The best thing about having your book published is the reception it gets. When the reviews start coming in and people tell you they read it and enjoyed it. That is gold. Where The Light is Hottest went on a blog book tour with Rachel’s Random Resources. I cannot recommend doing this enough. It’s a wonderful experience and the dedicated book bloggers and influencers make such a difference to the book community.
My journey to become Catherine Yardley, author, was a tough one. It’s a known fact that writing is hard. Yes, the actual writing part can be tedious, but those who decide to go the traditional route quickly find out that writing the book was the easy part. The next part is getting a literary agent. The gatekeeper to a publishing deal. Finishing a book is a huge accomplishment in itself. When so much work goes into something, you want it to pay off. I had previously written non-fiction, and when the time came to try and get it published, I bought a copy of The Writer’s and Artist’s Yearbook. It’s embarrassing to admit now, but I thought the whole get-an-agent-thing seemed exhausting. I was already exhausted from writing the bloody book! So I did a ton of research and went straight to publishers. Even more shockingly, all the editors replied, and the book went to acquisitions. Everyone was so nice and supportive. This was in 2013. You would probably get blacklisted emailing your book to editors nowadays. I first queried my first fiction book, Ember, in 2020. It was a turbulent time in everyone’s life, and I wanted something good to happen. Yet I did not think for one second I would get an agent. Every rejection was confirmation of my belief that the book wasn’t good enough. This was just my first novel, I told myself. I will write more and query them too. In fact, I had two books: Ember and Where The Light is Hottest. I didn’t think the latter was ready yet. It took me six years to write both books simultaneously. I recommend having more than one book because an agent might like your writing but not the book you are querying. So, the first time was hard, but I wasn’t expecting success. 2020 was an incredibly traumatic year for me, and I was just trying to survive. In the end, I got two full requests from agents, signed with an agent, and also got offered two book deals. All good. Ember came out in March 2022 and did well. My agent was lovely, but we ended up parting ways. Which brings me to what I want every querying writer to know: other than losing a loved one or a traumatic event, querying was the worst thing for my mental health. The constant rejections, the full requests that might lead to all of your dreams coming true. It’s a rollercoaster of pain and elation. I got a full request immediately. Then another. Still, it took an entire year for me to sign with a new agent. I was relentless. For every rejection, I send another three queries out. I want writers to understand the physical and emotional toll querying takes on you. It is a hard thing to go through. I believe querying is harder than ever. Publishing is slow at the moment, so agents are being cautious about what they take on. The day I cancelled my premium querytracker subscription (a site with all of the agents on which lets you directly submit to them) was a brilliant one. Take care of yourself. Join up with other querying writers. Take regular mental health breaks. Know that it can happen at any moment. It only takes one yes. More than anything, know that going after your dreams is hard and you are brave.
Keep at it. You will get there too. Just keep writing those books.
Last week, thanks to a fantastic article in The Atlantic, I found out that one of my books had been taken from a piracy site and used by Meta to train their AI. Seeing your book on a piracy site hurts a lot. It takes years to write a book. There is a huge amount of sacrifice. Of sleep, time spend with loves ones, and time spent with Netflix. Querying is hard and tough on your mental health. After all of that, your book can then die on submission. Then you have to write another book and start the whole thing from the beginning.
Authors do not earn a lot of money. At last count the average was seven thousand pounds a year. If you worked out the hours we put in, it is below minimum wage. You have to really love it to be an author. The highs are liking nothing on earth and the lows are crushing.
Being an author is as hard as any other career. Yes, it has a huge amount of benefits. Working from home, being creative and seeing your work out there in the world. But the work can be tedious. Reading the same book multiple times. Editing it so many times that you want to give up. Then you market it while writing your next one. It is the dream, it really is. Don’t get me wrong, but there is a lot of work involved. If you cannot afford books you can go to the library. Authors get paid when you borrow our books. There is also the Libby library app if you are not near a library. My two books, Where The Light is Hottest and Ember are both on kindle unlimited. I hate to be downer and I know how lucky I am. I feel privileged and happy every day, but please stop stealing our work. Especially if you are a trillion dollar company. We can only write if our books sell. Publishers will not give us contracts if they think we have no readers. Publishing is a business like no other. It is all about the bottom line. Thank you. Please share any comments below.
Scottish soap, River City, is sadly coming to an end. I got my first acting break on River City. I was an incredibly ambitious 18-year-old who had studied acting at college and was desperately trying to get as many auditions as I could. Auditions are hard to get so I was doing extra work to earn money and get some on-set experience. An actor didn’t turn up and I was picked out alongside one other woman to audition for a small part with lines. I was the one who aced it, and got my first ever speaking role on TV, and the BBC no less.
The scene was in a cafe. I ordered a drink from Luca, the character that all of the women fancied. My heart was beating fast, and I was happy. Exhilarated. I knew this was a great credit to have. When the episode came out I watched it with my family. I was left with a feeling that anything was possible. A moment of luck gave me my first proper acting credit. In truth, these moments of luck, along with a huge amount of talent, work ethic and perseverance is they key to success in any creative career.
Seeing myself onscreen was a learning curve. I was a teenager with terrible roots, who needed her blonde highlights redone. I was wearing a coat that looked instantly unfashionable the moment I saw it on screen. I cringed when I saw myself, but I delivered my lines well.
The main character in my book, Where The Light is Hottest, is based on my own experiences. Unlike me, Natasha doesn’t quit when things are going well. She continues on going from small town Scotland to big time Hollywood. As acting books go, Where The Light is Hottest, is a no-holds barred, real and raw inside into what it takes to make it as an actor. My acting career was a wild ride that left me with a lifetime of stories. The highs were like nothing else, but the lows were crashing. All thanks to that moment on the set of River City. Thank you. The show is supposed to end in 2026, but people are protesting and there is a petition. Good luck, River City. Long may you burn bright.
London Book Fair is a bustling and exciting place to be. A lot of deals are made. You can feel the buzz. This year they had an Author’s HQ and the SOA (Society of Authors) was also there. But is it worth it for authors? We ask Joanna Knowles, author of Lost and Found in Venice.
Was this your first time at the London Book Fair?
Yes, it was. I had contemplated going before but I had been advised that it was more of a trade event, not an event for authors to network or make contacts. However, now I was more established as an author, I saw the LBF advertised, and with tickets available specifically geared towards authors, I decided that maybe the event would be beneficial to my career. Plus, a trip to London is always a great location for inspiration and cultural enjoyment. The museums, the libraries, the natural beauty of the parks contrasting against the giant structures that seep their histories via their bricks and mortar; no wonder J.M Barrie said, “London is a swarming, restless, bustling town, always on the go.”
Why did you go?
The brochure advertised seminars that really appealed to me, and so I planned by visit by what seminars I could attend and learn from. I also noticed there would be an Authors HQ stage. With writing being a naturally solitary profession, I was excited at the prospect of meeting fellow authors and visiting the hub of a profession I am proud to be a part of.
Did you enjoy it?
The vibe was definitely humming. An eclectic mix of languages, conversations, and book genres that meant the place was thriving. And huge! Sadly, the recommended app requested to download before attending wasn’t working and so I was unable to navigate the fair with destinations in mind. It was more of a stroll to find stands that interested me. I did speak to a wonderful LBF employee at their large Helpdesk who did offer guidance based on where I wanted to visit.
The Olympia Building stands as a beauty icon in its own right. As you enter, it is the sheer amount of glass and arching ceiling that made me want to stop and just stare. However, the enormity of the site from a practical point of view was a little overwhelming without a map to guide me, and I also found little seating in the complex, observing others sitting sporadically on the floor.
I did have certain seminars that I had pencilled in to attend, noting previously that they didn’t need advance booking, but I found myself unable to enter the first seminar due to a lack of spacing and a plethora of people spilling outside of the Author HQ stage. I did try to fit in the area outside, in the hope that I might be able to hear, but I was moved on by a security guard for health and safety reasons as the walkway was beginning to get blocked.
Do you feel like it’s a good place for authors?
If a group of authors visited together, I can see the advantage of networking and comparing notes. There is a real opportunity to utilise the opportunity of having so many authors in one place.
Plus, the seminars I had chosen to attend were directed towards authors, and if there had been more space and seating available, I can see it being a great place to gain insight from a profession that is mostly remote. Plus, if an author is without an agent, then learning the valuable processes of how the industry works could be incredibly useful.
What did you gain from it?
The people I did speak to are very friendly, agreeable, and everyone is clearly passionate about the industry. I felt energised just from being there and being in the presence of the giants of publishing. I did visit my own publishing house and could see the energy and excitement that goes into each meeting with attendees.
It was also fascinating to be a part of something that is industry renowned around the world. To know that deals were happening under the same roof and that potentially, the next bestseller was being discovered over coffee, or the newest trend was being discussed was exciting. Equally, to see the various stalls evidence the creativity, passion, and effort that goes into the written word was just a joy to be around. Particular highlights include theHatchette UK stand, the Audible stand, Wordsworth Editions Ltd and The British Library stand.
As an author, what would you like to see more of at LBF?
Networking opportunities that are both free, assessable and insightful for authors that are navigating their own position in the industry. To be able to pre-book onto seminars so that the itinerary is set, and a place is guaranteed. This would avoid the over-crowding and limited access that I encountered on the day.
The queues for refreshments were long; so perhaps more catering would help with keeping people hydrated and provide the valuable seating that the 2025 LBF lacked. Also, a potential opportunity to purchase goods on display (which I appreciate would be limited in space and volume), but would offer great marketing potential rather than just scanning a barcode and being sent a summary of activity after the event.
Do you recommend other author goes?
Not unless recommended by their editor/agent to do so. There are limited opportunities for authors as the fair stands now; but I do feel there is huge potential to make the event more author friendly and desirable to all.
Joanna Knowles –
Author, Writer, Prolific Reader, Lover of Cake.
Joanna lives in the south of England with her family, in a house with far too many books, and a cat who often ignores her. She hates to fly but loves to travel; she prefers paperbacks to eBooks, and she adores American sitcoms.
Alongside her writing, she has a love of movies, eating out, and socialising with her friends. Her family are her world and her husband is the love of her life. She loves to read. Anything. Shampoo bottles, magazines, current affairs, 19th century literature; and she has a particular penchant for a pretty book cover. She has completed both a BA(Hons) in English Literature and a master’s degree in creative writing, all while her children were little. Her biggest complement would be to be called a geek. Her love of literature comes from a young age, when seated cross-legged on the classroom floor, reading book after book in the book corner.
These days, she can often be found scouring the internet for her next book destination, failing miserably at the daily crossword, and writing her next novel sitting absolutely anywhere, but at her desk.
Lost and Found in Venice is Joanna’s second published novel with Orion Fiction. Her debut, Love is in the Air, was published in November 2023. She is currently working on her third novel which takes place at the top of a volcano.
Red Flags is a joyful book with a great message. It is How To Lose a Guy in 10 Days for the Gen Z generation. I love Poppy. She is so confident and sure of herself, but her guard is up and she is too cynical. Then we have Cam, who is scared of being vulnerable. He is terrified of intimacy. It is so wonderful to see a young man portrayed in such a beautiful and nuanced way. I am not the target market for this book. I am not a teen, nor a young adult, but if I ever wanted to read a manual for having a good, healthy, relationship, then this is definitely it.
This witty and engaging book is a must read. Sophie Jo writes very wise books full of warmth and well-rounded characters. I adored it. A brilliant five star read.
Poppy is known for her high standards. Why bother with relationships when boys don’t ever seem to live up to her expectations? One red flag and she’s out.
Cam is known for quickly developing the ick. He’s never dated anyone for long – a week here, a month there, but he always spooks.
When Poppy’s friends challenge her to give someone a chance for two whole months, Poppy decides that Cam (her mysterious bus crush) could be the best of an underwhelming bunch. But Cam’s been set his own challenge: he’s banned from ending things in his next relationship … and that means he’s ready to do whatever he can to put Poppy off.
Two skeptics. Two months. And this time, neither of them can disappear the moment they spot something they don’t like…
Every now and then there is a book that everyone wants a proof of. Melancholy is the downside of seeing the social media posts of the book you want to read RIGHT NOW. Anyway, not to be smug, but I got a copy of Kate Kemp’s The Grapevine ages ago and devoured it in two days. A sumptuous story set in 1970s Australia, it is one of the most talked-about debuts of 2025. Winner of the Stylist Prize for Feminist Fiction, The Grapevine is a grippy and luscious story of living in a claustrophobic community and how the roles of motherhood can lead to bad decisions.
I felt for the housewives of this suburban community, even while being infuriated and sad with their decisions.
Set in the height of the summer in Australia, 1979, you can feel the heat in this book. It starts off with a shocking murder. As the news of Antonio Marietti’s death spreads through the neighbourhood, the gossip starts and fingers are pointed. Twelve-year-old Tammy launches her own investigation, desperate to solve the mystery.
The Grapevine is a fantastic story with a gripping plot and characters that you don’t forget. I thought I knew what was going to happen, then the plot threw me for a loop. Expect big things from Kate Kemp. This is a stunning debut and an unforgettable novel. It captures small-town life perfectly. The historical settings add yet another layer to this atmospheric novel. Gorgeous.
Australia, 1979.
It’s the height of summer and on a quiet suburban cul-de-sac a housewife is scrubbing the yellow and white chequered tiles of her bathroom floor. But all is not as it seems. For one thing, it’s 3 a.m. For another, she is trying desperately to remove all traces of blood before they stain. Her husband seems remarkably calm, considering their neighbour has just been murdered.
As the sun rises on Warrah Place, news of Antonio Marietti’s death spreads like wildfire, gossip is exchanged in whispers and suspicion mounts. Twelve-year-old Tammy launches her own investigation, determined to find out what happened, but she is not the only one whose well-meaning efforts uncover more mysteries than they solve. There are secrets behind every closed door in the neighbourhood – and the identity of the murderer is only one of them . . .
Richly atmospheric and simmering with tension, The Grapevine is an acutely observed debut novel about prejudice and suspicion, the hidden lives of women, and how the ties that bind a community can also threaten to break it.
Five eight in heels. Five four in a bullet proof vest.
Fundamentallyis the book of 2025. It is in every magazine and newspaper with rave reviews, and its author, Dr. Nussaibah Younis, long-listed for the Women’s Prize, is the woman of the moment. Readers, do believe the hype. The Times called Fundamentally Bridget Jones with Isis brides. It says a lot about the talent of the author that she can take such a serious subject and make it so funny. This debut, yes, it is actually a debut, is funny as fuck. Written with a bravery and lack of filter that sorts out the great writers from the good ones. This no-holds-barred novel takes a serious subject, the rehabilitation of Isis brides and extremism and handles it perfectly. It is not tackled with kid gloves, and Younis reminds me of I.S. Berry, who wrote The Peacock and The Sparrow (pretty much my favourite book of 2024). Written in first person, Dr. Nadia Buart has been abandoned by her mother and is escaping a broken heart after her girlfriend, Rosie, leaves her. Going to Iraq to rehabilitate Isis brides is one hell of a rebound. Dr. Nussaibah Younis knows her stuff. She’s a peacebuilding practitioner and a globally recognised expert on Iraq. She advised the Iraq government for years on proposed programmes to deradicalise women affiliated with Isis. It is impossible not to fall in love with Nadia, despite her many faults. Younis writes with such humour that you will laugh even when you wonder how she was brave enough to write it. Fundamentally is an immersive novel. Completely unique and full of hilarious, well-rounded characters. It tackles a very serious subject with such skill and compassion. Some of the women in the camp ended up there because their husbands told them they were going on holiday. When they get there, they are trapped. It is hard to say who my favourite character is because I kind of love them all. Younis put a huge amount of work into the book. I went to her book launch, and she said how she did a stand-up comedy course to get the jokes right and be funnier. She even got her book club to read her manuscript and critique it. The result is a morally complex, sparklingly funny, jaw-dropping, and gripping novel. It will make you laugh out loud. Fundamentally, is essential reading from a bright new talent who is completely unafraid. Nussaibah Younis has big things ahead of her. We are all just along for the ride.
A wickedly funny and audacious debut novel following an academic who flees from heartbreak and lands in Iraq with an insane job offer—only to be forced to do the work of confronting herself.
When Dr. Nadia Amin, a long-suffering academic, publishes an article on the possibility of rehabilitating ISIS brides, the United Nations comes calling, offering an opportunity to lead a deradicalization program for the ISIS-affiliated women held in Iraqi refugee camps. Looking for a way out of London after a painful, unexpected breakup, Nadia leaps at the chance.
In Iraq, Nadia quickly realizes she’s in over her head. Her direct reports are hostile and unenthused about taking orders from an obvious UN novice, and the murmurs of deradicalization being inherently unethical and possibly illegal threaten to end Nadia’s UN career before it even begins.
Frustrated by her situation and the unrelenting heat, Nadia decides to visit the camp with her sullen team, composed of Goody Two-shoes Sherri who never passes up an opportunity to remind Nadia of her objections; and Pierre, a snippy Frenchman who has no qualms about perpetually scrolling through Grindr.
At the camp, after a clumsy introductory session with the ISIS women, Nadia meets Sara, one of the younger refugees, whose accent immediately gives her away as a fellow East Londoner. From their first interaction, Nadia feels inexplicably drawn to the rude girl in the diamanté headscarf. She leaves the camp determined to get Sara home.
But the system Nadia finds herself trapped in is a quagmire of inaction and corruption. One accomplishment barely makes a dent in Nadia’s ultimate goal of freeing Sara . . . and the other women, too, of course. And so, Nadia makes an impossible decision leading to ramifications she could have never imagined.
A triumph of dark humor, Fundamentally asks bold questions: Who can tell someone what to believe? And how do you save someone who doesn’t want to be saved?
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