Tag Archives: author

IS LIFE INHERENTLY UNSATISFACTORY? By Paul Kwatz, author of Conscious Robots

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Ask a parent “What’s the most important thing in your life?”, and they’ll say “My kids”. This pleases a biologist, who believes that, because humans are the product of evolution, “having children” has to be the most important thing in our lives (after eating and breathing). If it wasn’t, our genes wouldn’t get passed on, and evolution simply wouldn’t work.

But ask a parent “What do you want for your kid when it grows up?”, and the biological angle might be less obvious. “As long as she’s happy…” doesn’t seem to have much to do with survival.

Until we realise that “happiness” is the mechanism that evolution uses to control our choices.

Maybe you didn’t realise that evolution was controlling your choices. Maybe you thought your conscious mind was the thing that was in control. But consider our daily battle to stay thin. “Eat a donut, or go for a run?” The donut gives you pleasure. The running hurts. Why does the donut give you pleasure? Because your brain evolved when calories were scarce. And the running hurts because running uses up those scarce calories.

Pain and pleasure arise from a non-conscious part of your mind that you can’t control. If you could, you’d simply choose to feel great when you were running, and, well, life would be a easier if a donut tasted like a kale shake, wouldn’t it?

We want a nice house because we think it will make us happy, we want to be thin because we feel good when we’re thin, and we want our kids to be happy because, although we encourage them to work hard at school, we’ve got a sneaking suspicion that a great career is no easy ride: it’s only satisfying in direct proportion to the hard work we put in every year.

And we’re right to be suspicious. When humans were evolving, the most successful ones were the ones with the “never-happy-with-what-I’ve-got” gene. They didn’t sit around as soon as they were full of berries, they carried on picking until the bushes were bare, made jam and designed bows and arrows to protect their bounty. It’s why millionaires become billionaires and why movie stars chase another Oscar. They, like all of us, are the descendants of hunter gatherers that were never satisfied: regardless of what we have achieved in life, regardless of our mobile phones, air-conditioning and indoor toilets, life, as Buddha observed, is inherently unsatisfactory.

But the good news is that life is also inherently satisfactory. Because sometimes there’s a drought and the berries don’t grow. And it’s not going to do our genes any good if we sit around moping. Our evolved brains reward us when our situation improves – regardless of how low we have sunk. As long as we’re moving upwards, our brains are happy to hand out the pleasure. It’s what allowed your grandparents to be perfectly happy without phones and why the plains of Africa rang with the laughter of our ancestors. `

‘Conscious Robots: If We Really Had Free Will, What Would We Do All Day’ is out now in print, published by Peacock’s Tail Publishing and priced £4.99 in paperback and £2.99 as an eBook. Visit www.consciousrobots.com or Amazon UK

Keep You Safe By Melissa Hill Book Review

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Keep You Safe Melissa Hill

When I first took this book out of its envelope I was not sure I wanted to read it. As a mother I was worried it would play on my fears. But you should never judge a book by its cover and I jumped in. To say that I loved the book would be an understatement. It really pulls you in and does not let go. It is not just that it is well written, it also carries the story along so well, and is so believable. The characters are well rounded and relatable, even if sometimes they do something you think is idiotic. This book takes an issue that rumbles on in society: the MMR vaccination and its link to autism, and the consequences to people not vaccinating their children, and then tells the story in a riveting way. It also has a mummy blogger in it, which makes the book even more relevant. Modern and entertaining: you will be gripped until the very last page. A stunning book.

 

A mother always knows best. Doesn’t she?

What if your choice for your child could harm someone else’s?

Every mother faces impossible choices. Vaccination is one of the hardest. For single mum Kate O’Hara, there was no decision to make. Her daughter Rosie is one of a small percentage of Irish children who can’t be vaccinated against measles. All Kate can do is hope that her little girl is safe.

For mummy blogger Madeleine Cooper, it was a leap of faith she wasn’t prepared to take when she and her husband declined controversial measles jabs for their daughter Clara. All she can do is pray that it’s the right decision.

But when classmates Clara and Rosie both become sick will Kate pay for Madeleine’s choice?

A stunning and addictive new book club read from beloved bestselling Irish author Melissa Hill that explores every mother’s worst fear

 

The Crazy Nature of Human Communication: The Importance of Being Mindful of The Moment

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By Dr Rajan Sankaran, author of Dog, Yogi, Banyan Tree

Arriving at the lift of my building one evening, I met a neighbour who was known for his rudeness and for putting others down, while blowing his own trumpet. If someone from the building met him somewhere he would ignore them and walk away with his nose in the air. I tried to be a good neighbour and greeted him in a friendly manner asking him how he was.

When he perfunctorily asked me how I was, I thought it might help bridge some of the gap between us to share something. I said, “the younger of my two sons has gone to the USA to study, and with both my sons gone I feel an emptiness in the house.” Instead of some words of empathy or enquiring what my sons were studying, he pointed out that now my sons had left, the alterations that I had made to my apartment, which he had advised against, were now useless. He went on to mention that the alterations were probably illegal.

I was taken aback by this comment. I had tried to be a good neighbour and this was the response! This thought kept going on in my mind all day. So, when later I met another neighbour who is a friendly person, I told him about the incident. I wanted to share with him my experience of the rudeness and insensitivity of the other man.

Instead of seeing where I was coming from, he immediately was concerned about the plans of my apartment that he said he had seen some time ago. He told me that he was quite sure there was nothing illegal about the changes I had made to the apartment.

Stepping back from these experiences; I observed how the three of us saw the same thing in entirely different ways. I was lonely because my sons were away. I tried to convey this to my neighbour, who wanted to find some way to put me down. Then the second neighbour who heard all this, saw it from a completely different perspective: namely, the legality of the changes in my home.

Though I know somewhere that each one of us has his own perspective and that there is no objective reality, my mindfulness in the above incident made this very clear. Each individual comes from who they are and how they perceive things.

There are so many perceptions in one reality. When we communicate with each other, it is actually each one of us talking to himself. We hardly hear the other one. We are hearing ourselves all the time. It is like an orchestra where each musician is playing his own melody.

By stepping back and becoming a witness to the whole phenomenon, I got an insight into how stuck each one of us is in his own inner pattern of perception. I also realized the crazy nature of human communication.

Dr Rajan Sankaran is an internationally-famed homeopath, spiritual thinker and practitioner of holistic healing. His new book, ‘Dog, Yogi, Banyan Tree’ is an insightful and inspirational chronicle of personal and spiritual self-discovery. It is available now in paperback from Amazon UK, priced £21 and published by Homoeopathic Medical Publishers. For more information visit www.dogyogibanyantree.com

Win a copy of Dog, Yogi, Banyan Tree by Dr Rajan Sankaran

We have three copies of Dog, Yogi, Banyan Tree by Dr Rajan Sankaran, usually priced £21, to give away. To be in with a chance of winning follow frost on twitter at http://www.twitter.com/frostmag, just email frostmagazine@gmail.com with your name and address. The three lucky winners will be notified by 3rd November and will receive their prizes shortly thereafter.

 

The Business of Books: A Sense of Place – Jane Cable on how fact and fiction can easily blur

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Writers are inspired by many different things but for me it always starts with a place. A little over two years ago I found myself in the middle of the steam punk festival in Lincoln. People in amazing costumes were everywhere, breathing life into the city’s cobbled climbs and quirky coffee shops. It felt as though I had walked into the beginning of a novel and very quickly I realised that I had. It was just down to me to write it.

Last week I went back. The latest round of editing is almost complete – it won’t be the last, but I’m finally satisfied that the manuscript is almost in good enough shape to be found a home. I have a couple of agents in my sights and a shortlist of three publishers who take direct submissions and whose criteria it fits. This time I’m going to be very careful.

The story has two main locations, the city of Lincoln itself and the picturesque village of Winteringham on the banks of the Humber. I construct the settings for my stories very carefully; I know where the characters’ houses, flats – and barges – are; the places they work; the bars and restaurants they frequent and where my heroine Rachel goes running. In my own mind I create details so rich I inhabit the settings myself – so it comes as something of a shock when they are not quite as I remembered.

Much of the Lincoln part of the story takes place along the Fossdyke Navigation which joins the heart of the city to the River Trent. I think I surprised my husband by saying, “That’s Rachel’s flat” – and surprised myself by having forgotten it has a balcony overlooking the canal. But the story doesn’t need a balcony so I won’t be adding one. The apartment in my mind is so very real it would feel uncomfortable anyway.

I don’t think this is especially strange or odd – no more than is normal for writers anyway. The best of fiction is so much about the richness of the characters, to create them I think you need to actually walk in their footsteps, inhabit their world. For me, once I’ve grounded them in a physical setting, everything else falls into place. I am completely in awe of authors who can imagine and populate whole new worlds.

But I’m having to accept that my memory is far from perfect. I needed a male character who was a without doubt a local man so I picked an unusual surname from Winteringham’s war memorial. On a return visit to the museum in Lincoln I thought it such a co-incidence a Daubney was quoted on one of the display panels. When we arrived in Winteringham, the name wasn’t on the memorial at all. I read it three or four times with growing disbelief. Was another of my characters, the enigmatic Nick, up to his tricks again?

It seems so… either that or subliminal recall is far stronger than we think. I needed to name one of the properties close to the village centre. Not anything too twee, but something comfortingly rural, so I decided on Bramble Cottage. This visit I noticed that the alleyway running up the side of the houses is called Bramble Lane. I leave you to draw your own conclusions.

 

 

Business of Books: So Much to Give – Part 1

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Jane Cable on how authors get together to support charities

It’s that time of year again. The time when Chindi Authors stand outside the Cancer Research UK shop in Arundel for ten whole days during the town’s festival trying to sell books. Not an easy task when the second hand offerings inside are so much cheaper, but we stick at it because we can add to the coffers of this excellent cause, promote our own books and meet readers.

We know we’ll be well supported by our members and local people, but organiser romantic novelist and kidlit writer Carol Thomas was asked by author contacts up and down the country if they could donate too. While she did the charitable thing and set up a donation page – http://www.carol-thomas.co.uk/Chindi-cruk/ – her generosity simply got me thinking about how much writers achieve when they band together for good causes.

The most high profile recent example of this was the Authors for Grenfell online auction which attracted pledges of more than £150,000, over £30,000 of which was for Philip Pullman to name a character after one of the young victims of the fire. Quirky lots did well too, with conductor and writer Lev Parikian putting together a package which bridged both his worlds: “I offered signed books and (more importantly on this occasion, I think) conducting lessons. A bidding war between three people meant we raised £1,700.”

 

CLIC Sargent runs an annual ‘Get in Character’ eBay auction where authors such as crime writer E V Seymour and novelist and poet Claire Dyer have offered bidders a range of lots including – you guessed it – having a character in a book named after them. Critiques prove equally popular and previous Business of Books guest Karen King (https://www.frostmagazine.com/2017/04/how-to-have-more-than-100-titles-published/) offered one in the Authors for Refugees auction last year, an initiative which raised £22,000.

 

Another way of writers getting together to raise money is by giving their time to contribute to and to edit anthologies for causes as diverse as cancer and heart charities, earthquake appeals, women’s rescues and hospices. Some have very personal links to the cause, including saga writer Elaine Everest (also a previous Business of Books guest): “I organised and edited the anthology ‘Diamonds and Pearls’ (Accent Press) to celebrate my 30th anniversary of surviving breast cancer (7 years ago) with funds going to Against Breast Cancer.”

 

Crime & thriller writer Jane Risdon is a serial contributor to anthologies, supporting amongst others Women for Women, Breakthrough, Women’s Aid, The Norfolk Hospice, The Princess Alice Hospice and Save The Children. She was slightly upset when there was no thanks from certain charities, but would still do it again. Other authors say that smaller charities are more responsive than the larger ones so they prefer to work with these.

 

Some writers go the whole nine yards and get together to form charities of their own. A prime example of this is saga writer and Frost contributing editor, Margaret Graham, who together with Jan Speedie and Penny Deacon set up Words for the Wounded which exists to raise funds for injured service personnel through writing prizes and events. It’s a wonderful organisation and every penny goes directly to the people who need it. Authors can help in a variety of ways – Chindi raised almost a thousand pounds by organising a litfest, others give their time to speak at events or in my case I donate £1 for every Amazon review of my book Another You. Find out more about W4W here: http://www.wordsforthewounded.co.uk/.

 

 

Business of Books: Jane Cable talks to Barbara Copperthwaite, Bookouture’s latest best-selling author

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Business of Books: Planning for successJane Cable talks to Barbara Copperthwaite, Bookouture’s latest best-selling author

How much of your working life does the business of books take up?

It’s almost a 50/50 split. A huge part of the business of books is social media activity. Networking with fellow authors and bloggers, and interacting with readers is so important. It builds relationships, and ultimately I believe that the business of books is about people. Marketing takes up a huge chunk of time, be it generating original content for your own website and blog (I have both, as I find they service slightly different purposes and appeal to different people) or writing guest posts for others to use. Of course, the rest of the time is spend actually writing the books!

 

What’s your business model to earn a living from writing?

I always remember my dad telling me that a new business takes an average of two years to make a profit. I went into self-publishing my books with that in the back of my mind, and very much thinking of it as an entrepreneurial venture. I ensured I had enough money behind me to survive for two years without making any profit at all. It’s been tough, but I had a three-year plan in mind – self-publish for two years, make a name for myself, make contacts, then get a publishing deal.

I was stupidly naïve though. I’d never had a Twitter or Facebook account, and no clue that book reviewers even existed online, let alone had such huge influence. Despite that, my first book, Invisible, became a genre bestseller on Amazon. Flowers For The Dead, my second novel, built on that success, becoming not just a genre bestseller but a bestseller, proper – largely because I had by then built up a small but genuine following on social media. Incidentally, for those who dismiss social media as unimportant, you are missing its point. It is not about shouting continually about how great your book is and why people must buy it. It’s about genuinely engaging with people.

All of this begs the question: if I was doing so well, why did I want a publishing deal? Because I know enough about business to realise I am not a natural business person. I have the knowledge and drive to get me so far, but I’m not capable of pushing myself to the next level. The most successful self-published authors I know are not just brilliant writers, but brilliant business people, too. They are great with numbers, marketing, and all manner of other things. I’m not – I’m a writer. Of all the publishers, the one that appealed most to me was Bookouture, a digital only publisher that is growing quickly, has a reputation for picking winners, and is really making waves in the industry (so much so that they were recently acquired by Hachette). I was lucky enough to be taken on by them after submitting my third novel, The Darkest Lies.

I have to add that the fact everything in my three-year plan has actually happened has taken me hugely by surprise, as I honestly thought it was probably a pipe dream.

 

What do you write and what do you consider to be your major successes?

 

I write psychological thrillers with a dark edge. I like to explore how ordinary people cope when they find themselves in extraordinary circumstances, what can push someone to kill, how a person can be manipulated without them realizing it. I always say that I write ‘whydunits’ rather than ‘whodunits’.

 

My major successes don’t necessarily have anything to do with selling a lot of books. It might sound cheesy, but every single time someone tells me they’ve enjoyed one of my books, is a success. Becoming a bestseller for the first time was absolutely incredible, as was being signed by my agent, and being offered my book deal (there was a lot of shouting and jumping up and down in excitement when I got that email!). Beating Lee Child to be chosen as the Sunday Mirror’s Choice Read was definitely a feather in my cap – little old indie author me, beating a multi-million selling, global author. Being contacted by a number of women who have told me how realistic my portrayal of an emotionally abusive relationship is in Invisible. All those things mean the world to me. They are the sort of thing I used to day dream about, and hoped might happen, but never dared believe they would. In which case, fact that my dreams are coming true has to be my biggest success.

Tell me about your latest project.

The Darkest Lies has just been published. When teenager Beth Oak is found beaten almost to the point of death, her mother, Melanie is determined to find the attacker. Someone in the village must have seen something. Why won’t they talk?

I’ve just finished writing a psychological thriller set within a seemingly normal family in the run up to Christmas. As the festive day draws closer, tension grows towards an explosive ending where nothing is as it seems. That will be out in September.

And, because I like to keep busy, I’ve just started a novel featuring a journalist who finds herself drawn reluctantly into investigating a serial killer who seems to be linked to her.

 

Barbara Copperthwaite is the best-selling author of psychological thrillers Invisible, Flowers For The Dead, and The Darkest Lies. Her first two novels were self-published, and she has now signed with Bookouture, an imprint of Hachette. When not writing, she likes to hide behind a camera and photograph wildlife.

 

 

Business of Books: Behind the Best-seller Jane Cable Meets Rosanna Ley

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the-business-of-books-interviewswithjanecableThis week I am especially delighted to welcome one of my favourite writers, best-selling author Rosanna Ley.
BUSINESS OF BOOKS- Behind the Best-seller rosanna ley

1)      How much of your working life does the business of books take up?

Pretty much all of it! I work full time from home: writing, researching, editing, writing publicity material and taking part in events and occasionally doing a manuscript appraisal for an author (I used to do more of these but now although I’d love to, I simply don’t have the time). I also run an annual week’s writing retreat in Andalucia in July for around 12 writers at finca el cerrillo which I adore. It’s a haven of tranquillity and it’s so good to work with other writers. I used to do a lot more tutoring of creative writing and also working with community groups on therapeutic writing but I have had to let this go. Very reluctantly. But writing and editing a book a year (of around 130,000 words) is very time-consuming!

2)      What’s your business model to earn a living from writing?

I’m not sure that I have a business model at all. I’m fortunate in that I do earn a living from writing. It’s hard in these days of low advances and competitive deals from independent publishers, not to mention the number of authors who self-publish who have to work so hard to earn from their books. I would certainly consider running creative writing courses as a good way to supplement income, and there are appraisal agencies who take on experienced readers to give constructive feedback on writing for authors who go down this route. Apart from that, my model would be to keep writing, keep publicising and hope that your work is eventually recognised. Just keep getting it out there…

3)      What do you write and what do you consider to be your major successes?

I write novels often described as ‘commercial women’s fiction’ which are contemporary but also contain elements of the historical. They offer a bit of mystery and some romance and are set in stunning locations such as Sicily and Sardinia (as well as my home turf of West Dorset and also Cornwall). I have also set novels in Cuba, Burma, Morocco and Barcelona. Yes, I like to travel… My books are often called ‘holiday reads’ because of the locations I choose, but I like to think they offer a bit more than that…  I like to include some (hopefully) thought-provoking subject matter and I like to explore human relationships and the ‘tangled webs we weave’. My biggest paperback success has been ‘Bay of Secrets’ which takes on some rather dark and hopefully intriguing subjects centring around the Spanish Civil War when a woman from Dorset in 2012 goes looking for her birth mother. My biggest e-book success was ‘The Villa’ which is about three generations of women and their journeys – one to find her lost love, one to discover the secrets of the past and one to find her own sense of self!

4)      Tell me about your latest project.

The project I am currently working on is entitled ‘Her Mother’s Secret’ and is set in Belle-Ile, a small island off southern Brittany, France. It centres around Colette, who left the island when she was eighteen and who returns when her mother Thea is ill in order to care for her and help run Thea’s flower shop. I have finished the first draft and am doing some editorial work on that now. We are also looking at cover ideas. I am also doing some publicity work for ‘Little Theatre by the Sea’ which is out in hardback with Quercus already and will come out in paperback on June 1st. This book is about restoration and change. Faye travels to Sardinia to take on the project of re-designing the little theatre and finds much more than she ever bargained for…

Rosanna Ley is the best-selling author of The Villa, Bay of Secrets and Little Theatre by the Sea. Her books are published by Quercus.

How To Have More Than 100 Titles Published

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the-business-of-books-interviewswithjanecable
This week I talk to multi-published and multi-talented author and writing tutor, Karen King.

 

How much of your working life does the business of books take up?

The short answer is all of it! Writing – and teaching writing – is how I earn my living.  So every day I’m either writing, visiting schools to talk about writing, running a writing course, marking writing students’ assignments or doing social media about my books.

 

 

What’s your business model to earn a living from writing? 

 

Keep writing. Be flexible. Be aware of the market. Be dedicated. I’ve often worked to commissions so I’ve had to be adaptable, to work to publishers’ briefs and keep track of current trends. As I earn my living from writing it’s a priority for me. Writing comes first, ironing and cleaning is way behind. I had four young children when I first started writing so worked around them, early in the morning, evening and late at night. Writing for magazines meant I had deadlines to work to and, at first, this was the days before email so I had to write up my story/article or whatever, and get it in the post often within a few hours.

karenking How To Have More Than 100 Titles Published

What do you write and what do you consider to be your major successes?
I’ve been a published writer for over thirty years now and for the first twenty years I wrote solely for children. I started off my writing career writing for teen magazines like Jackie, Patches and Loving then moved on young children’s magazines such as Thomas the Tank Engine, My Little Pony, Barbie and Sindy. I wrote photo stories, comic strips, short stories, articles, puzzles, the lot. I even wrote a horoscope page and a problem page. Alongside this, I wrote children’s books. Now I tend to write mainly YA and chicklit. I was really delighted when Accent Press contracted me for three chicklit novels, and offered to republish my backlist too. They have such a great reputation and are a delight to work for. That’s my major success so far.

Tell me about your latest project.

I’ve just finished my third chicklit for Accent Press. The second one comes out in July, it’s called The Cornish Hotel by the Sea, and the cover is so lovely I keep looking at it. Accent are also republishing my YA Perfect Summer on 10 May. It’s got a fab new cover and has been completely revised. I’m really excited about it as it deals with two themes close to my heart, the pressure society puts on people to have perfect looks and how people with disabilities are treated. The tagline is ‘In a society obsessed with perfection, being different is a crime’ so that gives you a big clue to the plot.

 

Author Bio

Karen King is a multi-published author of children’s books, YA and romantic fiction. She has had 120 children’s books published, three romantic novels and several short stories for women’s magazines. She is also a writing tutor. Her YA Perfect Summer is released on 10 May and her second chicklit, The Cornish Hotel by the Sea will be released in July.

Contact links

www.karenking.net

Amazon Author Page

Karen King Children’s Books Facebook

Karen King Romance Author Facebook