Tag Archives: Bridesmaids

What Your Bridesmaids Really Think About Your Wedding

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Frost was quite surprised at the results of a survey done by Vashi.com They surveyed 1,000 bridesmaids to spill the beans on what really goes on behind the scenes. The results are in and you wouldn’t believe what it reveals.

Seven out of ten bridesmaids say they have been forced to wear an unflattering dress to make the bride look prettier!

Unfortunately, it looks like Bridezilla isn’t too thoughtful when it comes to how she treats her closest friends on the wedding day.
bridesmaids

72% of respondents felt they’d been lumbered with a questionable outfit. Yikes.

More than a fifth (22%) of bridesmaids insisted on altering their outfit before participating in the wedding.

One third of the bridesmaids surveyed were given a choice in deciding what they’d wear on the big day.

43% of bridesmaids admitted to going to a wedding that was a ‘bit naff’ (lacking taste/style), with only 9% of them envying the bride on her big day.

A third (37%) revealed that they had been at a wedding where they felt the bride and groom were mismatched and should not be tying the knot.

More than half (54%) explained that they had been a bridesmaid at a wedding where they were delighted that they were not marrying the groom themselves!

A fifth (20%) have actually picked up a new man at a wedding where they were bridesmaid!

6% have secretly fancied the groom

3% admitted to being romantically involved with the groom before he met his bride.

weddingplanning

Celebrity jeweller and founder of Vashi.com, Vashi Dominguez says, “”We’ve all looked at wedding photos and thought, ‘What are the bridesmaids wearing!?’ Well, now we know the answer. In seven out of ten cases, the bridesmaids are convinced they’ve been lumbered with a dress to make the bride look prettier. I’m sure most brides do not see it that way. They’d say they chose bridesmaid dresses that went well with the wedding dress! The solution is for everyone to relax – no bridezillas or bridesmaidzillas required. Brides should enjoy the process and involve their bridesmaids more in choosing their outfits.”

If you are getting married then get your hands on a copy of The Wedding Survival Guide: How To Plan Your Big Day Without Losing Your Sanity. It has great advice on planning your perfect wedding and is written by our editor, Catherine Balavage. It is also available in Ebook format and is a great guide for wedding planning.

 

 

Actors Who Make Their Own Work

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actors who make their own work, lake bell, tina fey, kristen wiig, greta gerwig, lake bell, brit marling, vin diesel. The rumour that acting is the hardest and most brutal industry in the world is unfortunately true, I have been an actor now for over 10 years. Yikes. Along the way I have realised that the only way to have a brilliant career is to write and produce your own stuff. Which is what I did with Prose & Cons. It is currently being edited.

If you want to be inspired, here is our list of the Top Actors Who Make Their Own Work.

Brit Marling

This American producer, director, writer and actress caused a stir with Another Earth. She was only 27 at the time. Now 30 and with 13 films under her belt. She was even on the front cover of Vanity Fair’s prestigious Hollywood edition. She has written four films and directed one.

Check out these personal quotes from her IMDB page:

“I always started writing in order to act. I don’t know that I could have the discipline to sit down and write if I was going to give it away. That would be too hard. But I love to act in stories that are outside my imagination because I can only conceive of so many things from my point of view. The thing that’s intoxicating about being an actor is that you get to live in someone else’s world for a while and I hope to do more of that. But I think I’ll never stop writing now because I’m wondering why there aren’t more representatives of women that are like the women we know. Where’s the film with the women who are complicated and strong and beautiful and sexy and interesting and of all body types? You don’t get to see enough of them. So there’s something important in attempting to write them for myself and for the insanely talented women out there.”

“[on why she decided to become a screenwriter in relation to her being an actress] How terrifying to surrender your life to being chosen all the time. Having to be chosen and re-chosen. Writing so that I can act became a way of having not more control over my future but not having to wait for permission. You can choose yourself. Hmm, who should play this part? I nominate me!”

Mindy Kaling

Started out as a writer for The Office and even wrote a character for herself into the show. At the age of 34 Kaling has created her own show, The Mindy Project, and was named as one of Time Magazine’s 100 Most Influential People in the World in 2013.

Mindy knows she is different and makes fun of it: “I’m a minority chubby woman who has my own show on a network. I don’t know how long this is going to last!” She told Jon Stewart. She has 2.3million Twitter followers and refuses to diet.

Kaling wrote in her bestselling memoir Is Everybody Hanging Out Without Me?: “I fall into that nebulous, quote-unquote, normal American woman size that legions of fashion stylists detest. For the record, I’m a size 8 — this week, anyway. Many stylists hate that size because I think to them, it shows that I lack the discipline to be an ascetic; or the confident, sassy abandon to be a total fatty hedonist.”

Emma Thompson

She wanted better roles so she wrote the screenplay for Sense and Sensibility, an adaptation of Jane Austen’s novel. The film got Thompson the Oscar for Best Adapted Screenplay and a nomination for leading actress. She hasn’t looked back since. The 54-year-old has 60 films as an actor under her belt and another 12 as a writer.

Nia Vardalos

She kept losing out on roles so she wrote My Big Fat Greek Wedding. The film was a roaring success. Vardalos says: ‘I run into other actresses and we talk about the lack of parts for woman. At least I can write myself a part, which is an amazing skill to possess.”

Barbra Streisand

Streisand was the first woman to win a Golden Globe for directing after co-writing, directing and starring in Yentl. She was 41 and had already broken down a lot of barriers for woman. She started off as a nightclub singer and is now one of the most famous actress, singer, producer, director, actor and writers. Has never been afraid to send herself up. She has inspired generations of woman.

In her own words: “I arrived in Hollywood without having my nose fixed, my teeth capped, or my name changed. That is very gratifying to me.”

“To have ego means to believe in your own strength. And to also be open to other people’s views. It is to be open, not closed. So, yes, my ego is big, but it’s also very small in some areas. My ego is responsible for my doing what I do – bad or good.”

Lake Bell

The 34-year-old is making waves with her film, In A World. She has 35 credits to her name but made her own film this year. After being an actor for 11 years she sat down to write a script and won the prestigious Waldo Salt Screenwriting Award at the Sundance Film Festival. She told Glamour Magazine: “When I first started auditioning in LA, I realised it was a clique; this guy’s got the monopoly on epics, this woman’s got the monopoly on tampon adverts. It was the perfect environment for a modern comedy.” “I wanted to make a movie’, she went on, “so I wrote a part for myself.”

“Being willing to outsource all of your creative decisions, especially to a first-timer like me, is very ballsy. I had no other choice than to make it the way I made it. And I felt very supported in that. When you write and direct your own film you basically know exactly what you want. Or you hope to. For the studio, it actually can make life a little easier, because if you have a bunch of questions they only need to call one person.”

Kristen Wiig

While Kristen had been in many films and was a regular on Saturday Night Live, she never really broke out until Bridesmaids. Kristen co-wrote and starred in Bridesmaids which was one of the biggest hits of 2011, taking $300 million at the box office and was credited for turning the tide for women in film. She has an amazing 60 credits to her name and we get the feeling the that she is just getting started.

In her own words: “If you’re creating anything at all, it’s really dangerous to care about what people think”. She also states that woman are asked their age more than men.

Ben Affleck and Matt Damon

They wrote Good Will Hunting and won an Oscar. They rest is movie star history.

Vin Diesel.

He couldn’t get the roles he wanted so he wrote a short film called Multi-Facials about being bi-racial. Steven Spielberg saw it and cast him in Saving Private Ryan. He is now a movie star and has a few franchises under his belt.

Lena Dunham

She made her first film in her parents New York apartment with a Canon 7D. Tiny Furniture was critically acclaimed and lead to the huge hit and cultural game-shifter, Girls. Still only 27-years-old but was 23 when she wrote, directed and starred in Tiny Furniture.

In her own words: “I was constantly preparing for auditions in a way that was crazy… and then I’d literally get cast as, like, a bouncing ball or a fat man or a security guard.”

Tina Fey

Made her name in Saturday Night Live and also is the creator, producer, star and writer of 30 Rock. She wrote a book called Bossy Pants and had two children. She returned to work not long after giving birth saying, “NBC has me under contract; the baby and I only have a verbal agreement’. Is their no end to her talents?

Greta Gerwig

Became known thanks to her association with the mumblecore film movement. The 30-year-old is the indie IT queen of the moment. Was brilliant in Lola Versus and stars in film-of-the-moment, Frances Ha, which she co-wrote with director boyfriend Noah Baumbach. Plays strong female characters.

 

What do you think?

Check out my new book, How To Be a Successful Actor: Becoming an Actorpreneur, out now.  It tells you all about how to become a successful actor.

 

 

Frost's Review of 2011

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2011 was an eventful political year, with the Arab Spring, phone Hacking and the death of more than one tyrant. On the flip side, it was also a year of wedding fever, Prince William finally made an honest women of Kate Middleton on April 29. Kate Moss and Jamie Hince, Lily Allen and Sam Cooper (she also announced her pregnancy), Rachel Weisz and Daniel Craig, Prince Albert and Charlotte, Zara Phillips and Mark Tindall and Paul McCartney and Nancy Shevell all tied the knot. Kim Kardashian got married too, but so briefly it is barely worth mentioning.

There was tragedy when Japan was struck by an record 9.0-magnitude earthquake and a tsunami. Followed by nuclear disaster at Fukushima, which is still being cleared up by brave workers, at serious risk to their own health.

Amanda Knox and Raffaele Sollecito were acquitted of the murder of Meredith Kercher.

In August London burned as riots spread all over England, people died, lost their homes and taxpayers were left with a bill of over 100 million.

The Arab Spring started when 26-year-old vegetable seller Mohamed Bouazizi. set himself on fire in protest in a Tunisian marketplace on December 17th 2010. It lead to leaders all over the Arab world standing down including Hosni Mubarak (Egypt), Tunisia’s Zine El Abidine Ben Ali, and the death of Gaddafi in October.

Silvio Berlusconi also finally stepped down.

Osama Bin Laden was killed ten years after 9/11.

The press went mad over Pippa Middleton’s bottom. As did PR companies.

Super Injunctions were the buzzword of the year, but the name of the footballer came out after he was named by multiple people on Twitter. The film star who slept with the same prostitute as Wayne Rooney, however, got away with it. Our article on it was one of our most popular of the year, getting over 14,000 hits in a matter of hours

Borders book store closed down, as did the Space Shuttle Programme and Harry Potter ended after a decade.

The Iraqi war ended in December. A date set by the Bush administration.

Liam Fox lost his job.

The Phone Hacking scandal ran and ran.

Charlie Sheen lost it, but bounced back.

Aung San Suu Kyi was finally released from house arrest.

Frost’s Politician of the year is the people of Libya.

Anders Behring Breivik went on an murderous rampage in Norway on the Island of Utoya, leaving over 80 people dead and many more injured. Prime Minister Jens Stoltenberg called the attack a “national tragedy” and the worst atrocity in Norway since World War II. Stoltenberg further vowed that the attack would not hurt Norwegian democracy, and said the proper answer to the violence was “more democracy, more openness, but not naivety”. In his speech at the memorial service on 24 July 2011, he said what a proper reaction would be: “No one has said it better than the AUF girl who was interviewed by CNN: ‘If one man can show so much hate, think how much love we could show, standing together.’

The end of Harry Potter.

Frost started a campaign to end Prescription charges in England, the only place in the so called ‘United’ Kingdom still paying them.

Jessie J had a breakthrough year and confessed to being bisexual.

David Walliams swam the Thames. He raised £1 million for Sports relief.

Demi Moore and Ashton Kutcher split.

As did J-Lo and Marc Anthony

Ryan Gosling had a brilliant year and was in the brilliant Drive. http://frostmagazine.com/2011/09/drive-film-review/

Sir David Attenborough dazzled again with Frozen Planet.

Frost Women of the year: Kate Middleton. After ten years and two break-ups, Catherine Elizabeth Middleton finally married her Prince Charming. Their wedding was watched by more people than 20 million people and the new Duchess of Cambridge has been wowing press and public alike with her style, charm and poise.

Man of the year: Steve Jobs. Steve Jobs died too young, aged 56, after a long battle with cancer. He changed the world with his vision and business acumen and when he died the outpouring of grief would rival that of Princess Diana. A true loss of a visionary man.

Most inspirational person: Eva Schloss. Eva survived the holocaust. She lost her father and her brother, her mother also survived and went on to marry Otto Frank and Eva became Anne Frank’s step-sister. She is truly the most inspirational women I have ever met. If you don’t believe me, read her books. The Promise: The Moving Story of a Family in the Holocaust
or Eva’s Story: A Survivor’s Tale by the Step-Sister of Anne Frank
[Full disclosure: I was in the West End Production of the play of Eva’s life; And Then They Came For Me.]

Kim Jong-il, Lucien Freud, Christopher Hitchens, Liz Taylor, Amy Winehouse and Vaclav Havel all died in 2011.

Adele and Katy Perry released the albums of the year.

Kristen Wiig co-wrote and starred in the hilarious Bridesmaids, which proved women could be funny.

Unemployment was high and economical troubles rumbled throughout the year. The US lost their triple AAA credit rating.

Finally, a great article.

http://frostmagazine.com/2011/10/top-10-common-faults-with-human-thought/

Belle and Sebastian's Stuart Murdoch To Make Directorial Debut.

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Belle and Sebastian’s Stuart Murdoch and Producer Barry Mendel Seek Fan Support and Funding for Glasgow Musical Film GOD HELP THE GIRL at www.kickstarter.com

Belle and Sebastian’s leader Stuart Murdoch alongside two-time Oscar nominated producer Barry Mendel have launched a global rallying call to fans and investors to support their upcoming film God Help The Girl via the world’s largest, digital funding platform for creative projects http://www.kickstarter.com/projects/godhelpthegirl/god-help-the-girl-musical-film

God Help The Girl marks Murdoch’s feature film debut as both writer and director and Mendel’s first UK project following an impressive run of international box office hits including Bridesmaids, Munich, The Royal Tenenbaums, The Sixth Sense, Unbreakable, Serenity, Whip It and Rushmore.

Offering a range of prizes starting at just $5 with more expensive items including a guided tour of the film’s locations and dinner date with Murdoch, on screen credit and even Murdoch’s Personal Gold Record for Belle & Sebastian’s debut album, Tigermilk. The team hope to achieve their goal of $100,000 USD by March 2012.

“This is a really, really good idea. We’re cutting out the middle men. It’s punk,” comments writer/director Stuart Murdoch.

“Financing models like Kickstarter are the future. I want people to realize that without them, we can’t make this movie. Their contribution is the difference between this movie existing out there in the world and this movie just being a great script and wonderful music that never got made,” adds producer Barry Mendel.

Some of the songs Murdoch wrote for the film were recorded and released on a God Help The Girl album and EP Stills in 2009.

UK producers Phil Robertson and Chris Curling of Zephyr Films and Carole Sheridan of Singer Films are working alongside Mendel on the project.

For further information and background on the project please visit:

http://godhelpthegirl.com

Why Films Are Getting Stupider (Probably)

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When DreamWorks’ CEO, Jeffrey Katzenberg, stated last month that 2011 had so far been one of the worst years for cinema in recent memory, it was easy to see where he was coming from.

Sure, the CEO of DreamWorks complaining about the quality of filmmaking does reek of hypocrisy (this is the man responsible for the unforgivable Shrek sequels) and yes, this year is probably not worse than 2010 but still, it’s hard to imagine 2011 being remembered as a golden year for cinema (or une année d’or if you want to be all Cannes about it).

How will it be remembered?

Perhaps as the year Harry Potter part 7 part 2 was able to stake a legitimate claim to the title of ‘Best Film of the Summer’, or the year Hollywood was running so low on ideas that they made a freaking Smurfs movie even though no one asked for one and scientific studies (probably) showed that most people would rather have a knitting needle shoved into their eye than have to pass posters emblazoned with the vacuous faces of the smug blue bastards on the tube everyday. Or perhaps 2011 will quite simply be remembered as the year cinema got even stupider.

The central problem with cinema today is that the film industry is no longer making movies for adults. I believe that the blame for this can be attributed to one little word: ‘demographics’.  For a long time now, the balance between ‘show’ and ‘biz’ has been out of whack. Studios are so focused on revenue that films are increasingly being made solely to appeal to the broadest possible consumer demographic, forsaking little things like quality and integrity.

It seems that some marketing genius somewhere has also decided that people over the age of about 15 don’t go to the cinema anymore.  In addition to this, it’s common knowledge that the young, perhaps due to their not-as-yet-entirely-formed brains, are much more inclined to buy the ‘merchandise’ that movie studios are busy fashioning out of cheap plastic and the tears of orphans in some factory in the Far East. This has led to film studios pouring huge amounts of time and money into films aimed at teenagers and, God help us, tweenagers. (It should be noted at this juncture that this demographic of course deserves to be rewarded for its valuable

Unnecessary and irritating

contribution to our flagging economy and for the fact that it isn’t comprised of ungrateful squatters insistent on milking dry our society’s bizarre idolisation of the young).

This not only leads to more films being made specifically for a younger age group, but also to the tweaking of films that traditionally might not have been aimed predominantly at a youth market (this is why every big Hollywood film now has to have a seemingly unnecessary and irritating teenage character who makes wisecracks and adds little or nothing to the plot).

In addition to this, there are countless examples of screenwriters having their work butchered because Hollywood execs are worried that this youth market won’t understand words of more than two syllables or be able to focus on the screen for 15 seconds without an anaemic chase sequence or a cutesy CGI rabbit prancing around.  In short, they are attempting to make movies so stupid that even the stupidest person in the room can enjoy them.

Of course, this is based on the mistaken assumption that teenagers and children are idiots. I don’t believe this and I’m sure you don’t either. In fact, in my experience kids are more equipped than most to follow the plot of even the most byzantine blockbuster because not having student loans to pay off or a job to worry about means that they are able to focus much more energy on understanding the intricate details of a fictional world.

Naturally, some children are idiots in the same way that some adults are idiots (children and adults share many similarities like this, something the use of ‘demographics’ fails to elucidate) but on the whole, children are pretty smart. If you don’t believe me, just ask any little boy about his love of Star Wars or James Bond or dinosaurs and I guarantee that he will amaze you with an answer so extensive and detailed that even Temple Grandin would probably think it was a

All it takes is one strong gust of wind...

little over the top.

No, I don’t think that the youth market is stupid and neither do you, but as we all know, conventional wisdom has no place in Hollywood and clearly they think the little darlings are as thick as box of rocks.  Don’t believe this? Don’t believe that movies are getting stupider? I have a statistic: the average shot length (ASL) of US films in 2008 was 2.5 seconds (the most recent statistic I could find). This means that roughly half the time in 2010, movies could not go 2.5 seconds without cutting to a different shot. The average movie studio believes that we can’t go more than about three seconds without the under-15s getting distracted and leaping around the cinema trying to catch imaginary butterflies.

If this is not an absurd underestimation of our collective intelligence then I don’t know what is.

Compare this to the fact that in 2000 it was 4.7, in 1994 it was 6.8 and in 1972 it was a whopping 8.6 seconds and you have categorical proof that films are getting dumber and it’s children’s fault.

 

Of course, the fact that so many films are being so heavily targeted to the youth demographic means that anyone over the age of 15 is skipping the cinema and staying home to watch Game of Thrones on Sky Atlantic instead. This means that when the marketing guy checks the figures again, he naturally comes to the conclusion that no one over the age of 15 goes to the cinema and so he reports that the studio should be even more heavily targeting their output to the youth demographic who are of course all suffering from ADHD, anterograde amnesia

Did you know that if you watch Transformers: Dark of the Moon whilst simultaneously listening to Pink Floyd's Dark Side of the Moon it actually drowns out the piss-poor dialogue?

and crippling stupidity. This in turn, leads to more stupid movies and even fewer intelligent adults going to the cinema. The marketing guy then checks the figures again and so on and so forth. It’s a vicious circle, but I’m sure you’ve got that now (unless of course you’re a teenager, in which case we’ll be here for hours).

Compounding this problem is the fact that films getting steadily stupider means that cinemagoers (on the rare occasions that you do go to the cinema) are becoming less demanding, indoctrinated by this widespread idiocy. This means that the bar for what people will pay to see at the cinema just keeps getting lower. So when you forked over your hard-earned cash to see Transformers: Dark of the Moon (even the title has a typo) because ‘y’know it passes the time of day and there are like some real cool ‘splosions and such’ you were actually creating a demand for more horribly inane movies to be made. Basically, it’s your fault.

By now this relentless negativity, this somewhat condescending end-of-the-world-as-we-know-it attitude that I’ve adopted has started to wear you down and you’re probably left asking firstly, whether things are really as bad as I’m making out and secondly whether we can do anything to prevent cinema’s seemingly inevitable descent into idiocy.

Well, the answer to the first question is a tentative ‘not really, I’m being dramatic’. While on the whole, studios do seem to be churning out more and more movies that are little more than products designed to generate revenue, all is not lost. This year alone has seen

Apathy is bad

many surprising, heartfelt, challenging brilliant films such as Win Win, True Grit, Tree of Life, Beginners, Bridesmaids and Submarine so we definitely shouldn’t give up hope yet.

And the answer to the second question is ‘yes’, you can prevent it by going to see the films I listed above because demand creates supply.

If more people go to see intelligent and well-made films, then more intelligent and well-made films will be made, it’s basic economics. Now, I’m not saying that we all need to be watching Eastern European art house films with inexplicable costumes and ugly people crying, just choosing the better option.

If you’re going to the cinema this evening, don’t go and see Transformers, go and see Super 8 or Tree of Life instead. And later this year don’t go and see Final Destination 5 (5inal Destination, seriously?), go and see Woody Allen’s Midnight in Paris.

Have some self-respect and demand something from cinema. Demand to be challenged, to be moved, or to laugh. Demand to be exhilarated or befuddled. Demand to be angered even.  Just don’t allow yourself to be yet another pile of laundry who just sits in that dark room feeling nothing for 90 minutes and then immediately forgets about it afterwards because you are better than that and you deserve better than that. After all, we are lucky enough to be alive at a time when the likes of Terrence Malick, Woody Allen and Martin Scorsese are still making movies. Let’s take a moment to be grateful for that.

If you want to try to counteract the ill-effects of the cinematic junk food you are being force-fed, then please check out our new semi-regular feature, ‘Have you seen… ‘. The first of these is about the 1998 film Happiness and can be found here:    Have You Seen… Happiness?

Prose & Cons: A Melancholic Comedy

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After the success of Bridesmaids, a new wave of films with strong female characters are hitting cinema screens. Prose & Cons is a black, melancholic comedy set in the world of artistic frustration and writers block.

Sarah [Played by Catherine Balavage] is one of the new waves of poets. Her book sold millions of copies, but now she hasn’t written anything for over 160 days, and her publisher is getting restless. After an ultimatum from her publisher, and a horrendous poetry reading that went viral on twitter and YouTube, Sarah becomes increasingly desperate for new material. Her actions have far-reaching consequences that will change the lives of all of those around her.

Directed by Richard Wright and produced and written by Richard and Catherine; Prose & Cons is a film about writer’s block, consequences, friends and the resilience of typewriters.

Follow the film on Twitter here: @undersadtears

Here is the directors production diary: http://undersadtears.wordpress.com/

You can keep up to date on Prose & Cons IMDB Page

And more info on Catherine here: http://www.imdb.com/name/nm2952107/

Released 28th November 2011.

Bridesmaids Review: Is The Tide Turning For Women In Film?

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Women in films used to be sassy, brilliant, full of quips, But somewhere along the way, we lost it all. Rosalind Russell was replaced with Shannon Elizabeth (The actress in American Pie, who was there to be a sex object and show her breasts), and Katherine Hepburn, replaced by, oh, all those actresses in those dire 1980’s films, too many to name, who were there solely to take their clothes off.

Some people think the film Bridesmaids is ‘ground-breaking’. It is, because Bridesmaids just became a Box Office hit, taking a smidge below $150 million – so far. It was a mainstream comedy written by women, starring women, about women, which won in the only way Hollywood recognises, by making money.

Helen Mirren once said that Hollywood wasn’t sexist, it just made films that people wanted to see. Young men go to the cinema more often and go to see films they liked. Women will only see more films with women if they go out and see them. Vote with your purses!

Bridesmaids is funny, it has wowed critics and audiences alike and it breaks even more boundaries, the actresses are (shock, horror!) not all 21 and a size zero. Some of them are in their 30s and are beautifully curvy. There is nothing wrong with being thin (I have been discriminated against for being thin, so I know it works both ways), I am just sick of my friends thinking they are fat when they are not.

Zoe Williams said this film was more feminist that Thelma and Louise and urged everyone to go and see it.  I am doing the same. Salon’s Mary Elizabeth Williams went even further, saying the film is ‘your first black president of female-driven comedies’.

It is ironic that as women have progressed, on screen we’ve only gone backwards. As an actress, I know more than most about what people cast and what they want. Women have to be between a size 8-12. Size 12 being a grey area, it hurts an actress to be more than a size 10. I was told by one casting director than anything above a size 10 meant ‘character actor’.

Some people have attacked Bridesmaids for not being ‘feminine’. Do they ever attack men for not being ‘gentlemen’?  I think not. Women have to be celebrated, we have to have our stories told and not just as naked, skinny, 21-year-olds. I will soon be making my own movie about women and their lives, and I thank Bridesmaids for clearing the way.

1.Bridesmaids
2.Production year: 2011
3.Country: USA
4.Cert (UK): 15
5.Runtime: 125 mins
6.Directors: Paul Feig
7.Cast: Chris O’Dowd, Ellie Kemper, Jill Clayburgh, Jon Hamm, Kristen Wiig, Matt Lucas, Maya Rudolph, Melissa McCarthy, Rose Byrne, Terry Crews, Wendi McLendon-Covey

This Month's Magazines; Kate Middleton and Getting in Shape Lead.

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This is the first of Frost magazine’s new monthly magazine round-up. Here at Frost we are addicted to magazines and our guess is that you like them too, so, here goes….

Vanity Fair has the new Duke and Duchess of Cambridge on the cover. The world has gone crazy for Kate Middleton and there is 16 pages on the new couple, including the interesting fact that Kate has never been to America before and is ‘beyond excited’.

Horrible fact of the month comes from Christopher Hitchen’s column, which is on Pakistan: in Pakistan not only is rape not illegal, it’s a punishment. Mark Shand tells Nick Haslam about the Elephant Family, Stieg Larsson’s girlfriend tells of their life together and there is good articles on Justin Timberlake, Silvio Berlusconi and the Falcons.

Marie Claire (who are in my bad books, as they do not send the subscribers the free gifts that come with the magazine. This month it’s a choice of eyeliner or eye-shadow, last month a Body Shop moisturiser, not nice way to treat those who are most loyal) Jennifer Lawrence is on the cover, and has a very good interview inside where she says that she tells director she won’t lose more weight and was initially scared of fame.

Emily Eavis, daughter of Michael, talks about growing up as part of the world’s greatest music festival, there is lots of fashion and a summer’s sandals piece that I enjoyed, there is a low down on the Russian invasion of Chelsea; lead by Roman Abramovich and Dasha Zhukova, Writer Natasha Green writes about choosing between her husband and her lover and 5 friends, who all went to university and did a performing arts degree, meet up to discuss where they are 10 years later. Marie Claire also have an exclusive interview with Aung San Suu Kyi. Other good article are dating advice you don’t need from your friends, a good piece on Jean Paul Gaultier and a brilliant article on the life of Princess Diana, very apt.

It’s Elle’s body issue, Elle always give there subscribers the free gift, as do RED and Glamour, Rosie Huntington-Whitley is on the cover and interviewed inside, and there is a free vest top my Kate Middleton fav Reiss.

Celia Walden ponders over why we fawn over the famous, the impossibly stylish Ines De La Fressange is in Elle edits, my personal style crush tells us about her philosophy on life, House of Holland are this month’s Style Spy, make up artist Lisa Eldridge gives a peak inside her closet and Debbie Harry tells is what books changed her life. Rob Lowe is interviewed and there are a lot of great articles on how to get in shape and be happy with how you look. Of course, there is also lots of great fashion. Lorraine Candy is temporarily stepping down from the Elle editorship to have her fourth baby.

Tatler has Romola Garai on the cover, she is interviewed inside and talks about her “ordinary body” and her desire for people to find her sexy. Kate Reardon has been the new editor for a few months now and is doing a good job, though I couldn’t find an editor’s letter.

Royal Wedding photographer Hugo Burnand talks about photographing the biggest wedding in decades, there are other articles on the top 10 poshest ghosts, Clive Anderson writes about losing his cool, there is lots of gossip, A very good guide to the Murdoch dynasty, an article on how the rich buy life (a very good read), some property porn as Belvoir Castle is featured by it’s owners the Duke and Duchess of Rutland.

There is also an article on (the last taboo!) woman’s facial hair and how to get rid of it, Alice Temperley also spills on all of her beauty secrets. If you buy it form the news-stand you get a free pair of sunglasses, but Tatler doesn’t give free gifts to it’s subscribers.

Vogue has Vanessa Paradis on the cover, she talks about staying on the move and being comfortable with your body, Stella Tennant models (can you believe she is in her 40’s!)

I really like the article by Carol Woolton on the lost world of legendary balls, including the jewellery that Elizabeth Taylor wore to the 1971 Rothschild Proust Ball, lots on the Royal wedding and who wore what, editor Alexandra Shulman was one of the guests and gives a good account. The rise of folk (as in music) gets a good spread and supermodel Arizona Muse keeps a diary for Vogue.

I also love the inspirational women who feature in Vogue’s Wonder Women piece, scientists and theatre directors alike. There is also an editorial on fashion dynasties, if you love glamour the way I do you will love reading about the Guinnesses, Dellals, Agnellis/Brandolinis and the Jaggers.

Donna Karen also does a wonderful interview and writer Vicky Ward talks about her divorce; “the equivalent of undergoing heart surgery without anesthetic.” There is also a brilliant free beauty supplement with lots of celebrities and models giving their beauty and health routines, tips and hints.

Glamour has a free Benefit beauty product (I got the Benetint) Karl Lagerfield on fashion do’s, celebrity couples you forgot about, how to find a man anywhere, the rise of gold and fame digging men, why is friendship so hard?, how the Glamour staff got their job, a very good, and slightly depressing article on female war reporters; read about the same time I saw Channel 4’s Killing Fields of Sri Lanka, you think women are equal and safe….

There is interviews with the Glamour women of the year awards, including the brilliant Adele, who is on the cover. There is lots of brilliant fashion and beauty, a very good article on why we should all see Bridesmaids by Zoe Williams, there is a number of articles on how to fake tan well and I really enjoyed the piece on Get a Blockbuster body, what Blake Lively, Jennifer Lawrence and Rosie Huntington-Whitley did to get in shape for their films. There is also a good article on the secret to good health in 100 words or less.

So, until next month!