Tag Archives: author

Interview With The Commuter Author Emma Curtis

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I finished reading The Commuter in a day. I raced through it. It’s a brilliant domestic thriller which had me hooked from the very first page. Here’s my interview with Emma.

The Commuter is your seventh novel. How does that feel? It’s a huge achievement.

It feels like a huge achievement! I started writing, submitting and getting rejections when I was in my late twenties, found an agent in my late forties and published my debut when I was fifty, so I definitely put the work in. I still sometimes pinch myself. 

Does the writing get easier?

I think the writing does, the editing doesn’t. It’s a long hard slog full of dead ends, frustrations and moments when I want to run away from it all. But when it’s finally signed off the satisfaction is huge. Writing the first draft is such a pleasure. If only the first draft was the last!

Where did the idea for come from?

I’ve lived in London and used the tube all my life and I’ve always enjoyed the free newspapers. The Rush Hour Crush feature in the Metro is so intriguing. When I was a teenager I used to look for Mr Darcys, now I scan faces and wonder what I’d write if I fancied someone. No one so far! It seemed like there could be a thriller in there somewhere.

What is your writing routine?

I get up early, ideally around 6am, have breakfast and start work. Then I work fairly solidly until twelve, have lunch and go for a long walk to mull over what I’ve done and set up the next chapter for the next morning. I like routine and deadlines and I’m not very flexible. But it gets things done.

Do you have a favourite novel that you have written?

Yes, my favourite is Keep Her Quiet which came out in 2020. One of the protagonists is an arrogant male author. I loved writing him!

What books have you read recently that you loved?

The Paper Palace by Miranda Cowley-Heller. I recommend it to anyone who asks me what to read next.

Do you have any favourite authors?

Loads! JP Delaney for quirky concept thrillers. Stephen King for lessons in story-telling. Celeste Ng is fantastic for family based noir. Robert Galbraith because I adore Cormoran Strike and need to know what happens between him and Robin. I like American literature too. AM Homes is a favourite. I wish Chimamanda Ngozi Adichie would publish another novel!

How did you get published?

Since it took me such a long time, that is a very good question. I had given up for a few years, then my oldest child went off to University and I felt like I had to have another go. I wrote two novels, both rejected, then started writing short stories and entering them in online competitions. These did well. I had about a 25% hit rate of first, second and third prizes and those gave me credibility in the eyes of agents. I needed that because I had zero connection to the publishing industry. I turned one of the prize winning stories into a novel and this time, instead of sending it out to a handful of agents, getting rejections and losing heart, I sent it to thirty within three weeks so that I wouldn’t give up at the first No Thanks. That worked. I had twenty-six rejections, four requests for the full manuscript and an offer. One of the best days of my life. My agent at the time, Victoria Hobbs at AM Heath, secured a deal with Transworld.

What advice would you give other writers?

Mark out your time, even if it’s only half an hour a day. Stick to a routine and write even if you don’t feel like it. 

Learn to properly critique and edit your own work before you give it to anyone else – I did a course on this and it was invaluable (Jericho Writers). 

Don’t give your MS to friends and family to read and comment on. It puts them in a difficult position. Instead, if you’re serious start saving up for a professional critique from a reputable company like Cornerstones, Jericho Writers or The Novelry. But don’t send them anything until you’ve gone the extra mile. (see learn to critique and edit your own work!)

Also, interrogate your ego. It could be getting between you and representation. There’s the ego that will organise a professional edit but not take the advice because it doesn’t agree. There’s the ego that has that one precious pearl of a book and can’t move on from it despite repeated rejections. There’s the ego which will only write ‘what I want to write’, and won’t look for the space where what it wants to write dovetails with what people want to read. 

What’s next for you?

Next is a thriller about the devastating aftermath of a lie told by an angry and embarrassed teenage girl. That’s coming out in October 2025 and I’ve just sent a draft to my agent to take a look at before it goes to my editor. I have everything crossed! I heard today that she’s read a third of it and loves it. Hopefully the next two-thirds won’t change her mind.

The Commuter is out on October 10th.

Interview with Dani Atkins The Author of The Memory of Us

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The Memory of Us is a fantastic book. How long did it take you to write it?
The Memory of Us took approximately one year to write. I don’t write particularly quickly and
would panic if I had to produce a book any faster.
When I gave up work to write full-time I thought I’d begin at nine o’clock and work through
until five (with an hour for lunch, of course). It wasn’t long before I realised I’m not disciplined
enough for that.
People might be surprised it takes me twelve months to write a book, but I’m just amazed it
doesn’t take even longer!

Where did the idea come from?
My books have recurring themes of love, family, and friendship, often set against a life
changing moment or event. From the outset I knew I wanted this story to feature two sisters
and the unshakeable bond between them. Lexi and Amelia were a joy to write, and I miss
spending time with them.

The book has many themes. How did you manage to thread them all together so well?
I’d like to say it was a result of meticulous planning – except I don’t plan at all. However, I
knew the important plot points, so it was a matter of letting the story unfold naturally and
trusting everything would fall into place.

What is your writing routine like?
My day starts with a dog walk, when I’ll formulate my plan for that day’s writing and often get
ideas for conversations between characters.
Before I begin, I go back and edit the previous day’s work. I know many authors prefer to
keep their eye on the finishing line, but I’m not happy going forward if I think there’s
something that needs fixing.
Mornings are not my most productive time, so it’s mid to late afternoon before I usually hit
my stride.
Before turning off my computer I read that day’s work out loud. I find this to be a useful way
of checking both the pace of the story and the authenticity of the dialogue.

What advice would you give writers who want to maintain a career?
First, to keep reading in many different genres. Seeing how authors tackle a story, handle
the pace, the dialogue and the plot can be very inspiring. It motivates you to bring all you
have to the table the next time you begin to write.
Next, is to just write. Don’t tell yourself that ‘one day I’ll write a book’. Do it. Do it now. It’s
easy to think you don’t have time to write, but you just need to be disciplined and
determined. Don’t set impossible goals. If you aim for just 1000 words a day, in three months
you’ll have a novel.
Lastly, write the book that’s in your heart. It’s more important to be aware of current literary
trends than it is to follow them. At the end of the day, you must write the book you want to
write and tell the story you have to tell. Perhaps it isn’t the same one that everyone is
reading right then; perhaps you are bucking the trend… but it’s just possible you’re starting a
new one.

What’s next for you? 
My next book is well underway and has a working title of PROMISE ME – although I’m sure
that will change – they usually do. It is another emotional drama with some strong characters
who I hope people will fall in love with every bit as much as I’ve done. I don’t want to reveal
too much more, but I will say that I made myself cry writing the very first chapter, which was
a first for me.

The Memory of Us’ by Dani Atkins is just published by Head of Zeus in hardback. I loved it. It is a beautiful and heartfelt novel which takes many themes and ties them together beautifully. The characters are divine and I adored the love story. I was fully immersed in this beautiful book. Superb writing mixes with a novel that keeps you guessing all of the way. I can’t recommend it enough.

From self publishing to Penguin Random House without an agent: A Writing Journey By Ivy Ngeow

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Pitching to Penguin after being signed to small publishers and being self-published.

Beginnings: I had not planned to be an author. I grew up believing that books were written by others, not me, for us to enjoy. Three or four events in my life, like special occasions, led me to “think” I was a writer. I was raised in a rich environment of stories, via my mum, my aunts, my grandparents, my dad, my teachers. I enjoyed hearing them so much that I also began telling them. I had a little burst of success as a 16-year-old in a national short story writing competition with the New Straits Times. I felt that indescribable buzz when I saw my byline among 30 highly-commended entries. 

The hotel rooms: As a university student and an adult, I wrote nothing. I only started when I started travelling for work in hospitality and resort design. I was in hotel rooms and airports a lot. I learned that I really valued and enjoyed observation and being alone, which of course, are the prerequisites of the writing life. I was surprised to be flooded with ideas which had nothing to do with work. I began writing again because as you know, you don’t need any fancy tools or equipment. In those days, I printed and posted my stories from airports, or the nearest post office to the hotel. This period led me to believe I had again some chance of success because I was getting accepted by the Sunday magazines. One story was bought and broadcast by the BBC World Service. I had meetings with agents in Soho back in London, which led to nothing but an inkling that my writing was getting attention, any attention. I took writing more seriously when I invested in an MA in Writing at Middlesex University. As you know it’s not free, so I was taking a big chance but I was working and it paid for the fees. I was astonished to discover that I won the Middlesex University Literary Prize in an international competition, a cash award large enough to cover a third of my fees. The judge was Penelope FitzGerald and about my story, she said she had never read anything like it in her life. 

The agent: I was snapped up by an agent immediately following the prize, a decision that was poor. I had no other offers. After 5 years, she did not get me a deal despite my writing not one but two novels for her to market. I did not write a word for 10 years. My writing stayed on my hard drive. It was deliberate. I had two children whom I wanted to give 120% of my attention. After 10 years and they were in primary school, I started submitting the novel again, and following 87 rejections I won a prize in Hong Kong, also a large cash prize. This novel, my debut, Cry of the Flying Rhino, was the turning point for me, because I now was an author. My entire family flew out to Hong Kong for the award ceremony and the publication. It was a small publisher, like my second novel’s, Heart of Glass.

The pandemic: Following the two novels with small publishers which were given zero marketing and publicity and unsurprisingly, hardly earned any royalties, I started to wonder if indeed they had even been published. I wrote another, Overboard. I got 50 rejections and I decided to start an imprint to publish it as I consider it to be my best book yet. I think my limit for rejections is now 30. I do think there is a limit otherwise you will be querying until you die. I don’t think I have the time or the patience to withstand 87 rejections like I did with the first, and 55 with the second. There’s no point and nobody cares. It’s an art form. It’s not a pizza which is edible and sort of OK even when bad. During the 2-3 years of the pandemic. I ate, sleep, wrote, published. Repeat. It was like a bumper sticker. 

Keep going: I did online courses on self-publishing, keywords, genres and copywriting to study the market. I cannot stress how important it is for a writer. Without knowing the market and the audience, you can’t pitch. I learned to write through editing other people’s work and through reading hundreds of books in the genres I was interested in. The MA will not teach you these skills. My objective had always been to write the best book that could write. This kept me going in the lockdown years. I published a couple more, short stories, and another novel, White Crane Strikes.

Perfect pitch: A famous author, unfortunately I forget who, said that if you cannot tell your story in 17 words, you don’t know your story. That intro letter, one-page synopsis and first paragraph in your manuscript is everything. I wrote The American Boyfriendin November 2021 which I decided I would query until that magic self-imposed 30 rejections before I would publish it myself. I would trade the complete control and higher royalties in self-publishing for a traditional deal because of the connections. By the time I started querying again post-pandemic, I had already distilled my book to the most grabby Netflix 40-word synopsis. I saw a window of open submissions from Penguin Random House Southeast Asia. I was just about to release my book, because I got to 27 rejections. 9 months after querying, in August 2022, I got the best email ever. It was from Penguin and consisted of 5 words: has this manuscript been acquired? 

Worldwide connections: The worldwide connections have been the most astounding and rewarding part of the publishing experience. Having a publicist was already mind-blowing as I had never had one before with self-publishing (that would be me) or with the small publishers I had been with (that would be no one). 

The Penguin publicity, marketing and sales team have opened doors from day one: no. 1 Sunday Times authors providing the cover endorsement quotes, media and press outreach including World Literature Today, Nerd Daily, Culturess, Book Riot, The Telegraph and Elle, being no. 4 on the Straits Times bestseller list in its opening week, being on sale at WHSmith at the airport departure lounge, book launch at West End London bookshop and in the USA, in Barnes and Noble physical bookstores throughout USA and at the airports such as in Key West, Miami International and JFK. I have also been invited to the Jaipur Literary Festival (“the greatest literary show on earth”) in February 2024. I have also seen an uptick in the sales of my other books. These opportunities to build audience trust and author visibility would not have been possible without the Penguin label. This experience has changed the way I see publishing as I come from a “nothing happens” school of thought from my previous publications. I am proud that my book now belongs with the orange-spined classics I grew up reading. I am inspired to keep writing. Stories keep us alive. Stories are more than ever what we need in these times.

My parting words and 5 rules of writing: Persevere. Learn to write. Write the best book that you can write. Believe that top quality writing always stands out. Above all, read.

How I Got Published by Jane Lambert

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Isn’t it strange how sometimes you have to hit rock bottom to make a change for the better?

When I discovered that my husband had been having an affair my world fell apart. I could feel myself being dragged down a black hole, but instead of therapy, I turned to writing and began the first draft of a story I had been carrying around in my head for years.

It’s a romantic comedy, inspired by my rollercoaster journey from globe-trotting cabin crew to struggling actress.

It was my escape from all the sadness and drama of my divorce, giving me something positive and fun to focus on.

I self-published ‘Learning To Fly’ through Amazon, and I’ll never forget the feeling of holding my book in my hand. I felt like a cloud had lifted and that I was on a new and better path. The book got some great reviews and I was invited to speak about my writing journey at Blackwell’s Writers at the Edinburgh Fringe and on BBC Radio London.

I sent a copy to HQ HarperCollins, and much to my amazement, they offered me a contract!

I was asked to make some major changes to the story and they re-designed the cover, changing the title to ‘The Start of Something Wonderful.’  

I narrated the audio version for HarperCollins Audio and am now working on adapting it into a 6-part comedy drama for TV.

I’m also writing my second novel, ‘Marriage, Mafia & Mozzarella’, which was inspired by my rollercoaster marriage to my Italian ex-husband. So you see, life can have a funny way of working out, can’t it?

♥

 

Mark Ellis My Writing Process

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Q1: I took up writing when I sold my computer services business in the early 2000s, having always had an ambition to be an author. I have so far written 5 books in the DCI Frank Merlin World War 2 detective series. The four published books are Princes Gate (set in January 1940), Stalin’s Gold (September 1940), Merlin At War (June 1941) and A Death In Mayfair (December 1941). Merlin At War was nominated for a CWA Dagger in 2018. My aim is to continue to follow Merlin’s adventures through to the end of the Mark Ellis, author

Q2: The book I am promoting now is the 5th in the series, Dead In The Water, which will be published by Hachette (Headline) on May 19th. It is set in August 1942 and revolves around two artistic masterpieces stolen from an Austrian Jewish family before the war and which end up in London with fatal consequences.

 

Q3: As I am writing a historical series set in a specific period, my principal framework is the timeline. As you can see above, all books are separated in time by 6 to 9 months, so when I finish the latest I know roughly when the next one will be set.When I’m starting work on the new book, I focus intently on the exact time slot of the story. I research that heavily and that process often prompts plot ideas. I am already working on Frank Merlin 6, which I have decided to set in Spring 1943, and plot ideas are beginning to occur to me. When I have roughly formulated what ideas to pursue, I just start writingand see where they take me. I usually do not know who did what until I am about two thirds of the way through the book. I write a first draft straight off without stopping to edit. Then I do many edits before sending the manuscript off to the publishers. I did about 15 edits of Dead In The Water which is about the norm.

 

Q4: As is clear from above, I am not really a planner. I rather think of myself as a sculptor, except that I don’t have a piece of stone or marble to work with. My first draft is the working material. Once I’ve created that I start chipping away.

 

Q5: The word count of the new book is approximately 110,000. The word count of my first draft was over 200,000 so you can see a significant editing job was done. My plots tend to be quite complex and I don’t think I could manage anything much shorter but I think 110,000 to 130,000 is a good length for a thriller.

 

Q6: I am conscious as I write my first draft of teeing up various characters and situations but as I say don’t formally plan a structure in advance. After a while, I tend to find everything comes together in its own way. I seldom make major structural changes when I get down to editing.

 

Q7: I find writing the first draft very hard work. Also waiting for comments on the submitted manuscript is tough.

 

Q8: Editing is good fun. Also I love creating a fictional world all of my own and then sharing it with my readers.

Dead In The Water by Mark Ellis is out now in paperback by Headline Accent, £9.99.

 

 

 

Tim Sullivan My Writing Process

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tim sullivan the patientI’ve always written. I wrote and directed my first short film at university and the writing followed on from there. I began writing screenplays with some success, starting in the late eighties with an adaptation of Evelyn Waugh’s A Handful of Dust starring Kristen Scott-Thomas, James Wilby, Judi Dench and Alec Guinness. This was followed by an adaptation of EM Forster’s Where Angels Fear to Tread starring Helen Mirren, Helena Bonham-Carter and Judy Davis. I then wrote and directed Jack and Sarah with Richard E Grant, Samantha Mathis, Ian McKellen, Judi Dench and Eileen Atkins. This led to a screenwriting career in America where I worked with many producers including Ron Howard, Scott Rudin and Jeffrey Katzenberg. I spent a year writing the screenplay for Shrek 4 before the studio decided to go in a different direction with the movie. My last two produced movies were Letters to Juliet starring Amanda Seyfried and Vanessa Redgrave and last year My Little Pony – A new generation. I’ve always wanted to write novels, specifically crime and finally found the time. My series centres upon DS George Cross a socially awkward and sometimes difficult but brilliant detective. He is based in Bristol and has the best conviction rate in the force. His third outing The Patient is released by Head of Zeus on March 3rd.

tim sullivan the patient

What is your writing process?

I’m a morning writer. I find I get my best work done then. Ideas seem fresher and I have the energy to get going. I tend to re-read and edit in the afternoons.

Do you plan or just write?

With screenplays I definitely plan. You have to. But with crime novels I start knowing who has died and who’s done it, but I have no idea how to get there. This can make things complicated and it’s easy to lose faith when you’re not sure which way to go. But I think it means that George Cross, the audience and I are all discovering things at the same time. I think this gives the narrative a more convincing and interesting path.

What about word count?

This varies enormously. I write everything long hand in fountain pen before it gets anywhere near a computer. So, a minimum of 500 words and a maximum of around 2500.

What do you find hard about writing?

The beginning of a book is hard. Until I’ve reached 20,000 words I’m not really sure whether it’s going to be a book at all. I enjoy it a lot more after that. I find it hard not to write long meandering sentences but thankfully I have an eagle-eyed editor who keeps me on the straight and narrow or should I say within the margins.

What do you love about writing?

I used to find the solitary nature of it hard but now it’s possibly what I love about it the most

I love creating characters and relationships. Writing things that move me or make me laugh. 

It’s amazing how many times as a writer you can surprise yourself.

Advice for other writers.

Find the confidence to do it and sit down and write. Write for yourself before you write for anyone else. Sketch down ideas and scenes. Write clutches of dialogue as they come into your head. Don’t sit down and try and write a complete project. Play around a little.

And enjoy it. Everyone writes better when they enjoy what they’re doing.

www.timsullivan.uk

Instagram @timsullivannovellist

Twitter      @timjrsullivan

Facebook   @timjrsullivan

Tim Sullivan is the author of The Patient published by Head of Zeus 3rd March, £18.99

How I got a Literary Agent.

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In January this year one of the most amazing things happened to me: I got a literary agent. Having an agent was always something beyond my wildest dreams, more than that, my agent is the amazing Susan Yearwood. Champagne popping time indeed.

I spent the months in the run up to Christmas researching agents and sending off submissions. I went through The Writers’ & Artists’ Yearbook with precision, choosing ten agents to send my book off to. I researched every agent heavily and Susan called to me. There are a few interviews I found in which Susan and her ethos resonated with me. I knew she was The One.  In fact, before her email asking to schedule a call with her, I had a dream she was my agent and we were being interviewed at a literary festival together.

In the end I sent my first novel off to a lot of agents and publishers. I got a lot of good feedback and a few full manuscript requests. I also got a wonderful rejection from Harper Collins, who read the entire thing and sent me four paragraphs of feedback. They even asked me to send them anything else I wrote. In the end Susan passed on my first novel, but she liked my writing enough to ask if I had anything else I could send her. Thankfully I did. I always write a first draft of a book and then get started on another one while I let the other one sit. Then I go back to it with fresh eyes, alternating my drafts. I did not think the other book was ready and had spent hundreds sending it off to a professional editing agency for feedback. By the time the feedback came back Susan had been my agent for three months! It may have been a waste of money, but I have no complaints.

Susan loved the book and took my on as a client after our phone call. I was a true pinch me moment. For anyone who wants an agent and does not have one yet I would say the following things:

  • Write a good book. Send off the first three chapters, along with a synopsis that really grabs.
  • Collate all of the writing you have done and any awards you have won. Write a paragraph about yourself that sells all you have to offer. Covering letters are important.
  • Get a copy of The Write”s and Artists’ Yearbook and research what agents work in your genre.
  • Start submitting.
  • Keep submitting.
  • Take rejection in your stride.
  • Listen to all feedback.
  • Redo your submission to suit various agents.
  • Start writing your new book.

 

Good luck!

 

How I Got Published By Alec Marsh

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Alec Marsh, writer, authorWhen I was 21 I started to write a novel. It wasn’t very good. I was working as a reporter for a local paper in Cornwall and my book… was about a reporter working for a local paper in Cornwall. 

Soon I moved to London to work for the Daily Telegraph and started writing a second novel. It was about a young journalist working for a newspaper in London. 

It wasn’t very good either. 

I met a top agent at a function and asked him if he’d see it. 

‘What’s it about?’ he asked.

After several seconds of flannelling he cut in: ‘If you can’t tell me in under 11 seconds then I’m not interested.’ 

I’d been introduced to the idea of the elevator pitch. If you can’t encapsulate your idea in a nutshell, you’ve had it.

I kept writing and the rejection slips (paper in those days) kept piling up.

Then one day a friend suggested I try my hand at historical fiction. ‘You’re obsessed about the past,’ he said. And it was true.

About a year later I read The Da Vinci Code, and was hooked. 

And I thought, “I can do that.”

So I started thinking about a historical mystery that could sit at the heart of a story, and some characters that would have sticking power.

That was around 2004. Before I knew it, I had started writing what would become my first novel, Rule Britannia. And I knew I was onto something, I could feel it in my fingertips. My characters – a historian and mountaineer Ernest Drabble and his pal, a journalist named Harris – were alive. And so was the story.

With a half-written book, I started polishing and went looking for an agent. Again the rejection slips piled up (still paper).

Then one day in 2008 an email landed at about 6pm on Saturday evening from an agent. Do you have any more, he asked?

I didn’t sleep that night. Soon I’d emailed the next three chapters, then we had a meeting. After that, I had an agent and went off to finish the book – armed with the self-confidence to finish it properly, to believe in myself and the benefits of his insights.

The agent then took it to market. But it was 2009 and e-readers, Amazon and the global financial crisis was hitting hard, and – for whatever reason – my book didn’t sell. After a dozen very polite rejections from major publishers, my agent suggested I try writing a different book. Which I did. 

For five years I wrote a book set in the First World War, but Drabble and Harris were still in the back of my mind, calling to me from the binary prison of a hard drive. 

By 2015 the First World War book was finished – but so was my relationship with my agent who finally spelled it out to me when he told me this was not a book that he could sell to his clients. We were finished.

Exhausted and disappointed, I stopped knocking on doors that wouldn’t open and focused instead on my day job. Every now and then someone would ask about Drabble and Harris; I would change the subject.

Then my son Herbie was born in 2016, and his arrival rekindled my ambition. So in the small hours, I dug out Rule Britannia and reread it, shook my head at parts that hadn’t aged well, and I polished it. And I pitched it again.

After a string of rejections (emails now), I went direct to publishers, finding an independent in Cardiff, named Accent Press. 

When the owner telephoned me and told me she’d take it – and she’d want two more books after – I was standing in a corridor at work. I didn’t punch the air, but a tear might have come to my eye. It had taken 20 years and I had endured numerous disappointments but it had finally happened. Drabble and Harris would get to their readers, and I was going to have a novel out. So what’s my advice for would-be authors. Don’t give up. And as Martin Amis once told me when I asked him for advice at book-signing: keep writing. After all, what else are you going to do?

Alec Marsh is author of the Drabble & Harris novels, published by Headline Accent. The latest book, ‘Ghosts of the West’ is published in original paperback and ebook on 9 September