
Your debut, The Cuckoo Sister, was a top 10 bestseller. Did you expect it to be so successful?
I came to publishing with my eyes fairly wide open, due to having both worked in film and TV (which has crossovers in terms of how it works) and then at Cambridge Literary Festival as the events coordinator. I knew nothing was certain with publishing so the top ten listing for The Cuckoo Sister was amazing! Obviously I wanted it to be a success and had dreamed about it, but making the top ten was fantastic!
You are known for tackling brave subjects and writing complex characters. How do you come up with your characters? Where do you get your ideas?
I read a lot-of everything. From books to magazines, to online forums, chat groups, newspaper articles. and often snippets of ideas or characters will come from these. Everyday people in extraordinary circumstances is what I like to write about and so inspiration for this can come from all sorts of places. I observe people, I listen into conversations (much to my daughters’ embarrassment!) when out and about and it all slots into the jigsaw when I’m putting together an idea. I’m like a magpie, stealing shiny things!
What was your publishing journey like?
It was strange because it happened during Covid. I had just started approaching agents in March 2020, having been longlisted for the Lucy Cavendish Fiction Prize and then my plans to focus on that got somewhat waylaid! I hadn’t sent The Cuckoo Sister to many, when my now agent, Marianne Gunn O’ Connor, responded and wanted to develop the book with me. I liked how she worked and her vision for the book so we worked on various edits before sending it out. I was on submission for about six months and I wrote The Silent Friend at that time as a way to keep sane! Boldwood then picked up both and offered me a three book deal. So it was quiet and fairly uneventful!
Describe your writing routine.
I recently moved to full time writing after juggling working for Cambridge Literary Festival as well as writing and parenting, so now my routine is a little less harried! I work from home and start the day turning the kitchen/diner back into my office! Then I usually work on admin and social media while I turn my brain from mum to writer. I then work from mid-morning to the school run on whatever stage I’m at. At the moment it’s the first draft stage for book five, so I’m aiming for 1000-2000 words a day. Once the children are home I might be able to do a little more work, or it’s back into family life.

Your fourth book, The Man She Married, is out now. What is it about?
The Man She Married is about Beth, who wakes up after a car accident with 5 years of memories missing. She doesn’t remember leaving Australia nor meeting or marrying Rob, the man at her bedside who everyone says is her husband. She goes home to recover but cannot shift the feeling that something isn’t right and that she ought not to trust Rob. But-with her own mind so unreliable, can she trust herself? The book is about strength in adversity and the power to start over again.
Does writing get easier the more books you publish?
Yes and no. The worry of a first draft can be alleviated by knowing that you’ve done it before so you can do it again, and skills and techniques that you’ve learned as you’ve developed as a writer make it easier to some degree. Yet each new book is a new idea, new characters, a new plot and developing these and bringing them to life in a way that readers will connect with, is a new unchartered challenge every time.
What is your favourite thing about being an author?
I love that I get to create all these stories in my head and then share then with the world. I wanted to be a writer from a young age so the fact that I get to do this for a living is still amazing to me!
And your thing you dislike?
The required self-promotion! I am too British, and I find it difficult to overcome the cringe factor!
What books have you read that you love?
Too many to list but the latest advance copies that I’ve loved include The Rush by Beth Lewis, set in the Canadian gold rush of the late 1800s and 59 Minutes by Holly Seddon which is set in the UK when a alarm is sent that a catastrophic nuclear strike is due in 59 minutes. We follow the main characters as they decide what to do with that time. Both brilliant, both out this summer.
What’s next?
I am working on book five for Boldwood, which is about the intensity of female friendship and what happens when it goes wrong.