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My Writing Process Ray Star

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Ray Star, author, writer, how I write, my writing processWhat you have written, past and present

I wrote my first story when I was ten, scribbled untidily onto folded green paper, unevenly stapled together with crayon illustrations on every other page. My teacher had tasked our class with writing a story to include three things: a waiting room, a light switch and a wish. I opted to write a tale of a young girl who found herself in a magic waiting room that gave those worthy a wish, if fate called upon them to use the light switch. I received my first A+ and have wanted to be an author ever since.

After my school years, I dabbled in freelance journalism, covering ‘real life’ stories for tabloids and the women’s weekly’s in my twenties but found this mind numbingly painful. To the point, it put me off writing for a while. I ended up starting my own PR firm and then, life got in the way, as it so often does, and my dream of one day becoming a successful author was lost to the 9 to 5 routine and all that falls in between.

It wasn’t until quite recently in 2018 that the idea for a story found me, and it wouldn’t let me be. It would find me just before I fell asleep at night, an array of nameless faces that needed their stories to be read, heard and understood. The title came to me when I was at lunch with my mother one afternoon, and a year later, my first draft copy of Earthlings – The Beginning was ready.

  • What you are promoting now

My debut novel Earthlings – The Beginning, is book one of a YA Fantasy trilogy with a message to the narrative, and launches on August 12th, this year.

Earthlings is the story of a young girl named Peridot, raised with the realities of her world hidden from her by an overbearing mother. One day, a young boy Euan unexpectedly comes into her life only for him to leave as quickly as he came, from that moment onwards, her world is never the same. Peridot leaves the clutches of her mother’s home in the hopes of finding her friend, only to discover all she believed to be true, to be something else entirely. 

We follow her journey into a world filled with magick (yes magick with a ‘K’), wonders and horrors that Peridot couldn’t have fathomed in her wildest dreams – or nightmares. For every step she manages to get closer to her friend, something new and unknown gets in her way. There are many twists and turns in the Earthlings tale but ultimately Peridot’s story is one of finding friendship against all odds and trying to do the right thing – no matter the consequence.

www.raystarbooks.com

  • A bit about your process of writing

I’m going to be completely honest with you – I have no process! I wrote most of Earthlings when I was pregnant with my first born, which was utter bliss. Just me and my bump and a fresh pot of tea, writing away by an open window with the breeze fluttering past to keep us company.

The remainder of Earthlings was written with a new-born, which never in my wildest dreams could I have fathomed would be as hard as it was, but I did it, and then, just to make things that little bit harder for myself, another bump came along. Bump number one is now aged two, and his brother, is eight months.

Writing time now, is done in the rare moments of quiet, which admittedly, are far and few, but when they find me, the story flows and I find ‘the zone’ as I call it, quite easily. Writing is the one thing in this world, other than my boys and a good strong cuppa coupled with dark chocolate digestives, that brings me peace.

  • Do you plan or just write?

Planning to write when you have children, is like planning to have an early night when you have children. It does not happen. It works in my favour to not make plans, and then by not making plans, enables the possibility of that plan taking place… if you follow!

  • What about word count?

For a story to be the best it can be, I have to allow it to flow naturally. If I force myself to write a set number of words, they become in danger of becoming precisely that – just words. I used to set the target of writing 200 words a day but by doing that, I did the opposite. Word counts seem to be counterproductive for my style of writing and I prefer to enjoy the story as I write it, whether its 50 words or 500. The story will write itself if you give it time.

  • How do you do your structure?

Alike the above, I had no set structure for Earthlings, I sat down and wrote the story as it came to me when I was in the moment. Although, Earthlings is book one of a trilogy and with book two, there are specific moments that needed to happen, so I made a point of having a list of key events that I ticked off as they were complete. 

Editing wise; I tend to write a chapter or two, read through and do a light edit, then keep writing. This way, when I come to edit properly when my first draft is complete, most of the leg work is done and the editing process isn’t as daunting.  

  • What do you find hard about writing?

The environmental cost of books plays on my mind a lot. Whilst I’m over the moon to finally be an author, it bothers me that my work comes at the cost of trees. Beautiful beings that have lived on this planet longer than I have are sacrificed for the literature we know and love. This bothers me more than I can put into words. 

My publisher, Chronos Publishing, thankfully, is very supportive of my concerns and has ensured that Earthlings, where possible, is to be printed on recycled paper. However, we were unable to get this secured with one distributor (Amazon) so I have recently launched the #ReadGreen campaign to hopefully encourage Amazon to offer sustainable printing options to the publishing industry.

You can support the Read Green campaign with a simple signature via www.change.org/read_green/ 

I have also pledged to plant 1 tree per book sale via Ecologi to combat any Amazon sales of my book, the Earthlings forest is available to view via my website.

  • What do you love about writing?

Everything. Writing to me, is as wonderous as magick. It is the ability to make your wildest dreams a reality. The ability to breathe life into beings, places and creatures that we dismiss as unbelievable. Pure escapism. If you’re a good enough writer. Anything is believable. If it harm none, so mote it be.

Love and light

Ray Star

@RayStarBooks

www.raystarbooks.com

Earthlings by Ray Star is out now by Chronos Publishing, £8.99

My Writing Process Joe Thomas

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psycho, joe thomasWhat you have written, past and present

I am the author of a quartet of standalone but connected novels set in São Paulo, where I lived for ten years – Paradise City, Gringa, Playboy, and Brazilian Psycho. I have also published Bent, a historical crime novel set in Soho in the 1960’s and behind the lines in Italy during the Second World War, based on the life of war hero and notorious detective Harold ‘Tanky’ Challenor, who was in the SAS with my grandfather.

What you are promoting now

My latest novel, Brazilian Psycho, is an occult history of the city of São Paulo from 2003 – 2019, told through the lens of real-life crimes. It reveals the dark heart at the centre of the Brazilian social-democrat resurgence and the fragility and corruption of the B.R.I.C economic miracle; it documents the rise and fall of the left-wing – and the rise of the populist right.

The novel features the chaos and score-settling of the PCC drug gang rebellion over Mothers’ Day weekend, 2006; the murder of a British school headmaster and the consequent cover-up; a copycat serial killer; the secret international funding of nationwide anti-government protests; the bribes, kickbacks and shakedowns of the Mensalão and Lava Jato political corruption scandals.

psycho, joe thomas

A bit about your process of writing

I am a crime novelist interested in fiction based on fact, inspired by true stories of structural inequality. My fiction addresses the discourses of power and the specificity of crime, why something happened precisely where it did, and is an attempt to illuminate the reasons why. 

I tend to plan my novels loosely and read a good deal before beginning the writing. Once I have a defined structure, then I write in earnest. At this point, I will research, plan, and write at the same time. What this means is that I write one section of a novel and read around the section that follows. I find that this keeps everything fresh! 

In terms of structure, I tend to think in units of time, so do I want each chapter or section to cover a day, a week, six months, etc. As so much of what I write is based on reality, these units of time are often defined for me; I simply follow what happened and when! I find this both an anchor and liberating, too, in terms of having that tightly defined framework to exploit fictionally.

I want to be thought of as a writer pushing the form and writing political, meaningful, literary crime fiction. My goal is to build a body of work and I am very lucky to have the opportunity to do just that.

What about word count?

I have a very irritating habit: whenever I stop writing, or even pause for a moment, the word count has to end in either zero or five. I will tinker with sentences for this to be the case! In some ways it helps with editing; in others it is likely counter-productive!

What do you find hard about writing?

Having to overcome my own irritating habits! I used to think that I had to write first thing in the morning to produce anything of quality; since having a son – who is now twenty-months old – I am learning to use any part of the day I can. This is not always easy!

What do you love about writing?

I love that the days when I do it feel better than the days when I don’t.

Brazilian Psycho by Joe Thomas is out now in hardback by Arcadia.

 

My Writing Process Michael Arditti

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Michael Arditti , authorWhat you have written, past and present

I am the author of eleven novels and one book of short stories, all of which have either been published or reissued by Arcadia and all of which I’m pleased (and proud) to say are currently in print.

I began my career writing plays for the radio and the stage, the former with more success than the latter, although I had a very happy experience writing The Volunteer for the National Youth Theatre in the 1980s.  Meanwhile, my play, Magda, about Magda Goebbels and Eva Braun in Hitler’s bunker, is to be produced in Latvia this autumn.  Nevertheless, I hate conflict in any form, and I learnt relatively early that such talents as I have are better suited to the reflective, discursive medium of fiction than to the more confrontational medium of drama.

What you are promoting now

The paperback edition of The Anointed, a novel about King David, narrated by his three most significant wives.  The novel came out at the beginning of lockdown last April and, although sales were hit by the closure of bookshops, it was widely and well received, with the Evening Standard describing is as ‘#MeToo meets the Old Testament.’  That somewhat catchpenny phrase neatly sums up the book, in which three women, Michal, Abigail and Bathsheba, who are side-lined and almost totally silenced in the Bible, are given their voices and enabled to give their views of Ancient Israel’s greatest hero.

A bit about your process of writing

I am a ‘morning person’ and write from 6 or 7 am until 1 or 2 pm, with breaks for breakfast, herbal tea (and sugar-free biscuits!).   I very rarely write in the afternoons, preferring to read, listen to music or see friends.  Until last autumn, I worked as a theatre critic and spent three or four evenings a week in various auditoria.  I’m slowly adjusting to the new rhythm of life.

Like many writers, including my hero, Marcel Proust, I write in bed.  I always have done, since for me it offers the perfect mixture of freedom and constraint.  In 2001, I suffered a severe back injury, which has left me slightly disabled, so lying, propped up by pillows, with my laptop carefully positioned, is my most comfortable position.  Friends, who previously thought me self-indulgent and lazy, now think me practical and brave.  A great relief!

Do you plan or just write?

I feel a mixture of awe and envy for anyone who does things that I can’t (from swallow-diving to fixing computer glitches).  The same goes for writers who open a blank page (or a Word document) and write the first sentence of a novel, without having any idea of what the next will be.  In my own case, I need to know the arc of a novel before I can start.  Of course, the characters lead me in unexpected directions, and we all know what happens to the best-laid plans of mice and men.  But I do need to have a plan in place, to be able to deviate from it creatively.

What about word count?

I pay no attention to word counts whatsoever, either in having to complete a certain quota every day or in requiring a book to be a certain length.  Every novel is different.  My longest, Of Men and Angels, is around 180,000 words, and my shortest, The Young Pretender (about the Georgian child actor, Master Betty, which is to be published next January) is 55,000.  But the majority of my books, including The Anointed, are around 120,000 words.

How do you do your structure?

Structure is very important to me.  It should say as much about the matter of a book as the story itself does.  When I mentioned that I always had a plan before starting, I was referring to a structure rather than a plot.  For The Anointed, I worked to a readymade plot for only the second time in my career (the first was A Sea Change, which tells of the ill-fated voyage of the St Louis, a ship taking almost 1000 Jewish refugees from Hamburg to Havana in 1939).   The biblical Books of Samuel follow the course of David’s life from his gilded youth to his despotic old age, although, from my point of view, what they leave out was as important as what they put in.  

Once I resolved to tell David’s story from the women’s perspective, everything fell into place.  Michal, King Saul’s daughter, bears witness to his youth at her father’s court, his early military prowess, and his relationship with her brother, Jonathan.  Abigail, a wealthy widow who facilitates his rise to power, knows him as a skilful (and ruthless) politician, prepared to betray his countrymen to the Philistines, and usurp his father-in-law’s throne.  Bathsheba, the best known of the three (largely because her nude bathing has been a gift to painters down the centuries), encounters him in old age, raping and murdering at will and unable to control his children.  Their stories intertwine and, at times, contradict each other, reflecting the many inconsistencies in David’s character.

What do you find hard about writing?

I could say ‘everything’, although that would be too glib and not entirely true.  Ever since I published my first novel, The Celibate, in 1993, I have met people who tell me that they too would write a novel, if only they ‘had the time.’  I listen politely but wish that they had both more sensitivity and understanding of how hard a profession it is.  It requires both self-discipline and self-confidence.  It is a long, solitary process, at the end of which you can be harshly judged, both privately by friends and colleagues, and publicly by critics and readers.  It isn’t manual labour but it is often utterly draining.  If the writing is honest (as it should be), it can be very painful both for yourself and those to whom you are close.

What do you love about writing?

Once again, I could say ‘everything’ and, once again, I would have to qualify it.  To be able to create a fictional world is a gift and to have the chance to share it with readers a privilege.  Losing oneself in one’s work so that all outside concerns and distractions disappear is the most glorious sensation, bettered only by reading through one’s writing at the end of a chapter and not knowing the genesis of a particular incident or exchange but knowing that it is absolutely right.

The Anointed by Michael Arditti is out in paperback by Arcadia.

 

5 Books that Changed My Life By The Lucky Escape Author Laura Jane Williams

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The Babysitter’s Club series

My parents had a rule when we were growing up: they’d always say yes to a book. I remember being in Waterstone’s Durham and randomly pulling a Babysitter’s Club of off the shelf, purely to get my dad’s attention and praise. Turns out, it was a gateway drug. Over the next few years I collected all of them, devouring the stories of these incredibly glamourous Americans who essentially ran their own little business. Couple that with starting highs school as The Spice Girls hit number one and a lot of my personality suddenly makes sense!

lucky escape, Laura Jane Williams, books that changed me,

On Beauty, Zadie Smith

I read this when I was about 20, and it opened a secret door within me that I hadn’t known about before. Every character in this book leaps off the page – there is no such thing as a flat or incidental character, everyone is 3-D and complete. It was the first time I remember being aware of not just enjoying the story, but that the story was created by somebody, a writer, who had worked at it and used certain techniques and skills to make their point. I know every man and his dog has been inspired by Zadie, but it really is for a reason. She’s remarkable – she’s got the most smart, intelligent brain.

Heartburn, Nora Ephron

I’ve read and re-read this book, and every time I just cannot get over the self-awareness of it. It’s so funny. There’s not a line wasted. It’s no mean feat, writing a character with so much life in them, with strong opinions and questionable choices who is still utterly likeable. It’s the same for Bridget Jones. I love knowing that the novel is a roman a clef and picking out which bits are slightly less veiled retellings of actual events than others. It must only be about 50,000 words, if that, so it’s proof that not every story needs to be an opus to be impactful.

Homegoing by Yaa Gyasi

This book taught me more about the lasting impact of slavery than anything else I’d ever read up until that point. I remember knowing that whilst the third chapter was some of the most difficult reading I’d come across it was unquestionably important. The novel branches out to illustrate the continued echoes of white supremacy alive today and so much clicked for me, then – my privilege had not allowed me to see so much, and through the gift of this story I could. It was a jumping off point for so much more interrogation into racial inequality.

Last Night, Mhairi McFarlane

I’d never read and Mhairi before this one, but offfft! What a book to get started on! Right from the first page I was sucked in to this world of banter and wholehearted friendship, and whilst I think the sort of rom-com/women’s fiction genre gets deliberately misunderstood (don’t get me started on that!) there’s no mistaking this book as an incisive, accomplished balance between hilarious and heart-breaking. That’s masterful! I read it in awe of her skill, trying to unpick how she’d done what she’d done. That’s how I know I’ve been impressed – I hold the thing up to the light desperate to learn from it!

 

The Lucky Escape publishing on the 10th June, is the third unmissable new novel from the bestselling author of Our Stop and The Love Square. The perfect romcom, and more: full of effortless banter; sizzling sexual tension and, above all, an overwhelming sense of hopefulness – in life as well as love.

The Wild Girls by Phoebe Morgan | Book Review

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Is there anything better than a good thriller? Well yes, a good thriller where the characters are female. In my opinion anyway. The Wild Girls is about four wildly (sorry) different women who all go on holiday to Botswana to celebrate their friend Felicity’s birthday. They have not seen each other in years and the last time they did see each other it did not go well. All of the women have secrets, and they want to keep them to themselves.

the wild girls, book, phoebe morgan, book, book review.
Hannah is a new mother, finally after years of infertility. Grace has been a hermit after suffering trauma. She lives with a flatmate who has a boyfriend who is rude to her. She needs to make changes and she knows it. Alison lives with her terrible boyfriend in a flat she can barely afford the mortgage for. All of the women are struggling in their lives. They all need something, so they accept the invitation from Felicity. No one has seen Felicity for years, she immigrated to New York with her boyfriend Nathaniel. It is an all-expenses trip to a luxury lodge in Botswana. Who could possibly say no?

The women arrive at the lodge and Felicity is nowhere to be seen. Things go downhill from there as the women realise that things are not quite right and more strange things keep happening. I do not want to give any of the plot away and to give the review I really wanted- and to truly capture how amazing I think Grace is, a truly brilliant character- I would have to. So instead I will say this: all of the characters are so vivid and perfectly written. There are four different women and each of them is so different and given so much depth. The plot races along. It is hard to put this book down and I really tried not to. I finished it in record time. I reckon you will too. From the great plot to the brilliant characters this book is pretty much perfect. Whats more, you will not see the ending coming. I loved it. A must read.

In a luxury lodge on Botswana’s sun-soaked plains, four friends reunite for a birthday celebration…

THE BIRTHDAY GIRL
Has it all, but chose love over her friends…

THE TEACHER
Feels the walls of her flat and classroom closing in…

THE MOTHER
Loves her baby, but desperately needs a break…

THE INTROVERT
Yearns for adventure after suffering for too long…

Arriving at the safari lodge, a feeling of unease settles over them. There’s no sign of the party that was promised. There’s no phone signal. They’re alone, in the wild.

THE HUNT IS ON.

The Wild Girls is available here.

 

 

 

A Wedding in the Country By Katie Fforde Review

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Katie Fforde a wedding in a country

Katie Fforde is a writer who needs no introduction, such is the weight of her talent and accomplishments. She is a national institution. Each one of her books is eagerly awaited and I cannot pretend I was not excited to receive this one. A Wedding in the Country is the perfect novel for these times. It is set in the 1960s which is a decade I have always loved (despite being born a few decades later). It is the perfect book to get lost in. The book has so much depth and I felt like I had been transported to another time. I loved the character of Lizzie and I could not wait to follow her journey. Get your hands on a copy of this dazzling book now. It is like a hot bath at the end of a tough day,  perfect up-lifting escapism.

This book is the most autobiographical for Katie Fforde. The book follows Lizzie who has arrived in London to do a cooking course, which Katie herself did, and Lizzie meets two other girls who become her best friends and moves into a run-down house in Belgravia. Her mother is determined she should have a nice wedding in the country to a Suitable Man chosen by her. But Lizzie wants to have some fun first.

‘Thank goodness for Katie Fforde. The perfect author to bring comfort in difficult times. She really is the queen of uplifting, feel good romance.’ A.J. Pearce

 Katie Fforde lives in the beautiful Cotswold countryside with her family, and is a true country girl at heart. Each of her books explores a different profession or background and her research has helped her bring these to life. She’s been a porter in an auction house, tried her hand at pottery, refurbished furniture, delved behind the scenes of a dating website, and she’s even been on a Ray Mears survival course. She particularly enjoys writing love stories. She believes falling in love is the best thing in the world, and she wants all her characters to experience it, and her readers to share their stories.

A Wedding in the Country is available here.

 

My Writing Process – Emma Eker.

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I’m a searcher – always have been, potentially always will be. I’ve questioned the status quo from the moment I had the capacity to do so – finding myself dissatisfied and unconvinced with the answers I was given. I mention this so you may understand that I spent my whole life pushing boundaries, rebelling against ‘the machine’ and searching for the Truth. This quest came with a restlessness that ensured I couldn’t stay still for any substantial amount of time, moving from place to place, job to job and person to person for as long as I can remember – I was always trying to get ‘there’… destination unknown. 

What you have written, past and present.

Apart from writing a teenage diary, essays for my psychology training, helping friends formulate emails and blogging through social media, my professional writing CV, up until this point, has been limited! Until recent years, although with a great love for writing, I am not sure that I considered utilising this in any particular way, either professionally or for any paid or altruistic offering – it simply wasn’t in my consciousness awareness to do so.

What you are promoting now.

My book is called “Liberation”. It has been a labour of love and is predominantly a solution-based memoir, highlighting my journey through life – moving through addiction, heartache, temporary loss of Self and many of the trappings of the human experience. I have always been solution-based, always aware that life is magic and benevolent and therefore I could not, would not, write a book relating to struggle without presenting the reader with a solution. Too many books in the mainstream point to the ‘problem’, providing identification but little or no hope for the eradication of that which the reader may be battling with. I believe we are all whole and perfect, but for our belief systems and this is what Liberation allows the reader to see. 

3. A bit about your process of writing.

If anyone is looking for ‘good advice’ from me in this area, they may be disappointed! My writing process has been totally haphazard. Some days / weeks I would be in ‘the zone’, writing flowing, immersed in the creative process and other times, my laptop would be left unattended whilst I found it more important to do absolutely nothing at all! Many a time I have found myself in judgement around my process, but I have come to see that everything happens perfectly and in divine timing. What I will say is this, I have learnt to hear and to listen to the still quiet voice within me that taps gently in order to gain my attention and nudges me in the right direction. When the ‘knowing’ comes knocking, I know it’s time to put fingers to keyboard. 

4. Do you plan or just write?

Absolutely no planning whatsoever. I truly trust my writing process and I go with what feels right, rather than what I could have set out in black and white with regard to a structure. I have never worked logically, despite being thrown into a system that required it. I must be honest and say I don’t think I ever planned any of the book at all. Everyone’s process is different though and we need to find what works best for us which is simply a matter of trial and error. I know that when I sit down in front of my computer with the intention to write, the words will flow through me and if they don’t, I recognise it isn’t the right time. For me, the trick is to take my thinking mind out of it and go with the (creative) flow.

· What about word count?

With “Liberation”, there was no specific word count. I made the decision to self-publish rather than write for a traditional publishing house who may have required a certain length of manuscript.   

· How do you do your structure?

There was no specific structure, although, before I made the decision to self-publish, I was in discussions with a traditional publishing company who had asked me to draw up a synopsis and provide a rough chapter breakdown. I did, on some level, find this helpful to refer to as the writing process began. I held the structure loosely, understanding that the ‘story’ would unfold and become clearer as time moved on. Therefore, the format continually changed as the writing flowed and took on different directions, but it was useful to at least know the direction in which I was headed.  

· What do you find hard about writing?

At many times, thoughts, ideas and words would flow into my mind incredibly quickly and leave just as quickly making it difficult at points (not to mention incredibly frustrating) to grab hold of and capture them. Because I have a perfectionist within me, I would find myself continually editing, editing and re-editing some more which again, can be incredibly frustrating. I have however learnt, that if there is something that needs language which I temporarily ‘forget’, it will revisit me again to make its way onto the page. Moving out of my own way to make way for the creative process has also been a challenge for me, left vs right brain – practice is the name of the game. 

· What do you love about writing?

It’s an interesting question. Is it enough to say that it feels like an extension of who I am? I love putting words together and creating something that touches or resonates with another human being in order to gain identification and understanding. The ‘writing zone’ is a very real thing and I love getting lost in here.

· Advice for other writers.

If you feel there is something you have to offer and have a desire to write, trust it. Do not give up. It does not always feel easy to take what is inside of us and give language to it ‘out there’ and at many times you may feel you are in a battle with and up against yourself, but you must trust your heartfelt desire to do it. For if it wasn’t yours to do, you would not have the desire in the first place. And remember, everything has its ‘perfect’ time, so trust that too!

 

Liberation by Emma Eker is out by Spiffing Covers on 28 January. You can buy a copy of Liberation by Emma Eker via her website or Amazon.

 

My Writing Process Alex Knight

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Howdy, all! I’m author Alex Knight — best known for my genre-warping fiction whose popularity commonly crashes global markets. Also, my humility. I used to be a ghostwriter for romance novellas and science fiction novels, but these days I write my own books, primarily in the genres of Fantasy and LitRPG. 

What I’ve written, past and present?

Aside from my ghostwriting work — which I can’t legally talk about — my work includes the Nova Online trilogy, a sci-fi, LitRPG adventure we like to bill as “Halo meets Ready Player One.” If you’re into science fiction, RPGs, and coming of age tales that pit their protagonists against tyrannical, dystopian governments, then you’ll probably dig it. Did I mention it takes place in the real world and a video game? I like to think it’s a lot of fun.

What you are promoting now?

Most recently, I’ve taken a pivot into Fantasy with my debut fantasy thriller, The Far Wild. It’s a classic adventure story about skyships and expeditions gone awry in the most dangerous wilderness known to man. It’s full of beasties with too many teeth, bombastic characters, and beasties with too many teeth trying to eat bombastic characters. Of course, there’s a bit of espionage, too, and no story is complete without a dose of looming societal upheaval, right? I grew up loving Michael Crichton’s Jurassic Park and The Lost World, and The Far Wild is my love letter to those stories. It’s been released as an Audible Original, which means it’s an audiobook and Audible brought in an incredible cast to voice the main characters. I wrote the words, but my goodness did the narrators bring them to life!

A bit about your process of writing?

Consistent. Simplistic. A gift to all humankind — just a few descriptors I wouldn’t use to describe my writing process. Realistically, writing is a wild process and how I do it changes every couple of months. Some things stay the same (butt in chair, music up loud, world ignored), but I’ve found if I write in one place for more than a few weeks my creativity fizzles up. I like to bounce between writing on a desk at home, on the couch, out on the balcony. Or, better yet, in libraries and cafes. Of course, that hasn’t really been an option with Covid, so I’ve taken to placing a camp chair in different, odd places around the house and pretending I’m somewhere else. It’s amazing how well you can tune out your surroundings with the power of noise cancelling headphones and loud, loud music.

Do you plan or just write?

You know, I’ve experimented with both ways. When I was a ghostwriter, I had to plan ahead of time so the client could understand and write off on the story. With practice, though, I’ve found that planning too much ahead of time stifles creativity in a story. I now much prefer to write out a loose plot, then follow it vaguely as I write and make sure I let my mind go where it’d like. That’s where the magic is found in writing, in my opinion. Right on that line between what you planned and where your creativity wants to take you.

What about word count?

I aim for 2,000 words a day, which is a reasonable, sustainable rate for me, and track my progress via a project tracker spreadsheet. Lately, though, I’ve been finding it easier to simply paste chapters into a manuscript first draft document as I write them. This way, I have it to refer to for an up-to-date word count, chapter word count, and it’s super easy to make control + find changes. 

How do you do your structure?

I learned pretty much everything I know about structure and plotting from 1. reading books I enjoy and 2. K.M. Weiland’s website. There’s a bunch of great resources there and I recommend it for every aspiring author. There’s a particularly useful chart on the site that outlines the basic three act structure most stories follow. I like to put my own spin on this by weaving a lot of questions into the story, then answering them bit by bit as the plot progresses. This helps me keep the story moving quickly and make it satisfying as we’re on a constant drip feed of answers.

What do you find hard about writing?

The desire to do it as well as I can. There’s always that voice inside saying “you could do this better,” or “you should have written this this way.” Silencing that voice is key to finishing, well, anything you write. There’s always a compromise you must find between quality and speed. You could blaze the book out in a month or you could take forever doing edits and rewrites. The sweet spot lies somewhere between those, and finding it is a unique journey for each book.

What do you love about writing?

The act of doing it. Creation. I love nothing more than sitting down, cranking the music, and diving into a fantasy world to find out what happens next. Fingers tapping on the keyboard, cursor flying across the page — that’s what I live for. When you’re at that perfect spot between a tight plot and a loosely planned story, magic happens. You surprise even yourself, watching the plot unfurl in unexpected ways. In that way, I, as an author, get to experience the story in a fresh way. It’s much better than knowing every twist and turn ahead of time.

The Far Wild by Alex Knight is available exclusively on Audible now.