99 objects about Europe & us by Margaret Graham

In this year when our political relationship with the continent has been so hotly debated, the National Trust have put together a selection of objects from their vast collections that help examine our nation’s rich and ancient cultural connections to our neighbours. This is a fascinating digital diary, and we’ve included a couple of excerpts here. It is a great idea to check in each weekday to find out what stories our objects have to tell.  But here are a couple to be getting on with.

Day 35. Campi phlegræi. Observations on the volcanoes of the Two Sicilies as they have been communicated to the Royal Society by Sir William Hamilton … Date 1776 Place of origin Italy. On show at Wimpole, Cambridgeshire, East of England, National Trust.

Not sure that I’d hang about as a live volcano does what it likes to do, but Lady Emma Hamiliton’s husband, Sir William Hamilton was made of sterner stuff. Campi Phlegraei or ‘Flaming Fields’ is a first-hand report of the spectacular eruptions of Mount Vesuvius written by Sir William Hamilton, the British envoy to the Neapolitan royal court and expert volcanologist. Perhaps he saw it as a metaphor for his wife’s raging affair with Lord Nelson which was burning strongly at the time? As a diplomat, Hamilton entertained many visitors and frequently accompanied them on the perilous ascent of the live volcano without a hard hat or flame-proof jacket in sight.  The area’s history of volcanic activity, including the recently excavated nearby classical sites of Pompeii and Herculaneum, made it a popular tourist destination for wealthy travellers making the Grand Tour.   Hamilton’s text is a wonderful example of a beautifully illustrated treatise from the Age of Enlightenment – when science clearly came before health and safety.

Day 8  Harp. Sebastion Erard 1732 – 1851 On show at Lyme Park, Cheshire.

The maker of this particular harp was the Frenchman, Sébastien Erard. Prior to establishing his firm in London, Erard was closely associated with the Bourbon court including the harp-playing Marie Antoinette, whose arrival to Versailles in 1770 fuelled the rage for the instrument amongst the French elite.   But by the early 1790s, with many of his clients facing certain death by guillotine, Erard fled France for London where he established a shop on Great Marlborough Street. There he honed his craft to such a degree that by 1794 he took out the first British patent for the harp to protect his innovations. In 1800, the Princess of Wales bought one of his harps and the success of his firm was ensured; by 1810 he had sold nearly 1400 of his stringed instruments from his London outlet alone.

http://www.nationaltrustcollections.org.uk/.

 

 

Chichester’s summer musical is a top dollar delight

Half a Sixpence
Chichester Festival Theatre
Until 3 September. www.cft.org.uk 01243 781312

Photo credit: Manuel Harlan

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Taking David Heneker’s original musical and giving it an almighty kick up the behind, the result is a slick, stylish and fabulously feel-good show.

Set in Edwardian England and based on a story by H.G. Wells, Arthur Kipps is a young lad with dreams beyond selling curtain fabric to the well-to-do. Bidding farewell to childhood sweetheart Ann (Devon-Elise Johnson) to take up an apprenticeship as a draper in Folkston, Kipps splits a sixpence in half so they will each have a memento of the other. Alas, our hero has his head turned by the genteel Helen Walsingham (Emma Williams) and, following a stroke of good fortune that transforms him into a man of means, he promptly proposes to her. But getting to grips with etiquette is a minefield that he struggles to navigate and makes him wonder if becoming a gentleman is all it’s cracked up to be.

sterFestivalTheatre'sHALFASIXPENCE.PhotobyManuelHarlan43Chichester’s sixpence is definitely all the richer for having been overhauled. Thanks to Julian Fellowes new book and George Stiles and Anthony Drew’s additional songs, and their arrangements of the original score, the simple story is now fluidly told to sparkling effect.

Under the direction of Rachel Kavanaugh a superb and energetic cast give their all, with no shortage of oomph, flash, bang and wallop. But it is to newcomer Charlie Stemp as Kipps that the big applause belongs. The full triple threat, with buckets of charm and a beaming grin that warms right up to the back row and beyond, this young man is surely destined for a career that is going to give him plenty to keep smiling about.

A co-production between Chichester Festival Theatre and Cameron Mackintosh Productions, there’s simply not a  duff element. A musical gem that shines as brightly as a newly minted coin, the title may be low budget but Chichester’s big summer musical is a top dollar delight.

The Art Conference (TAC) – a new festival this July which sounds interesting

 

The Art Conference will bring together international speakers from the worlds of technology and art. It sounds suitably hectic and stimulating with Bermondsey’s The Ugly Duck, a three-storey 19th century warehouse,filled with film screenings, panel discussions, digital art installations and an outdoor food court.

The entire ground-floor will play host to a free exhibition which will be open to the general public and it is hoped that pairing the works of local creators alongside internationally-acclaimed visionaries will allow the conference to evoke achievable aspiration in attendees.

Exhibiting artists include Will Vibes, Dan Witz, Tinsel Edwards, Maser, Colin McMaster, Jose Montemayor and Robert Montgomery.

Visitors will also be treated to food and drink from local chefs in the outdoor food court, while networking breakfasts and afternoon teas will be provided by Unity Kitchen, a social enterprise that helps to create jobs and apprenticeships for people with disabilities.

TAC aims to create valuable digital content and interaction with the art and creative community through digital sharing. Using platforms like Facebook and YouTube, TAC will generate an online following and create a digital version of its conference.

Just to round it off, Maser will create a light construction which will be built across the length of a tunnel in the warehouses and Jose Montemayor will present virtual reality booths using the latest technology to take visitors to an alternative dream world.

Why not give it a go?

The Art Conference.
Saturday 23rd – Sunday 24th July 2016.

11am – 8 pm. The Ugly Duck, 47-49 Tanner Street, London SE1 3PL

Furious Folly by Mark Anderson

 

Furious Folly, created by Mark Anderson, takes place as night falls in a no-man’s land on the battle front. Audiences of up to 2,000 people per night find themselves immersed within an open-air collage of sound, light, pyrotechnics and performance.

Commissioned by 14-18 NOW, the UK’s arts programme for the First World War centenary, Furious Folly is one of 27 new commissions exploring how the Great War has impacted on the society we live in now.

Anderson, a specialist in multi-media and site specific performance leads a team of artists, who draw on the anti-war spirit of the early 20th Century Dadaist movement. Furious Folly challenges the inhumanity and senselessness of conflicts past and present.

 

Twice Turner Prize-nominated artist Richard Wilson, who has collaborated with Anderson on a number of projects, comments, Anderson has spent his professional career creating audio visual alchemy that uses light, heat, vibrations, electricity, oscillating chemicals and paraphernalia to dazzle our eyes and startle our imaginations. 

This immersive experience will take place in Oxford, Birmingham and Stockton – all chosen for particular local resonances with World War I and the themes of the show.

Created at 101 Outdoor Arts Creation Space. Produced by Corn Exchange Newbury and OCM in association with Oxford Playhouse, Birmingham Hippodrome, Oxford Festival of the Arts and Stockton International Riverside Festival. Co-commissioned by 14-18 NOW and Stad Poperinge.

Furious Folly by Mark Anderson 17th – 18th June. School Field, Magdalen College School, Cowley Pl, Oxford OX4 1DZ

8th – 9th July Sutton Park, Sutton Coldfield, Birmingham

4th – 5th August 2016 Preston Park, Stockton on Tees

Free but must be reserved in advance

https://www.1418now.org.uk/commissions/furious-folly/

 

 

ISABEL UPs & DOWNs | Down Syndrome Artist Uses Art To Cope, Brother Gets Her In Galleries

art, down syndrome ISABEL UPs & DOWNs | Down Syndrome Artist Uses Art To Cope, Brother Gets Her In GalleriesSibling love is a beautiful thing. Isabel, a 33-year-old talented artist with Down Syndrome, has had her work displayed in galleries thanks to her brother Ryan. Isabel has used art to cope with her condition. Here is her story in the words of her brother.

“Isabel started painting as part of her therapy to battle depression and through this we noticed that she really has a talent for it. My family and I were concerned when she stopped painting, so I basically just shot my mouth off and promised her that’d I’d get her artworks seen in a gallery in London.

So, I started sending out emails with high res snaps of Isabel’s works and eventually she was selected for an exhibition at the Menier Gallery in London Bridge. Through this, two other galleries have offered exhibition space. Until a few years ago she was a bubbly, outgoing young woman Recently, her mental state has deteriorated substantially and she has been fighting a string of terrible behavioural patterns like obsessional washing, self-harming and now has a severe depression along with very low levels of self-esteem.  My mother takes her to a psychiatrist once a week and painting forms a substantial part of the therapy. Through this we discovered Isabel’s passion and talent. Unfortunately, Isabel thinks that there is no point in her continuing to paint, since nobody will ever appreciate or look at the works of a Down syndrome person. I am determined not to let her talent go to waste and to show her that there is an audience out there. To motivate her to carry on, I promised that I’d find a way of getting her work seen in galleries and this has become a huge source of motivation and joy for her.”
Ryan has already succeeded in helping Isabel, who lives in Berlin. Why not give your support? Click on the links below to get involved.

facebook.com/isabelupsdowns

http://www.isabel-ups-downs.org/index.html

Surrealism, Me And Rene Magritte By Wendy Breckon

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Picture the scene. Beaming toddler leaps down the path clutching a painting. Circles, squiggles, and wavy lines in bright zany colours. Mum or Dad sweep up the impressive piece of artwork, pinning it on to the fridge for all to admire. Could this be the start of a burgeoning art career, the beginnings of a future Monet or Picasso? In the same way, when a little child kicks a ball around with some nifty footwork in the park, the idea of a famous footballer such as Lionel Messi in the family remains a fascinating thought. The answer is you won’t know yet, but there’s always a possibility.

I loved art and wielding a paint brush from an early age. Once, there was a zealous moment at the age of four, when our black farm cat burst out in oversized orange spots. Well… er… with some help from me as I pursued him round the garden.

Our secondary school in Ireland was hot on literature and culture. Yippee! Sandwiched between the intricacies of science and the sheer terror of Maths, was the History of Art with a superb teacher. I soaked it all up. Lowry, Matisse and Constable, with their fascinating lives and influences.

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Rene Magritte has always been one of my favourite artists. Born in 1898, he lived most of his life in Belgium. He shunned the intellectual and artistic life of the capital, preferring to live with an unassuming identity. For him, the art of painting was a means of knowing life better and at the same time, liberating things from their familiar roles in everyday life. We are used to the images of birds in cages or apples on trees. Our interest is awakened more readily if the bird is replaced by a fish or a shoe. As a surrealist painter, Magritte had the knack of showing both the absurdity and contradiction in reality.

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He has been described as a, ‘painterly Lewis Carroll’, who created a wonderland for children in his book, Alice in Wonderland, with the tales of the Queen of Hearts, the Mad Hatter and the White Rabbit. Maybe this is why I remain fascinated by Magritte, as this story was my favourite as a child. I spent a lot of time turning the pages and imagining I was Alice.

To look at a Magritte painting is to see through the barrier of time. His vision of the world, was one in which the people and things around him, could quite easily turn into something else. Bowler hatted commuters hung in the clear skies like April showers and express trains rushed out of open fire places.

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The ultimate experience for an art lover, was a visit to the Rene Magritte Museum three years ago with my son. This building on the Place Royale, in a neoclassical hotel, houses a collection of original sculptures and drawings, in addition to the two hundred paintings. As I hovered in front of the artist, who I’d admired so much as a teenager, I was able to appreciate for the first time all his wonderful work, in the moody, half lit interior… the perfect setting. I will never own one of Magritte’s paintings, but the close proximity to this master of fantastic art was an experience to remember.

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30 Days of Gratitude Day 28 #30daysofgratitude

Today I am grateful for art. While I don’t find a lot of time to do my own art much, I still find joy in others. I love art galleries and museums. Discovering new artists is also one of my favourite things. Below is some of my art which I did years ago. I am going to make sure that I start drawing more this year. The last picture is a drawing of my son and I by Holly Thomas. I love it and we have it framed and on display. It was a wonderful present from Holly.

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Catch up on other days:

Day 1.
Day 2.

Day 3.

Day 4.

Day 5.

Day 6.

Day 7.

Day 8.

Day 9.

Day 10,

Day 11.

Day 12.

Day 13.

Day 14.

Day 15.

Day 16.

Day 17.

Day 18.

Day 19.

Day 20.

Day 21.

Day 22.

Day 23.

Day 24.

Day 25.

Day 26.

Day 27.

What are you grateful for?

 

 

Glass Inspiration with the artist Gloria MacArthur by Wendy Breckon

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Enter the fantasy world of Gloria MacArthur’s light filled studio in leafy Hertfordshire and admire the fabulous glasswork dangling from the ceiling, the funky jewellery and bright dazzling bowls glinting on the open shelves.

All work is fired in the kiln, where coloured frit glass in sand or egg shell form, is usually fused between two layers of sheet glass to make weird and wonderful artefacts. Gloria has been practising as a glass artist for fifteen years and specialises in using float, bullseye, andMurano glass. She can also casts sculptures using Gaffa glass.

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Her cosy, intimate studio is tucked away in the beautiful grounds of Ponsbourne Manor, in the lovely village of Newgate Street twenty miles from London and four miles from the M25. The perfect setting to relax and meet other people.

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Gloria grew up in Huddersfield in the industrial North. Here, creativity thrived and flourished in the home environment. Artistic crafts and skills were passed on and encouraged by both parents. Her father was a loom tuner in a textile mill, who often experimented at home, making objects in wood. From an early age, she too became fascinated by this, as well as the medium of textiles and collage. All of her three sisters were very artistic. Their mother, recognised the combined talents of her daughters, and entered them in art competitions which the Drurey girls often won.

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Gloria worked in the mill for three and a half years, before deciding to gain the qualifications for a career combining teaching and art. Eventually the bright lights of Brighton beckoned! Her final exam degree piece was a soft sculpture of an enormous chain hanging down with a broken piece on the ground. For many years she was a successful Head of Art, becoming fascinated eventually by a love of glass and the new opportunities presented, to experiment with glass artefacts at the University of Hertfordshire.

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The courses offered in Gloria’s studio are, a whole day with lunch, (£70) or a half day (£40), for up to four people. The next one is Sunday 29th May followed by Thursday 16th June. Perfect for a group of friends, an individual, a birthday gift or any other special occasion. Different levels of ability are catered for and there is much individual attention from this superb contemporary artist, who enjoys passing on her many skills.

The emphasis will be on learning glass techniques, such as cutting, slumping, using different moulds and a wide variety of materials. People go home with at least three items such as a funky glass mirror frame, a quirky piece to display in the window or hang on the wall, or maybe a striking pendant or earrings.

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Gloria also offers longer courses at the Courtyard Arts Centre in Hertford, where students can develop extension skills. Her eye catching pieces have been displayed at the Cambridge Glass fair, the Knebworth Glass Fair and the Herford Art Trail.

As I gaze around the studio, my eyes are drawn upwards to the soft blue and white shining glass of a boat set in driftwood, spinning above my head. If I don’t leave with that piece, or one of Gloria’s abstract clock designs, her latest project, I will be most surprised!

Inspiration comes from many sources. One, the colours and images of the English landscape, the famous glass artist Dale Chihuly, and the Japanese artist Hokusai renowned for his images of Mount Fuji.

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So, if you are seeking fun and inspiration, or feel the desire to learn a new skill, this talented glass artist with a contemporary vibe will be the right person to ‘fire’ and develop your imagination.

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To contact Gloria for a commission or take part in a course email her at gloria.macarthur@btinternet.com or phone her on 01707870734.