When the Netgalley notification came through of a novel set in Sarajevo during the conflict of the 1990s, I had to read it. My interest in the war had been sparked by a conversation with then tour guide, now friend, Darko Barisic, who as a child had lived through the same conflict in Mostar. I knew what he’d gone through and I greatly respected his resilience. I also knew I had to tell his story, which I did through the medium of The Olive Grove, my first women’s fiction title set in Croatia.

Black Butterflies is completely different to my own book, it’s literary fiction but reads almost like a memoir. It takes you to Sarajevo in 1992 real time through the eyes of Zora, an artist and tutor who along with her neighbours experiences the brunt of the siege. A siege that occurred when an army of Serbs surrounded what was a wonderful multi-ethic, highly cultured society. A society none expected would turn into a war zone.

The language the author uses is incredible in both its beauty and its harshness. It’s also immersive. I was in Sarajevo, and it is rare a book has so much power to transport me in such a multi-sensory way. The horror, the moments of lightness, the unremitting awfulness of losing almost everything… no work, no food, no power, no water… while being under fire. It all became absolutely real and that is an incredible talent.

I guessed early on that the author had access to first hand accounts and this proved to be the case. Although fictional, Black Butterflies is a melding of two family stories, and the experiences of a larger number of people, but skilfully woven together they make a unified whole.

A word of warning though; if you are particularly anxious about the situation in Ukraine, this isn’t the time to read this book. However if you would prefer to think on how conflicts do end, how people come out of the other side and go on to lead normal lives, then do.

Publisher’s blurb for Black Butterflies:

Sarajevo, spring 1992. Each night, nationalist gangs erect barricades, splitting the diverse city into ethnic enclaves; each morning, the residents – whether Muslim, Croat or Serb – push the makeshift barriers aside.

When violence finally spills over, Zora, an artist and teacher, sends her husband and elderly mother to safety with her daughter in England. Reluctant to believe that hostilities will last more than a handful of weeks, she stays behind while the city falls under siege. As the assault deepens and everything they love is laid to waste, black ashes floating over the rooftops, Zora and her friends are forced to rebuild themselves, over and over. Theirs is a breathtaking story of disintegration, resilience and hope.

Publisher’s blurb for The Olive Grove:

Antonia Butler is on the brink of a life-changing decision and a job advert looking for a multilingual housekeeper at a beautifully renovated Croatian farmhouse, Vila Maslina, is one she can’t ignore.

Arriving on the tiny picturesque island of Korčula, Antonia feels a spark of hope for the first time in a long time. This is a chance to leave the past behind.

But this island, and its inhabitants, have secrets of their own and a not-too-distant past steeped in tragedy and war. None more so than Vila Maslina’s enigmatic owner Damir Maric. A young man with nothing to lose but everything to gain…