Tag Archives: Art

The East Coast Premiere of Sharon Stone’s Paintings

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The exhibition “Sharon Stone: Welcome to My Garden” extended one more month until January 15th
 
The C. Parker Gallery in Greenwich, Connecticut presents the East Coast premiere of Sharon Stone’s paintings. The exhibition Sharon Stone: Welcome To My Garden is extended one more month until January 15. 
Her art is praised by collectors and art world luminaries, including Jerry Saltz (the Senior Art Critic for New York Magazine and winner of the Pulitzer Prize for Criticism). 
The gallery show features 19 paintings by Stone, and is the first time her artworks are exhibited outside of Los Angeles. 
“I created these works to understand the essence of pure creativity that comes from heartfelt truth, to let go of the noise, the judgements, and the pollution of our societal pulls,” says Sharon Stone. 
Stone is internationally recognized as a global cultural leader, her many honors include: the Women Making History Award from the National Women’s History Museum; the Einstein Spirit of Achievement Award; the Nobel Peace Summit Award Laureate; the Golden Globe Award; a Prime-time Emmy Award; an Academy Award Nomination; she was named a Commander of the Order of Arts and Letters in France; the 2023 Courage Award; the Harvard Humanitarian Award; and the Human Rights Campaign Humanitarian Award, among her many accolades. Stone is being honored as the Global Citizen of the Year at the 2023 United Nations UNCA Awards on December 15.
“We are honored to present the highly anticipated East Coast debut of Sharon Stone’s powerful art, for our tenth anniversary season,” says Tiffany Benincasa, the owner and curator of the C. Parker Gallery. 
“This new exhibition offers a never-before-seen panorama into Sharon Stone’s creative prowess. The artist invites viewers on a journey through the vibrant landscapes of her imagination, reflecting her inner world. A testament to Stone’s profound talents,” adds Benincasa. 
Sharon Stone’s immense talents and acute powers of observation blossomed onto the painted medium. Her ability to observe and interpret human behavior, and her capacity to turn human frailties into sources of strength, shine through in ways that are combative, conquering, and victorious. 
Her connection to nature is always visually present. “Color becomes a wavelength for me,” says Stone. “Being a colorist moves the directions of my paintings. Color speaks to me.”
Stone has been painting her entire life. In her early years, her Aunt Vonne had a Master’s degree in painting and would create murals across the walls of the home where she lived as a child. 
She studied painting in college, and her artmaking became her laser-focus during the pandemic when she entered a new creative portal. 
This period of planetary crisis transported Stone to open up new artistic channels, transferring her lifelong creative instincts onto the canvas. Since then, she paints every day, four to 17 hours per day. 

INTRODUCING NORFOLK ARTIST AND PRINTMAKER, SUE WELFARE

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I‘m an artist, printmaker and writer living and working in West Norfolk. I’ve got no formal arts training and only began working full time as an artist in my very late 50’s after a career as a freelance writer.  I think one really helped the other – I’m used to being self-employed, self-starting and self-motivating, and I’ve always been very visual – when writing I could always see and hear what was happening to my characters, and I think that visual imagination has really helped me develop as an artist.

I live in a little market town in Norfolk and love the diverse nature of the Norfolk Countryside, its amazing unspoilt coast line and its wildlife – as some-one pointed out recently, I’m all about Birds, Boats and Beaches!

Before becoming a printmaker I tried lots of other arts and crafts. I’ve worked with mosaics, stained glass, wet felting, papercutting – all of that experience and experimentation was really worthwhile, helping to build up skills in composition, mark making, colour, handling tools, finding out about inks and blades and glue. And along the way I’ve also met some amazing people who have been prepared to show me, teach me and share their knowledge.

I now work primarily as a linocut printmaker, which for me is the perfect balance of art and craft. I love working out the composition and drawing the blocks, but then also love the carving and the technical challenge that comes with creating a print.

I also love, and have missed, going to fairs, workshops and exhibitions this year – I enjoy the village feel of events, and showing and explaining to people what I do –  while lockdown may have curtailed the trips and adventures I had planned it hasn’t stopped me enjoying the garden, walking the dogs or imagining trips to favourite places.

Those things have kept me going over the last few months and inspired lots of new work.

 

You can find me on Etsy:  www.etsy.com/uk/shop/SueWelfareArtist

 

 

 

 

INTRODUCING SELF-STYLED ART LABOURER, ANGELA LOWETH

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When it come to my art work terms I don’t see myself as skilled worker more as a labourer!!

I paint rocks, glasses, jars and of course pictures.

All my life I have loved art – most of my work is bright and bold that is why I find acrylics so wonderful to use, the colours, you can get fine details, but also build it up to create a texture if needed., but I also enjoy pen and ink. We moved to Cornwall over 12 years ago and I find it is the landscape, sea … well basically everything around me that inspires me to paint it. Art is my passion, my escapism but also my therapy. I take my watch off, sit and paint forgetting all about time, but just being in that moment putting brush to canvas, glass or rocks.

I put my emotions and be emotional into whatever I am working on at the time.

When it comes to painting it is the sea that I turn to, trying to capture the power of the waves and in my more abstract painting it is that power trying to be tamed and utilised by man (hence the surfboards).

When it comes to pen and ink it is to nature I mainly look, trying to create reality and beauty from just one colour, but different thickness of pen.

I shall never be famous nor do I care if people don’t like my work, I do it because it’s what I love to do and what pleases me and yet when I do ask an opinion and you get that one person who finds a fault yes it hurts, especially when you have put your heart and soul into a picture and then I think to myself its only their view “it’s my work and if they should be grateful I showed it to them!! “

I am my own critic and I have may unfinished canvases to prove it, but art whatever I do, it lifts me up when I am down and helps me concentrate on being me and brightens my day when it is dark.

 

Find more of Angela’s art here: https://folksy.com/shops/angelaloweth

Redruth clocktower, pebbles and paint

INTRODUCING CORNISH CUBIST, SIMON SMITH

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‘It is the desire to represent the world not as we see it, but the way it actually is’, is the driving force behind this Cornishman’s work. A native of Porthtowan on the wind swept Cornish granite coast, Simon Smith is essentially a modern day cubist. He’s a former Truro Schoolboy (the posh school) and a carries, amongst other qualifications, a degree in fine art – mentored by the great Welsh painter and printmaker David Carpanini.

After a successful career in business Simon essentially retired back home to Cornwall by buying and running a pub, and most importantly returning to his first love of art. “The iconic mining ruins of the heritage coast lend themselves perfectly to the painter,” he says, “with the endless sweeping sky and rolling ocean as the perfect partner”. His home and pub, in Porthtowan, are situated just a dozen miles up the coast from the iconic artist centre of St Ives and the hub of Cornish creativity.

 

But why cubism? “I love to draw and financially speaking I gain a steady little income from my pointillist drawings of local sea life and fauna but, as rewarding as they are to complete, they don’t push the limits. Cubism on the other hand gives me the opportunity to push my limits to the maximum and really work at representing the 4th dimension of time.” And time is clearly important to him in his work with one beautiful triptych showing the not only a cubist sea/cliff scape but also the changing seasons from Spring to Autumn.

So what next? “I’m exploring the classic Analytic Cubist phase of Braque and Picasso and love the limited palette. My musician friends are keen for portraits so watch this space….”

 

See more of Simon’s paintings at https://www.facebook.com/Porthtowanfinearts

 

INTRODUCING NORTH LINCOLNSHIRE ARTIST, JOANNA BLACKBURN

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I have always been creative and in my teens I painted in oils.  In early adulthood I explored many crafts and textile design on a commercial level.

Gardening is one of my passions too and I gained a qualification in Horticulture and Garden Design in 2002.  This included painting images of the gardens I was designing to help clients to envision them.  This took me back into painting and I began studying watercolours when on holiday in Scotland as this was the only time I had to indulge myself.  I sold my first painting there and this spurred me on to develop my talent further.  I joined a night class to learn more, became hooked and have not been able to stop painting since.

My paintings cover a wide range of subjects including birds and animals – whatever inspires me at the time.

The movement of water and different light conditions fascinate me so I love painting land, seas and skies. I enjoy capturing the beauty of the natural world and hope my work will uplift the viewer and fill them with a sense of place.

I paint in watercolours and acrylics mainly and also do encaustic work now and then.  This is painted by melting wax on an iron before smoothing it onto the surface.  Other heated tools can be used to work up the picture. I am really enjoying experimenting with this, creating fantasy landscapes which are totally different from my other work.

I have exhibited at various locations in England and Scotland and my work has sold internationally.  My work can be seen at www.joannablackburnart.com and www.facebook.com/JoannaBlackburnPaintings/

Make Great Art On Your iPad Book Review

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When I was a child I loved to draw and would do it for hours. I have found it hard to continue to be an artist since I have become a mother. I never have the time nor the energy. I was excited when I saw Make Great Art on your iPad. I spent time on my iPad of course. It seemed the easiest way to get back to who I used to be.

This book tells you everything you could possible want to know, along with things you would never have thought to ask.  It is easy-to-read and to learn. It has all of the tips, tools and tricks you need. I highly recommend it.

Fully revised to reflect the latest updates in the most popular creativity apps, this is the original, best-selling guide to using creative apps on your Apple device to produce your very own masterpieces.

Artists like David Hockney have taken to creating art on the iPad, but you don’t have to be an artist to achieve great results on your device. This refreshingly accessible book is perfect for skilled artists and creative wannabes alike.

Alongside the step-by-step projects that teach the fundamentals of digital painting, there are also some easy and fun artistic tricks that anyone can try. You’ll master the most popular art apps, and you will learn new painting and drawing skills along the way.

Includes advice on using Procreate, ArtRage, Art Studio for iPad, Adobe Photoshop Sketch, Pen & Ink, Brushes and Tayasui Sketches Pro.

Make Great Art On Your iPad is available here.

A STUDY OF STUDIOS: AN INTERVIEW WITH ART AUTHOR ROSIE OSBORNE

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Rosie Osborne, author, While still in her teens, author and award-winning photographer Rosie Osborne made a vow to herself. She promised that by the time she turned 30 she would have published a book collecting her exclusive access-all-areas interviews with some of the UK’s most dynamic contemporary artists such as Sylvette David and Danny Fox. 

All those years later she achieved her ambition and the result is fascinating new coffee-table tome Free Spirits. We caught up with Rosie to find out more…

Q. Free Spirits is obviously aimed at art lovers, but what do you think is its unique appeal?

A. I hope that it offers an insight into the private side of artistic practice, and the everyday struggles and triumphs that artists experience. I think there’s a very human side of art that can sometimes be hidden by the polished gallery shows or the museum retrospectives and that’s what I have tried to delve into.

Q. All the interviewees must have been fascinating to speak with, but are there any that especially stand out to you?

A. Interviewing British artist Danny Fox last year was fascinating. Fox is a self-taught painter who grew up in St Ives, Cornwall, where I spent a lot of my childhood. As a teenager, he worked long hours in restaurant kitchens, washing up dishes to save up to buy paint. I remember him saying at the time that if he was offered a job with more responsibility, he’d turn it down, because he didn’t want to take up the mind space that he needed for painting. I went to his first exhibition in St Ives when I was 15 and was really moved by his painting style. Although Danny didn’t go to art school or have any contacts, he moved to London, where his work started to gain more and more recognition. Over the years following, his paintings were featured in shows all over Europe and America, and he is now based in Los Angeles, California. Danny’s work ethic from day one always inspired me, and his paintings are amongst my favourites, up with Picasso and Matisse. Last year, 15 years after attending his first exhibition, I interviewed Danny back in Cornwall. It was so interesting to discuss all of the years that had passed, especially back in St Ives, where it all started.

Q. You interviewed artists over a space of 17 years. Does this mean there are more interviews yet to be published and, if so, what are your plans in this regard?

A. Yes, I selected 13 interviews for Free Spirits, but I’ve got around a hundred interviews ready for publication. I publish some interviews on my website, but I hold on to lots in order to wait until what feels like the right time to release them.

A.  You were only a teenager when you started conducting the interviews. Did you find any resistance to your interview requests and how did you overcome this?

A. I’ve learnt that it’s really important to use rejection to propel you to move forward. Many of my requests to interview my favourite artists as a teenager were left unread, or I just never heard back from them. Over the years, I started to see it as a process of elimination. Four artists out of five may not have replied, but one often did. Putting everything into making that one interview as good as it could possibly be would mean that the likelihood of future artists saying ‘yes’ was much more promising. I saw it as a process, like any person learning to improve or perfect their trade. Nothing comes easy. I truly believe that if you can learn to take rejection on the chin, and turn it into a positive force, nothing can hold you back from getting to where you’ve always wanted to be.

Q. How would you describe the importance of contemporary art to those who may not be familiar with it?

A. I think that in order to attempt to understand contemporary art, it helps to look back to what came before it. Picasso said that, “Every act of creation begins with an act of destruction”. Everything in art is consciously, or subconsciously, a reaction to something that has come before it, so the symbolism or meaning of a piece of contemporary art can sometimes be linked to something that came hundreds of years before.

Q. If you could travel back in time, which one artist from the past would you like to speak with, and what would you ask them?

A. I’d love to interview Henri Matisse, towards the end of his life when he worked from his studio in a wheelchair. After undergoing surgery for cancer, he lost his mobility. Instead of giving up, Matisse drew incessantly and rediscovered the medium of paper cutouts. He talked about how he felt completely reenergised, and called the last 14 years of his life “une seconde vie” (his second life.) I’d love to ask him about this stage of his life, and how the work that he was able to do in the studio, in a sense, saved him.

Q. Your book features a wealth of photos with the artists in their studios. Why did you think this important to include?

A. It’s impossible to describe some of the studio scenes in the book with words! They’re all completely different: some are orderly and tidy and some are filled floor to ceiling with collected objects and everyday items alongside art materials. A studio space that I really enjoyed documenting a couple of years ago belonged to Cornish artist Samuel Bassett. I tried to take photographs of his working space that were really honest, so that the reader feels as if they’re standing in the room, observing every detail. His small studio was filled with surfboards, crates of paint, sofas, packs of cereal, saucepans and all of his kitchen items, along with works in progress and paint dripped over absolutely everything. It was great fun spending time there. It’s honestly impossible to describe, but the images say it all! Artists’ working spaces are often very transient places. As Samuel no longer paints there, the room was painted white, ready for the next artist, and the spirit of that room has changed and become something else. That’s why I felt compelled to try to record the atmosphere in that room in some way.

Q. Free Spirits also serves as a memoir of your personal development. What achievements to date are you most proud of?

A. Getting the book out into the public sphere felt really significant to me. I promised myself at 17 years old that I’d publish the book before I turned 30. Free Spirits came out the day before my 30th birthday. It’s definitely the personal accomplishment that I feel most proud of.

Free Spirits by Rosie Osborne is available now, priced £30 in hardcover. Visit www.rosieosborne.com 

 

Review: The Midnight Gang, Chichester Festival Theatre

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The Midnight Gang, Chichester Festival Theatre
Until 3 November. Box Office: 01243 781312 www.cft.org.uk

Never knowingly understated, David Walliams took his seat to loud applause from the audience on press night. By the curtain call, when he praised the cast and creative team behind the adaptation of his book, the cheers practically took the roof off. Quite right too. His story didn’t just jump from page to stage, it took flight – literally.

Set in Lord Funt Hospital, Matron rules the children’s ward with a rod of iron. A rod of iron dipped in cement and covered in titanium. Looking like Doris Day but without a glimmer of sunshine in her soul, her young patients know the risk they are running in escaping her clutches to indulge in secret midnight antics.

Aided and abetted by the hospital’s porter, superbly played by Dickon Gough (was it just my imagination or were there shades of Walliams in there?), the poorly children live out their wildest fantasies, reminding us that when something we yearn for is out of reach, dreams can be the next best thing.

The children are fabulous. We saw Cody Molko as Tom, Jasmine Sakyiama as Amber, Rafi Essex as George, Felix Warren as Robin and Cerys Hill as Sally, but I gather that their opposite numbers (Tumo Reetsang, Albi Stisted, Cooper Snow, Fibian McKenzie and Anjali Shah) are every bit as talented.

Jenny Dale is a glorious gorgon as Matron. With the bedside manner of Nurse Ratched, her swooning over Tom’s headmaster (Tim Mahendran) during The Punishment Will be Severe is one of many highlights.

With lovely performances also from Lucy Vandi, Matthew Cavendish and Marilyn Cutts, lots of doubling up means that the cast appears bigger than the reality. Collectively they manage quick changes – of costume and character – with impressive and seamless speed.

Simon Higlet’s ingenious set is a joy, full of surprises and magical elements. Music by Joe Stilgoe provides agreeable accompaniment, but it is words rather than music that are his greater accomplishment. Astute, witty and dexterous, notably in So Many Questions which sees a beleaguered doctor trying to fill out an admission form, his sparkling lyrics are marvellous.

Tender, funny and thrilling, Bryony Lavery’s adaptation retains all the heart and humour of Williams’ book and sprinkles precisely the right amount of theatrical magic into the story.

Director Dale Rooks is to be congratulated. A stunning show for all the family, The Midnight Gang is an absolute tonic. I urge you to get dosed up.

From a child’s perspective – Lily B (14) says:

The Midnight Gang is an action-packed story with memorable characters. Comedic, cheering and cleverly staged, especially with the flight of a naked grandma, Matron was my favourite. Child-hating, chocolate loving and power crazed, she was the perfect love-to-hate character. A great show for children and their families, I especially liked the messages to let your imagination run free and to be kind to each other. Definitely five stars!