ANNA HOLMES ON THE ENVIRONMENTAL INSPIRATION FOR HER LATEST NOVEL

The back cover blurb for my novel begins like this:

Set in the Indonesian rainforest, Blind Eye is a fast-paced environmental political thriller exploring moral predicaments and personal choices.

In a nutshell Blind Eye is about illegal logging.

Governments’ failures to stop this practice is depleting the worlds rainforest at alarming rates. In the eleven years since I first wrote my story as a screenplay, to when I turned it into a novel, forest cover roughly the area of Mexico has been lost according to figures compiled by Global Forest Watch (GFW) of the World Resources Institute.

My background is in dance, theatre, yoga and writing. I know a lot about these subjects and next to nothing about trees and timber. So what drew me to write about this subject?

My partner was a founder member of Forest Stewardship Council (FSC) which promotes responsible management of the world’s forests. He is still involved. At that time, he had a company supplying FSC timber and he had travelled to different places in the world to support community forestry projects. I felt there was a story waiting to be hatched in my brain.

Many of us recognise that distinctive logo incorporating a tree with a tick on it and the initials FSC. It appears on toilet paper packaging, books, wooden kitchen utensils, garden furniture and much more. All these wood and paper products can demonstrate a chain of handlers from a well-managed forest or plantation through the milling process to the finished product. Big projects that signed up to sustainable building include the Senedd building (Welsh Parliament) in Cardiff Bay with its the magnificent curvy wooden interior and the hardwood decking outside leading to the waterfront. That is a project I know about as my partner’s company had a small role in this. Gosh, I even remember the name of the Brazilian hardwood decking: Massaranduba. Not bad!

As I said, the timber trade is not my thing, but I am environmentally conscious.

I love world-building and am a plot and character type of writer. With my debut historical novel, Wayward Voyage, (inspired by a true story) I thrust Anne Bonny into a harsh seafaring pirate life. In Blind Eye my protagonist, Ben Fletcher, is thrust into the murky world of illegal logging in an Indonesian rainforest.

With Blind Eye I am not interested in hammering readers over the head with a preachy, do-goody story. Who needs that? Readers should want to turn the page to find out what happens next. And I don’t want to just highlight the problems – we know what many of these are – so I leave readers with some hope and show that solutions are possible.

One review blogger writes: “Holmes has put together a first-rate thriller, mixed in a little romance, and shown the brutal side of business putting profits ahead of people. If the end result of reading this book is not just an enjoyable ride through some thrilling pages but also beginning to open our eyes a little wider, then we can be grateful for this story on multiple levels”.

Think about it. Don’t turn a blind eye when replacing your garden furniture or purchasing a new coffee table. That wood has a story to tell. What is it?

 

Links to Blind Eye retailers on Anna’s website

https://www.annamholmes.com