Tag Archives: Art

A Day in the Life of Sharon Bennett

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I have always enjoyed making things; getting messy and creating atmosphere, whether with paint, fabrics, light or furniture. I am inspired by beautiful countryside, buildings, colour, water and places that I love!

A Day in the Life - Sharon Bennett

As a child I continuously annoyed my younger sisters by trying to capture them on paper with my pencils. After that I mostly drew and painted flowers in watercolour. More recently I joined an Art Group where I eventually developed a style of painting with which I am very happy.  Also I have a great love of photography, my recent works merge photos with collage, acrylic pallet, watercolour and pen work.

 

For texture in my work I often use different types of paper, including tissue, corrugated and foil.  One of my artworks ‘The East London Skyline’ was created during the 2012 Olympics. I incorporated cuttings about the Olympics from London newspapers into the painting itself. In my Venice paintings I have used handmade Venetian paper, tickets from train and boat trips! The painting then becomes alive and personal!

A painting will begin by the taking of an inspiring photograph. While out walking, holidaying or just shopping, beautiful buildings, waterways, boats, countryside, simply demand to be photographed! I take many – thank heavens for digital photography.

 

The next job is to search through the photos to see which will work well with my style of pallet knife painting and collage. The selected photographs are then enlarged, pixilated and often form a part of my paintings and become merged with collage, mixed media and acrylic pallet knife painting. I also usually include newspaper cuttings, tickets, wood, paper, anything which makes the picture more personal and unique! The result of these combinations create some powerful pieces of work. By using collage and many different textures it helps me to capture the vibrancy and atmosphere of the scene. I always like to work from my own photographs although I have created a couple of commission pieces.

 

 

I photographed St Paul’s from the Tate Modern on one of those perfect winter days. My daughter had bought me ‘high tea at the Tate’ as a birthday present last year. The weather was a perfectly crisp and sunny February day! A very rare treat in the middle of an awfully wet winter. I took the photograph from the restaurant on the top floor of the Tate. The resulting photograph was stunning and I hope you like the painting that emerged too! Margaret Graham did, and bought it when Easterleigh Hall was published. This is what she does – buys paintings to celebrate.

 

Six nights booked in Venice. We hoped for lovely weather as we were going in February! The first three days we had non-stop rain!  This did not stop me taking tons of photos and the results were stunning. The rain just seemed to enhance the colours of the beautiful Italian buildings and made the water a very deep green.

 

I was very pleased with the resulting painting, which also incorporated collage of matchsticks, our ticket from Venice to Verona and pieces of handmade Venetian paper.

I have lots of gorgeous atmospheric photographs to work with. A very familiar sight of a gondola full of Japanese tourists. The buildings over this canal are such a beautiful colour and I have tried to, and hopefully have, captured that! This is one of my most recent paintings.

 

I have some work going into a new pop up shop in Maidenhead called Craft Coop, located in Nicholsons Centre,  in an ex jewellery shop, across from Icelands, from 22nd Nov till the 4th January 2015.

 

For a further look at my work:

 

Website: www.mashup-designs.co.uk……..then…….Sharon’s Art.

 

 

My contact email is shazben58@gmail.com

 

 

Frost Loves: Winsor & Newton Gift Range 2017

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Frost loves these art sets from Winsor & Newton. The fine art supplier has the most beautiful gift sets of top-quality art materials. A perfect show-stopping gift.

Just in time for the holiday season, Winsor & Newton, one of the world’s leading fine art suppliers have released their 2017 Gift Range. Combining craftsmanship with innovation, this all year round gift collection is perfect for all artists and crafters alike.

The range consists of five curated sets, each containing a collection of world class art materials including ink, water colour, acrylic paint, mediums and metallic markers and presented in a beautiful keepsake box. I was wondering if you would be interested in including a set from the gift range in your Christmas Gift Guide?

Winsor & Newton 2017 Gift Collections

 For the budding artist, inspiration starts here.

The new gift range is built upon Winsor & Newton’s extensive knowledge, passion and artistic understanding to curate and has been designed to ignite artistic journeys that will excite the mind and engage the senses with each set containing a unique collection of high-performance art materials.

Winsor & Newton is one of the world’s leading suppliers of fine art materials. Drawing on a commitment to quality and a tradition of innovation, the brand remains dedicated to the craft of the fine artist, providing them with new ways to explore their creativity and share their work with a worldwide community. These sets offer artists and non-artists the chance to gift creativity, to kickstart, improve or round-off an artist’s collections of the finest art materials

Review: Grimm Tales, Chichester

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Grimm Tales – For Young and Old
Adapted by Philip Wilson
Chichester Festival Youth Theatre at the Cass Sculpture Foundation, Goodwood
Until 19 August

Photo credit: Johan Persson

If you go down to the woods today… Just when it seems impossible for Chichester Festival Youth Theatre (CFYT) to achieve any greater heights they come along and smash it of the park. The sculpture park, in this instance.

The Cass Sculpture Foundation is the perfect setting for Grimm Tales. Woodland paths, tree-lined hollows and sheltered clearings provide a series of glorious natural stages. Greeted by a raggle-taggle band of minstrels beckoning us into the woods, the music throughout is evocative, catchy and haunting. All members of the Youth Theatre, these young troubadours are exceptional and add greatly to both the charm and continuity of the production.

Starting with Little Red Riding Hood and followed at different locations by Hansel and Gretel, Hans My Hedgehog, The Goose Girl at the Spring, The Three Snake Leaves, Rapunzel and The Juniper Tree, these yarns are grim indeed. Adultery, murder, child abduction, cannibalism – Mr Disney may have prettied some of them up for the big screen, but in their original form these fairy tales offer no trace of saccharine sparkle or Bibbidi-Bobbidi-Boo. Marvellously dark, but not without humour, Philip Wilson’s adaptations are magical, mysterious and utterly spellbinding.

Under the skilful direction of Dale Rooks the acting is uniformly superb. Remaining totally in character even when leading the audience from location to location, even those in minor roles demonstrate the discipline and focus of seasoned professionals. It would be grossly unfair (and almost impossible) to single out any one performance.

Testament to the excitement and enrichment of the experience, the smiles of the cast at the curtain call are wider than that of Grandma’s wolf. With satellite groups across the county, West Sussex children are so lucky to have CFYT available to them. Especially at a time when funding cuts threaten to hack drama and the arts down to almost nothing in some schools.

Ably supported by members of the Technical Youth Theatre, as darkness fell there wasn’t a star in the sky to outshine this supremely talented company.

Tickets: 01243 781312 www.cft.org.uk
There is no parking at the sculpture park, but a highly efficient system of park-and ride coach transport is in operation from Chichester College.

Review: The House They Grew Up In

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The House They Grew Up In
Minerva Theatre, Chichester
Until 5 August
Box Office: 01243 781312 www.cft.org.uk

Photo Credit: Johan Persson

Deborah Bruce’s new play, a co-production with Headlong, manages to be both entertaining and deeply moving. It’s a tale of our time. Middle-aged brother and sister Peppy (Samantha Spiro) and Daniel (Daniel Ryan) live in the house they grew up in amid floor-to-ceiling clutter (Max Jones’s claustrophobic set design is marvelous). Isolating themselves, autistic Daniel spends his days recording a precise log of every passing moment in his diary. Highly strung and obsessed with art history and Cambridge University, Peppy leaves the safety of their nest only for food and, later, to visit Uncle Manny to try to find out why he didn’t make his regular Christmas visit. But the arrival of the little boy next door into their co-dependent lives (superbly played by Rudi Millard on press night) triggers a terrifying change in their reclusive existence, with the police, social workers, neighbours and journalists forcing the much-feared outside world upon them.

Remarkably, what seems certain to be the inevitable conclusion takes a happier turn. Jeremy Herrin’s thoughtful direction and Bruce’s accomplished writing allow Peppy and Daniel to be heard and understood, ultimately earning our compassion and making us feel uncomfortable at failing to feel and extend it sooner.

Beautiful and bitter sweet, the tragedy of the optimistic ending is that in the real world Peppy and Daniel would be the exception rather than the rule.

With superb performances, especially from Spiro and Ryan, this a thought-provoking and fascinating play that deserves a wider audience than its short run in Chichester will generate.

Review: Fabulous Fiddler

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Review
Fiddler on the Roof (until 2 September)
Chichester Festival Theatre
Box Office: 01243 781312 www.cft.org.uk


Photo credit: Johan Persson

Heart, humour and world-class performances are just some of the elements that make Daniel Evans’s big summer musical an absolute belter. Add to that terrific musicians, Alistair David’s thrilling choreography and Lez Brotherston’s cleverly conceived set, which makes the very best use of Chichester’s unique stage, and you have a show that has all the hallmarks of a West End transfer.

The story of Tevye, a poor dairyman with five daughters, it is 1905 and in Russia an uneasy sense of impending change is in the air. But on a poor shtetl Tevye is more immediately concerned with finding husbands for the three eldest of his girls. Alas, despite his best efforts to keep with tradition, it seems that they are determined to follow their hearts rather than their heads, or indeed the advice of Matchmaker Yente (gloriously played by Liza Sadovy).

Omid Djalili is superb as Tevye. Radiating warmth sufficient to melt a Moscow frost in January, he convinces absolutely as the ordinary family man who is not without his shortcomings. In his regular exchanges with God (Dajalili’s stand-up career is much in evidence here), and later as he sings the touching Do You Love Me? to his wife, he reveals a touching vulnerability.

Tracy-Ann Oberman as his wife Golde is equally impressive. A feisty lioness who knows her old man better than he knows himself, it is an inspired pairing.

The singing overall is outstanding. From sweet and soaring to joyous and rousing, Tradition, the opening number, is nothing short of an emotional musical wallop to the gut.

A stupendous ensemble effort, this is a revival that feels both fresh and relevant. Delivering the theatrical triple of laughter (the dream scene is as clever as it is riotous), tears, and food for thought, it is the latter of the whole shebang that is the production’s ultimate strength.

A sharp reminder of how political and social unrest continues to throw lives into disarray, the final moments are heartbreakingly poignant.

Review: Sweet Bird of Youth, Chichester Festival Theatre

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Sweet Bird of Youth

Chichester Festival Theatre

Until 24 June

Box Office: 01243 781312 www.cft.org.uk

Photo credit: Johan Persson

With the run-up to General Election a veritable carnival of hypocrisy, self-interest, arrogance and rampaging egos, the day after the event itself wasn’t the ideal time to digest more of the same. Alas, in Tennessee Williams’s 1959 play there is little relief from such monstrous conduct.

Fearing derision and rejection after the premiere of her latest film, aging Hollywood movie star Alexandra Del Largo (Marcia Gay Harden) has bolted and is holed up in a hotel in St Cloud on the Gulf Coast of Mexico with Chance Wayne (Brian J. Smith), a gigolo and wannabe actor who skipped the town a few years previously. While the actress hides behind an alias and dulls her demons with alcohol, narcotics and sex, Chance is determined to be reunited with Heavenly, his teenage sweetheart. Unaware that before leaving St Cloud he infected his girl with a STD that necessitated a hysterectomy, he has no idea that Heavenly’s father and brother are resolute: should Chance ever show his face in the neighbourhood again he will pay for his crime.

The first act, almost entirely a two-hander set in a hotel bedroom, offers superb performances from Harden and Smith. Convincing and compelling, on the Festival Theatre’s thrust stage, however, some of the intensity and intimacy is lost.

Elsewhere the performances are strong, especially Richard Cordery as Boss Finley, a bully with double standards and an unshakable belief in the American Dream. Victoria Berwick as Heavenly Finley is also excellent. Vulnerable, compliant but filled with a rage, when she sobs silent, despairing tears, her grief and anger is sorely palpable.

Easy on the eye, Anthony Ward’s set is stunning; clever, evocative and stylish, it is also beautifully complemented by Mark Henderson’s lighting.

The ruthless marching of time is one of the play’s key themes. In Jonathan Kent’s undeniably ‘classy bird’ there remains a niggling sense that the pace needs to be stepped up.

Sequential Drawings The New Yorker Series By Richard McGuire

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richardmcguire sequentialdrawing

I really loved this book of drawings from Richard McGuire. Not only does it tell a story, but I also found it meditative. A wonderful book to add to any art lovers collection. 

From the author of the widely acclaimed graphic novel Here, awarded the 2016 Prix D’or for best graphic album at Angouleme, a new graphic work that celebrates another aspect of his incomparable genius.
Sequential Drawings gathers together more than a decade of McGuire’s witty and endlessly inventive spots a veritable short-story collection each drawing given its own spread, which, in turn, assures for the reader the experience of surprise and delight that the drawings unfailingly deliver. Richard McGuire’s first series of “spot” drawings debuted inThe New Yorker in February 2005 for the magazine’s 80th anniversary issue. Spot drawings, scattered among the magazine’s text, had been a long-running feature of The New Yorker, and over the years, many artists had contributed them. But McGuire was the first to conceive them as a sequence, and his drawings were something altogether new: deceptively simple images that imbued the series with movement and narrative, telling their own unexpected stories.
With illustrations throughout and an introduction by Luc Sante.

 

RICHARD McGUIREis a regular contributor to The New Yorker. His comics have appeared in The New York Times, McSweeneys, Le Monde, and Liberation.He has written and directed two omnibus feature films: Loulou et Autre Loups (Loulou and Other Wolves, 2003), and Peur(s) du Noir (Fear[s] of the Dark, 2007). He designed and manufactured his own line of toys, and is the founder and bass player of the band Liquid Liquid.Here was based on his six-page comic that appeared in RAWmagazine in 1989 and was quickly acknowledged as a transformative work that expanded the possibilities of the comics medium.”

Sequential Drawings: The New Yorker Series is available here.

 

Teresa Mills’ Mosaics Review by Margaret Graham

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At Frost we love to see something just that bit different, and Teresa Mills’s products certainly fit the bill.

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Teresa is the author of four best selling books on mosaic art which I found interesting  even before I laid eyes on the Pixelated Mosaic Kits, because I have had  a fascination with mosaics ever since I saw my first Ancient Roman floor. But wouldn’t Teresa’s kits be a fiddle? Wouldn’t any child end up having a tantrum as they struggled to cut and grout the tiles?

No, actually, that’s the beauty of the kits. The tiles fit the pixelated design exactly without cutting and grouting so absolutely no need to run screaming from the room with grout in your hair, pursued by your child, or grandchild who has been driven to fury by the fiddle of it all.

These tiles are a manageable size, and the quality is excellent. My favourite (because I like them)  is the butterfly. Everything comes in a cotton bag, the base board is wooden, and the tiles are glass, glitter and silver.

Megan Cannell, who edits our Young Voices thread, had a go. She is 15 but you’re never to old to be creative and she found, as did I, that the tiles are not too small, and are easy to fix. The colours are vibrant, and we felt they’d be just right for Mabel, who is eight, or for a young lad we know.
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I do like quality products and I hope that Teresa is on to a winner here, especially with winter and Christmas not too far away. Grannies, who seem to do a fair bit of child care these days, will welcome these kits with open arms. I just feel that anyone, young or old, who produced the finished article would find a sense of satisfaction – a piece of creative craft well done. Let’s face it, it must encourage the creativity that lies within everyone, and that is always a good thing.
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These Pixelated Mosaic Kits are handmade in the UK, and the team at Frost highly recommend them. They are reasonably priced too. The three above are £11 each.

Available in a variety of designs, from insects and animals to shapes and letters, they are an ideal way to delve into the wonderful world of mosaics.  Each kits contains all you need to make your very own mosaic masterpiece.  Handmade in the UK from high quality materials, each kit comes in its own beautiful cotton bag with the design printed on the front.  They are suitable for all ages and are perfect for keeping the kids busy or as a boredom buster.

For more details: www.teresamillsmosaics.com