Tag Archives: Cassandra Grafton

SISTER SCRIBES GUEST: GABRIELLE MALCOLM ON THE MYTHS OF A WRITING LIFE

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I’m delighted to welcome author, Gaby Malcolm as our guest! She’s an inspiration to me, and here she’s sharing her thoughts on juggling being a writer with home life!

 

When I was asked if I would contribute a guest post I was very eager. When I thought about it for a bit I became less eager, and then plagued with doubts, and then I realised I was running out of time, and then I thought ‘commit something to paper, Gaby, get on with it,’ and then I put the kettle on, and then the cat distracted me, and then I woke up at four o’clock in the morning, and then there was a really interesting item on Woman’s Hour (Jenni Murray is SUCH a good interviewer!), and then …. and then ….

This will be a very skittish and disjointed piece, therefore. Forgive me.

See what I did there? Classic. I call it the ‘Visitor from Porlock’ effect. That’s when you explain how you would have done a lot more, only you were interrupted and you lost your flow, but it was going to be utterly brilliant. Thanks, Coleridge!

There is also the ‘Shakespeare In Love’ Syndrome. That’s when writers depict to the rest of the world how the work just flows from their pen as they sit in their little room, once inspiration strikes. That inspiration does not have to involve sex with Gwyneth Paltrow disguised as a boy. Fortunately, or unfortunately, depending on how you look at it.

It’s great when writers portray their process as something strange, easy, or magical.

As a tutor of writing students one of my main jobs is to debunk all these myths about the process. Budding writers sometimes believe they have failed at it if they can’t create a perfect, clean manuscript with the first draft. They think they lack the skills to write if it doesn’t just flow out. LOL is all I have to add to that.

The day I knew I could be a writer was the day I found out I realised I loved re-writes and editing. It’s just the best. I love composition, but when I get to re-writing my brilliant prose, I am happier than a pig in poop! It took me a while. For years I had an academic teaching and writing career. I wrote my PhD thesis during that time and it was then I understood the sheer level of effort and time it took to produce 80-90,000 words. When it was all over, however, I missed it something terrible!

When my life changed, personally and professionally, and the time came to try and reinvent myself, writing was the logical choice. I set myself goals to establish a proper career plan. I aimed to get a full-length book published and find an agent within the first four years, that would see my littlest boy ready to go to school. However, I achieved it within the first two years. A book rapidly followed by representation.

So, I had to juggle and do as much as I could with the children in childcare or at school. That has shaped the kind of writer I have become, needs must. I hit the ground running by 9.15am, once I have the house to myself and work through until 3pm. In that way I have conquered any lack of confidence I had, and developed a ‘get it done’, finisher attitude. I have also grown a really thick skin! I ignore anything other than constructive criticism and have come to admire my own work. Hence, the ‘brilliant prose’ comment above. I like to read me.

 

Gabrielle Malcolm is a freelance writer and artist. She edited ‘Fan Phenomena: Jane Austen’ (Intellect Books), wrote three plays for Moon On A Stick children’s theatre company, and writes scripts for web series and short films for international clients. Her forthcoming non-fiction book, about Mr Darcy, is due for publication in December 2019 with Endeavour Quill.

 

 

SISTER SCRIBES GUEST: ADA BRIGHT ON BEING A CO-AUTHOR

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I’m delighted to welcome my very good friend and fellow co-author, Ada Bright, to Sister Scribes. Ada is a novelist and a photographer, a wife and a mom and a very picky eater. She has lived in Southern California her whole life and says she fits into a good number of the stereotypes of the area, including being pretty laid back, considering anything below 65F as frigidly cold, and being unfazed by any earthquake under 5.0.

Over to you, Ada!

 

Thank you to Cassandra Grafton for inviting me to be a guest on Sister Scribes.  I was going to quip that we really are “sister scribes” since we co-author novels together, and we are unofficial family, but then I was imagining Cass reading it and injuring her eyes because she rolled them so hard… and I wouldn’t want to be the cause of something like that!

My best memories of childhood are from when I was living fictional stories by reading books. The characters I read about and re-read about were so much more formative to who I am than my early peers.

Writing became a natural next step for me. By writing extra scenes or character studies, I could hold on to the world I loved longer. My desire to write novels came more recently, but stemmed from a similar core. I simply wanted more.

Of course, impatience is not usually a good trait for a writer. But, in my case, I got  very, very lucky: I’d already met Cass. While we share a similar taste in stories, our writing is very different. I write in bursts that push the story forward, she composes a scene and always seems to have a handle on just exactly where our characters, our plot and even the reader are in their experiences at any given moment.

While we specialize in different areas, when we co-write, there is not one sentence that is purely one or the other of us. We write alone during our respective work days (which are 9 hours apart, since Cass lives in Switzerland). That means we usually start by waking up to a new scene from the other partner that we will begin by editing. Once we edit the new material, we either ask for a call to clarify what we’ve read or what we need to write next or we just continue on.

So many times, while talking about our first co-written novel The Particular Charm of Miss Jane Austen, I say how much I love co-writing with Cass – I mean, what writer wouldn’t want to hand off a scene that isn’t working to someone else and have it come back polished?! But, the further I get on in my solo novel, the more I realize that this experience of creating a shared world with someone has been a learning experience beyond measure.

As hard as writing can be, Cass and I have created a system that is, with all its ups and downs, fun. I have often joked about how I would leave text in the middle of the manuscript that said something to the effect of “Cass writes something brilliant here.” It can be a crutch, most definitely, but eventually, each writer will have taken a turn at being the hero even if the night before their entire scene ended up in the bin.

What I couldn’t have predicted is that seeing how Cass untangled us taught me both to recognize my negative patterns and also to learn ways of getting myself out of the ditches I’d written myself into.

Last year, Cass and I signed with Canelo Digital Publishing, and we’ve just finished writing our second novel together, which will be out later this year. No matter where our single careers take us, I will always be game to join our words together to create the voice that is both of us but not quite either of us.

Thank you for having me, Sister Scribes!

 

You can find Ada and Cass on their Blog, Tabby Cow: https://tabbycow.com

Alternatively, Ada can be found on:

Facebook Ada Bright

Twitter @missyadabright

 

SISTER SCRIBES: CASS GRAFTON ON MRS GASKELL… ON CHARLOTTE BRONTE

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The other day, I had the urge to watch North & South again, the well-received BBC dramatization of Elizabeth Gaskell’s second novel.

I’m not sure if this stemmed from a need to watch a classic film or simply the shallowness of wanting to wallow in Richard Armitage’s smouldering interpretation of John Thornton, but whatever the attraction, it did make me think about Victorian writers.

Written originally for Charles Dickens’ magazine, Household Words, North & South has more recently been dubbed the ‘industrial’ Pride & Prejudice. It is typical of the stories spilling from Mrs Gaskell’s pen at this time: ones that didn’t flinch away from contentious social commentary but always had, at their heart, a bit of romance – and a copious body count!

It wasn’t a novel, however, that first introduced me to Mrs Gaskell’s writing. Back in school, I was obliged to read Jane Eyre as a set book.  My teenage heart was swept away by the passion of Charlotte Brontë’s classic and, considering myself plain and unnoticeable, I relished reading about this ‘oh so ordinary’ heroine getting her man.

Intrigued by the story behind the author, I bought a copy of a popular biography of Charlotte – the aforementioned Mrs Gaskell’s account of ‘The Life of Charlotte Brontë, having no idea of the drama surrounding the book.

It was written at the invitation of Charlotte’s father soon after his daughter’s death in 1855. Encouraged by Charlotte’s close friend, Ellen Nussey, Patrick Brontë wanted Mrs Gaskell, also a friend of his daughter’s, “to publish a long or short account of her life and works, just as you deem expedient and proper”.

Mrs Gaskell was used to her own writing exciting controversy amidst the admiration, but although the biography attracted critical acclaim, it was not universally well-received, with some critics not appreciating the whitewashing of certain aspects of Charlotte’s life. Mrs Gaskell had been stuck between the proverbial rock and a hard place – after all, parts of Charlotte’s life (like anyone’s) were not really for public consumption.

More controversy, however, came back to haunt the author. Published in March 1857, the Life attracted enough attention for a second edition to be announced in May of the same year. Suddenly, though, the book was withdrawn from sale, due to the threat of libel proceedings on more than one count and general grumblings from those who felt they had been unfairly depicted in the book.

The three main issues seem to have been these: how Patrick Brontë himself was portrayed; the account of Charlotte’s brother, Branwell’s, decline – exacerbated by the implication of the influence of a ‘lady’, who was described in such a way, all of society knew her identity; and descriptions of Charlotte and her sister, Emily’s, time at the Clergy Daughters’ School at Cowan Bridge.

Mrs Gaskell went on to describe herself as being in ‘the hornet’s nest with a vengeance’ and referred to the biography as ‘this unlucky book’ in a letter to her publisher. Its overall success, however, meant the Life wasn’t going to disappear. Balancing out the unpleasantness of the above, Mrs Gaskell began to receive additional information, either from others who admired what she had already achieved or those who wanted to correct certain details.

She faced a daunting major revision, but set to and the third edition – Revised and Corrected – appeared in the November, less than six months after the original had been withdrawn from sale. It contained a substantial amount of new material.

Despite the challenges she faced, Elizabeth Gaskell did an admirable job, and her insight into the life of Charlotte Brontë is a fascinating read and one I would highly recommend to anyone who enjoys reading about Victorian authors.

As for myself, I think I’ll avoid any attempts to pen biographies for my writing friends and immerse myself in fiction instead – the visual rather than the written version on this occasion! Excuse me whilst I hit play again on North & South… I may be gone some time!

 

Sources: Various Gaskell letters, and Alan Shelston’s Introduction and Appendices to the Penguin English Library 1975 edition of Jane Eyre

 

INTRODUCING SISTER SCRIBES: CASSANDRA GRAFTON

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The first Sister Scribe I have pleasure in introducing is Cassandra Grafton. Cass currently splits her time between Switzerland, where she lives with her husband, and England where she lives with her characters. She loves travelling, words, cats and wine, and the Sister Scribes love the Swiss chocolate she so generously shares with us.

Hello! I’m delighted to be part of this exciting new venture with my Sister Scribes here at Frost Magazine!

A proud bookworm since childhood, I try to write the sort of stories I love to read – heart-warming, character driven and strong on location. Having moved around extensively and lived in three countries, I find places inspiring and the setting of my novels often becomes as much a part of the story as the characters.

I’ve been reflecting on the writers who have influenced both my reading habits and writing inspirations, and most of them have been women. My early years were spent devouring the novels of Enid Blyton, especially her boarding school stories. I’ve never been to boarding school, but it all seemed such fun, with midnight feasts and lashings of ginger beer! I think what also drew me to her stories was that she gave her lead characters some flaws, and I took comfort from the fact that sometimes it was okay to get it wrong.

When I reached my teens, romance took over, from the wild passion of the Brontës to the more gentle romance of Mills & Boon, all of which I consumed avidly. I fell in love with Mr Darcy and Captain Wentworth. I moved onto that early pioneer of chick-lit, Jilly Cooper, loving the humour she brought to her stories, then to Marion Keyes and Anna Maxted – real laugh out loud stories that also moved me to tears, turning occasionally to Daphne du Maurier for a dash of suspense. The final influence on my tastes came a little later, in the form of JK Rowling and her Harry Potter series.

It was both the latter and my love for all things Austen that eventually led to turning my long-held dreams of being a writer into reality.

I met a Californian (Ada Bright) on a Forum online and we both decided to try our hand at co-writing fan fiction, firstly around the Potter universe and later dabbling with Austen’s characters – it was fun, rewarding and a great way to hone our writing skills.

Eventually, I decided to publish some of these endeavours before Ada and I settled down to co-write The Particular Charm of Miss Jane Austen, which has since been picked up by Canelo Digital Publishing and will be released in September, with a sequel following in November.

It’s true to say that Jane Austen has, therefore, been the biggest influence of all those women writers. It feels apt that Chawton House in Hampshire, located in the village where Jane Austen was living when she published her first four novels, a secondary home of her brother, Edward (Austen) Knight, now houses a library dedicated to early editions of works by women, mostly within the period 1600-1830, a unique collection of women’s writing.

The historic setting of the house brings to life the context within which women writers lived and worked. The diversity of women’s writing during this period is displayed through novels, poetry, drama, published letters and memoirs on a whole range of subjects including history, travel, medicine, botany, cookery and more.

I’m looking forward to working with my fellow Sister Scribes over the coming year as we share our thoughts and experiences with you and introduce you to some of the key women writers in our lives.

Source: Chawton House website (https://chawtonhouse.org)

 

Follow Cassandra on social media @CassGrafton on Twitter or on Facebook

https://www.facebook.com/cassie.grafton

WRITING IN THE NEW

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Jane Cable sets out her plans for Frost for 2019…

Much as I’ve loved hosting Business of Books over the last couple of years, it’s definitely time for a change. Two changes in fact, but more of the second one later.

Readers with very good memories may recall that in the autumn I went on a mini retreat with four writer friends. It was a comment from Kitty that started it – just as we were leaving – she said we’d become sister scribes. So I began to ponder what that could mean.

The world over women are particularly good at giving other women support. We excel at cooperation, collaboration, sharing the champagne and handing out the tissues (or the gin). We celebrate, we commiserate, we coax, we cajole – in short, we are there for each other.

So this year I’m sharing my Frost columns with my Sister Scribes. Over the next few weeks everyone will introduce themselves, and in the coming months we will all introduce other sisters from the world of words; women whose contributions to our writing lives are important to us. Women who want to share their passion for writing for, by, and about women.

So, the Sister Scribes are:
Cassandra Grafton has her roots in Austen-inspired fiction and is a Jane Austen Literacy Foundation ambassador. Published by Canelo from this year.
Jane Cable is a long term contributor to Frost. Indie author published by Sapere from this year.
Kirsten Hesketh’s first novel landed her an agent. Hopefully a deal will follow soon.
Kitty Wilson walked straight out of the RNA New Writers’ Scheme into multiple offers. Writes hilarious romcoms for Canelo.
Susanna Bavin writes elegant, well-researched sagas. Published by Allison & Busby.

We met because we are all members of the Romantic Novelists’ Association, but that doesn’t mean the columns will all be about romance as our network of contacts spreads far and wide. Within the genre we cover a broad church, from sagas to romcoms and a great deal in between. There will be plenty of interest for readers and writers alike, with our first guests including my own long time buddy Carol Thomas on marketing collaboration and Cassandra’s co-author Ada Bright on what it’s really like writing together.

So that’s the first change. The second is an additional column on the last Wednesday of every month to replace the popular Take Four Writers. I will miss Angela, Claire, Jackie and Lucy but it’s time to offer a different perspective and I’m delighted that Sapere Books has offered to provide it.

Every month one of the Sapere team will give an insight into their publishing year. Editorial Director Amy Durant is as delighted about it as I am: “I am very excited to be offered this chance to give readers and writers a unique perspective into what life is like at Sapere Books. We are still a very new publisher and we have lots of exciting projects and developments launching this year – including publishing two of Jane’s books – so there will be plenty of news to share. As a small team we have the flexibility to change strategies at the drop of a hat, if something interesting pops up, so even I don’t know yet what I’ll be writing about in six months’ time, but I hope you will enjoy reading about Sapere Books’ journey in our second year of trading.”

So what will I be doing with all this extra time? I’m hoping I’ll be able to review more books for Frost and even branch out into travel and history related articles. Plus, as Amy has reminded me, I have two books out this year…

 

BUSINESS OF BOOKS: RETREAT OR TREAT?

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Retreat or treat? When five writers arrived in Bath last month, we didn’t really know how it would pan out. We intended to work, but it was the first time we’d seen each other since meeting at the Romantic Novelists’ Association conference fifteen months earlier, so would there be too much gossiping going on? Or even a frosty silence as we realised we didn’t actually like each other that much after all.

We certainly started being very polite. Cassandra Grafton (no stranger to Bath with her Austen-esque novels) found an enormous Georgian house we could rent from Bath Boutique Stays and there was quite a bit of ‘after you – no, after you’ as we chose our bedrooms.

It soon became clear that our centre of operations would be the kitchen with its windows either end and huge table. We had no plans to cook, but Kitty Wilson and I had raided M&S on the way (she is one serious snack shopper) and what with our booty and all the wine, the fridge was filled to bursting point. But did we open a bottle straight away? No – we made a nice cup of tea.

So the first myth was busted open – we were not destined to spend our three nights drinking ourselves into a stupor. A drink with dinner (we tried a variety of local restaurants, culminating at the amazing Aqua) then another one or two afterwards was about our limit and while the vodka bottle was hit pretty hard (you know who you are, ladies), the gin went almost untouched and only two half bottles of Prosecco from our stash were consumed.

We did drink on the second morning though as we celebrated the launch of Kitty’s second book. Champagne and cake well before the sun was anywhere near the yard arm, flowers smuggled into the house and hidden the previous day, and a gift from us all. Of course, before we could touch any of it we had to stage a photo or two for social media. And then spend a great deal of time sharing them to all our followers.

Second myth – we had no real intention of doing any work. Wrong again. Susanna Bavin wrote more twenty pages in longhand towards the trilogy of sagas she’s working on. I completed the structural edit of the second book of my Sapere deal. Kirsten Hesketh was busy reworking the draft of her second novel while Kitty focussed on guest posts for her blog tour (not to mention keeping up her daily word count) and Cassandra worked her way through her ‘to do’ list following the announcement of her contract with Canelo.

But more than anything we supported each other in ways small and large. I helped Kitty with her guest blogs (I’ve done so many of them) and she and Susanna critiqued the outline I’d prepared for Sapere. Kirsten’s agent had started to send her manuscript to publishers and had received a few initial rejections – and there always are rejections – but that doesn’t mean they hurt any the less. I like to think we were all there for her.

The two days and three nights flew past, mainly because we were in the company of other writers. It’s a profession where you have no colleagues, no daily water cooler moments and just to be around each other and chat authorly things was utter bliss. Noone understands writers like other writers – the highs, and the lows, and the mundane bits in between.

We left Bath on the Friday morning with the firm resolve to do it again. But something else had happened along the way; bonds had been formed and friendships deepened. We’d become, as Kitty put it, sister scribes.

BUSINESS OF BOOKS: READING AWAY

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Jane Cable catches up on some reading

Those of you who follow this column will know that I struggle to read while I’m writing, so holidays are the best time for me to catch up with the books I’ve been squirreling away on my Kindle. My recent trip to the US was good in that there were long flights, but bad because once we were there we had such a busy schedule it was hard to squeeze in too many pages.

Nevertheless, I did manage to finish a few, mainly those by authors I know (you make promises and fell obliged – in a good way, of course). Others like screenwriting bible Save The Cat deserve an article all of their own, but here are some thoughts on the fiction I managed to chomp through.

The Particular Charm of Miss Jane Austen by Ada Bright and Cassandra Grafton

It clear to see that this is a book that was written for fun, with many personal quirks and touches and as such it’s very much a tale of female friendship which reflects the real one between the co-authors. But it’s much more than that; it’s also a romance with a mystery to solve and the history surrounding Jane Austen is impeccable researched.

Set in modern day Bath at the time of the annual Jane Austen Festival the plot revolves around the time-travelling author who gets stuck in the twentieth century – with serious – and hilarious – consequences. I’m delighted to say that the book has just been acquired by Canelo and will be re-issued next year.

Sadie’s Wars by Rosemary Noble

I’ve known Rosemary for a number of years through Chindi Authors, but I have never before got around to reading one of her books. Sadie’s Wars is her latest – and technically third in her Currency Girls saga – but don’t let that put you off because it works well as a standalone novel.

The book goes back and forth between Australia before and during World War One and England during World War Two. Although both eras are beautifully drawn I found I related to the English story far more and it is a truly beautiful one. Rosemary captures the privations of the era so brilliantly and the love story Sadie finds in her later years is warm, real and lacking in sentiment.

The Cornish Village School – Breaking the Rules by Kitty Wilson

I’m not always the biggest romcom fan, but Kitty Wilson’s writing genuinely makes me laugh out loud. It’s the small observations, the turns of phrase – the genuine frustrations people feel when faced with contrary small children and difficult adults. And of course I was drawn to these books, not only because Kitty is a friend but because they are set in Cornwall.

Although inhabited by the cast of characters necessary to create romcom chaos and alchemy, the village of Penmenna itself feels pretty real. It’s not a tourist trap, it’s the Cornwall I’ve come to know and love since I’ve been here, with scruffy pubs full of genuinely eccentric locals who later career home down tiny single-track lanes and by some miracle get there unscathed.

The book is the first in a series and last week the next one – Second Chances – appeared. And it’s even better than the first.

BUSINESS OF BOOKS: FIRST, LAST, EVERYTHING – ROMANCE AUTHOR CASSANDRA GRAFTON

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What was the first writing advice you were ever given?

If I think back to when I started to seriously consider writing full-length stories, the first piece of advice I recall was ‘just keep putting the words on the page’. After all, you can’t polish and edit a blank page, can you?

At the time, I’d only ever completed short stories, mostly co-written, for online communities. A solo writing project was a challenge in itself, but I didn’t really think of it as ‘writing a novel’ because of the serial nature of posting online.

It was the encouragement (and above advice) from those communities that helped me to get started, and it’s down to their on-going support and feedback that I managed to keep going, no matter what life threw at me. I just kept putting one word after the other, until eventually I’d finished telling the story I wanted to share.

 

Photo copyright is Adrea Scheidler Photography

What was the most recent writing advice you were given?

I follow a lot of writing blogs on Twitter, and many of them have wonderful snippets of advice, one of the most practical of which in recent months was about removing redundant words from your manuscript.

I discovered there were plenty of lists out there, once I’d put ‘redundant words in your novel’ into Google, and soon I was working my way through my extremely long manuscript and culling them (thank you, Word, for the Search and Replace function). In the end, nearly 10,000 redundant words sailed off into the blue yonder; not one of them was missed!

It turns out, however, that my biggest overuse of anything is not a specific word, but a punctuation mark. It was pointed out to me at a writing retreat last year that I need to ‘kill the exclamation mark.’ When I looked into it, I was appalled by how often I used them. I did, indeed, have a bit of a fetish going on. Hopefully, I’ve managed to keep them to a minimum in this blog post!

 

What is the piece of advice you’d most like to pass on?

There are variations on these words, but it boils down “don’t wait for your boat to come in; row out to meet it”.

It’s something I wish I’d taken on-board (if you’ll excuse the pun) earlier in my life. It can, of course, relate to all aspects of life, but with regard to my writing, it translates into this: Don’t let time slip away from you.

I’d wanted to write all my life, but always I made excuses: “no time, children to look after, piles of marking to get through, got to work late, too tired”. Even when the children were teenagers and didn’t need the same level of attention, even when I had an unexpected year of not having to work full time, always I seemed to have an excuse for actually sitting down and doing it.

I was 50 before the realisation struck that I needed to heed this advice – when it almost felt too late. I’d had a recent run-in with cancer, which led to a couple of rather unpleasant years, and as my milestone birthday approached, I started to re-evaluate my life. If I didn’t get my act together and produce a book sometime soon, perhaps I would never fulfil my lifelong dream?

It would be another year (2013) before I finally took the plunge into publishing my first novel. The story had been seven years in the making, for all the aforementioned reasons, but I did it.

It had still been a challenge. I was working full time, long hours, and any writing time was limited to weekends and holidays (thankfully I have a very patient and supportive husband, who would hoover around my chair at weekends as I sat at the computer, or read the paper in a pub when we were on holiday as I scribbled away at scenes in my notebook).

In more recent years, having moved to Switzerland and no longer having a day job, I have had the time to write, but still I procrastinate. My New Year’s Resolution this year was to treat my writing like a job, not a hobby, and I’m improving, but there’s a way to go yet.

So please don’t do as I do, do as I say: don’t let the time slip away from you!

 

Cassandra has published two historical romances and has co-written and published a contemporary cosy mystery/romance. She is currently working on a series of contemporary feel-good romances set in Cornwall. She loves traveling, reading, cats and dry wine and splits her time between Switzerland, where she lives with her husband, and England, where she lives with her characters.

 

https://cassandragrafton.com