Tag Archives: Art

The May Fair Hotel Appoints Artist in Residence For Art13 London

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Situated in the heart of the Mayfair village, the May Fair Hotel has been a by-word for artistry and elegance since the twenties. To celebrate it’s status as the official hotel partner for Art13 London; London’s most exciting new art fair (Olympia Grand Hall, 1-3 March 2013), the luxury hotel has appointed it’s very first Artist in Residence.

 

British fashion and celebrity portrait artist Marc McGreevy has been commissioned by the May Fair Hotel to capture the scenes, sights and sounds of one of London’s most iconic hotels. Guests of the hotel during Art13 London will have the opportunity to take home their very own unique portraits by Marc McGreevy and view the artwork on an exclusive online gallery.

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Images left to right: Marc McGreevy; Charlie France sketch by Marc McGreevy; Jourdan Dunn sketch by Marc McGreevy; The May Fair Hotel, London.

 

Marc McGreevy is an internationally acclaimed fashion artist and designer.  He began his career designing fashion layouts and creating unique jewellery collections for high fashion magazines such as Elle and Vogue.  Marc’s passion for fashion and illustration coupled with his natural creativity has secured him a position as one of Britain’s finest.  He now travels the world illustrating the most spectacular fashions with unrivalled flair, sophistication and poise.  Previous commissions include Jerry Hall, Actor David Morrissey, Actresses Joan Collins, Linda Gray, Kim Cattrall and Academic Germaine Greer.

 

Marc McGreevy will be in residence at the May Fair Hotel daily from 3pm-6pm, 1-3 March 2013.  Guests will have the opportunity to take their own exclusive art-work home with them. Illustrations will also be exhibited in an online gallery www.themayfairhotel.co.uk.

 

The May Fair Hotel, 
Stratton Street, 
London, 
W1J 8LT,

 

 

Artist Stirrups Horsemeat Controversy.

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A piece of art shocked commuters in the capital yesterday as graphic artist, Patrick Thomas, debuted his latest provocative piece, ‘Moo’, to the public, making more than a subtle nod to the current horse-meat scandal.

 

Ahead of the Affordable Art Fair which takes place early next month, the Berlin-based artist, known for creating powerful messages through the use of iconic images, previewed ‘Moo’ at Leicester Square where the artwork was aired across the tube station throughout the day.

The piece attracted plenty of attention with many commuters posing next to the displays and tweeting their amusement. However, some remained oblivious as they tucked into their burgers and strolled past the art with their weekly shopping.

Artist, Patrick Thomas, who created the piece said “It is the job of an artist to be witness to his time in history and art should have a social function and be an intrinsic part of everyday life. Art can be a powerful weapon and although this print is intentionally humorous; in the context of the horsemeat scandal currently dominating the UK press – it conceals a darker message.”

Patrick Thomas is one of thousands of contemporary artists showing at the Affordable Art Fair this March and can be found at Outline Editions’ gallery stand. The ‘Moo’ silkscreen print is an edition of 100, priced at £145 each.

The Affordable Art Fair is London’s friendliest and most welcoming art fair, with all art priced from £40 – £4,000, the fair runs at the Battersea Evolution building in Battersea Park from 7 – 10 March.

Jessica Ennis, Andy Murray Make Who’s Who

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Who’s Who in 2013?

The new edition of Who’s Who is out with some exciting new entries. Including some of Britain’s brightest athletes.

The 165th edition of Who’s Who brings together over 33,000 autobiographical entries from people of, influence and interest in every area of public life. Featuring just over 1,000 entries new for this edition, Who’s Who 2013, published on 3rd December 2012, celebrates the achievements of British Society. An invaluable research tool and a unique way of measuring social change, it is the longest established and most comprehensive general biographical reference book. An invitation to appear in Who’s Who recognises lasting distinction and influence. An entry in Who’s Who is for life.

Preface by Arianna Huffington

Arianna Huffington, President and Editor-in-Chief at the Huffington Post Media Group, is a new biographee for the 2013 edition. She has written this year’s foreword, in which she considers the ways in which technology is rapidly transforming the media.

Olympic Idols

Included for the first time in the 2013 edition is Heptathlon darling, Jessica Ennis, who won gold at the 2012 Olympic Games. At just 26 years old, her impressive resume includes an Olympic gold, two World Championship medals, two World Indoor Championship medals, a European Championship medal and a Commonwealth Games medal.

Double Olympic gold medallist, Mo Farah makes a welcome entry this year, as does professional tennis player and Olympic gold medallist Andy Murray. Born in 1987, Murray is the youngest non-hereditary new entrant.

Entertainment

Presenter and journalist, Gabby Logan is a new addition to Who’s Who 2013. She represented Wales in rhythmic gymnastics at the 1990 Commonwealth Games, before carving out a career in broadcast where she recently presented at the 2012 London Olympic Games.

Included in the 2013 edition is author and Times columnist Caitlin Moran, who was named Critic of the Year and Interviewer of the Year at the 2011 British Press Awards. She lists her recreations as ‘hair biggening, cava, eyeliner, The Struggle’.

Comedian and songwriter Tim Minchin, who composed the music for Matilda the Musical is included in Who’s Who for the first time, as is fellow comedian Richard Ayoade. Richard starred in The IT Crowd and has directed music videos for the Arctic Monkeys and Super Furry Animals, amongst others.

Cooking Sensations

Two star Michelin chef, Michael Caines is a new biographee for the 2013 edition. Head Chef at Gidleigh Park in Devon and Bath Priory, Michael appeared in Celebrity Masterchef 2011 and is one of Britain’s most acclaimed chefs. He is joined by Nathan Outlaw, another South West based chef, who enjoys ‘collecting cookery books’. Star Wars fan Nathan is a two star Michelin chef who has two restaurants at the St Enodoc Hotel, in Cornwall.

Family Connections

The Mayor of London Boris Johnson’s brother Leo, Partner of PricewaterhouseCoopers Sustainability and Climate Change and sister Rachel, Editor-in-Chief of The Lady, are new names for 2013. Boris, another brother Joseph and father Stanley are already in Who’s Who making them one of the most successful families in the yearbook.

Another well-connected new entrant is Rachel Wolf, Director of the New Schools Network, who began her career as a researcher for Boris Johnson and whose mother and father are both already in Who’s Who.

Trivial Pursuits?

Lord Haskins, former Chairman of Northern Foods and Express Dairies plc, has updated his recreations to include ‘only-in-emergency harvest tractor-driver’, while Zai Bennett, Controller of BBC 3, and a new entrant for the 2013 edition, reveals his pastimes to include ‘impersonating primates for baby daughter’.

Writer and broadcaster on architecture and design, Thomas Dyckhoff’s recreations include ‘gluttony, staring out of the window, butchery and pie-making’ and Antonia Romeo, Director General of Transforming Justice at the Ministry of Justice, enjoys ‘Star Wars, Lego’. Host of Radio 2’s The Art Show, Claudia Winkleman, is another welcome addition to the 2013 edition. She lists her recreations as ‘sleeping, cuddling and bothering the children’.

Who’s Who in Numbers

4.5 tonnes – the weight of Who’s Who if all the UK’s inhabitants were in it (the weight of an Asian elephant!). It would be 94 metres thick, which is the height of the O2.

6th – where Who’s Who would have come in the medal table if it had been a team at the London Olympics (12 golds, 4 silvers)

80 – the number of jumbo jets it would take to transport everyone in Who’s Who

91 – the age of the oldest new entrant in Who’s Who 2013, Professor Yoichiro Nambu, Emeritus Professor at the University of Chicago

Who’s Who 2013

Published by A&C Black, 3rd December 2012

Hardback £235.00

Print-and-online edition £325.00 (available from Oxford University Press, visit www.ukwhoswho.com

HRH The Duchess of Cambridge unveils Natural History Museum Treasures

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Her Royal Highness The Duchess of Cambridge was guest of honour at the grand opening of the Natural History Museum’s new Treasures gallery this evening. Treasures displays 22 of the most extraordinary specimens that have ever been on show at the Museum, and opens 30 November to the public.

The Duchess, who wore a green Mulberry dress for the evening, commented:

‘The Natural History Museum has a very special place in the heart of this nation. William and I are just two of millions of people who have passed through these doors, and marvelled at the spectacular wonders of the natural world, housed in this beautiful gallery. I care passionately about what this museum stands for.  Being here tonight, seeing some of nature’s finest treasures, reminds me just how precious and awe inspiring the natural world is. That is why the opening of Treasures is so incredibly exciting.  If it were ever needed, there is now even more reason to visit this wonderful museum.’

The Duchess met curators and viewed four star specimens in detail:

  • Archaeopteryx fossil – the most valuable fossil in the Museum’s collection, this 47-million-year-old rock slab contains the remains of the earliest known bird. With its combination of bird and dinosaur characteristics, it is a famous snapshot of evolution in action.
  • Audubon’s The Birds of America – the world’s most expensive book and one of the best-known natural history books ever produced. It was first published in double elephant folio size between 1827 and 1838 and is famous for its stunning life-size illustrations of birds.exquisite glass models of marine life
  • Charles Darwin’s pigeons – Darwin’s pigeons provided him with the crucial evidence for the theory of evolution by natural selection. He bred them in his garden as an experiment and donated these fancy breeds of rock dove to the Museum in 1867
  • Wold Cottage meteorite – earliest surviving meteorite seen to land in the UK. The rock formed during the birth of the solar system, 4.6 billion years ago, and was seen to fall near Wold Cottage, Yorkshire, in 1795, confirming the extra-terrestrial origins of meteorites.

Each of the 22 objects have been hand-picked by Museum scientists for the fascinating story it has to tell and all objects represent an important part of the Museum’s scientific, historical, social and cultural worth.

Treasures in the Cadogan gallery is free to visit, giving a snapshot of the vast collections in a short space of time. It is located in the upper mezzanine floor of the awe-inspiring Central Hall, overlooking the iconic Diplodocus.

Dr Michael Dixon, Director of the Natural History Museum said;

‘We are thrilled Her Royal Highness joined us to celebrate the opening of Treasures. We hope that she is the first of many visitors to discover everything the Museum represents in this special gallery.’

Re-examination Pays Dividends

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New Possibilities: Abstract Paintings from the Seventies at the Piper Gallery

This exhibition presents the work of artists whose work became less fashionable during the 1970s with the rise of conceptual and performance art.  While these artists are still working today, most of the work on display is from this period.  This is a very diverse exhibition: all of the artists have very individual styles.  However, a common feature is an attention to craft, precision and formal values in painting.

The range of approaches is very clear when you compare the work of Tess Jaray and Frank Bowling.  Tess’ Alhambra (1979) is deceptively simple at first glance, but closer examination draws the viewer in and reveals the surprising complexity hidden in what you believe to be predictable pattern.  What at first appears to be a repetitive motif, on closer observation shows itself to have complex variation in colour, form and scale.  Frank Bowling’s Rush Green (1977) seems to be more the sum of its parts.  His deployment of paint by pouring it directly onto the canvas and utilising flow may seem haphazard, but on inspection the result is more mysterious.  There appears to be an equivalence with art from the past – for example, Monet’s paintings of the garden at Giverney – sustained attention is rewarded.

William Henderson and Barrie Cook both use a particular vocabulary to produce very different results.  Henderson’s Funky, Black and Catch Me (1978) creates a feeling of depth and jaggedness, with a definite sense of illusionistic space, reminding one of the microscopic world when magnified.  Cook’s Blue, Red and Yellow Grid (1977) is an optical work which plays with the eyes.  It is reminiscent of cathode ray tubes warming up in a old-fashioned television.  There is a richness in the fact that the two paintings, both using repetitive linear forms, can produce such varied results.

Other highlights of the exhibition include Gary Wragg’s Carnival (1977-79), which is driven by the process of drawing; Patricia Poullain’s Untitled (1973), which has a lightness and openness whose accessibility reminds one of a childhood telescope; and finally, Trevor Sutton’s measured, well proportioned That Swing.4.K (1979) combines electric blue and black, demarcated by a delicate green line.  The piece is poised and balanced and seems to be very much of its time.

If you like your paintings to repay prolonged attention, then New Possibilities at the Piper Gallery is definitely worth a visit.

New Possibilities: Abstract Paintings from the Seventies is at The Piper Gallery, 18 Newman Street, W1T 1PE from 16 November to 21 December

Written with Ian MacNaughton

(Pictures courtesy of the artists and The Piper Gallery)

London’s First Art Busker

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One of Britain’s most aspiring young contemporary artists has become the capital’s first ever art busker, hitting the concourse at London St. Pancras station to capture still life scenes for public entertainment.

Rosie Emerson, whose work has appeared in Vogue and is billed as ‘beautiful, original and highly collectable’ shunned her studio for one of the UK’s busiest railway stations, swapping a guitar for canvas, easel and a life model to perform for an estimated 100,000 commuters as they made their way to work on Monday morning.

Regular visitors to St. Pancras will be used to seeing independent musicians in the popular busking spot but this is the first time an artist has taken up the iconic space. The unique performance precedes the opening of the Affordable Art Fair which launches in the capital this Thursday.

Rosie, who has exhibited widely in the UK, as well as in Europe and the US, donated the £205.40 made during her busking session to the Affordable Art Fair’s chosen charities; Caring for Courage and Keats Community Library.
Rosie comments, “I loved seeing all the surprised looks from people rushing to work when confronted with an artist and a life model busking. Why should busking be limited to musicians? I think my artistic interpretation turned heads and got people talking! I’m looking forward to displaying my work at the Affordable Art Fair and delighted to have raised so much money for worthy causes whilst having such fun.”

Nicky Wheeler, MD of the Affordable Art Fair UK said “We decided to bring the excitement of the Affordable Art Fair to the streets of London and remind the capital that creativity is all around us every day. Rosie brightened up a grey and rainy morning for commuters and we hope she has inspired a few people to pick up a paintbrush or start up an art collection of their own as a result.”

Rosie will be one of hundreds of artists whose work will be on sale to the public at the upcoming Affordable Art Fair, taking place in Battersea Park (25-28 October) and Hampstead Heath (1-4 November).

Vogue On Designers | Book Review

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VOGUE ON

Elsa Schiaparelli, Coco Chanel, Christian Dior, and Alexander McQueen

Out Now, £15 each, hardback

 

 Sometimes I love my job, and the opportunity to review these books was one of those times. These books are as beautiful, elegant and enjoyable as the designers the books are about. I love the layout of the books and each one has great quotes from the designer.

Vogue on: Coco Chanel, by Bronwyn Cosgrave. Vogue on Chanel may be a short book but it is incredibly comprehensive. The book is full of pictures and quotes. It is hard to read the story of Coco Chanel’s life and not be inspired by what an amazing business women she was. To Vogue’s credit it does not brush over the rumours about Nazi collaboration (Chanel had an affair with a German officer during World War II) and the book is well-researched and beautifully written. The Vogue archive pictures are to-die-for and I learnt a lot from reading this book. Coco Chanel managed to leave her mark, not just fashion, but also the world. An excellent businesswomen she built an entire empire by creating a signature look.

Coco Chanel’s private life was as interesting as her business. She dated the Duke of Westminster and traveled in high society. She was backed by Kitty De Rothschild who stated, “I shan’t buy a thing without showing her. That child’s got more taste than the rest put together.” After this stamp of approval the elite of the day bought her clothes in droves, and still do.

I loved this book. It is a triumph for Bronwyn Cosgrave. A perfect gift for Christmas and beyond.

 

Vogue on: Alexander McQueen,  by Chloe Fox. This book is different from the others as I actually remember Alexander McQueen, and was very upset when he tragically took his own life. He is the most modern of the fashion designers and I remember some of the collections. For 15 years the mouthy, East-End, working-class boy-did-good, McQueen was deliberately controversial.

Talented beyond belief, McQueen was also arrogant, likable and visionary. He knew how to be quotable and work the press as much as he knew how to design beautiful, wearable clothes. This book has a ting of sadness as both McQueen and Isabella Blow committed suicide. Blow had ovarian cancer and McQueen killed himself not long after Blow, and then his mother died

McQueen’s label lasts and the mantle has been handed to Sarah Burton, who designed the wedding dress of Kate Middleton. Burton talks fondly of her former boss in this book.Burton says, “He was my inspiration everyday. Everything I know, I learnt from him.”  In fact, the book has access to all of the main players in McQueens life. A must have for fashion lovers and McQueen fans.

In this book Plum Sykes says, “The fact was, Alexander created a new silhouette for a generation. When you look back at the history of fashion, the only designers with any longevity – from Balenciaga to Dior to Yves Saint Laurent – are the ones who created their own iconic shape.” This quote is what you learn from Vogue’s series of books on designers: they all created their own shape.I really hope there will be more books in this series.

 

Vogue on: Christian Dior, by Charlotte Sinclair. Dior was such a visionary that he completely changed how women dressed. The ‘New Look’ he invented stunned the fashion world and had a cataclysmic effect. The truth is, Dior did more than create a look, he created a revolution. When Dior showcased his new range so many people would come that even the staircases would be filled. There is a wonderful picture of Marlene Dietrich in this book, clutching her ticket as a child would hang onto candy. This book, and indeed all of the others, is not just a book on fashion, but a book on history. Vogue on Christian Dior is a fascinating read, I could barely put it down. I could also stare at the pictures for hours.

All of Diors couture clients had their own mannequin that was made to their own measurements. Upon reading this I rather longed to be incredibly rich and that Christian Dior was still alive, as it sounded so romantic and wonderful. One of the reasons Dior was so successful was because he gave women what they wanted. “I brought back the neglected art of people pleasing.” He said.

Of course, all of the designers these books are about are dead now. An era ended. Even Alexander McQueen, sadly gone too soon. I hope Vogue do more books in this series. Yves Saint Laurent would be an obvious, and much deserved, subject.

Vogue on: Elsa Schiaparelli, by Judith Watt. Like the rest of the books in the series, Vogue on Elsa Schiaparelli is well illustrated, picture perfect and wonderfully written. Schiaparelli may not be as well known to the wider public as the other designers but she remains influential.

Schiaparelli was also a rare thing, even today: a female fashion designer. She had a lasting rivalry with Coco Chanel who was dismissive of her. Schiaparelli was born into high society but lost all of her money after her husband spent her dowry and then left her and her young daughter. She went to work and managed to open her own label. She said: ‘Poverty forced me to work, Paris gave me a liking for it.” Schiaparelli  not only managed to design her own “look”, she also made designs for different types of women, no matter what their body shape or personality. She was also an artist, collaborating with Salvador Dali and Man Ray,

This book is a brilliant story of flair, tenaciousness and perseverance. A wonderful book.

“Life on the dotted line was of no possible interest.” Elsa Schiaparelli

 

Vogue On is an influential and covetable series of short books from the fashion bible Vogue, celebrating the defining fashion designers of the last century.  The first four books in the series illuminate the significance of Elsa Schiaparelli, Coco Chanel, Christian Dior and Alexander McQueen, each pioneers of their time, and draw extensively on the Vogue archive, the definition of portraiture and fashion illustration. 

 

Alexandra Shulman, Editor of British Vogue, comments “Vogue On offers an authoritative overview of the work of the 20th century’s most influential designers. Unique access to the treasures of the Vogue library combined with concise, elegant and informed writing ensures that this series is an unmissable addition to any student or enthusiast of fashion’s library.”

 

Vogue, the international fashion bible, has charted the careers of designers through the decades. Its unique archive of photographs, taken by the leading photographers of the day from Cecil Beaton to Mario Testino, and original illustrations, together with its highly respected fashion writers, make Vogue the most authoritative and prestigious source of reference on fashion. No magazine is better positioned to present a library on the most influential fashion designers of the modern age.

 


 

 

London 2012: The Volunteer Games. The Legacy Lives on

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While most of us were happy to just sit back and watch the games photographer Felix Kunze had something else in mind. A hugely ambitious project to photograph the London 2012 Volunteers. Kunze’s managed this with aplomb and even caught the attention of The Guardian who paised it saying:

“A stunning portfolio of portraits in which he sought to illustrate the spirit of the men and women he calls “heroes of London 2012.”

Roy Greenslade – The Guardian The London 2012 Volunteers Portrait Project

We have got the lowdown on this impressive project by Felix in his own words.

“My London 2012 Volunteers project has become a microcosm of the Olympic experience. It has been garnering all sorts of attention online and has turned into a place for volunteers to connect. Messages like ‘Hey, we met on the train, I want to stay in touch’ are the kind of interaction I had hoped for.

The project has captured the imagination. It is remind people of the pride, hard work and enthusiastic collaboration that led to the games being dubbed ‘The Volunteer Games’. You need only look at the comments on the album and the photos on facebook: www.bit.ly/London2012Volunteers

Photographically, the project resulted from me solving something fairly negative:

I had turned down various assignments to block out my schedule to be in London during these games. I’ve followed the Olympics with growing enthusiasm since the Barcelona games in ’92. When London won the bid, I couldn’t believe it. 7 years of build up, 5 weeks of intense action and I still can’t believe the games were in my home city. The idea of it still makes me emotional.

When I cleared my schedule at the behest of my assignment editors at Getty Images, I was excited to be involved in some official way. I envisioned shoots for the sponsors, events with the athletes, even things only vaguely related to the Olympics. As I’m not a sports shooter, I wasn’t going to be covering any of the main events at the venues; I knew accreditations were tight. What I wasn’t prepared for was the absolute dearth of assignments. Getty had the same experience as the shops and restaurants of central London. Lots of buzz, but no visitors. Lots of buzz, but no assignments. It was heart-breaking, devastating, depressing even. Add to that the fact that I didn’t get any of the tickets I had applied for, I was in a storm of regret and disappointment. The fear of missing out.

Then a bout of inspiration changed it all. I managed to get tickets for the Women’s Volleyball at Earls Court at the last minute. It was great to watch the game, but what was even greater was the Games Makers who welcomed us with smiles, helped in every way, shared our dismay at not being able to get more tickets. To me they are the stars of the games. I know lots of people felt the same.

On my morning run the day after Earls Court, the idea came to me to do memento portraits of the volunteers. I wanted them to have something they could take away from the games, something they would be able to savour in 10, 20 or 30 years.I knew from the outset that I wanted to take them out of the venues they were working in. I wanted to give equal billing to those stationed directing people over a bridge to those driving the top dignitaries. Lots of people were taking pictures of volunteers, I wanted to do something different.

A couple of challenges came to mind right away:

– I couldn’t spend much time with each volunteer. Their job is to make the Olympics run smoothly, not to be photographed.
– We needed a portable setup that had no permanence, lest we fall foul of local laws regarding business on sidewalks. We also didn’t have accreditation. We had to find a place away from the venues that was swarming with volunteers.
– We solved all of this by using a setup comprised of some black foamboard, 1 simple light. We used a fairly standard ‘strobe-over-daylight’ method to balance the natural and artificial light and I needed a minimum of three assistants every day to make it work. One for the backdrop, one for the light and one to get each person’s details and have them sign a release form on my iPad.”

Games Maker facts:

– More than 240,000 applicants, of which only 70,000 became Game Makers after an interview process and training
– Over 2000 16-18 year olds were game makers during these games.
– Uniforms for the team of Game Makers, staff, officials and contracts required 765.92 miles of fabric, 359.37 miles of thread, 730,610 buttons and 1,069,034 zips. That’s a lot of stitching!
– Most applied over 2 years before the start of the Olympics
– McDonalds is the official partner for the Game Maker program and used their infrastructure to help attract, select and train the volunteers
– They delivered around 8 million volunteer hours to make the games run smoothly

“For the Olympics I photographed over 300 portraits.

 

We heard some amazing stories. The kind of stories that made me foam at the mouth with jealousy – A lot of the Game Makers I photographed were drivers, some drove the North Koreans, some drove family members. Not all of them had ‘All’ passes, but the ones that did were telling me stories of watching the athletics within reach of the Cauldron while their clients attend the stadium, many of them met athletes, many of them met dignitaries, many of them struck up amazing friendships. Many had come from afar, put a lot on the line to make the games work. It’s been inspiring.

 

The Paralympics:

 

After the Olympics I went and spent a couple of days in the sun. On the Eurostar to Paris, I received a phone call from Mr Matt Hatt who was working for the London Organizing Committee for the Olympic Games (LOCOG) who asked if I could photograph the volunteer wrap party. I couldn’t but Matthew Richards, one of my volunteer assistants, jumped in.

Mr Hatt then asked if I wanted to come into the Olympic Park during the Paralympics. We agreed that Matthew Richards should be my assistant, having slaved away at the wrap party. We arranged accreditation and we spent close to a week in the Olympic Park during the Paralympics. We shot 350 more portraits. This time with support in the form of a Lastolite mobile backdrop which was a godsend, it made my setup mobile and easy to use. I was able to put all the equipment down at the Fleet Depot inside the park, no need for 3 assistants.

 

We snuck into the Arcelor Mittal Orbit and watched the women’s 100m final from the viewing platform. We cruised around the park on BMWs über-cool electric bicycles, got so close to the action that we were bombarded by fireworks shrapnel but had the most incredible vista views of the final night’s celebration. We even got driven home by a Games Maker in an official vehicle – Games Lanes and a behind the scenes car tour of the park.

 

On a personal level, the project couldn’t have worked out better for me. I have trouble finding the words to sum up my experience. The Olympic Games are the greatest show on earth. I was a part of it. I did portraiture, I did what I loved. It means so much, it made my year. I did it for free, I didn’t make a dime, I turned down paid work. It was worth it.”