Tag Archives: Canelo

GIRLS, GIRLS, GIRLS – Jane Cable reviews two World War Two sagas

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Although I am about to review two excellent books I have a bugbear I need to share. Not just aimed at these two, but at the saga publishing world in general. Why, oh why, do books featuring grown women have to refer to them as girls? Yes, I know it’s become a shorthand that readers recognise, but it still grates on me. Oh well…

It is particularly the case in point with Maisie Thomas’s The Railway Girls, because one of the most engaging and interesting characters in Dot, who is well into her forties. She is the sort of woman who organises and takes care of everyone to her own detriment, but determined to strike out and help the war effort, through which she is to find a great deal of self respect.

That is the premise of this excellent book; women from different backgrounds who were thrown together in 1940 to help keep the nation’s vital railways running. The challenges they face, the friendships they form and even their romances weave together into an utterly believable tapestry, depicting wartime Manchester as it surely was.

Thomas’s research must have been meticulous but it is the richness of her storytelling that had me hooked. The detailed descriptions fitted so easily into the narrative the pictures were painted as the story moved along, and that is a rare talent. There is quite an extensive cast of characters too; not only Dot, Joan and Mabel, who will be the focus of the series, but other railway workers as well as their families at home.

For a debut novel this is stunning writing, perfectly paced and never rushed, a slow and realistic journey through the phoney war, Dunkirk and into the beginnings of the blitz.

Vicky Beeby’s The Ops Room Girls is equally enjoyable but totally different. Here the story gallops along, making it difficult to put down, and there were places towards the end when my heart was actually thudding.

Again it features three women, but all of them are young and from modest backgrounds although they all join the WAAF for different reasons. This book (also the first in a series) focuses on Evie, a working class girl whose scholarship to an Oxford college was ripped away from her. The characterisation in this book is so good I was feeling for her within the first few pages and really wanted to know where her story was going.

The answer is the operations room of an airfield in West Sussex, where she arrives in the summer of 1940. She makes friends with glamourous former actress Jess and shy May who has been perpetually put down by her father and brothers. All of them are escaping from something but become totally committed to the war effort.

I expected this, and I expected love stories, but what made this book stand out is the mystery that had to be solved as sabotage rears its ugly head on the base. It is a compelling plot strand that certainly kept me turning the pages.

 

The Railway Girls by Maisie Thomas is published by Arrow and paperbacks and ebooks are available now. The Ops Room Girls by Vicki Beeby will be published as an ebook by Canelo on July 16th but can be ordered beforehand.

SISTER SCRIBES: KIRSTEN HESKETH ON BEING A PUBLISHED AUTHOR

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It’s three weeks since my debut Another Us launched and what a strange, exhilarating, fabulous, scary three weeks it has been.

What with that – and, of course, ‘real life’ overlaid over the top – it’s all been rather overwhelming and I think it’s only now that I am beginning to sit back and play it all over in my mind. So – if it’s not too self-indulgent – I thought I might devote this post to my recollections of the big day.

I had wondered that the day itself might feel like an anti-climax. After all, my very first book was being sent off into the world to fend for itself in the middle of a global pandemic! Publishers and agent were working from home, decisions over a paperback edition had been put on hold at the last minute, and it was proving difficult to get physical review copies out to the lovely writers and bloggers who had offered to read and potentially review the book. It all looked like it might be one great big wash-out.

In fact, the day itself was absolutely wonderful. The outpouring of support on social media was absolutely incredible and I literally couldn’t keep up with all the tweets and RTs coming through on Twitter. Several days later. I stumbled across about twenty messages I hadn’t seen before. (I do hope the kind senders didn’t think I was terribly rude.)

And then there were the gifts. The doorbell rang all day with flowers and chocolates and cards. My lovely friend Debbie made this incredible cake. My fellow Sister Scribes not only sent flowers and an 48-pack (!) of Curly Wurlies (how well they know me!) but have arranged for flowers to be sent for the next two months as well – so the celebrations can go on and on. My Coppa Club friends – Claire, Becci, Moira and Marilyn – sent a magnificent afternoon tea. My chums at Reading Writers sent flowers and chocolates.

How lucky am I?

I hadn’t been sure what to do about the launch party. I had planned a very small afternoon tea at the Lanesborough Hotel for ten, but that was scuppered by Covid. In the end, I plumped for a Zoom launch which was brilliant and surprisingly emotional. As some of you may know, I dyed my hair red to match the book cover in order to raise money for Mind, and everyone got in the act. There were red tops and red wigs and Jane Ayres dyed her hair red too in solidarity. There was also a red drink competition judged by my children and I know Sue won but I’d slightly lost the plot by this point and I’ve no idea what she was drinking – or if she’d just made something up! More seriously, my editor Emily and agent Felicity both made wonderful speeches and I had a genuine lump in my throat when I came to reply to them.

So all in all it was a wonderful day and thank you to everyone who helped me celebrate and who has supported me in my journey.

And now Another Us is out there in the world and, as I write, has 42 fabulous 4* and 5* reviews. I have had lovely messages from people I know and don’t know saying how much they’ve enjoyed Another Us – including one from a Hollywood actress. I have no idea how many the copies the book has sold but it has been the most wonderful whirlwind!

Next time: the inevitable party hangover and the first 1* review!

 

SISTER SCRIBES: KIRSTEN HESKETH ON DEVELOPING AN UNHEALTHY AMAZON OBSESSION

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I’m way behind the rest of the Sister Scribes in this publishing lark and my debut novel has just gone up for pre-order. Another Us isn’t being published until May 14th – indeed, it hasn’t even got a cover yet – and yet there it is, sitting pretty on Amazon with one of those big smiley faces where the cover illustration should be.

No one told me it was up there.

In fact, I would have been blissfully ignorant of all this, had a lovely lady in America not tweeted me to let me know she had just pre-ordered my book and how much she was looking forward to reading it.

Well, if she could only know what that has set in motion!

All I can say if that it was a good thing that my publishers didn’t let me know as soon as Another Us went up on Amazon because that would have meant I started the obsessive, frenzied, ridiculous checking of sales rankings even earlier. Does anyone else do this? Several times a day? First thing in the morning? Last thing at night? Or am I am just really, really weird?

But there is so much to check and it is all so really, really exciting (and nerve-wracking and depressing and thrilling depending on what I find.)

  • There’s the overall sales ranking itself – and a helpful little graph of how it changes over time. (My graph resembles a yo-yo on speed and probably correlates neatly with my blood pressure and heart rate.)
  • Then there are the sub-categories. Someone has put my book into the parenting and family humour, parenting and family relationship categories, which I would say is fairly spot on. For one heady moment, presumably when all my friends and family were busy pre-ordering Another Us, my book made it into top ten of a couple of these categories and my squeals of excitement could be heard from here to Timbuktu to be followed by groans of despair when it subsequently went into freefall.
  • As if the above wasn’t enough, within each category there is a ‘hot new release’ section. Doesn’t that sound brilliant – ‘hot new release’?  Another Us – currently the only one without a cover and looking a bit sorry for itself – has featured in the top ten there too and sent me skipping round the kitchen – which meant that when it invariably plummeted, I was handily placed to scoff a couple of soothing Curly Wurlies.
  • And don’t get me started on Amazon USA! That, of course, has all the same categories, which merely serves to double the joy – or pain (delete as appropriate).. Another Us in the ‘motherhood’ category over there as well, and I did have a little chuckle when I discovered it was a ‘hot new release’ – right next to ‘How to have a mindful epidural’! Fun, fun, fun …

Hubbie fails to share my enthusiasm about all this. When I told him I thought I was close to cracking Amazon’s algorithm, I swear I heard him mutter ‘obsessed’ and ‘addicted’ into his pinot noir. In fact, there may well have been ‘words’ after that and I might have told him I that I didn’t want to hear anything about his Fitbit and his 10k personal best ever again!

Marital harmony has since been restored and, my obsession with Amazon has subsequently waned. But heaven help us all when the book is launched!

 

Kirsten Hesketh’s debut novel. Another Us, will be published by Canelo on May 14th and is now available for pre-order.

 

SISTER SCRIBES GUEST: ADA BRIGHT ON BEING A CO-AUTHOR

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I’m delighted to welcome my very good friend and fellow co-author, Ada Bright, to Sister Scribes. Ada is a novelist and a photographer, a wife and a mom and a very picky eater. She has lived in Southern California her whole life and says she fits into a good number of the stereotypes of the area, including being pretty laid back, considering anything below 65F as frigidly cold, and being unfazed by any earthquake under 5.0.

Over to you, Ada!

 

Thank you to Cassandra Grafton for inviting me to be a guest on Sister Scribes.  I was going to quip that we really are “sister scribes” since we co-author novels together, and we are unofficial family, but then I was imagining Cass reading it and injuring her eyes because she rolled them so hard… and I wouldn’t want to be the cause of something like that!

My best memories of childhood are from when I was living fictional stories by reading books. The characters I read about and re-read about were so much more formative to who I am than my early peers.

Writing became a natural next step for me. By writing extra scenes or character studies, I could hold on to the world I loved longer. My desire to write novels came more recently, but stemmed from a similar core. I simply wanted more.

Of course, impatience is not usually a good trait for a writer. But, in my case, I got  very, very lucky: I’d already met Cass. While we share a similar taste in stories, our writing is very different. I write in bursts that push the story forward, she composes a scene and always seems to have a handle on just exactly where our characters, our plot and even the reader are in their experiences at any given moment.

While we specialize in different areas, when we co-write, there is not one sentence that is purely one or the other of us. We write alone during our respective work days (which are 9 hours apart, since Cass lives in Switzerland). That means we usually start by waking up to a new scene from the other partner that we will begin by editing. Once we edit the new material, we either ask for a call to clarify what we’ve read or what we need to write next or we just continue on.

So many times, while talking about our first co-written novel The Particular Charm of Miss Jane Austen, I say how much I love co-writing with Cass – I mean, what writer wouldn’t want to hand off a scene that isn’t working to someone else and have it come back polished?! But, the further I get on in my solo novel, the more I realize that this experience of creating a shared world with someone has been a learning experience beyond measure.

As hard as writing can be, Cass and I have created a system that is, with all its ups and downs, fun. I have often joked about how I would leave text in the middle of the manuscript that said something to the effect of “Cass writes something brilliant here.” It can be a crutch, most definitely, but eventually, each writer will have taken a turn at being the hero even if the night before their entire scene ended up in the bin.

What I couldn’t have predicted is that seeing how Cass untangled us taught me both to recognize my negative patterns and also to learn ways of getting myself out of the ditches I’d written myself into.

Last year, Cass and I signed with Canelo Digital Publishing, and we’ve just finished writing our second novel together, which will be out later this year. No matter where our single careers take us, I will always be game to join our words together to create the voice that is both of us but not quite either of us.

Thank you for having me, Sister Scribes!

 

You can find Ada and Cass on their Blog, Tabby Cow: https://tabbycow.com

Alternatively, Ada can be found on:

Facebook Ada Bright

Twitter @missyadabright

 

INTRODUCING SISTER SCRIBES: CASSANDRA GRAFTON

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The first Sister Scribe I have pleasure in introducing is Cassandra Grafton. Cass currently splits her time between Switzerland, where she lives with her husband, and England where she lives with her characters. She loves travelling, words, cats and wine, and the Sister Scribes love the Swiss chocolate she so generously shares with us.

Hello! I’m delighted to be part of this exciting new venture with my Sister Scribes here at Frost Magazine!

A proud bookworm since childhood, I try to write the sort of stories I love to read – heart-warming, character driven and strong on location. Having moved around extensively and lived in three countries, I find places inspiring and the setting of my novels often becomes as much a part of the story as the characters.

I’ve been reflecting on the writers who have influenced both my reading habits and writing inspirations, and most of them have been women. My early years were spent devouring the novels of Enid Blyton, especially her boarding school stories. I’ve never been to boarding school, but it all seemed such fun, with midnight feasts and lashings of ginger beer! I think what also drew me to her stories was that she gave her lead characters some flaws, and I took comfort from the fact that sometimes it was okay to get it wrong.

When I reached my teens, romance took over, from the wild passion of the Brontës to the more gentle romance of Mills & Boon, all of which I consumed avidly. I fell in love with Mr Darcy and Captain Wentworth. I moved onto that early pioneer of chick-lit, Jilly Cooper, loving the humour she brought to her stories, then to Marion Keyes and Anna Maxted – real laugh out loud stories that also moved me to tears, turning occasionally to Daphne du Maurier for a dash of suspense. The final influence on my tastes came a little later, in the form of JK Rowling and her Harry Potter series.

It was both the latter and my love for all things Austen that eventually led to turning my long-held dreams of being a writer into reality.

I met a Californian (Ada Bright) on a Forum online and we both decided to try our hand at co-writing fan fiction, firstly around the Potter universe and later dabbling with Austen’s characters – it was fun, rewarding and a great way to hone our writing skills.

Eventually, I decided to publish some of these endeavours before Ada and I settled down to co-write The Particular Charm of Miss Jane Austen, which has since been picked up by Canelo Digital Publishing and will be released in September, with a sequel following in November.

It’s true to say that Jane Austen has, therefore, been the biggest influence of all those women writers. It feels apt that Chawton House in Hampshire, located in the village where Jane Austen was living when she published her first four novels, a secondary home of her brother, Edward (Austen) Knight, now houses a library dedicated to early editions of works by women, mostly within the period 1600-1830, a unique collection of women’s writing.

The historic setting of the house brings to life the context within which women writers lived and worked. The diversity of women’s writing during this period is displayed through novels, poetry, drama, published letters and memoirs on a whole range of subjects including history, travel, medicine, botany, cookery and more.

I’m looking forward to working with my fellow Sister Scribes over the coming year as we share our thoughts and experiences with you and introduce you to some of the key women writers in our lives.

Source: Chawton House website (https://chawtonhouse.org)

 

Follow Cassandra on social media @CassGrafton on Twitter or on Facebook

https://www.facebook.com/cassie.grafton

BUSINESS OF BOOKS: RETREAT OR TREAT?

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Retreat or treat? When five writers arrived in Bath last month, we didn’t really know how it would pan out. We intended to work, but it was the first time we’d seen each other since meeting at the Romantic Novelists’ Association conference fifteen months earlier, so would there be too much gossiping going on? Or even a frosty silence as we realised we didn’t actually like each other that much after all.

We certainly started being very polite. Cassandra Grafton (no stranger to Bath with her Austen-esque novels) found an enormous Georgian house we could rent from Bath Boutique Stays and there was quite a bit of ‘after you – no, after you’ as we chose our bedrooms.

It soon became clear that our centre of operations would be the kitchen with its windows either end and huge table. We had no plans to cook, but Kitty Wilson and I had raided M&S on the way (she is one serious snack shopper) and what with our booty and all the wine, the fridge was filled to bursting point. But did we open a bottle straight away? No – we made a nice cup of tea.

So the first myth was busted open – we were not destined to spend our three nights drinking ourselves into a stupor. A drink with dinner (we tried a variety of local restaurants, culminating at the amazing Aqua) then another one or two afterwards was about our limit and while the vodka bottle was hit pretty hard (you know who you are, ladies), the gin went almost untouched and only two half bottles of Prosecco from our stash were consumed.

We did drink on the second morning though as we celebrated the launch of Kitty’s second book. Champagne and cake well before the sun was anywhere near the yard arm, flowers smuggled into the house and hidden the previous day, and a gift from us all. Of course, before we could touch any of it we had to stage a photo or two for social media. And then spend a great deal of time sharing them to all our followers.

Second myth – we had no real intention of doing any work. Wrong again. Susanna Bavin wrote more twenty pages in longhand towards the trilogy of sagas she’s working on. I completed the structural edit of the second book of my Sapere deal. Kirsten Hesketh was busy reworking the draft of her second novel while Kitty focussed on guest posts for her blog tour (not to mention keeping up her daily word count) and Cassandra worked her way through her ‘to do’ list following the announcement of her contract with Canelo.

But more than anything we supported each other in ways small and large. I helped Kitty with her guest blogs (I’ve done so many of them) and she and Susanna critiqued the outline I’d prepared for Sapere. Kirsten’s agent had started to send her manuscript to publishers and had received a few initial rejections – and there always are rejections – but that doesn’t mean they hurt any the less. I like to think we were all there for her.

The two days and three nights flew past, mainly because we were in the company of other writers. It’s a profession where you have no colleagues, no daily water cooler moments and just to be around each other and chat authorly things was utter bliss. Noone understands writers like other writers – the highs, and the lows, and the mundane bits in between.

We left Bath on the Friday morning with the firm resolve to do it again. But something else had happened along the way; bonds had been formed and friendships deepened. We’d become, as Kitty put it, sister scribes.

BUSINESS OF BOOKS: READING AWAY

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Jane Cable catches up on some reading

Those of you who follow this column will know that I struggle to read while I’m writing, so holidays are the best time for me to catch up with the books I’ve been squirreling away on my Kindle. My recent trip to the US was good in that there were long flights, but bad because once we were there we had such a busy schedule it was hard to squeeze in too many pages.

Nevertheless, I did manage to finish a few, mainly those by authors I know (you make promises and fell obliged – in a good way, of course). Others like screenwriting bible Save The Cat deserve an article all of their own, but here are some thoughts on the fiction I managed to chomp through.

The Particular Charm of Miss Jane Austen by Ada Bright and Cassandra Grafton

It clear to see that this is a book that was written for fun, with many personal quirks and touches and as such it’s very much a tale of female friendship which reflects the real one between the co-authors. But it’s much more than that; it’s also a romance with a mystery to solve and the history surrounding Jane Austen is impeccable researched.

Set in modern day Bath at the time of the annual Jane Austen Festival the plot revolves around the time-travelling author who gets stuck in the twentieth century – with serious – and hilarious – consequences. I’m delighted to say that the book has just been acquired by Canelo and will be re-issued next year.

Sadie’s Wars by Rosemary Noble

I’ve known Rosemary for a number of years through Chindi Authors, but I have never before got around to reading one of her books. Sadie’s Wars is her latest – and technically third in her Currency Girls saga – but don’t let that put you off because it works well as a standalone novel.

The book goes back and forth between Australia before and during World War One and England during World War Two. Although both eras are beautifully drawn I found I related to the English story far more and it is a truly beautiful one. Rosemary captures the privations of the era so brilliantly and the love story Sadie finds in her later years is warm, real and lacking in sentiment.

The Cornish Village School – Breaking the Rules by Kitty Wilson

I’m not always the biggest romcom fan, but Kitty Wilson’s writing genuinely makes me laugh out loud. It’s the small observations, the turns of phrase – the genuine frustrations people feel when faced with contrary small children and difficult adults. And of course I was drawn to these books, not only because Kitty is a friend but because they are set in Cornwall.

Although inhabited by the cast of characters necessary to create romcom chaos and alchemy, the village of Penmenna itself feels pretty real. It’s not a tourist trap, it’s the Cornwall I’ve come to know and love since I’ve been here, with scruffy pubs full of genuinely eccentric locals who later career home down tiny single-track lanes and by some miracle get there unscathed.

The book is the first in a series and last week the next one – Second Chances – appeared. And it’s even better than the first.