Tag Archives: author

My Writing Process – Tora Williams

Posted on by

A bit about you. 

I’m one of those people who was always wanting to write a book, but could never find the time to write. Not that I wrote nothing at all—I used to write fan fiction and short stories purely for my own entertainment—but I never quite believed that anyone else would be interested in reading anything I might write. Then about ten years ago I signed up for an Open University course on writing fiction and was encouraged by the feedback I got. Suddenly writing a novel didn’t seem such an impossible task, and I started writing seriously. Much to my parents’ horror, I resigned from my job and set up as a maths tutor and freelance proofreader to give myself more time to write.

What you have written, past and present.

I write historical romance, set in medieval Wales and the Welsh Marches. My debut novel, Bound to Her Blood Enemy, was published by The Wild Rose Press last year. They’ve now published two more of my books, the latest one being His Clandestine Bride, published in March. I’m currently editing a fourth medieval romance with others at various stages of completion.

A bit about your process of writing. 

I try to get up early and write between about 5 and 7am. I then get on with my day job until mid-afternoon, then return to writing. If I don’t write first thing in the morning, I find it really difficult to write later in the day, so I have to be strict.

Do you plan or just write?

A bit of both. Before starting a new story, I plan the hero and heroine’s characters and have a rough idea of where the plot is going, but after that I write as the story comes to me.

What about word count?

I try to write 1000 words a day. If I can get down 500 words in the morning, writing another 500 later on never seems like too terrible a task.

How do you do your structure?

I don’t consciously follow a structure when writing the first draft, but when editing I always find the story falls roughly into a 3-act structure and I edit to firm up that structure.

What do you find hard about writing?

Every day it’s a struggle to force myself to silence the inner voice telling me the story is rubbish and no one will want to read it. Once I get going that voice goes away, but dragging myself out of bed every morning to turn on my computer is never easy. 

What do you love about writing? 

I love dreaming up the characters who inhabit my stories and get a real rush planning how they’re going to achieve their happy-ever-after. It’s the best job in the world. Who else can say they’re a professional daydreamer? 

Advice for other writers.

Take every opportunity to connect with other writers. Writing is a lonely business and rejections can be hard to handle. Meeting others going through the same experience can help you stay sane and provide the motivation and encouragement to keep going, especially when your family and friends think you’ve lost your mind!

 

My Writing Process – Helen J. Christmas

Posted on by

Helen J Christmas, authorI am a website designer and an author and have written a five-book mystery thriller series. 

When I was out and about one day, walking our dog along the beach, my imagination ran wild and I remember getting my first ideas for a story. It started with the characters but grew into a suspenseful saga that spanned four decades; this was my inspiration for ‘Same Face Different Place,’ a series I completed in 2017.

Writing is something I’ve always loved, but working full time, it was difficult to find enough hours to write a novel. Once I started however, I found myself waking up earlier (5-6am). So why was I lying there, restless, thinking about my book, when I could be up writing it? This became my prime time for getting the bulk of my story written.

I spent seven years writing my series and it wasn’t just the writing I loved but the planning, the research, the development of new characters and the way the storylines fused together. I always started out with an outline plot but the best ideas flowed when I was creating the scenes. At the time I wasn’t bothered about word count. I tended to include a lot of description and dialogue but this can be whittled down in the editing process to give a tighter novel. 

I derive a huge amount of pleasure from writing but the biggest reward is getting good reviews. No-one can describe the euphoria an author feels when they see a glowing testimonial from a reader. Just the thought that someone has enjoyed your book is a wonderful boost, something that really makes it worthwhile.

I confess to feeling an anti-climax when I reached the end of my series but fortunately, had an idea for a new book. After writing such a huge saga, I wanted to try writing smaller stories. Such was the thinking behind Rosebrook Chronicles, The Hidden Stories. This novel follows the lives of three lesser known characters, all of whom are abused as teenagers. It is the interlocking stories of these characters that drive the plot, a blend of social history and psychological suspense, told from the heart and quite different from my thriller series. It also provides a background.

Writing this, I also experimented with different writing styles, one being present tense, the other first person, which I really took to. So with all this experience under my belt, what would I advise other writers?

This year I started a standalone psychological thriller set in modern day Sussex. I found it a little difficult to get into though, with a whole new cast of characters. It helps to have an outline plot to base your story on, but the one thing that works is getting to know your characters. Try to imagine how they think. Plot their back story, consider their family and friends network, where they work, maybe even what music they like. I’m sure this why my series became so easy to write in the end, because the characters to me felt like real people.

I occasionally end up writing extracts based on one character or scene; something to focus on if the writing process becomes cumbersome. So don’t give up. 

Reading helps too. I like to lose myself in a good book as much as I like writing and with so many good psychological thrillers around, it is inspiration for the soul.

BIO: Helen lives in Sussex with her husband where they work from home in their idyllic 17th C cottage. They began their web design business in 1998 (still running) and other than writing, Helen loves walking, cooking and photography.

Books by Helen J Christmas: 

Beginnings

Visions

Pleasures

Retribution: Phase One

Retribution: End Game (series: Same Face Different Place)

Due to be published in July

Rosebrook Chronicles, The Hidden Stories.

 

My Writing Process – Juliette Forrest

Posted on by

My writing journey began quite late. After I left school, I moved to London and worked as an art director in advertising. It was years later, during an evening class at Glasgow School of Art, that it finally dawned on me I was awful at life drawing. So, I gave it up to attended my first writing class on a Saturday morning at Glasgow University. I wrote a piece for the group and the teacher suggested I could have the beginnings of a children’s book. I thought he was bonkers – but decided to give it a go. When I won a New Writers Award from Scottish Book Trust in 2014, everything changed. They gave me a bursary, a mentor, time away at a retreat, social media training and voice coach sessions. It was their belief in me that spurred me on to finish my first book, Twister, which was published by Scholastic in February 2018. It was a Sunday Times Book of the Week, The Guardian’s ‘must-read’ kid’s book of the summer and won the Calderdale Book of the Year Award 2019. I’ve just finished as Writer in Residence at All Saints Primary in Greenock and my second novel The True Colours of Coral Glen launches on July 4th.

What is your process?

I tend to work quite early in the morning because there are fewer distractions. I think one of the most positive influences on my writing process is my dog. He won’t let me sit at my laptop for too long and walking him gives me the space to work out plot or dialogue. Plus, I meet colourful characters in the park, who always make their way into my novels.

Do you plan or just write?

I use my synopsis as a guide and think carefully about what needs to happen to drive the story forward. I let it rattle around inside my head for a while, so I can tinker around with it and explore different options. It helps for me to imagine the story as a film playing out – so I tend to visualise each chapter before I begin writing.

What about word count?

Some days, I don’t seem to be able to write much at all, and others, I can whizz through entire chapters. I don’t adhere to a strict daily word count for this reason. If it’s not happening, I never berate myself, but turn my attention elsewhere for a while. There is always something to be getting on with like research or answering children’s letters.

What do you find hard about writing?

I’m often convinced I’ve got a great plot idea and I’ll spend ages working on it, only to discover at the very last minute that it’s flawed. I find this frustrating – like it is precious time wasted. However, I do believe it’s good to go down the wrong path because when you eventually hit the right one, you feel confident the story is the very best it can be.

What do you love about writing?

I absolutely love creating characters. There is one I’m working on for my next book who is going to be so much fun to spend time with. It’s brilliant when a character comes alive and tells you what is going to happen next. If you’re surprised, you can be sure the reader will be too. The next best thing about being a children’s author is chatting with the kids at events. It makes all the blood, sweat and tears worth it.

Advice for other writers?

I think it’s important you always celebrate when good things happen with your writing because any achievement in this industry is huge. And I firmly believe there is no genius except for the genius of hard work.

 

Published on 4th July.

 

My Writing Process – Caroline James

Posted on by

I am proud to have author Caroline James be the first writer to be part of our new series. How I Write gives readers, and other writers, an insight into the minds of writers. Not only how they think, but how they work. Enjoy. Catherine Balavage, Editor-in-Chief. 

I always wanted to write from a very early age, but never thought that I was good enough. A few weeks short of my sixteenth birthday, much to my parents’ horror, I left school, and also home, to work in Cornwall, doing anything from pot-washing to waitressing. In that time, I realised that I loved the hospitality industry and if I couldn’t write, I would work hard and one day have my own business. Fast forward several years and I achieved that dream. After catering college and working for a large hotel group in London and abroad, I eventually owned a pub and then a country house hotel. When I sold the hotel, I became an agent representing celebrity chefs. It was a fabulous career but still I wanted to write and decided that I wouldn’t die wondering and pinned my bum to a chair to write my first book.

Five books on and I am currently writing my sixth. The first was self-published and to my amazement, went to number three in women’s fiction on Amazon. My writing dream had come true. Two of my titles are current Amazon best-sellers and my dream of writing full-time has been achieved.

I am currently writing a follow-up to The Best Boomerville Hotel for my publisher, Ruby Fiction. I am a speaker too and give talks on various subjects including entertaining speeches for large events, such as a guest speaker on cruise ships and at various literature festivals. I write food related articles for various magazines and promote my work through social media and my website.

What is your process?

I like to write early in the morning before the rest of my world wakes up. I never find the process easy; I have to force myself each day, onto a chair and in front of my laptop. I’ve always found the writing process hard, but on occasion it has moments of relief when I simply can’t stop and may write solidly for several days. But that’s rare.

Do you plan or just write?

I always try to plan a novel before I begin the writing process, but the characters usually take over and want to do their own things. I think a framework is a good writing tool, so that there is a beginning, middle and end, however you get there.

What about word count?

Some days it may be 200 words others 3,000. It all depends on what writing demands I have. I may be writing an article or doing social media and blog posts for a client, so I have to fit novel writing in when I can.

What do you find hard about writing?

I find it hard to make myself get on with it. I envy the disciplined author who sets out a target each day and achieves it. I found it easier to write when I was working full-time running a business and had many other family demands. That old saying, ‘If you want something doing, ask a busy person,’ is certainly true for me. Since I decided to take a leap of faith and write full-time, I find it much more difficult to actually write a novel.

What do you love about writing? 

The freedom to write about anything at all. The freedom to express myself. The freedom to live my writing dream. I love to be able to empower other writers and, in any way, possible and pay it forward. I love that I am living my writing dream.

Advice for other writers.

Just get on with it. Don’t waste years wondering. Glue your rear to a chair and get going, write and write and write – no matter what. You will find your muse when you least expect it.

www.carolinejamesauthor.co.uk      https://www.carolinejamesauthor.co.uk

Twitter: @CarolineJames12   https://twitter.com/CarolineJames12

Facebook: Caroline James Author   https://www.facebook.com/AuthorCarolineJames/ 

Instagram: Caroline James Author

I am a Freelance Working Mother and This is What it is Like

Posted on by

working mother, working, parent, freelance, parenting, writer, writing, Catherine BalavageHello there from the trenches of working motherhood. I am a freelance writer and editor with two children under three. Today I feel faintly refreshed after having a few hours sleep last night. I get asked a lot what it is like being a freelance writing mother so I want to take you through my week. I will also update you as time goes on. Welcome to my world.

Last week my son was ill and not in nursery. He goes to nursery part-time. Three hours five days a week. Thankfully it is a nursery in a state school so is free. Unlike his previous nursery which cost over £1600 a term. Anyway, back to the point. So my son was ill, my daughter had a little cold and the freelance Gods thought this would be a good time for me to get a lot of work. I find as a freelancer that I get a lot of work all at once, or barely any. I make more money at the beginning of the year than I do the end. So my son was ill, I had no childcare and the baby was not sleeping at night. Even more than usual. Now, she doesn’t sleep anyway. She is sixteen months old and has slept though the night once. So I am one tired mama. And as usual, everything was happening at once.

I got a lot of work, hundreds of emails to go through, this mag to run and a million other things to do. It is full on and stressful. I would not want it any other way but I would quite like a spa day. To top it off my husband went off to Scotland for two days on a work trip. I swear, I do not know how single mothers do it. Both children were up all night and I ended up shaking from head to toe in my bed from the exhaustion. I get people telling me to just take it easy when it comes to my work, or to quit. It infuriates me. No one tells me to not be up all night with the baby, or to not do domestic crap, but doing something for myself and continuing to work on my career? Yeah, let’s give up the thing that keeps me sane.

In December I passed a writing course I was doing. It was intense and stressful doing it while looking after two children but I now have the certificate. The sense of pride and accomplishment always makes it worthwhile. I love working. There are many benefits to work other than money. There is the social aspect, the accomplishment, the contribution to society and the world as a whole. Work is important so I will carry on. Even when it means keeping one eye on the children while working on my computer.

I wrote my first novel by putting my son in the pram and walking until he fell asleep. I would then write two thousand words. Every day. No excuses. It worked and that is the thing about being a freelance working mother. You find what works and then you do it. It leaves you with valuable skills. I would not give it up for anything. I hope you find some of the upcoming posts helpful. Feel free to comment and you can email me at frostmagazine at gmail.com

 

A Day In the Life by Rosie Nixon Author of The Stylist and Editor-in-Chief of HELLO!

Posted on by

a-day-in-the-life-by-rosie-nixon-author-of-the-stylist-and-editor-in-chief-of-hello-1

I’m woken up from dreaming of the gentle rustling of palm leaves in the sea breeze, by the muffled sound of – no, it’s definitely not a seagull – it’s a baby squawking in his cot. My sleepy husband next to me mumbles, ‘Your turn’. I haul myself up on to my elbows and peer at my iPhone: 6.30 am. Thank God it’s past six. Clever Rex! You slept through! The day is off to a good start. Some mornings I’m bleary-eyed if I’ve been up in the night with him, cuddling, administering Calpol, soothing him back to sleep with a warm bottle. Those nights are less regular now he’s nearing age one, and I’m actually missing them a bit. They are babies for such a short time. I pad downstairs and he greets me with open arms and a big giggle, standing up in his cot, raring to go. Now I can hear chatter coming from the adjacent room. Heath is awake too. We go in and collect him before going down to the ground floor for breakfast together.

Fifteen minutes later, mushy bits of museli, Cornflakes, Oatibix, strawberries, banana, blueberries and milk all over a highchair, breakfast table and four people, we’re done. I put Rex back in his cot for his morning nap and go back upstairs to get myself ready for work. I like to look reasonably smart during the week – a patterned dress, sandals and a combination of Monica Vinader jewellery, is a staple look.

a-day-in-the-life-by-rosie-nixon-author-of-the-stylist-and-editor-in-chief-of-hello-2

Credit Kate Gorbunova

Just before 9 I rush off to drop Heath at nursery on my way to the station. I’m lucky it’s only a short train journey to Waterloo and then a five-minute walk to HELLO! HQ on the South Bank.

The day flies as soon as I reach my office – morning conference is a chance to catch up with the HELLO! magazine team on the content for this week’s issue, we discuss features, news stories and look through the latest photos. This will be followed by management meetings discussing strategy for the brand, perhaps lunch with a showbiz PR or a star themselves to discuss an exclusive or new idea, then more meetings about online, digital and video content. HELLO! is a multi-platform brand, so there is always so much going on. Sometimes I’ll have brought my party frock and heels in to work where I’ll quickly change and head off to an awards ceremony, launch party or press event.

If I’m not going out, I’ll rush to get home for bath and bedtime with my boys. I try to switch off my phone for that precious time. We are avid readers in our house, so bedtime stories are a must and then, all going well, both boys are tucked up asleep by 8pm.

I’m back catching up on emails once they are down, and my husband and I will cook dinner together, have a glass of wine and catch up on our days. Currently, I’m having fun mapping out my third novel in The Stylist series. Although life is busy, creative writing has become a part of my life – sometimes ideas will have been swirling around my mind all day, so I need to get them down. This is theraputic for me, and when it’s flowing well it’s a lovely way to relax.

I will try to get in to bed by 10pm, but 99% of the time it will be gone eleven. The last thing my husband and I will say to each other is ‘Please let them both sleep through.’

The Stylist by Rosie Nixon is out now (HQ, £7.99)

 

 

A Day in the Life of Rob Sinclair

Posted on by

One of the hardest parts of my life as an author is actually finding the time to write. As I struggled with this realization while putting the finishing touches to my newest book, Rise of the Enemy, I wrote a blog post that was clearly tongue-in-cheek (see here). Again, on the day I’m writing this, I’ve just returned from a two week holiday so have a backlog of other tasks, starting with work in my garden which has turned into something of a jungle in the space of 14 days…

A Day in the Life of Rob Sinclair1

My life has changed immeasurably since I caught the writing bug some six years ago. At that time I was still working full time as a forensic accountant, but on the flip side I had no kids. Life was really quite straight forward, comparatively speaking. I drafted my first book, Dance with the Enemy, early in the morning before work, at lunch times, in the evenings and at weekends. It took a lot of dedication and commitment – I was spending every spare minute drafting and editing. Then something happened. I had two boys and my life was turn upside down – as was my house…

A Day in the Life of Rob Sinclair2

Both of my boys (they’re 4 and 2) go to nursery three days a week, so once they’re out the house at 7:30am it’s time for breakfast then exercise. By the time I’ve showered it’s usually about 9am before I start work. I do all of my writing sat on the sofa in the lounge with my laptop. Yes, that big dent right there is where I sit. Every day I feel like I’m a little closer to the floor.

A Day in the Life of Rob Sinclair3

It’s that first session, in the morning, when I always feel most productive and creative. I’ll generally blast through until about midday, with a couple of five minute breaks to make a coffee with my beloved Nespresso machine (every coffee-lover should have one)…

A Day in the Life of Rob Sinclair4

I break off at lunch and do a bit of housework before I get back to writing. By that point I generally feel a bit less enthused. Writing can be a mentally draining experience, particularly when you’re drafting and coming up with new ideas. The  afternoon session ends about 4pm, then have an hour spare before I pick up my boys – generally more housework or checking my Twitter and Facebook accounts.

A Day in the Life of Rob Sinclair5

By the time the boys are in bed and my wife has come home and we’ve had tea it’s about 8pm by which point I’ll look to do another hour or two of promotional work; social media largely but also blogs/interviews if I have the mental strength left (which is rare!).

Then it’s in bed safely tucked up with a book for ten minutes (if I’m lucky) before lights-off between 10pm and 10:30pm – what a rock n’ roll lifestyle, eh?!

A Day in the Life of Rob Sinclair6

 

 

A Day in the Life of Lorna Windham

Posted on by

Jess on Helen's Polly 715.

I live in Northumberland.  With the Cheviots Hills, Rivers Tweed, Coquet and Wansbeck and endless beaches, I have plenty of choice about where to walk and think about writing. When I won the North Tyneside Short Story Competition with ‘Spirit of the Age’ and my children’s novel ‘Toby’s Secret’ was long listed in the Times Chicken House competition in 2008, I was hooked.

 

Spurred on by this success, I’m now the author of three local history books ‘Crime and Punishment’, ‘Deaths Disasters & Dastardly Deeds’ and ‘Murder, Mystery & Mayhem’ and in November I was invited to BBC Radio Newcastle to chat with Jonathan Miles about my latest effort.

pic4L

I often promote my writing by doing power point presentations for local history societies.  One talk I did was about ‘Deaths, Disasters and Dastardly Deeds’. It was a catastrophe.

Waking at 3am with a razor blade-throat, I used an old operasingers’ trick and gargled with gin. Numbness crept over my vocal chords. I slept. Hours later I was sure someone had performed surgery with a cheese grater. I grabbed a whisky bottle and gargled. My throat was completely anaesthetised. Success.

By that evening I had a dull headache and my eyes had more bags than Louis Vuitton. It was flu, but I had promised to do the talk.

“Something’s up with the heating again,” said the perspiring IT gent as I rehearsed the presentation.

“Really?” I croaked.

The audience trooped in at 5.00 pm. Thirty minutes later I pointed the IT gent’s laser repeatedly at the screen. Nothing happened. The audience groaned. “It’ll be the USB port, we’ve had difficulties with it before,” he said as he fiddled with leads.

Lorna & three books.

 

Should I kill him? I took a deep breath; at least he wasn’t piloting a plane. We began again. Everything worked, the audience clapped in anticipation. By 6.15 pm the talk was going really well. Emboldened by my success I started to move forwards, but couldn’t because my heel was stuck in a hole in the rostra. I was now attached to the stage. “Well,” I said wrenching myself free, “my talk is about disasters.”

Ten minutes later I was on the final furlong. My throat was raw, my head was about to explode and I was perspiring like a woman in labour. However, I was sure I’d delivered a talk which had mesmerised the audience by its sheer brilliance.

I glanced at the front row. One man’s eyelids were going down like blinds, his partner’s were closed and the woman beside him had her head on her chest. I finished quickly and thanked ‘EVERYONE’ for listening. They limped out adjusting whistling hearing aids, leaning on sticks and sucking teeth. Ah well, that’s what you get when you give a talk to octogenarians in an overheated auditorium.

 

Lorna & mouth of River Wansbeck.