Now You See Her by Heidi Perks | Recommended Books

Now You See Her: The bestselling Richard & Judy favourite by Heidi Perks

This much talked about bestseller is a brilliantly written thriller. Riveting and powerful.

Charlotte is looking after her best friend’s daughter the day she disappears. She thought the little girl was playing with her own children. She swears she only took her eyes off them for a second.

Now, Charlotte must do the unthinkable: tell her best friend Harriet that her only child is missing. The child she was meant to be watching.

Devastated, Harriet can no longer bear to see Charlotte. No one could expect her to trust her friend again.
Only now she needs to. Because two weeks later Harriet and Charlotte are both being questioned separately by the police. And secrets are about to surface.

Someone is hiding the truth.
So what really happened to Alice?

Available here.

Kickstart your inner author: How to write a novel by next new year

By Tobsha Learner

Many of us dream of putting pen to paper and writing our first novel – so how can we make 2019 the year we actually do it? We asked bestselling historical novelist Tobsha Learner for her top tips…

  1. Study the masters: Before you begin writing, choose your favourite example of the genre you want to write and study it. Observe how the plot unwinds throughout the book. Make a graph noting how the subplots feed into the theme of the book and how they all build to the climax and conclusion. Look at how conflicts between characters and the obstacles they have to overcome creates tension. Note how specific characteristics make a protagonist believable… 
  2. Think about tenses and what they do psychologically to the reader before you begin writing: For example 1st person/present places them in the skin of your protagonist and moves them through the landscape right in the moment, the down side is that the description of other characters will always be through the protagonist’s eyes unless you jump tenses. Again look at your favourite books and note how the author is using tenses for different effects…
  3. Do your research – become a razor-sharp observer: For characterisation, interview and record for dialogue and specific characteristics (with permission of course). Get into the habit of eavesdropping and making notes, snippets of dialogue, psychological quirks etc. This will inspire and help build realistic and empathetic characters. For location, visit if possible, take photos, record sound, smell, and architecture. Everything to help create visceral landscape the reader can almost touch. If visiting a location is not possible, go on-line and collect images. On action/careers of characters – search out experts in that particular field and interview them. You’d be surprised how many will agree (with a promised thank you or reference at the back of the book). Just make sure you’re respectful and make it clear it’s for general atmosphere and not to use verbatim… 
  4. When you’re ready to start writing make your desk or writing place a sanctuary me-space. Make it somewhere you will end up yearning to sit and write at – define it with scented candles, fresh flowers, crystals…whatever triggers your creativity. Think about the colours and light around you that will help concentration – you don’t need a view, the view will be the world you’re creating on the page.
  5. Keep a notebook or recording device by your bed, office desk and in your handbag. Start collecting those amazing revelations or sentences that come to you first thing in the morning, in the middle of the night, a little drunk after a bad blind date…whenever it is, catch and immortalise that thought/phrase/idea. Inspiration strikes at the weirdest times, be prepared and get into the habit of collecting ideas, great phrases or snippets of dialogue you’ve overheard. You might not yet realise how you will use them in the future but a good part of writing is observation and you can do this anywhere.
  6. Be prepared to write many drafts: To over-write is better than under-writing. This allows you more choice as you hone down your narrative. Take time out between each draft to get a ‘clear eye’ on each re-write – this will give you more objectivity. I’m talking weeks not days. I call this fermentation time, and it’s important to resist the impulse to sit down and fix what you think is wrong with a draft immediately after finishing reading it… 

Tobsha Learner’s new historical thriller The Magick of Master Lilly is out now, published by Little, Brown Book Group, and priced at £8.99 in paperback and £7.99 in e-book. For more information visit tobsha.com

 

 

A Day in the Life of bestselling Author Margaret Graham

margaretgraham

We have a new puppy, Polly. I’m up with the sun, because she is. So out she goes, into the garden led by me, because she is reluctant. The neighbors must think their worst nightmares have come true as this disheveled apparition stands in the dew come rain or come shine, hair askew, pleading with a four legged creature to ‘get on with it.’

In due course, I take both Polly, and the long suffering ‘older sister’ Rosie out for their walk. We head round the corner to the village pond where there are ducklings.

pic 1 Polly and Rosie

I say village and Downley really is one. A mere 25 minutes by train from London it has the heart of any Dorset village. There is a great community spirit, and we are fast building a reputation as a centre for the arts.

After ‘walkies’ it’s down to work – of some description. I could be sorting out next year’s LitFest for Words for the Wounded which is a charity I run with two other grannies to raise money for the wounded. The annual LitFest is our big event.

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This year we had Elizabeth Buchan, Jemima Hunt, Tracy Baines and Frost’s Catherine Balavage as speakers. It was wildly successful, which is great. All the money goes to the wounded, as the grannies absorb all expenses.

My kids and grandkids are the catering team, and have a great time. Seems that not much wine survives – could there be a link?

Otherwise, as contributing editor for Frost, I could be reviewing books, or exhibitions or similar. Frost is a great springboard for aspiring writers. It gives them a cv and gets them noticed.

housedivided

Otherwise, my main thrust is as an author. I write two books a year for Arrow, which is a bit of a stretch and requires a modicum of organisation. When I’m researching I spend a fair bit of time at Starbucks in High Wycombe, reading through material which could be useful, or having lunch at the Wellington on the Strand for no other reason than I love it there and can catch up with Inacky, Esther, Maria, Thomas, and Ruth, who make sure everyone has a great time. As a special treat, the grandkids can sometimes spare the time to come with me. So young, they are, but so busy. So that’s the extent of the ‘organization’.

wellieandstaff

All the time though, whatever I’m doing, I’m thinking of the novels, trying to sort out a plan, iron out structural blips, and getting to know the characters. Then, for two months, I get my head down and write the darned thing. I can’t bear being interrupted, because for that time I am living in a different world, being a different person, well, many different people, and I just want to get it all down before it escapes me.

To finish is a relief, but also a loss because the characters, their struggles, their triumphs have become yours. But then, for me, it is onto the next one, or the next WforW event, or onto yet another playtime, or something for Frost. Heigh ho, I’m very lucky.

www.margaret-graham.com
www.wordsforthewounded.co.uk
www.wordsforthewounded.blogspot.co.uk