Best Foot Forward: Jane Cable’s blog about what happens once that digital publishing deal is in the bag continues

Jane Cable, publishing, writing
BEST ENDEAVOURS

Jane Cable’s blog about what happens once that digital publishing deal is in the bag continues.

BEST FOOT FORWARD

Editing involves a great deal of sitting down. Far more than my slightly dodgy back can manage at the moment anyway. So after being glued to my office chair for a few hours I balanced my laptop on a box file on the ironing board and tried that (standing at your desk being all the rage). It helped, but not a great deal as I found it slightly awkward to type.

What does work is going for a walk in the middle of the day and I am hugely blessed to live in a small village tucked under the South Downs so peace and quiet and country air are only ever a few steps outside my front door. And while tramping around the lanes is freeing up my back muscles it does exactly the same for my mind.

Agent Felicity has cleverly crafted my elevator pitch as a writer as “love with a ghostly element in a beautiful setting” and I’ll go with that. Completely. And beautiful settings inevitably require walking.

publishing, what happens when you get a publishing deal

The Seahorse Summer is set in Studland Bay in Dorset and opens on the sixtieth anniversary of a rehearsal for D-Day which went horribly wrong. I visited the village exactly ten years later and on my walk up to the cliffs made special note of the wonderful countryside around me; the daffodils dying back on the banks, slowly being replaced by primroses; the tractor rumbling across the fields; tiny birds swarming the hawthorn hedges; enticing glimpses of the sea below. Minute observation helps me to create a credible world for my characters to inhabit.

Every day, as I walk, I do the same thing. It’s a great discipline for a writer. I always say that to write good dialogue you need to remember you have two ears and one mouth. To write great descriptions you need all five senses.

Yesterday the earliest touches of autumn were making themselves felt. Cow parsley dying back to reveal blackberries – some fruits ripe and squashy between my fingers, others in tight green fists. The tiniest hint of chill on the breeze which carried the pheasants’ calls and the wood smoke from a distant bonfire across the valley. The strict definition of meteorological autumn starting on 1st September becoming a reality before my eyes.

Time is, indeed, marching on. But I have finished the character edits for all but Marie and next I need to review each paragraph, making sure it is essential to the story. The book has changed so much since its first iteration I need to remove the distracting loose ends – and in the process make sure that every scene is adding something for the reader.

Jane Cable is the author of two independently published romantic suspense novels, The Cheesemaker’s House and The Faerie Tree, and a sporadic contributor to Frost. The Seahorse Summer tells the tale of how two American soldiers born sixty years apart help forty-something Marie Johnson to rebuild her shattered confidence and find new love. Discover more at www.janecable.com.

 

 

BEST ENDEAVOURS: Jane Cable’s blog about what happens once that digital publishing deal is in the bag continues

BEST ENDEAVOURS: Jane Cable’s blog about what happens once that digital publishing deal is in the bag continues , writing, getting published, am writing
BEST LAID PLANS

The email came on Monday, via Agent Felicity, with the impeccable timing only achieved by a communication containing deadlines which arrives at the beginning of a holiday. And not a plenty-of-time, relaxing-on-the-beach sort of holiday – a full on archaeological tour of Orkney, with just about every waking hour accounted for.

It was a holiday we’d been looking forward to for over a year: a small group led by a real live archaeologist (a dead, or even half dead one would have been of limited use) around the amazing array of Orkney’s historical sites (see www.orkneyarchaeologytours.co.uk). In just six days we travelled from the Neolithic to World War 2 and back again. Via the ephemeral Picts and the rather more visceral Vikings. We crawled into Stone Age tombs and gazed in wonder at homes lived in 4,500 years ago at Skara Brae. The novelist in me was bitterly disappointed to find the story of the Italian PoWs who built a beautiful chapel from scrap had already been fictionalised, while at the same time storing away nuggets about life as an archaeologist for my current work in progress.

But I digress. The email forwarded to me was from my publisher, Endeavour Press, with an outline timetable for the production phase of The Seahorse Summer: finish the manuscript over the next few weeks, then four to six weeks later they would send me proofs and edit notes. Together? I consulted a writer friend who is published by a rival digital house and yes, that’s the way things are done. Proofs are not final proofs; she received five sets in all and great emphasis was placed on getting things right.

So what I need to get right now is my manuscript. I am delighted to be left to my own devices to do this but at the same time I just know that the “two days’ work” suggested by Endeavour at the pre-contract stage will take me so much longer. Readers are going to part with hard earned cash to buy my book (I hope!) so I owe it to them to make it as perfect as possible.
I guess every writer has their own method of editing. The Seahorse Summer, as a story, is complete. The characters are fully formed but the words aren’t as polished as I’d like them to be. So that’s the first thing I’ll do. Trusty filofax in hand I pencil in Monday and Tuesday next week for this vital task.

Please understand that I am not a full time writer – I also have a business to run. Thankfully my husband (when he gets over his post holiday grump) will be on hand to help, but even so on Wednesday I need to be at a client to deal with their month end – and on Thursday I need to deal with our own. And catch up on all the little tasks that didn’t get done while we were away.

Once these jobs are complete I can return to my editing. Next I’ll work through the manuscript from the point of view of each character, making sure their stories progress logically and their external and internal journeys are sound. For this I’ve booked in five to six days over the next fortnight – each one diarised in between client commitments, training courses, a hair cut and what will doubtless be a much needed massage.

The final read through I’m leaving until I have a clear week later in the month. I can deal with all the loose ends I’ve unearthed (why did the strange rumbling and roaring Marie hears disappear?) and make sure every word is where it should be. All 80,000 of them. And that’s where my meticulous planning should all pay off.

Jane Cable is the author of two independently published romantic suspense novels, The Cheesemaker’s House and The Faerie Tree, and a sporadic contributor to Frost. The Seahorse Summer tells the tale of how two American soldiers born sixty years apart help forty-something Marie Johnson to rebuild her shattered confidence and find new love.

Discover more at www.janecable.com

An interview with Liza Lutz – Bestselling author of The Passenger and The Spellman Files

An interview with Liza Lutz – bestselling author of The Passenger and The Spellman Files – amongst others.              by Margaret Graham

An interview with Liza Lutz - bestselling author of The Passenger and The Spellman Files - amongst others. by Margaret Graham

What made you interested in writing?

I can’t pinpoint a particular realization or event. I guess it comes down to just being interested in people. And then once I discovered that writing could make my world funnier and more interesting, I was pretty much doomed.

Did you find it easy to become published?

In a way, yes. But in another, much more accurate way, not at all. I wrote screenplays for a decade until a friend suggested that I try rewriting one of them, The Spellman Files, as a novel. I did that and sent it to a bunch of agents. One of them saw its potential. Plenty of work ensued, but once I’d revised the draft, the road to publication was relatively short.

If you hadn’t become a writer, what else would you have liked to do?

Brain surgeon.

What is your writing process?

It’s mostly just sitting down and doing the work. I think I have some structural instincts that allow me to come up with an outline pretty quickly once I have a basic idea. I always end up veering away from it, but having that guide helps me avoid the staring-into-the-void thing that plagues a lot of writers. I save staring into the void for my free time.

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As well as The Passenger, which Frost recently reviewed, you have written the bestselling series The Spellman Files. Does another series appeal?

Not at the moment. I’m embracing the freedom of being able to tell whatever story I want to tell. Each of my last few books has been a big departure from the previous one, and that seems to suit me well.

What are the problems, and virtues of writing a series? 

One problem with a series is that the more successful it becomes, the more tempting it is to write what you think your audience wants to read. If I’m not writing something I would want to read, things are going to get stale for everyone pretty quickly. The chief virtue is that you can get to know characters to a degree that’s impossible in a standalone book. It’s like having multiple seasons of a TV show instead of an hour-and-a-half-long movie.

What do you like to do when not writing?

Read, watch movies, teach seniors Krav Maga.

You have won the Alex award and been nominated for the Edgar Award for Best Novel, so what’s next?

I’m writing a novel that’s totally different from anything I’ve done before. But I’m not ready to talk about it yet.
The Passenger by Lisa Lutz: Titan books. Paperback and ebook.

 

 

 

Day in the Life of Wendy Walker

Day in the Life of Wendy Walker

Sometimes I think my friends envision me sitting at a well-organized antique desk, nicely dressed, showered, hair blown dry, nails manicured and sipping a gourmet coffee while I effortlessly type page after page. It’s a very nice dream! The reality is that after seventeen years of juggling kids, a house, writing and my day job as a lawyer the last five of them, I find myself in a constant state of disheveled chaos, scavenging for time and still in my pajamas when my boys get home from school!

 

Here is how it unfolded.

 

After I had my first son eighteen years ago, I decided to stay home to raise my children until they were all in school. I felt lucky to be able to do that and so I took the job very seriously. But after about a year, I felt unfulfilled so I started to write whenever I had free time (which was not very often!). I had two more children in five years and all the while I kept writing. I even wrote in the back of my minivan while waiting for them at pre-school! I picked up the pace after I found an agent who thought she could sell my work. Of course, life is never that straight forward. It was a long road getting to the writing and publication of All Is Not Forgotten. During that time, I published other novels, edited, and eventually went back to work as a lawyer (after fourteen years away from the field).

Day in the Life of Wendy Walker2

But I never gave up the dream of making a career as a writer. I used to tell my boys that it was important to always have a dream, but to also be responsible. I did not stop working as a lawyer. Somehow, I also managed to keep writing. I signed with a new agent and she loved my concept of a psychological thriller based on memory science. I was a bit nervous about switching genres, but I had always enjoyed suspense and thrillers and I was very interested in this story concept. So I dusted it off and wrote All Is Not Forgotten.  It was great advice and I am so glad that my children may get to see my dream come true.

 

Of course, “living the dream” for me, and so many other writers, is far from glamorous! I spend my days juggling promotional work with family obligations and staring down blank pages of the next novel that is dying to make its way out of my overcrowded head. I sometimes fantasize about the world coming to a halt for a day (maybe two) so I can catch up. But that is one dream that will never come true! Still, as I sit here in my pajamas writing this, a long list of things-to-do sitting beside me, I know I wouldn’t have it any other way.

 

All is not Forgotten by Wendy Walker. HQ £12.99

 

 

Short Story Author embarks on “World’s Most Insane” Writing Marathon


In March author Tim Austin began a “Brilliantly Insane” project: to write a brand new 100 word short story every single day for 365 days.  It has since been viewed thousands of times by readers from across the globe – from Sri Lanka to Canada, India and Australia.

With just under 300 more days to go, we talk to Tim about the project, celebrity contributors and what writing fiction means to him.

What is One Word, One Story?

It’s a project where members of the public suggest single words and I use those words as titles for flash fiction short stories.  I read each word, an image forms in my mind and I take that image as inspiration for what I write.  I never, ever know what’s going to come next!  And I’m writing a new story every day for a year over at onewordonestory.org.

It sounds crazy.  What made you do it?

A friend of mine suggested the notion of word association as a way of exploring my imagination and practicing my writing.  I started doing that as a hobby.  At first it was single paragraphs but I enjoyed it so much that I turned it into entire short stories.  Taking it public and doing it every day for a year seemed like a fun next step.

You have a strange idea of fun,….

Haha!  I enjoy taking things too far and I like a challenge.  I think this counts for both.

Why just a hundred words?

I wanted to create something that people could read on the go.  People have little time if they’re on a lunch break or travelling to work and I wanted to write something bite-sized that they could enjoy.  Maybe read two or three in a go.  The other reason was the challenge of condensing a whole narrative into so few words – it really makes every word count.  It’s very pure and I like that very much.

Where did the idea of approaching other authors and celebrities come in?

Yeech, I hate the word “celebrities”!  It sounds so contrived and pat.  I want everyone to be able to suggest words and titles but I thought it’d be fun to approach a few writers and actors I admire.  I’ve been honoured that many of them have been kind enough to donate words.

Such as?

Danny John-Jules (“Cat” in the Sci-Fi classic “Red Dwarf”) suggested “SmegForBrains”.  I’ve also had suggestions from screen writers and authors including Mike Wells, Jonathan Maberry, Eddie Robson (Doctor Who) and Robert Shearman (also Doctor Who – writer of the acclaimed Season One story “Dalek”).  I’m keeping quiet about future contributors.  But I’m always asking.  And I’m always looking for new words – anyone can suggest their own.  Hint.

Did you expect it to become this popular?

To be honest, I thought it’d get a couple of hits a day.  I started the site as a hobby, after all.  But within two weeks I was getting hundreds of visitors a day and thousands of hits a month.  It’s been wonderful to connect with people and hear that they’ve enjoyed each story.  That’s been the greatest pleasure.

You can read, contribute to and support Tim’s One Word, One Story project over at onewordonestory.org now.

 

 

Interview With Bestselling Author Margaret Graham

housedivided

What made you get into writing?

Having a 4th child. She was lovely but seldom slept and mithered a great deal. I needed to ‘get away’ even if only for half an hour. So I started writing a book about my mother’s rather interesting life growing up in the North East just after the 1st World War. Halfway down the first page I realised I didn’t really know my mum in that way, only anecdotes. So it became fiction, but based on her life. It’s called After the Storm.

margaretgraham

Did You find becoming a published writer easy?

Not at all. Having embarked on the novel I joined a writing class. I do wish more would these days, or at least learn the basics of structure, and how to edit one’s work. The class was not only crucial but also supportive, because I was working alongside like minded people, and it helped me enjoy the process. Mark you, my writing class had an excellent tutor, and you need to check this out. There are a lot of charlatans out there, selling their services when they know diddly-squat – and charge a lot. If you have the time, try ARVON and other residential courses. Also the weekend Winchester Writing Festival. That’s fantastic.

Then, of course, you reach the stage where you have a manuscript, finished. What next? How to get that publishing contract?

Try and find an agent. But how do you get the interest of an agent. I entered a competition and was one of the Best Entries. This helped when circulating the manuscript. I was finally taken by an agent who knew that Catherine Cookson, who wrote about the North East had just left Heinemann. Mine was a novel about the North East, and the publishers were immediately interested. Mark you, I then had to double it in length, put in a secondary character and sub plot, and do it all in 6 months. I was on my way.

So it is very much about what the publisher needs at a particular time. However, as you can see, the author does need to be flexible, and listen to the experts, and do as they want. Basically we are providing a product, which they have to need in the first instance. Then it has to be tweaked to be the best product you can create. They are invariably right. As a writer, you need patience. Learning to write well took me 4 years. Over those years I was serving an apprenticeship really, lhoning my skills, so that when the time came, I could do as they advised.

What else would you have liked to do?

Be a star. I feel the world has been deprived of a great talent!

What is your writing process?

Find that germ of an idea. Then think, think and think again, to see if it it will run as a novel. I work out the normal world, point of change, the tension, motivation, and totally getting to be the main and secondary characters. Alongside this, because I am invariably writing out of my time and place, I need to research, make notes, become so familiar with the context so that I can swim amongst the period, or situation, without overloading it with show-off details. Therefore I do a lot of reading, and that old chestnut – thinking again. Then, when I have a thorough plan, and by this I mean a chapter by chapter plan I get my head down and write hard for about 8 weeks. Because I’ve been doing it so long I have the experience to get it more or less right, and to create a sound structure. There is only one structure, you know. And it must be followed. It is the author’s ‘voice’ that makes a novel ‘different’. That’s the first draft, then I go through and alter, tweak, edit. So the second I usually sent into my publisher. Writers need to designate writing time. It’s a job, even if you already have a day job, so discipline yourself to create your writing time. You will find you do much of your thinking whilst traveling, driving, working, and at the end of the day you’re a bit further on.

A House Divided is the third Easterleigh Hall novel. How hard is it doing a series?

Hard in a way. You have to remember all the characters inside and out. What are their ages? Appearance, little ways, and then when you start the novel you have to try and make the novel stand alone, though it must also bring previous readers of the series up to date. I think that first chapter is the most difficult.

When can we expect another EH novel?

In a year.

Have you become close to the characters? Oh yes, I become all the characters really. You have to or it doesn’t work.

Can you tell us where the series is going next?

I would imagine into the 2nd world war. Perhaps Tim will go into the secret side of the war, but not quite sure about anyone else yet. It will come to me.

Lizy, me and Matt

What do you like to do when you are not writing? I run my charity, Words for the Wounded, which raises money for the wounded through writing events. We have an annual Independent Author Book Award, and we also run workshops and an annual LitFest. We’ve helped a few writers along in this way. Last year’s winner was picked up by an editor, and others have found that the publicity of being placed has helped their sales. I love working with Frost, and reviewing books, and I do like to play truant and just have a good time.

Any tips for aspiring writers.

Work hard, go to writing classes, and literary festivals, listen to authors talking, and listen to a publishers’ or agents’ advice. READ books, learn how to write short stories, because publication in womens’ magazines promotes sales of your books. Most of all, don’t rush. Do several drafts, edit carefully, and enjoy it. Life’s too short not to.

 

 

A Day in the Life of bestselling Author Margaret Graham

margaretgraham

We have a new puppy, Polly. I’m up with the sun, because she is. So out she goes, into the garden led by me, because she is reluctant. The neighbors must think their worst nightmares have come true as this disheveled apparition stands in the dew come rain or come shine, hair askew, pleading with a four legged creature to ‘get on with it.’

In due course, I take both Polly, and the long suffering ‘older sister’ Rosie out for their walk. We head round the corner to the village pond where there are ducklings.

pic 1 Polly and Rosie

I say village and Downley really is one. A mere 25 minutes by train from London it has the heart of any Dorset village. There is a great community spirit, and we are fast building a reputation as a centre for the arts.

After ‘walkies’ it’s down to work – of some description. I could be sorting out next year’s LitFest for Words for the Wounded which is a charity I run with two other grannies to raise money for the wounded. The annual LitFest is our big event.

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This year we had Elizabeth Buchan, Jemima Hunt, Tracy Baines and Frost’s Catherine Balavage as speakers. It was wildly successful, which is great. All the money goes to the wounded, as the grannies absorb all expenses.

My kids and grandkids are the catering team, and have a great time. Seems that not much wine survives – could there be a link?

Otherwise, as contributing editor for Frost, I could be reviewing books, or exhibitions or similar. Frost is a great springboard for aspiring writers. It gives them a cv and gets them noticed.

housedivided

Otherwise, my main thrust is as an author. I write two books a year for Arrow, which is a bit of a stretch and requires a modicum of organisation. When I’m researching I spend a fair bit of time at Starbucks in High Wycombe, reading through material which could be useful, or having lunch at the Wellington on the Strand for no other reason than I love it there and can catch up with Inacky, Esther, Maria, Thomas, and Ruth, who make sure everyone has a great time. As a special treat, the grandkids can sometimes spare the time to come with me. So young, they are, but so busy. So that’s the extent of the ‘organization’.

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All the time though, whatever I’m doing, I’m thinking of the novels, trying to sort out a plan, iron out structural blips, and getting to know the characters. Then, for two months, I get my head down and write the darned thing. I can’t bear being interrupted, because for that time I am living in a different world, being a different person, well, many different people, and I just want to get it all down before it escapes me.

To finish is a relief, but also a loss because the characters, their struggles, their triumphs have become yours. But then, for me, it is onto the next one, or the next WforW event, or onto yet another playtime, or something for Frost. Heigh ho, I’m very lucky.

www.margaret-graham.com
www.wordsforthewounded.co.uk
www.wordsforthewounded.blogspot.co.uk

A Day In The Life of CJ Carver

Being an author, people think I get up around midday, go for a long lunch and return home to bang out a few pages before pouring myself a glass of wine and finishing for the day.

Hmmm.  Nice thought.  If only it didn’t take me quite so long to bang out those pages . . .

A Day In The Life of CJ CarverToday I’m woken by the bin men at seven-thirty.  Eyes closed, I’m lying in bed listening to them crashing and banging down the road when, seemingly out of nowhere, an idea begins to form about the next book.  I let it drift.  I don’t try and pin it down.  Gradually it takes a firmer shape and I study it carefully before letting it drift again.

It is this state between waking and sleeping that I find the most valuable for creative thought.  It’s almost like meditation, but not quite, because instead of being clear of thought my mind is occupied with the story I’m trying to tell.  By the time I’m fully awake, I’ve made a handful of notes and am ready to leap into the day.

After a shower, breakfast and a brisk walk, I get stuck in to emails, wanting to clear my mental desk before I start writing.  I’m working on the sequel to Spare Me The Truth, or at least I was until my postie arrives and hands me three parcels, each containing a brand-spanking new hardcover book.  They all look fantastic and although I know I have to read them – I’m on several panels at CrimeFest in Bristol this year with the authors – I really shouldn’t start now.  Or should I?  I flick one open and am immediately captivated by the first page.  This sort of temptation is ever present being self-employed, and I have to force the books away and out of sight.

pic 2 Carver, Caroline 2 credit Steve Ayres

Credit: Steve Ayres

Soon, I’m completely absorbed in my work and don’t notice the time passing until my email pings.  It’s from a psychologist who is helping me research the psychopathology behind serial killers.  Another arrives, this one from a detective inspector in Manchester.  I know it drives the police crazy when writers get things wrong, so I do my utmost to get my facts right, but I have to be careful with research as it can be so riveting, I never get any writing done.

I work on my manuscript until early evening when I have a quick look at Twitter (another terrible distraction) before deciding whether it’s cold enough to light the wood burner.  Or shall I go to the pub?  Writing is a solitary occupation and aside from the postie, I haven’t spoken to anyone all day.  I’d better go to the pub, I decide, and talk to someone or I might go quite mad.

 

©CJ Carver 2016