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The Stages of Writing a Book

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writing, the stages of writing a book, writing, writer, author, self publishing, writer, despair, first draft.

Ladies and gentlemen, I am in the process of writing my third book. Three-quarter of the way to be more precise. Which puts me at number 7 on this list. Writing and publishing a book is amazing. The feeling when you have your published book in your hands is like no other. You did it. It is not easy however. It took me years to get my first book published. Mostly due to procrastination. My next one was finished and published within five months. Not bad for someone with acute morning sickness. My third has so far taken seven days to get three-quarters of the way through the first draft. Which is not bad. You can check out the first two here. I will get into how tedious and hard it is writing a book with my list of the stages below, but before we get to the list I will leave you with this amazing quote from Amy Poehler in her amazing book Yes, Please.

“Everyone lies about writing. They lie about how easy it is or how hard it was…No one tells the truth about writing a book…the truth is, writing a book is this: hard and boring and occasionally great but usually not. Even I have lied about writing. I have told people that writing this book has been like brushing away dirt from a fossil. What a load of shit. It has been like hacking away at a freezer with a screwdriver.”

The Stages of Writing a Book

 

  1. Hopefulness.
  2. Excitement.
  3. Despair.
  4. First quarter done. Glimmer of light.
  5. Despair.
  6. Epic melt down. Tell everyone you give up and would burn the book if it wasn’t on your computer.
  7. Resignation, decide that since you started you should finish.
  8. Wonder what breathing in fresh air is like.
  9. Get into the flow of it, it might be okay after all.
  10. Finish first draft. realise it is only the first draft. Cry.
  11. Read first draft. It’s awful. Cry some more.
  12. Despair.
  13. Start editing. Ignore the boredom and the fact there are so many more fun things to do than this.
  14. Realise that it’s not actually that bad.
  15. Finish editing first draft.
  16. Hope
  17. Happiness
  18. The possibility of it all being over soon
  19. Get draft back from proof reader.
  20. Despair
  21. Try to ignore the amount of grammar and spelling mistakes you made.
  22. Final edit, go through all suggestions and edit accordingly.
  23. Finish book: go on week-long champagne binge.
  24. Get cover back from designer. Has spelling error. Cry.
  25. Get cover fixed.
  26. Get book formatted for the different eBook and print versions.
  27. Despair.
  28. Finally see finished book: elation.
  29. Publish book and it starts selling: happiness like no other. Feel huge sense of achievement.
  30. Start writing next book.
  31. Despair.

 

What do you think? Are you a writer? What do you think are the stages of writing a book?

 

 

THE FAERIE TREE: A book in the making

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Yule: A time to celebrate with those we love. A season full of magic and new beginnings which spring from the darkest days of the year.

When short, dark days stretch interminably ahead the deep human urge to rebel against nature and celebrate is hardly surprising. It is an instinct deeper than religion, broader than faith; whether it’s carols in church, TV and tinsel, or the burning of a sacred log, it is something which touches almost all of us.

faerietreejanecable

After 21st December the days start to become a little longer. Actually, that’s what I need. Maybe there is some mid-winter magic to create a few extra hours in each one. Maybe I should write to the fairies and ask them. As well as everything else, this festive season I have proofs to check.

The last few months have been particularly hectic as I balance work, writing, preparing for publication of The Faerie Tree and even a stint or two selling books on Chichester Christmas Market. That came about because I’m lucky enough to be part of Chindi, a very active group of independently published authors in the Chichester area. The reason we exist is because there are so many things we can do together which we couldn’t do alone, and one of those was to take a stall on the Christmas Market. It was something of a learning curve and a great opportunity to meet readers. It was also fascinating to see which books sold well and which didn’t – and to try to work out why.

The huge importance of covers was brought home to us very quickly – which was actually great timing for me as far as The Faerie Tree was concerned. The Cheesemaker’s House is pretty striking visually and people tended to head straight for it on the stall. But when it was stacked sideways with other books the title disappeared – and having watched one gentleman struggle with the colour of the print on the back I realised a few things would need to change next time around.

My main concern when briefing the cover designer at Matador was to make sure the book looked as though it was for adults. The title could imply it’s a children’s story so it had to be crystal clear at first glance who it was meant for. I also wanted it to look as much like The Cheesemaker’s House as possible. It’s an inescapable – if a little uncomfortable – fact that authors are brands these days.

When I first saw the cover of The Faerie Tree I had one word for it: wow. It’s a word I’ve heard time and again as I’ve showed it to the people closest to me and to other members of Chindi. So, for the first time, I am revealing it to the wider world through Frost readers and I’m really interested to see what you think. The significance of the candle? Well, you’ll have to wait until Imbolc to find that out.

Now that the cover has been designed there is a plethora of marketing material to sign off. The paperback will be in the shops from 1st May and the book trade need to know about it now, so an AI (advanced information) sheet has been prepared as well as a trade press release. They’ve been languishing in my inbox for over a week but gut instinct tells me sending them out this side of January would be a waste of time. The thought is salving my conscience anyway.

 

 

 

The Readers & Writers Festival to be held in lovely Margaret River, Western Australia

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I found Margaret River when I was researching my bestselling novel Canopy of Silence for Heinemann some years ago now. I flew over from the UK and took the bus down from Perth, Western Australia to seek out descendants of the Group Settlers. I found Dinkie Sutton, who was the relative of the guy who ran the post office in my Somerset village, where I lived then. She introduced me to others.

I fell in love with the Sutton family and Margaret River. I think of it as my second home. It is a place of great beauty and initially, of great hardship for the settlers, who were enticed out by the British and West Australian governments after the 1 World War to create dairy farms.

The settlers were shown films of established dairy farms in New South Wales typical, it was said, of the farms they would go to.

The reality on the western side of Australia was different. South of Perth there were sandy tracts, and further down, near Margaret River, the soil was just not capable of producing grazing land sufficiently nutritious for dairy herds.

thebushnearmargaretriver

Before they reached that stage the settlers had to fell the huge trees, with a mattock and a saw, sometimes walking a couple of miles to collect water for their young families. It’s the stuff of heartbreak, but the Poms were a tough lot, just as are the Australians.

They endured, and latterly it was discovered that the Margaret River area is suitable for wine growing. It’s worth a visit just to tour the vineyards which produce the most superb wines. Trust me, I remember the hangovers. Even those were of a superior variety.

I have many tales to tell of the area and will dig out a few as we get more news from the region, because I’m delighted to tell you we have the first of many items from the region. Bring ‘em on, please.

*  * *

The Margaret River Readers’ and Writers’ Festival  2015

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SEASONS is the theme for the seventh annual Readers and Writers Festival to be held in the beautiful Margaret River wine region in Western Australia next year, so those of you in the UK have time to plan your trip. Those of you in Australia, get ready to clear your diaries and give yourself a real treat.

Festival director Helen Allan tells me the annual festival will be held over the May long weekend 29-31 2015 and the festival has already secured a huge line-up of famous authors to excite readers of all genres.

“We are focussing on the environment, nature and the seasons of our lives – the theme `Seasons’ encapsulates all of those things, and Autumn is such a beautiful time in Margaret River, we should celebrate that – when Keats wrote that Autumn was the ‘season of mists and mellow fruitfulness’ it almost seems like he wrote it for our region.”

The festival committee had lined up around 20 authors and the festival will, once again, run over three days.

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“From Tomorrow When The War Began author John Marsdon to science fiction author Isobelle Carmody, comedian and authors Sami Shah, Justin Heazelwood and Luke Ryan to romance authors Fiona Palmer, Michelle de Kretser and food/nature author Sophie Zalokar, we have something for everyone,” she said. As both a reader and writer I was already hooked.

“We will be letting more names out of the bag as the time draws nearer, we have had a huge amount of interest from authors wanting to take part in next year’s festival, given the outstanding growth and success of the festival last year.”

The festival, while small, is steadily growing and  the organisers are keen to have a big-name international authors to headline their event.

“We don’t have a huge budget, but what we lack in funds we make up for in warmth and hospitality, our authors are treated like royalty and thoroughly spoiled when they come over.

“We had hoped to have some British writers participate in next year’s festival and had invited Stephen Fry and Michael Palin, but to no avail. Hopefully as our festival gains more of an international standing more English authors will come forward. Our wine region is an exciting and beautiful place to visit and what could be better than combining a look at our natural wonders with a celebration of literature?”

 

I can vouch for all of that, and what a wonderful time to be south of Perth, in the lovely Margaret River area. While you’re there, have a good look around. See the wonderful surf, and give it a go. My son-in-law promises himself the opportunity one day. Perhaps head out to see the Prevelly Chapel, a monument to the monks of Crete who helped save so many Australian Servicement in the 2nd World War, at the expense of their own lives. Returning servicemen raised the money to raise the Chapel in tribute. It’s moving, but that’s an understatement. Go and see for yourselves, and make it in May so you can catch the Festival.

 

 

The Yeovil Literary Festival – An Author’s Perspective By Kate Kelly

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If you braved the rainclouds and ventured into Yeovil in the first weekend in November you might have noticed large green banners flying outside a number of venues, for this was the weekend of the Second Yeovil Literary festival. The first Yeovil Literary Festival took place last September, and this year I was delighted to be taking part again.

yeovil2014 Liz Pike, one of the festival organisers.

I was in fact involved in three events across three of the festival venues. They were three very different styles of event, and were only a tiny fraction of what the festival had to offer.

The first event was the Yeovil Prize Winners event on the Friday Morning. The Yeovil Prize was founded by bestselling author, Margaret Graham, with James Mitchell to raise funds for the arts of the area. When Margaret moved from Yeovil, crime writer, Penny Deacon took her place until handing over to Margaret’s ex-student, Liz Pike and her team. It is now in its 11th year and continues to grow. It is an internationally renowned competition, and since its earliest days it has been watched closely by both editors and agents, and as the list of success stories continues to grow it is clear why.

I am one such author – Red Rock was Highly Commended in 2010 and I’m convinced that this helped tip the balance with the agent who was considering it at the time. This year it was lovely to have a number of winners in the poetry category in our midst. We took turns to read our winning entries and talked about what the Yeovil Prize has meant to us.

2 The Yeovil Prize Winners Panel.

If you are interested in reading some of the poetry and fiction that has been shortlisted over the past couple of years, then the Yeovil Prize Anthology is now available.

3Marcus, manager of Yeovil Waterstones with copies of the Yeovil Prize Anthology.

That evening I was honoured to host “In Conversation with Jason Hewitt”. Jason is a debut novelist and The Dynamite Room was published earlier this year. It is a World War 2 story, but one with a difference and is absolutely superb. Set on the Suffolk coast in July 1940, a German officer swims ashore and breaks into a boarded up house. There he finds Lydia, and 11 year old escaped evacuee hiding in the attic. Over the next five days Lydia is held hostage in her own home – but there is more to the German that meets the eye – for how is it that he knows her name?

4In Conversation with Jason Hewitt.

I really enjoyed meeting Jason and chatting to him. The ‘In Conversation’ style of event was a lot of fun, very relaxed, and Jason had so many interesting things to tell us that the time simply flew!

5 Jason Hewitt and “The Dynamite Room

The following day was my third event, and quite a change from what had gone before. This time I was in the Yeovil Library running a writing workshop for children.

6 Outside Yeovil Library.

The event was well attended and I couldn’t have asked for a better bunch of kids to work with. They were all so enthusiastic and imaginative and half an hour after the event had ended were all still sitting scribbling away. I suspect there might have been some budding authors in their midst.

Of course, these were only three events in a packed programme. The organisers have really built on last year’s success and I can’t wait for next year.

 

 

A Day in the Life of Emma Kavanagh

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Before Emma tells us of a day in her life, let me tell you that she has written a brilliant debut psychological thriller for Random House: a plane falls out of the sky, a woman is murdered, four people all have something to hide.

fallingbook

Emma is a former police psychologist but this is her day now. Over to Emma.

Emma Kavanaghauthor

I would love to tell you what my typical working day looks like. But I am the mother of two small boys, the youngest just eight weeks old, and so once my maternity leave ends I’ll be working on figuring out a new typical.

emma+children

So let me tell you about a typical day in my old, pre-baby life. I wake about 6am, stirred to life by the dulcet tones of my 3 year old, shrieking “Morning, Mummy. Wake up.” I blink, try to remember who I am and why there’s a stuffed dog that smells of stale milk resting on my forehead, then face the day. I always get dressed. That may not sound like much of an achievement but remember that I’m a writer. Pyjamas are practically uniform. But I’m a believer in getting ready for the day, allowing my brain to remember that I’m in work mode now. Then, after making my toddler toast (which he won’t eat) and scuttling him to creche or an obliging set of grandparents, I get started.

 

Work time is sacrosanct for me. I don’t have much of it, and that which I do have is fiercely guarded. Once my toddler is out of the house, everything is about writing. I’m even pretty good at staying off Twitter. Most of the time. I open up my laptop, hunker down on my spot on the sofa, and begin by reviewing what I wrote the day before. I’ll do a bit of a tidy up on that, just ensuring that it reads well enough that I feel comfortable moving on, then I’ll look at what comes next. I don’t tend to edit much on a first draft, just bits here and there. I like to get the words out so that I have something to work with later.

workinprogress

I’ll spend as much time as I can writing. Then when my brain starts to fizz, I’ll move on to e-mails and general admin. If I’m feeling particularly efficient, I’ll jot down a rough plan for the next day. Then I get to be mummy again and my world devolves into talk about Play Doh and Elmo.

 

So, that’s my life in theory. Of course, now I have two sons. I am officially outnumbered. So…um…watch this space.

 

 

THE FAERIE TREE: A Book In The Making

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SamhainSAMHAIN: The time of year when the harvest has been completed and the earth has become dormant. The time when the veil which separates the living and the dead is at its most delicate. The time to honour those who have passed.

I feel as though I’m chewing on metal. You see I’ve just bitten the largest bullet an author can bite – I’ve sent my completed manuscript to my publisher. I finished writing and editing it months ago, but it was still really hard to let it go.

So what, you may ask, has that got to do with the pagan festival of Samhain? Well everything and nothing really. The timing of my baby leaving the comfort of my laptop was driven by the necessities of publishing schedules but sometimes, when you look higher, wider, around you – there is an underlying connectivity which at once astounds and makes perfect sense.

The Faerie Tree is not a novel about paganism, but simply a story where one of the major characters has chosen this path to make sense of his world. What it is, is a novel about loss. That sad universal truth of life we all have to battle with from time to time; finding a way to understand and move on, without ever forgetting.

Samhain is a time of remembrance. The pagan equivalent of the Christian All Souls, it is one of a number of major festivals which run in parallel across the boundaries of faith. It is so very human to want to reach out beyond the grave that it makes perfect sense to set aside a time to honour our loved ones on the other side.

Those of you who are familiar with my first novel, The Cheesemaker’s House, will naturally be thinking that The Faerie Tree sounds like another ghost story. It isn’t. Here the characters who have died live only through the memories of those who loved them.

Memory – or memories – are central to the book. So much will become clear as I take you through my journey from the manuscript being sent to my chosen publisher Matador, to the book being available in the shops. But first I think we need to go back in time so I can share the book’s story so far. I think you might be interested; where inspiration comes from is the question I am most often asked in interviews or when talking to groups of readers.

Every author is different, but for me a novel becomes worth writing when two ideas coalesce to make a really gripping story. The first concept was the fairy tree itself. A few years ago a friend took me walking in a beautiful piece of woodland next to the river Hamble, with the express purpose of showing me this tree.

As we approached we began to find tiny teddy bears and plastic toys perched in the bushes, but even their increasing numbers did nothing to prepare me for the tree itself. An oak; not gnarled and twisted, but young, straight and strong – covered with toys, ribbons, beads, strings of shells, and even an old cuckoo clock. But best of all was the box filled with letters from children to the fairies – and the plastic folder on the back of the tree which contained the fairies’ replies.

Never before – or since – have I wanted to hug a tree so much. The feeling was pure instinct – something really basic inside me. As was the covering of the tree with offerings. Pagan? Yes – but in a way few of those who had left their gifts would even recognise as such.

So the fairy tree was the first strand of inspiration, but what of the characters who would discover it for themselves? The previous winter I had visited the beautiful city of Winchester for its Christmas market, and seeing homeless men gather at the Buttercross in the main shopping street, I began to wonder what it would be like to look into the eyes of one of them and realise they were an old flame. And that, dear reader, is where Robin and Izzie’s story starts. The themes of memory and of loss, well, they rather wove themselves, because The Faerie Tree had to be more than just a romance – there had to be mystery, and suspense.

So here I am, with a manuscript winging its way through the ether to my publisher. But the hard work of getting it into readers’ hands isn’t over – it’s only just started. As you will begin to realise when we meet again at Yule.

 

Jane Cable

 

 

The Indie Author Fair – a Pop-up Bookshop at the Chorleywood Lit Fest

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Sunday 16th November, 2pm-5pm, British Legion Hall, Chorleywood

indiebanner

Indie authors and indie bookshops ought to be a marriage made in heaven – ideally suited to work together to create something fresh and exciting.

Catriona Troth, from the indie author collective, Triskele Books, is proud to have facilitated one such partnership – the first, she hopes, of many. Chorleywood Bookshop, well known for bringing literary luminaries to ‘the best little lit fest you’ve never heard of’, are working with the Triskele Books author collective and the Alliance of Independent Authors to host the inaugural Indie Author Fair at the Chorleywood Lit Fest.

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For the first time, in one place, forty indie authors convene to showcase their work and demonstrate how indie author publishing represents all that is innovative, daring and creative.

The Fair will feature works of crime, romance, historical fiction, comedy and lit fic, all read by the authors themselves. You can join in with story time sessions for children of all age groups, or browse the books while having afternoon tea and discover a hidden treasure.

indieauthorfairchildrensflyerIndie authors are a supportive, enthusiastic gang of professionals, ready to answer questions and share their experiences – good and bad. You can discuss plot with a crime writer, brainstorm covers with a designer, pick historical fiction brains, kick around marketing ideas. Or meet the people who make indie authorship happen: Sponsors Ingram, Matador and Reedsy are available to answer your questions.

Troth hopes it will turn into an annual event. “The Fair seems to have captured imaginations – authors are coming from as far away as Spain and Switzerland.”

Alliance of Independent Authors founder and co-host of the Fair, Orna Ross, is looking forward to, “the connections and collaborations, and the energising creative spirit that always blows when a crowd of dedicated indie authors get together.”

Richard Mollett, CEO of the Publishers Association says, “The Indie Author Fair is a great way of promoting writing and reading in Britain.”

If you love reading, if you enjoy meeting authors, if you’re curious about independent publishing – then come to the Indie Author Fair!

 

For more information, please contact Catriona Troth catriona.troth@gmail.com

 

Event page: https://www.facebook.com/events/727624687310614
Online catalogue: http://issuu.com/janedixon-smith/docs/iaf_catalogue_proof_issuu/0

 

 

 

Kate Kelly: A Day In The Life of An Author: The Edinburgh International Book Fair

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A sunny morning in August and I was heading into Edinburgh on one of the city’s shiny new trams. The reason – I had been invited to appear as an author at the Edinburgh International Book Festival and this was the morning of my event.

The Edinburgh International Book Festival 2014 was held in the beautiful Charlotte Gardens in the centre of the city. As I approached I could see the tents and marquees clustered beneath the trees and neat crocodiles of school children in pristine uniforms being herded by their teachers towards the venue.

A Day in the life of an author- The Edinburgh International Book Fair 1
The author arrives at Charlotte Gardens.

Inside covered walkways connected the event venues and bookshops which had been set up around the edge. In the middle was an area of lawns and seating where people gathered to drink coffee or eat their lunch

A Day in the life of an author- The Edinburgh International Book Fair 4
The Edinburgh International Book Festival in Charlotte Gardens

Mine was to be a joint event with Sarah Crossan, author of dystopian duology Breathe and Resist. Our event was called The End is Nigh and formed part of the Baillie Gifford Schools programme of events.

A Day in the life of an author- The Edinburgh International Book Fair 3
Another view of the venue, Charlotte Gardens.

The authors had a separate area, the Author’s Yurt, where we could chat and relax both before and after our events and this was where I headed to meet up with Sarah, Hannah Love of Faber who was chairing our event and my publisher’s marketing director. Here we were fitted with our microphones and then we were escorted to our venue and 150 eagerly waiting schoolchildren.

A Day in the life of an author- The Edinburgh International Book Fair 7
Myself, Hannah Love and Sarah Crossan in the Authors Yurt

Sarah and I read extracts and answered questions about our books, both about the writing process and our inspirations as well as the environmental issues our books address and the emerging genre of Cli-Fi (Climate Fiction). It was an hour long event but it felt like minutes.

A Day in the life of an author- The Edinburgh International Book Fair
Answering questions about our books.

Afterwards we were taken into the festival bookshop where we had the opportunity to meet some of the children and sign books for them. A couple of groups had come across from Glasgow and were doing a school project on Climate Fiction of which our books formed part. It was lovely to meet them and see their enthusiasm. Then back to the author’s yurt for lunch.

A Day in the life of an author- The Edinburgh International Book Fair 5
Lunch laid out in the Author’s Yurt

I was then able to explore the festival site a bit more and most importantly to check out the festival book shops. There was a special stand where that day’s events books were displayed.

A Day in the life of an author- The Edinburgh International Book Fair 6
Lots of copies of Red Rock for sale.

Of course no visit to Edinburgh during festival time would be complete without visiting out The Fringe and that was how I spent the rest of the day. Some of the street acts we saw were quite superb and the whole city was vibrant and alive.

My day at the Edinburgh International Book Festival was a superb experience and one I shall never forget.

Biography

Kate Kelly is a marine scientist by day but by night she writes SF thrillers for kids. Her debut novel Red Rock, a Cli-Fi thriller for teens, is published by Curious Fox. She lives in Dorset with her husband, two daughters and assorted pets and blogs at http://scribblingseaserpent.blogspot.co.uk/

 

Curious Fox link: http://www.curious-fox.com/

 

Amazon UK link: http://www.amazon.co.uk/Red-Rock-Kate-Kelly/dp/1782020616/ref=sr_1_1_bnp_1_pap?ie=UTF8&qid=1409831765&sr=8-1&keywords=red+rock