A Day In The Life / Hester Young

Today finds me far from the New Jersey suburb that I call home, in the midst of a research trip for my second novel. My husband and I have left our kids with my mother and journeyed to Arizona. The timing isn’t perfect–my first book, THE GATES OF EVANGELINE, has a lot going on publicity-wise as we prepare for our U.S. release. But the sequel needs some love, too, so here I am!

A DAY IN THE LIFE : HESTER YOUNGsonoradessert

Today, we begin the morning at a B&B on the edge of Tucson, a city I used to live in. I take a 5 AM stroll on the trail out back and watch the sun come up. Lizards, birds, and rabbits scuttle and hop about, and I even spot an antelope jackrabbit. I make notes on the different types of cactus and desert plants I see so that I can accurately describe them in the book later.

A DAY IN THE LIFE : HESTER YOUNGcoyotepauseMy husband and I enjoy a breakfast of tortilla chips, black beans, and nopalitos (a type of cactus)at a place called Coyote Pause. I scan through publicity and marketing emails regarding THE GATES OF EVANGELINE while he frets over the weather reports. Looks like we will be braving temperatures of up to 46 degrees Celsius! My first novel required research trips to Louisiana during Mardi Gras–this is not quite as cushy. We chat and review our plans for the day, and then I sneak in some writing time with a notebook in the courtyard before it gets too hot.

A DAY IN THE LIFE : HESTER YOUNGwriting

Next, we head an hour south to Nogales, an Arizona town that borders a Mexican city by the same name. I’ve arranged a tour tomorrow with an officer at U.S. Customs and Border Patrol to get info for the book. Today, we are meeting Scott Nicholson, an American charity worker who has offered to guide us through the Mexican side of Nogales and show us one of the city’s poorest communities.

Tirabichi Dump

Scott brings us to Tirabichi, a garbage dump once home to thirty families who made their living recycling found materials. The dump has recently been shut down by the government and its dwellings destroyed by a pair of suspicious fires that killed one resident. Few families remain. My work-in-progress has a scene set here, so I get a good look around and speak a bit with the caretaker in my stilted Spanish.

Tirabichi Grave.j

Over lunch, we chat with Scott about his life and work. Though American, he lives and works at a Mexican community center called HEPAC, which offers free lunches for local children, adult education courses, and a new affordable child care center. In his free time, Scott hikes seven miles through the desert to leave water for desperate migrants who might otherwise die as they seek to cross the border. I am amazed by his big heart. Meeting interesting individuals with powerful stories is one of my favorite parts of being a writer.

A DAY IN THE LIFE : HESTER YOUNGhesterandscott

My husband and I return to the U.S. mid-afternoon and check into a local hotel. I spend a couple hours writing while he naps. When he wakes, we do a Facetime call with our children, who breathlessly relate their day’s adventures.

Although we aren’t expecting high cuisine from this dusty border town, we find a surprisingly delicious Italian restaurant in a neighboring town. It’s strange to go from the poverty of Mexico to sipping wine and nibbling an eggplant appetizer, but I suppose this is what writers do: move in and out of worlds. Tonight I am particularly grateful for all that we have. I can’t wait to integrate the things I’ve seen into my latest novel.

 

 

Mylets | Music Profile

Mylets Music Profile
Artist: Mylets
Album: Arizona
Label: Sargent House
Release date: 20th April 2015

Under the moniker Mylets, Henry Kohen takes on the roles of several musicians at once. The wunderkind guitarist who, at 17, became the youngest artist signed to Sargent House has since established his reputation as an awe-inspiring and agile performer, playing across North America and Europe multiple times over the past couple of years.

Dancing across multiple guitar pedals that line the stage, Kohen also sings and lays down guitar loops while simultaneously tapping out beats on a drum machine. Nothing is pre-programmed. Every note played is as organic and fallible as its performer. Kohen’s physicality and presence is captivating on stage, but what’s even more impressive is that his songwriting talent is equally as vast and varied as his multitasking skills.

Arizona is the defining work of a masterful tunesmith. Despite their complexity, the songs are never disrupted by the intricacies running beneath their hyper-infectious pop structures. Kohen operates his equipment like the conductor of a small orchestra, summoning fully realized melodies from his devices. “I put in a lot of effort to make every single word and note of each song as deliberate and concise as I could,” Kohen explains, “rather than throw out an unintelligible overflow of information.”

Album opener “Trembling Hands” is a massive, hook-heavy anthem driven by layers of churning guitars and distortion that stirs somewhere between the throaty verses of Broken-era Nine Inch Nails to the hymnal anxiety of a Cloud Nothings record. The title track follows with a cascade of syncopated guitar arpeggios setting the stage for a reverse-reverb soaked vocal harmony that chimes like something off of U2’s Unforgettable Fire. And, that’s the beauty here: Mylets appeals to every listener, not just other musicians. Kohen understates his unparalleled and highly specific skills and instead forces the emotion informing his music to the forefront. This ability is what makes the songs on Arizona command repeat listens.

Mylets first came to Sargent House’s attention with a series of self-released solo EPs, much of which were remastered and compiled on the label’s 2013 release Retcon. Around that time, Kohen relocated from Columbus, Indiana to Los Angeles, residing at the artist-friendly Sargent House all the while working intensively on prepping Arizona material for the studio. In the interim, Mylets also toured extensively on different continents with And So I Watch You From Afar, TTNG and Emma Ruth Rundle. “Because of the range of time spent writing, it was very important for me to capture the concepts of creative and personal growth within the songs on the record,” Kohen says. “I recorded the album twice under very different circumstances in 2014 and on the second round of studio time, I left with a product that I felt was as true of a representation of what was initially in my head as I could have created.”

Arizona will be available everywhere on LP, CD and download via Sargent House on 20th April 2015.

 

 

 

King of Cats – America | Music Review

King of Cats is a boy called Max from Oxford but I’m afraid I don’t know about the name. I don’t like to ask. He sends me nice emails and is very polite but I do need to get one thing off my chest: I don’t much like cats. My sister has one that looks like it is going to defecate when you look at it. My parents have one called Pumpkin who drew blood from me the first day we met, and 19 years later she’s nothing if not Machiavellian. What I do like, though, is the King of Cats.

This album is what happens when a singer-songwriter from Oxford takes himself off to America to travel around on greyhound buses armed with only an acoustic guitar and a four track. I say only but I hoped he’d taken some clean pants and a toothbrush but Max hasn’t let on to me about that so we’ll have to assume.

America, the debut record by KoC, was committed to tape in some odd places whilst on his travels in the USA. Max recorded on a cherry picker in Seattle, in the mountains of Oregon and at a hardcore show in San Fransisco. Having sat in on more recording sessions than is enjoyable I wish more were conducted in such delightful surroundings. The results are really rather good.

Each song on the album is named after where it was recorded. My personal favourite is “Hooters Casino, Las Vegas, whilst Mike was showering” but other stand out titles include “Next to the train-tracks in Flagstaff, Arizona” and “on a plane, in the high desert and Seattle”. It’s a nice record.

The album begins with the aforementioned “One a plane . . . “which builds with each of the many plucking of guitar strings. It sounds like Super XX Man were they to have been from Middle England.

Each song captures not only the sound of Max’s guitars and vocals but also incidental sounds such as dogs barking and the sounds of people clapping and talking. At the end of “Golden Gate Park . . .” a couple can be heard arguing between themselves including the female, Suzie, uttering the cutting line of “I’m not trying to be mean but I just don’t give a shit.” She’s set her stall out clearly there and so I will do the same for you: this is a good record. If you like the idea of the folky acoustic sound of the Mouldy Peaches with the vocals of Jeff Mangum of Neutral Milk Hotel then this is a record for you. Otherwise move along, because, like Suzie, you just won’t give a shit.

America is released on 19th May 2012 via http://kingofcats.bandcamp.com/album/america