

• Remove your shoes when you come in

• Test your home with an air quality monitor and use an air purifier if required

My Writing Process – Roger Bray

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I was raised in Blackburn, Lancashire and served for ten years in the Royal Navy before coming to Australia in 1983, after I returned from the Falklands. Writing is something I have always enjoyed and fiction was a favourite.  I loved being able to write anything within the bounds of the particular subject and not be restrained by anything except my imagination.  One restraint I did learn at school was other people’s perceptions of what is age appropriate for a juvenile to be writing.  Apparently graphic death scenes weren’t. 

My writing stayed in the background for many years until I was invited to write short stories for a couple of magazines which were well-received.  I then dabbled with a novel for a couple of years before getting into my stride and writing my first publication The Picture.

At the moment I am halfway through my fourth novel, currently untitled.  It is a story set in the UK and across Europe and deals with sex trafficking and organised crime from the perspective of an investigative journalist who is fighting his own battle with past tragedy while trying, against his better judgement to report what he has found.

As with all my novels I come up with a very broad idea of where I can see the story going.  I write and rewrite parts and scenes in my mind until I see a path then I commence.  That is how far I plan, maybe I’ll do some research at the start to get me on the right track but broadly speaking, once I start I write linearly.  I stop and research as I go and edit sections before moving on.  My word count is whatever I manage for the day but overall I aim for 90 – 100,00 words for a novel +/- as the editing progresses from me to beta readers and to my editor.

My basic day of writing would be re-read what I had last written, editing as I go.  I find this gets me back into the moment.  I then continue and write until I run out of steam or find myself veering off or woffling to pad out the chapter.  Either way that is the end for the day be it 3 or 8 hours later.  Rinse and repeat the next day until finished.

The hardest part of writing isn’t any sort of blockage, though they happen but I tend to get over them by just writing — sitting down and writing, getting words onto the page is, I have found the best solution.  Even if what you have written isn’t great it gets the process moving along and gives you something to edit.  It is difficult to edit a blank page.  The hardest part for me is staying within the storyline.  I have some great ideas which, unfortunately, don’t fit the arc, but I can waste hours trying to make them fit because I think they are so good — usually mistakenly.

In my current novel I have edited the first 2/3 of the novel to delete some of these great ideas I had but have turned into a bit of a millstone later on, something I have to be firm about.

I find the least enjoyable part is the whole process from writing The End onward.  There are lots of moments of doubt once I release my latest to a broader audience (broader than me and my wife’s cat).  Is it great or is it rubbish?  Typos – the bane of my life, plot holes or bits that grate when read?  All these things need identifying and fixing.  Nothing wrong with having any of them, that’s life as a writer but the process of sorting it out is no longer writing, no longer imagination and art.  It’s a drudge.

Any advice I can give? Keep going — you don’t fail until you stop trying.  Writer’s block?  No such thing — keep writing through, it, you can edit rubbish, you cannot edit a blank, tear stained page.

Website https://rogerbraybooks.com/ 

Facebook https://www.facebook.com/rogerbraybooks/ 

Twitter https://twitter.com/rogerbray22 

My Writing Process – Sue Kittow

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I’m Sue Kittow, a Cornish author, freelance journalist, researcher and copywriter, been living in Falmouth for 25 years.

I have written five books on Cornish walks – Discover Cornwall, Walks in the Footsteps of Cornish Writers, Walks in the Footsteps of Poldark, Walks in the Footsteps of Daphne du Maurier and Walks in the Footsteps of Rosamunde Pilcher. I am also writing a novel set in Cornwall but don’t have an agent or publisher for that – yet!

As a freelance journalist I have interviewed many authors including Bill Bryson, Ian Rankin, Lionel Shriver and Rosamunde Pilcher. I have also written for Daily Mail, Cornwall Today, Writers’ Forum, Woman’s Weekly, Classic Boat and many other magazines.

I am currently promoting Walks in the Footsteps of Rosamunde Pilcher, published by Sigma Press August 2019.

Walks books need a lot of research and planning so my writing is quite structured – I write lots of notes for research then incorporate that into the walks as I transcribe them. It’s lovely playing the tape back and listening to the conversations we had, the birds and sea and whatever else going on. When I’m writing fiction it’s very different – I plot a lot and make notes on that but the writing itself is very free – I love the excitement of a first draft. Editing I find much harder.

As these are books on walks, a lot of planning and research goes into each one. My publishers like a geographical spread of walks around Cornwall, so I have to start off with ideas and make sure the walks are all over the county, not just focused on a few areas. Then research them, walk them, take photographs, transcribe them – it’s a lot of work!

My contract stipulates 35-45,000 words but that’s quite a loose guide.

The structure for each chapter is roughly the same so I’m used to it now – Introduction (about author, character, location), The Walk, incorporating more research as relevant, Factbox, Content, Photographs, Summing up.

The hard bit is always the editing, then the proofing and checking the maps. And self belief.

I love the physical part of writing – actually putting the words on the page and then transmitting the idea of the place – capturing the sounds, the sea, the birds, the trees etc, so that the reader can come on this walk with me while they read it.

Advice for other writers – find your voice. Read lots. Be realistic. Study agents and publishers carefully, see what’s happening online but don’t compare yourself to others – social media is full of people sharing their Amazon rankings, reviews etc. For every good review there is a not so good one (don’t read reviews!). Make sure your work is as good as it can be before you send it out – get advice from people you trust and listen to what they say. Good criticism can only improve your work. Persevere. This is a lonely business, so network with other writers. And write because you love it.