SISTER SCRIBES: SUSANNA BAVIN ON WHY TALES OF THE UNEXPECTED ARE SO UNUSUAL AND SO SATISFYING

How many of you out there remember watching Roald Dahl’s Tales of the Unexpected back in the 1970s? Or, if you don’t remember any of the programmes themselves, I bet you remember the opening credits, with the silhouette of the girl dancing in front of what I imagine was a psychedelic background. I can’t be sure about the psychedelic bit, because our telly was black-and-white. I can recall only one of the stories, which featured Susan George as a housewife who cooked a joint of meat . . . and if you don’t know the significance of this, I’m not going to tell you. I’ll just say the story had a very clever twist at the end.

We all enjoy a good plot-twist, don’t we? One of the things about being an experienced reader is that it is rare to be truly surprised by something that happens in a book – though I want to make it clear that this in no way lessens the enjoyment of reading it. It is particularly true for readers of genre fiction, where certain conventions and expectations exist within whatever type of story it is. I once wrote a blog called A Promise Between Friends, which was about the ‘contract’ between the author of genre fiction and the reader. The author writes a stirring story within the conventions and the reader meets the writer halfway. Even so, a good plot-twist is always welcome.

Take Hope at Holly Cottage by saga writer Tania Crosse. The idea of the husband or father drinking his wages and then knocking his wife around is well-known to readers of sagas and historicals, but Tania Crosse takes this familiar idea and gives it a new lease of life. Yes, Anna’s dad has bouts of violence, but the reason behind them is one I haven’t come across in a saga before and it adds extra depth to the tragic dynamics of the family situation. After packing the opening chapters with drama and emotion, Tania Crosse then takes the heroine off into a completely new place for the next part of her story, changing not only the setting but also the atmosphere, and giving Anna something new to strive for.

And if you have read Lizzie of Langley Street by Carol Rivers, then you need look no further than its sequel, The Fight for Lizzie Flowers, for a truly unexpected beginning. The first book ends in just the way the reader hopes it will, but the expectations that this creates for what will happen in book 2 are decisively blown to bits in the very first chapter of The Fight for Lizzie Flowers, which opens the continuation of Lizzie’s story in a thoroughly unexpected manner, paving the way for a dramatic and compelling story in which Lizzie – and the reader – can take nothing for granted. As with every Carol Rivers saga, there is a pacey story with well-drawn characters and a strong sense of family feeling.

I was going to end this blog by saying something along the lines of how good it would be if we could have more breath-taking plot-twists, but now I’m wondering whether that might result in too much of a good thing. After all, one of the reasons we all admire a devious plot-twist is because it’s unusual. And perhaps that’s the way it should stay – as a special treat in the occasional book.

SISTER SCRIBES’ BOOKS OF THE YEAR 2019

 

Kitty: I knew when I was reading it that Circe would be a book that stayed with me for a long time and I’m happy to call it my book of the year. I’m already itching to re-read it, an absolutely wonderful read. 

I finished Circe by Madeline Miller this month and I cannot do justice to how much I loved it. The story of Circe, a woman locked in by her divinity whilst also dealing with the very female roles of mother, daughter, sister and lover. This retelling made Circe much more accessible and empathetic than the male-centric version that I grew up with. Full of self-discovery, courage and empowerment it turns the myth of vicious witch into a story of a true heroine. I loved it so much that having read it once I am going to store it, like a secret treasure, for a re-read in a few months so I can wallow in it slowly and feel the magic again.

Susanna:  I love Carol’s 20th century sagas, but this year she wrote her first Victorian story, which happens to be my favourite historical setting. Carol Rivers + Victorian = one very happy reader!

One of the things I love and admire about books by Carol Rivers is that, while some authors get a bit stale and produce books that feel samey, Carol always writes something fresh, using new ideas, at the same time as remaining true to the drama and strong sense of personal relationships that characterise her books. Christmas Child is a story for any time of year, not just for the festive season. An emotional and enthralling tale, it follows Ettie as she faces up to life’s dangers and challenges and learns the hard way that not everyone deserves to be trusted. I love stories set in Victorian times and I’m delighted that Carol Rivers has, for this book, left behind her customary 20th century setting and moved into the 19th century. I hope there will be more Victorian stories to come from this wonderful writer.

Cass: A hilarious yet poignant story of self discovery, where you are laughing out loud one moment and holding back tears the next.

“Everyone should be adopted, that way you can meet your birth parents when you’re old enough to cope with them.” So says Pippa Dunn, the eponymous heroine of Alison Larkin’s debut novel, The English American (which has its roots in her autobiographical one-woman comedy show of the same name). Adopted as an infant and raised terribly British (attending a posh boarding school, able to make a proper cup of tea and in the ‘love’ camp for Marmite on toast), Pippa – now 28 – discovers her birth parents are American. Finally, she begins to understand why she’s so different from everyone she knows. Pippa sets off for America, soon meeting her creative birth mother and her charismatic birth father. Moving to New York to be nearer to them, Pippa believes she’s found her ‘self’ and everything she thought she wanted. Or has she? This is a hilarious yet poignant story where you are laughing out loud one moment and holding back tears the next. Pippa’s journey is very funny, yet deeply moving, and I highly recommend The English American to anyone who loves to finish a book with a smile on their face and a warm feeling in their heart.

Jane: Elizabeth Buchan’s The Museum of Broken Promises is, like her other books, a slow starter. I have learnt to be patient while she creates a tapestry of detail so rich and wonderful, holding my breath until to story tips into second, third and fourth gears and becomes unputdownable.

The book is set in Paris in the present day and in Prague in the 1980s. The end of the Cold War was in touching distance, yet nobody knew it, and this adds an additional poignancy to the narrative. Laure, a young woman coming to terms with the death of her father is an au pair to a businessman and party insider, and while trying to make some sense of life behind the Iron Curtain, meets a dissident musician who steals her heart and soul. Years later in France, she sets up the Museum of Broken Promises, full of artefacts people donate in attempt to avenge or assuage the pain of betrayal – and some of them belong to her own past. Slowly the book teases out truths from a long ago Czechoslovakian summer. One moment achingly beautiful, the other shocking in its violence, the whole fits together like a handmade glove. It stayed with me, too – and it’s only now I’m writing this review I finally understand the most important promise. And who broke it. A must read. Honestly.

Kirsten: Beautifully written and no matter how grim the present times feel, at least we are not living in a plague village in 17th century Derbyshire!

I love historical fiction and I was late to the party with  Year of Wonders by Geraldine Brooks. It was published in 2002 and was recommended to me several times before I finally grabbed myself a copy. The book is set in 1666 and it’s based on a true event. The Great Plague has reaches the quiet Derbyshire village of Eyam through a contaminated piece of cloth that has been sent to a tailor from London. It’s the only place in the region that’s been affected and the villagers make the extraordinary decision to isolate themselves totally so that the plague cannot spread further – so no one allowed in or out until the plague has run its course or everyone has died. This story is told through the eyes of 18-year-old Anna Frith as she confronts ‘the loss of her family, the disintegration of her community and the lure of a dangerous and illicit love’. I loved it. It’s sad and interesting and touching and fascinating and I had no idea that anything like this had happened. I wonder how we’d have reacted in the same situation.

SISTER SCRIBES’ READING ROUND UP: OCTOBER

Kirsten:

I haven’t been reading very much lately – I’ve been wrestling with proposals and second drafts and teenagers – but one book I have read and very much enjoyed is Bonnie and Stan by Anna Stuart.  It’s a story of mature love and the premise is that after over 50 years together, Stan – who still adores his wife – starts dating again.

In a dual time-line. Bonnie and Stan met during the Swinging Sixties, to the soundtrack of The Beatles and the Merseybeat scene. Bonnie’s the only woman on her architecture course and Stan is in a band. This bit is great fun –music and fashion and energy and sex and working out which one of the band members will end being Stan because they all have nicknames.

In the present day, the two have grown old together, had children and grandchildren. This bit happens at the beginning so I’m not giving anything away but Stan has cancer and is running out of time, and can’t bear the thought of leaving Bonnie on her own so, with his teenage granddaughter Greya, he sets out find Bonnie a new love. And it must remain a secret …

I thought it was a fabulous book – ultimately uplifting but with moments of real terror and fury and vulnerability.

 

Susanna:

One of the things I love and admire about books by Carol Rivers is that, while some authors get a bit stale and produce books that feel samey, Carol always writes something fresh, using new ideas, at the same time as remaining true to the drama and strong sense of personal relationships that characterise her books. Christmas Child is a story for any time of year, not just for the festive season.

An emotional and enthralling tale, it follows Ettie as she faces up to life’s dangers and challenges and learns the hard way that not everyone deserves to be trusted. I love stories set in Victorian times and I’m delighted that Carol Rivers has, for this book, left behind her customary 20th century setting and moved into the 19th century. I hope there will be more Victorian stories to come from this wonderful writer.

 

 

Jane:

I went on holiday last month and as such had a little more time than usual to read, so a couple of books I’d been wanting to get my teeth into for a while came to the top of my TBR pile.

The first was Liz Fenwick’s The Path to the Sea, a truly absorbing book, well researched with the strands of the story pulled beautifully together. It is set in 1962 and 2018, with a clever structure that means the action is set over the same three days of both years, flipping between them, but taking events sequentially in both. It must have been an absolute sod to write, but it’s so beautifully managed it never feels contrived and I was caught up in the story rather than the way it was told, which is exactly how it should be.

Three generations of women come together at Boskenna for the last time, both bound together and torn apart by the secrets and lies between them. It’s a fabulous story, but what I loved the most was that important thing wasn’t what had happened, but why.

The second book was Jen Gilroy’s The Cottage at Firefly Lake. Far more of a traditional holiday read, it’s a heart-warming small town romance set in Vermont and featuring realistically scarred characters you want to alternately hug then knock their heads together. Two sisters return to Firefly Lake after eighteen years to sell their late mother’s cottage and more than just old passions are ignited in this beautiful place. The book’s just perfect for readers who love a truly emotional romance.

 

SISTER SCRIBES: MAY READING ROUND UP

Jane:

My book club selection for May was Monica Ali’s Brick Lane. Now I know most of the world read it when it first came out in 2003 but it somehow passed me by – and I have to say that it’s aged very well. Which I suppose is the sign of a true classic.

It’s a book that threw me into a culture that was on my doorstep when I lived in London in the 1980s but I knew nothing of. It tells the story of Nazneen, a young Bangladeshi woman who comes to England in an arranged marriage to an older man and charts the changes both in her life and that of the immigrant community around her. It’s a richly painted tapestry of experiences which, while not surprising to me, were worlds – if not miles – away from my life. Sometimes that can be an uncomfortable experience, but the characters were so rounded and real the book was an absolute joy and I thoroughly recommend it.

By way of setting, Rosanna Ley’s The Lemon Tree Hotel was a complete contrast. Rosanna is one of my favourite authors so this book was always going to be a pleasure. The story wraps itself around the lives of four Italian women; a grandmother, mother, daughter and close family friend, and although there are secrets and love and a few surprises along the way, it is the bonds that unite – and divide – them, which give the story its impetus.

The relationships between the women in The Lemon Tree Hotel are real, not saccharine in any way. The issues that arise within families, the conflicting loyalties, the misunderstandings but overall the love, whether easily expressed or not. All these and more play out between the generations as change creeps into the beautiful village of Vernazza.

In many ways this book was as different as it was possible to be from Brick Lane, but in both the women stand centre stage across the generations and the skilful way their lives are played out by both authors is what keeps you reading to the end.

 

Susanna:

With A Sister’s Shame Carol Rivers has constructed a dramatic and involving plot in a detailed and atmospheric setting. There is an undercurrent of menace throughout and my fingers itched to give Vesta a good shake as, blinded by love and ambition, she threw herself headlong into the new life everyone warned her against.

This is also a tale of relationships in various forms – the bond between twins; long-lasting friendship that turns friends in family; and romance, both real and imagined, one leading to lasting love, the other to a relationship based on control.

Having read and enjoyed A Sister’s Shame some time ago, this time round I listened to it, read by Annie Aldington, who is an experienced and skilled narrator, who brings character and atmosphere to the telling.

 

Kitty:

This month I haven’t read as much I would like but I have discovered the joy of the audiobook, which I’m finding so addictive that I’m not getting much else done. That, of course, is Susanna Bavin’s fault for her excellent new book, The Sewing Room Girl, which I can’t stop listening to.

I did however have the pleasure of reading the second in Terri Nixon’s Penhaligon series, Penhaligon’s Pride and once again loved the way she describes the elemental nature of Cornwall and the strength of communities within it. A fabulous book.

I also read Mary Jane Baker’s A Bicycle Made for Two, a romcom set in Yorkshire and written with such sharp wit that she had me giggling loudly. She is now one of my favourite authors within the genre.