ROMANTIC FICTION MATTERS

To launch Frost magazine’s support for #RespectRomFic, Sara-Jade Virtue, Brand Development Director, Fiction, for Simon & Schuster UK explains why the campaign is important and reveals her favourite romance books.

There is NOTHING I enjoy as much as a Big Love Story. Preferably on the page rather than on a screen, whether the love is of the romantic, familial or friendship kind, I adore j’adore and have done all my adult life.

Which is why I feel so passionate (no pun intended) about the #RespectRomFic movement I’m leading, and why it’s so important to me. For far too long the contribution to the literary landscape of the books written by the authors writing in the Romance & Saga space has been at best ignored, at worst dismissed. And yet these are the books that dig into the very heart (every pun intended) of the human condition, love. Love is what makes the world go round and these ten novels from my all time favourite dessert island reads list, show love in all its glorious forms – escapist, romantic, heart-warming, heart-breaking, laugh out loud funny, moving, poignant and painful.

Lily and the Octopus (Steven Rowley) – a heart-breaking, charming and unforgettable novel about life, love and long walks.

These Days of Ours (Juliet Ashton) – a gloriously irresistible romance about what happens when the person you love can’t be yours.

Letters to the Lost (Iona Grey) – a poignant, absorbing and tender story of love and loss.

Together (Julie Cohen) – a bold, breath-taking and compelling love story that manages to be as complex as it is compelling.

Rescue Me (Sarra Manning) – heartfelt, funny and wonderfully uplifting, this is total joy from start to finish.

The Last Letter From Your Lover (Jojo Moyes) – passion, loss and romance, and arguably in my Top 3 Favourite Novels Of All Time.

Seven Days in June (Tia Williams) – an extraordinary novel that manages to be both utterly hilarious and completely heart-breaking.

The Photographer of the Lost (Caroline Scott) – a vivid story of forbidden love and longing, this took my breath away.

When We Were Young (Richard Roper) – incredibly moving, hilariously funny, utterly heart-breaking.

The Man I Think I Know (Mike Gayle) – redemption, love, trust and second chances. Incredibly moving, funny and clever.

The stats back up the importance of romantic fiction too – here are some figures taken from publishing industry bible, The Bookseller, with the numbers provided by Nielson.

In 2022 Romance & Sagas had its second best year ever at £53m, only bettered by the Fifty Shades bonanza of 2012 (£68.3m).

This is way up from the more normal value of £25m, which is still seriously significant in terms of the market as a whole.

These figures exclude love stories coded as General & Literary Fiction, for example Taylor Jenkins Reid’s The Seven Husbands of Evelyn Hugo (£2m), Marian Keyes’ Again Rachel (almost £1m), Elena Armas’ The Spanish Love Deception (£851k) and Beth O’Leary’s The Road Trip (£459k).

The Sunday Times bestseller list has no category for romance, yet in 2022 the top twenty contained no fewer than six books that could be regarded as romantic fiction; four by Colleen Hoover, including the top selling novel of all, It Ends with Us, The Seven Husbands of Evelyn Hugo, and The Paper Palace by Miranda Cowley.

 

 

 

SUNDAY SCENE: LYNDA EDWARDS ON HER FAVOURITE SCENE FROM FRIENDSHIP ESTATE

My latest book, Friendship Estate, is set on the island of Jamaica, where I was born and raised.  In the late 1700s and early 1800s, the Caribbean Islands were at a crossroads.  The abolition of slavery was on the horizon.  In the colonies, the white and black races had been mixing for generations.  They had formed a new society with a culture born of oppression, harboring a deep desire to mix freely while charting a new course for themselves.  In Friendship Estate, we witness the intricate romances and elegant customs of a bygone age while meeting a captivating array of characters.

The story is very personal because eight generations of my family are buried on the island.  The story is based on one of many passed down through the generations.  But this one has always intrigued me, causing my imagination to take flight.

I loved writing this scene because I saw the scene unfolding in my mind’s eye.  I envisioned Sabine’s anger and felt her pain as she looked out at the beautiful scene unfolding in front of her, marred by the hatred she felt.  Sabine’s father is dying.  She is hurting and comes across her nemesis Brixton as he is swimming in the sea.

Sabine Holborn stood alone on the hill overlooking the white sand below her.  She watched as the sea turned from turquoise to dark blue.  The wind picked up the waves and crashed them against the shore, matching the anguish in her heart.  Her father was dying.  It was no longer if but when, and the unshed tears made the scene in front of her shimmer.  The loud sobs that racked her body had subsided as she rode to her favorite spot overlooking the endless expanse of the Caribbean Sea.  She loved Mount Sion, but it belonged to that hateful Brixton Dunbarton.

She had known Brixton Dunbarton all her life.  A few years older than she was, she watched as he flirted his way through all the eligible girls on the island.  All except her.  She had listened as her friends prattled on about how handsome he was, his blond hair kissed by the sun, they romanticized.  He was lean with long legs, hardened by years of riding and working his estate.  No one seemed to care that his clothes were last year’s fashions, slightly frayed and worn, or that his shoes were scuffed, and his dress stockings all had runs in them.  He was so beautiful; everyone overlooked his financial shortcomings.  As they grew older, a few girls had whispered of their romantic escapades with him.  He was always polite but never flirted with her and had proposed no romantic assignations.  It hadn’t taken long for her friends to notice.  They did not comment to her face, but she knew her standing with some of them had fallen, all because Brixton Dunbarton did not think she was important enough to flirt with her.  She hated him for it.

She watched as Brixton frolicked in the waves, not a care in the world.  He swam and splashed around, secure in his place in this world.  She did not have that luxury now, and it shook her natural confidence to its core.  She watched Brixton, and her resentment grew.  Why was his hateful father still enjoying his life while hers clung to his? 

Lynda Edwards is a Jamaican writer. To date, she has written two novels, Redemption Songs and her latest release, Friendship Estate.

Find out more about Lynda and her other books at www.lyndaredwards.com