Interview With Game of Thrones Star Maisie Williams

Posted on January 5, 2015 by Frostie

Most of us know Maisie Williams from her excellent turn as Arya Stark in Game of Thrones but she is also in excellent new Channel 4 show Cyberbully. Here she is interviewed about her new role.

At 17, Maisie Williams has probably achieved more, seen more than most of us will in a lifetime, yet the star of Game of Thrones remains a remarkably modest, unaffected, eloquent young woman. Here, she discusses her new project, Cyberbully, a remarkable one-off drama for Channel 4 about the dangers lurking on the internet.

Cyber Bully airs on Thursday 15 January at 9pm on Channel 4.

Your new project is Cyberbully. You play Casey. What’s her story?
Casey begins as a young teenager who’s struggling to express herself, and the only way she feels safe is to do that anonymously through the internet. She finds that, using a fake name, she can post honestly about things that annoy her, things that make her laugh, things that make her happy and sad. That’s the way she gets teen angst out of her system, I guess. When we meet her, she’s battling with sharing her best friend with her best friend’s boyfriend, which is a common issue for a lot of teenagers. We see that first-hand in the first few minutes. As the story picks up, she realises that, through hacking and whatever, people can take anything that you’ve written, anything you’ve recorded, pictures you’ve taken, anything like that, and they can turn it into something you never meant it to be. Really, anyone with the power of their computer taken away from them and used against them, even the nicest and most genuine of people can be portrayed as something they’re not, which is something extremely current at the moment. It’s something we’ve seen a lot of, with phone hacking, computer hacking, iCloud hacking, in the news recently. That’s something that really attracted me to the project.

Explain a little more about that. Why were you attracted to this role?
I feel like Cyberbully is a really honest representation of interactions between teens and their parents, and each other. A lot of the time things aren’t always at they seem. Teens get it hard for being grumpy and being rude, and this shows the other side to that, and actually what could be going on behind closed doors, I guess. In a pretty extreme way. She battles with anxiety, and that comes into its own story arc during the hour. We never leave her, we never cut away to anything else, we only see her in her bedroom, and other characters are only referred to through shadows or video clips or pictures and Skype calls. Apart from that it’s just her, in a room – that’s something that’s very different to other things I’ve done.

The fact that it’s really just you, on your own, on screen for the whole time – has that made it quite an intense experience filming it?
Yeah, of course. It’s been one of the most intense two weeks of my life. I’ve thoroughly enjoyed it, but it’s come with its difficulties. For the first week I was quite ill, so that didn’t help at all. But it’s been really exciting, and I’m so glad to have done it. As a young actor, you’re constantly looking for things that are going to push you out of you comfort zone, and show different emotions. With this, I feel like it’s got everything all in one. Such a range of emotions. That’s something you really look for. There’s not very many good, honest teenage roles written, without them being just a platform for the lead character. Teenagers are written pretty poorly, and this was such a good representation of a normal teen, who doesn’t have some extreme family issue or mental issue, or is a drug dealer or something. She’s just a normal girl who gets her life completely changed.

Have you been acting against a blank screen, or have you been interacting with stuff that’s happening on the screen?
We’ve got a full package, which, when you load looks like your home screen and your Facebook page and whatever, but isn’t. That’s really been helpful, actually being able to type, and being able to send messages and minimise browsers and all sorts, all within this one package. It’s been really, really great, and was something that, for our director Ben, was really a must. To really be reacting to a computer screen that’s actually using these words and photos.

Have you even met the other people who have acted in this [appearing on skype calls and in videos etc]?
We had a big rehearsal about a week before we started shooting, which was very beneficial, and we did a big run-through of the whole four acts. That was great, to meet everyone, but apart from that, during shooting I haven’t seen anyone. It’s been intense for that reason, but also necessary.

The story is pretty frightening, in terms of how much a person can hack into and destroy someone’s life. Is everything that happens genuinely possible?
Yeah, of course. There is no one story that Cyberbully is based upon, but everything included is very much possible, or has happened to various different people.

Has it made you think about internet security and what you do online?
Yeah, definitely. From the age of 12 I’ve been on the internet, on Twitter and Facebook and things like that, and I’ve had a very different experience of it from most teens of my age. But I can very much see the difficulties it presents, and the difficulties it has caused some of my friends and things like that. I think people always assume that it’s going to happen to someone else. It may not all play out the way it does in Cyberbully, but just because someone isn’t there hacking you and talking to you and manipulating your screen doesn’t mean they’re not there looking at you. In America, for example, everyone always puts a sticker over their webcam, little things like that, which really makes you stop and think. It’s something we’re all very new to. In the grand scheme of things the internet is still so young, and we know nothing about it. So it’s something we need to all think about. You think something’s safe just because it has a password on it, but that’s not always the case.

You mention being on Facebook and Twitter and stuff. With your profile, does that mean you’ve experienced negativity and trolling?
Yeah, of course. Trolling is the biggest thing that anyone faces, and it’s easy to dismiss, but it does hurt. As much as we like to say we don’t care, of course we do. People laugh at me when I try to stop people from behaving like that. Just in my followers, not on the internet in general. But I don’t want that. I don’t want Twitter to be that sort of place. People laugh at that, saying “If you’re trying to teach manners on the internet, you’ve got another thing [sic] coming.”

69 per cent of young people say they’ve experienced some form of Cyberbullying. That’s an extraordinary statistic, isn’t it?
Yeah, it is. Everyone I know is on Facebook, and if they’re not it’s because they’ve had a negative experience with it. That’s just awful. People turn a blind eye to stuff like that until someone’s gets really fucked up and goes too far.

One of the things that struck me about the script is that Casey has inadvertently done a bit of cyberbullying herself. Is that part of the problem, that people just don’t really realise the damage they may be doing to others?
Exactly! You don’t even realise that what you’re saying really does hurt people. And it kind of spirals out of control. “Oh, she’s saying it, so I can say it too.” That’s what was so interesting about it. It’s not all that straightforward. There’s not just an honest victim and an honest predator. We all say things that we regret, and especially on the internet. That was an eye-opener for me. You need to ask yourself “Would I ever say that to somebody in person? Would I be happy for my mum to see that I’d just written that?” Just because you’re hiding behind a fake name doesn’t mean you’re not talking to real people.

Your first ever professional acting role was as Arya Stark in Game of Thrones, a lead in one if the biggest dramas ever on TV. How has your life changed in the last few years?
Completely! But it’s like I’ve never known anything else, really. I was a child, and then I started doing Game of Thrones, and now all of a sudden I’m growing up, I’m nearly 18 and I’m nearly officially an adult. It’s been a brilliant experience for me, I couldn’t really have asked for a better opportunity. So many kids of my age are struggling to know what they want to do for the rest of their lives, or what subjects they’re going to take, or what they’re going to do at Uni. I’ve been so lucky to have been given the opportunity to do something I love for the rest of my life.

Do you get recognised a lot? What’s that experience like?
I get recognised a lot, and it’s usually very lovely. People are always really nice, and it’s the price that you pay for doing this job. It’s still awfully strange. People forget that they don’t know you. Sometimes people get a bit – particularly when its parties or festivals and people are a bit drunk – it gets very intense, and people forget that you’re actually a person, and they’re not allowed to just grab you and pull you by your arm and grab your t-shirt. They’re never trying to be nasty, but sometimes that’s really overwhelming. Sometimes that’s not okay. But usually it’s a very, very positive experience. I’ve got more used to it.

How have you kept up with studies? Are you going to continue with studying, or carry on with acting full time?
We tried to juggle school and film, but it was very difficult. My school weren’t very supportive of it all. So we decided to drop that and do home tutoring, which went well for a few years. It came round to my GCSEs and I landed a role in an Irish movie called Gold, and I ended up not doing the exams and doing the film instead. So to this day I haven’t got any GCSEs, because I haven’t stopped, and that was a conscious decision. We decided that I was going to do acting, and school will come later. I’m still very happy with that decision. At the moment it’s going so well, I’m getting to do so many fantastic roles, I’d rather just stay doing this. That doesn’t mean in the future I’m not going to go back. I’d love to be treated normally as other kids, and not have horrible things written about me because I didn’t do this exam or haven’t got that qualification. But at the moment it’s the decision that we made, and it feels like the right one.

What one message would you want young viewers to take away from the drama?
Some people on the internet are never going to be satisfied with any reasoning. The answer is just to close your computer and walk away, because it doesn’t matter. Don’t try reasoning with the trolls or the bullies, don’t engage with them, just walk away. You can’t win, so just walk away, and find people who really care about you.

Only 2% of Britons Know How Rich They Really Are

Posted on November 11, 2014 by Catherine Balavage

We are not sure if you saw Channel 4’s How Rich Are You Show last night but it was interesting. Take the quiz and find out how rich or poor you are below. The poll is also an eye-opener.

In a new poll commissioned by Channel 4, people in the UK were asked to guess how their income compared with the rest of the country’s, and then answer a series of questions to calculate the true result. Only 2% of the people surveyed guessed correctly.

The poll was commissioned to accompany How Rich Are You (1 x60) which airs at 8pm on the 10th November. Presented by Richard Bacon, this one-off special will show each of us where we stand in the great money map of Britain – and what that position means. With the help of leading experts, a studio audience and individual case studies, the show builds up a shocking and surprising portrait of the country that is now – officially – the most unequal in Europe.

Alongside the programme, the channel has launched a website app which will enable every viewer to take the ‘How Rich Are You’ test at home. Visitors to channel4.com/howrichareyou can answer a set of simple questions to determine if they are as rich or as poor as they think they are. The data for the app has been provided by the Institute for Fiscal Studies.

As many as 67% of the people surveyed underestimated their income compared by more than 10%, indicating a serious lack of understanding as to the economic state of the nation. Only 7% of people overestimated their income compared to the UK – but nobody overestimated by more than 10%. Just 2% correctly estimated their level of income vs the UK population.

The survey reveals that despite the struggles of the current economic climate, 75% of adults say that they manage financially, with 16% stating they struggle to get by.

Despite this there is still a bleak picture of life in 2014, as 61% feel that life in Britain has worsened over the last 20 years. Just 13% feel that life has improved.

The survey shed light on our embarrassment at talking about money. It revealed that 31% of adults surveyed would not be happy to discuss how much money they earn with family and friends, while 19% are not sure how they feel about it.

Interestingly, it is younger people who are more willing to discuss finances, with 60% of those aged 16-24 happy to talk about how much money they make.

When asked about inequality across the UK, the majority of adults (84%) think that the wealthy should pay higher taxes.

Those that feel they have enough money in their household (rating themselves as ‘well off’) feel less strongly on this matter, but still display strong agreement at 73%.

The survey also asked people about average salaries of other professions including a nurse, MP, care worker and average CEO. The results were fascinating with 70% of people overestimating the salaries of a CEO and more than half overestimating the salaries of an MP.

An average Nurse in the UK earns just over £26,000. Half of the adults that we spoke to correctly chose this amount, a quarter over estimated how much they earn, while a further quarter under-estimated their wage. Interestingly, those who were struggling in their household underestimated a nurse’s wage the most, while those that were well off overestimated their wage the most.
Just 27% of adults correctly knew an MPs current wage of £66,400, while a further 31% thought that MPs were on their soon to be higher wage of £72,000. A further 26% thought that they were paid nearly £20,000 more than their current wage.
An average care worker in the UK earns just under £13,000, 42% of adults correctly chose their wage. 50% thought that their earnings were at least 30% higher.
An average CEO in the UK earns an annual income of just under £118,000. Just 13% of the adults we spoke to correctly picked this amount, the majority (70%) thought their wage was significantly higher.

Dr Fazia Shaheen, Economist and expert on How Rich Are You? commented: “These numbers serve as a reminder of how little we understand about each other’s lives. We are failing to see the bigger picture – too busy trying to get by on our own wages to notice the growing gap between the very rich and the rest of us.”

John Hay, Commissioning Editor for Channel 4 commented: ““I’m convinced that years from now we will look back on the growing gap between rich and poor as the most significant issue of our age, and I think there’s a real hunger to understand it better (as well as to find out how much our neighbours earn). Richard and the team at Electric Ray have a gift for making important television that doesn’t feel like homework, so I hope this will be both revelatory and addictive viewing.”

Take the quiz here.

Adeel Akhtar Interview For Utopia

Posted on July 9, 2014 by Frostie

Adeel Akhtar plays Wilson Wilson in Channel 4’s acclaimed drama Utopia, which returns for a new series this July. Here, he discusses THAT torture scene and what’s in store for season two.

Utopia is back for a second series. Can it possibly be as good as the last series?

Yes is the short answer. The things which you liked about it in the first series are all there again. All the themes it was exploring are back again. The characters are taken further along their overall arc. It’s really interesting to see where each of the characters goes in this series. It really is pretty unexpected. It stays a few steps ahead of the audience in that sense.

Wilson Wilson is a fantastic character. How do you see him?

I seem him as a person who is quite idealistic in how he perceives the world, and I think in pursuit of that idealism he ends up struggling a lot. He definitely takes the path that’s more difficult to go down, because of his idealism. It’s a massive struggle for him. He has a very strong moral direction, and because of that, he finds himself in situations he wouldn’t ordinarily end up in. But he can’t be any other way.

Utopia was received with massive acclaim. Did you know when you were making it that it was something very special? Can you tell?

No, I don’t think so. I think you do something to the best of your ability, and the value of it is in the actual doing of it. When someone says “Action” you just get on with it, and hope that that is translated on to the screen for other people to see. All you can ever do is work as hard as you can on it and make sure you’re doing your job.

The eye torture scene was one of the iconic moments of series one. What was it like to film?

It was rewarding, to have done it. In the moment of actually doing it we were going to go to emotional places that were surprising us. There’s another level of satisfaction, which was that people then talked about it. That’s a good feeling, to know that it’s been seen, and it made an impression on people. You always hope an audience will respond to something you’ve done, but there’s no way of knowing whether or not they will.

What was it like coming back to film the second series? Is it easier, because you know your character and other cast members, and you’re familiar with the style of the show?

It didn’t feel easy, because the journey that Wilson has to go on in the second series is a real challenge. There was a familiarity to it, but just because there’s a familiarity doesn’t make something easier. From an acting viewpoint, this series was a real challenge. But yeah, it was nice to be back with other cast members, and to be back with Marc [Munden, the director].

Is it true that you trained as a lawyer before getting into acting?

I studied law, I got an alright degree, and then I was going to go and do something called an LPC, which is a Legal Practice Course, which qualifies you as a lawyer. But I didn’t end up doing it, because I went to drama school instead. I went to drama school, came out the other end, was out of work for a bit, then found some work, and now I’m playing Wilson.

How did your family feel about you giving up a stable and secure career in law for the notoriously precarious one in acting?

On some level, as much as they look at stuff that I’ve done and appreciate it, there’s always a hope that I’m just going to end up doing something sensible. Maybe not be a lawyer, but at least have a recurring role as a QC or something on TV. Just so they could see me in a suit, looking a little more well-presented, maybe addressing a courtroom. They’ve got their heads round it, but like you said, I think they’d like me to have a stable career. It’s the hope every parent has for their kid, that they are happy and stable.

What do you think you would have been like as a lawyer?

I would have probably been alright. I think I would have done a lot of pro bono work. I wouldn’t have gone in for it for the money. I’ll tell you who I really like – the lawyer Imran Khan. I did my dissertation on stop-and-search powers, and I put in loads of quotes from him. Years later, when I was selling insurance over in Harley Street, he rang up and asked for insurance. He told me his name and I asked him if he was the lawyer, and he said yes. We had a good chat about all the stuff that he did. He’s excellent. He didn’t buy any insurance, though. I’m terrible at selling.

What have been the roles that have meant the most to you over the years?

Wilson Wilson would be right up there. I’m still in the middle of it, so it’s all still a bit of a mystery to me, who he is and what he’s about. Unlike all the other stuff on TV, you can’t put a parameter around this and say “Oh, I understand it,” you’re always going to be trying to figure it out. So Wilson is a character I’m still trying to get to grips with. I’m not even sure he’s got to grips with himself.

At the other end of the scale, I’m currently playing Smee in the new Peter Pan film, and that is so much fun. Every day going there is such a massive release. I can be a bit silly. And way back, when I was at school, and I was 16 or 17, I played Lenny in The Homecoming by Pinter. It was the first time I ever acted, and it was the first time people said “You can do this,” and I thought “Okay then, I will.”

Utopia willbroadcast from 14th July, 10pm, Channel 4.

With thanks to Channel 4.

Rose Leslie Interview For Utopia

Posted on July 9, 2014 by Frostie

At the age of 27, Rose Leslie has already won a Scottish BAFTA and starred in two of the biggest global TV dramas of recent years, Downton Abbey and Game of Thrones. Now, she’s starring in the new series of Utopia, Channel 4’s unique, ambitious and acclaimed drama, as the youthful Milner. Here, she discusses the fun of playing pure evil, and why Milner is a character that fascinates her.

The first episode of the new series of Utopia is a bit different, isn’t it? Explain what it’s about.

It is. As a really big fan of the first season, I thought it was a brilliant idea. It basically takes us back to the 1970s and shows us where it all began. We get to see Milner as a young woman, and we get to see why she turns into this ruthless killer. And we see what happens to Carvel as well, and how Jessica and Arby come to be. I was completely hooked by the concept. It’s really a stand-alone episode, and a real treat for the fans.

Milner’s a real hard case, isn’t she? Is it fun to play someone so bad?

Oh it is so much more entertaining playing an evil person than playing a sweet, charming young lady. Before I even went in for the audition, reading some of the scenes and the stuff she does, it was breathtaking. I loved it. As an actor, it was an absolutely thrilling role to play. It was so exhilarating to be such a horrible character.

The 70s are really evocatively recreated. Did you do anything to try and get yourself into a 70s frame-of-mind?

I felt the clothes did a lot of that. The costumes were brilliant – there was a lot of tweed and a lot of beige. That definitely helped me, as did the hairstyling, with the soft curls, particularly at the bottom of the head, that really transported me. And I grilled my parents on what the 70s were like. And I also felt like there was a lot of information that I could use in the script.

The script weaves in some key news stories from the 1970s. It’s very cleverly done, isn’t it?

It is so clever. That was one of the reasons why I was so thrilled to get this part. I think Dennis Kelly is a genius – both his stuff for screen and his plays – and the writing was superb. That’s what hooks the audience. All the garbage on the streets and so in is incredibly evocative of the time, and some of the political intrigue, the way the Airey Neave story is woven in, it’s brilliant. It was a real history lesson for me as well. I was embarrassed about how little I knew of the 70s.

It sounds like you were already a fan of Utopia. Did you watch it when it went out?

I did. I was all over it. It was word-of-mouth for me. I remember talking to a girlfriend of mine, and she told me about this new drama that had started the previous night, and she said that it was unlike anything she’d ever seen on TV before. So obviously that piqued my interest, and I went home and watched it. And the colouring, the direction, the editing, the acting, it was just incredible. So I was a little bit late on the first episode, and then, of course, I watched it every week that it then came out.

When you were cast as Milner, did you then go back and study how Geraldine James had played the role?

I went back and studied it, and of course that was a great excuse to watch the whole series again. So I was very happy to do some homework. But I was also aware that it might become something of a hindrance to then try and pick up her voice and to recreate each mannerism. Of course, as human beings, we develop through time. We develop, we change, and we’re not the same person we were 20 years ago. So I felt that allowed me some artistic license to interpret the character as I saw her as a young woman. But of course it was great to watch Geraldine do her work, and she does Milner magnificently. She sets such a high standard, the thing that really worried me as would I be able to be convincing enough that she would seem to be the same person.

The fascinating thing about Milner and the Network is that there’s a twisted morality at the heart of what they’re trying to do, isn’t there?

Yes, there really, really is. And what’s terrifying is, playing her for a full month, you can see the reasoning, you can see where she’s coming from. They’re doing it for the greater good. They’re doing it for the longevity of our species, giving it the chance to thrive. You can totally get swept up in that. But then you see the lines start to blur, you see what she has to do to make things happen. They can’t afford to have friends, they can’t trust anyone, they have to commit the most terrible acts. That makes you step back and think. But that’s the beauty of Dennis Kelly – he writes it in such a beautiful way, you’re able to see both sides of the argument.

You’ve had a pretty amazing few years, starring in Downton Abbey and Game of Thrones. Those experiences must have changed your life.

They really have. I’ve felt hugely privileged, from the bottom of my heart, to have been a part of those two shows. They were wonderful platforms – being part of something that’s popular is a wonderful springboard for any actor. I had an absolute blast on Game of Thrones – they were the best three years – meeting all these amazing people, and working with fantastic crews, and going to these incredible locations. I would never otherwise have gone to Iceland, and now I have a great love for the country.

Is it true you had no idea how big Game of Thrones was until after you’d auditioned for it?

Yes, and it’s the first time in my entire life that I’ve been so happy to be ignorant. If I’d had any idea just how popular it was after the first season, I think I’d have been far more nervous walking into that room. Luckily, it just felt like another audition to me. By the second round, I’d clued up and done my research, and I managed to get the part. But the first stage is always the toughest, and I walked into that room blissfully unaware. It could all have gone very differently.

Do you get recognised a lot now? How do you find that experience?

I get recognised quite a bit from Game of Thrones, and so far it’s been great, because the fans are so passionate about it. People just want to come up and have a picture taken with you or have a chat, because they love the show. It’s been a great experience. Now that I’ve said that, I’ve jinxed it. I’m going to get eggs chucked at me and be abused in the street.

Your first big project was New Town, a Scottish drama set in Edinburgh. You won a Scottish BAFTA for that. You must have thought this acting game was pretty easy at that stage.

Noooo! I think the wonderful thing about having gone to drama school is they made every single person well aware of just how cut-throat and hard this industry can be. So I was all too aware that it’s a marathon, not a sprint.

Are you a proud Scot?

I am a proud Scot. I consider myself Scottish, but I also consider myself British, and I want Scotland to stay within the UK. I’m very passionate about that.

Which actors do you particularly look up to? Who would you really like to work with?

There are so many that I’d like to work with. I think Andrea Riseborough is astonishing, such an amazing talent. I’d love to work with her, and with Cate Blanchett. I’m a huge fan of Mark Rylance too.

What do you watch for your own entertainment?

I have just finished Breaking Bad. I can’t believe I was such a latecomer to it. It was phenomenal, every single episode. I’m ashamed to say I watched the whole thing, every series, in about five weeks.

Utopia will broadcast from 14th July, Channel 4, 10pm.

Pharrell “I’m Not A Feminist”

Posted on May 30, 2014 by Frostie

He may be happy but Pharrell has said he is not a feminist because he doesn’t think it is possible. He told Channel 4: “I’ve been asked, am I a feminist? I don’t think it’s possible for me to be that. I’m a man. It makes sense up until a certain point. But what I do is, I do support feminists. There’s injustices; there are inequalities that need to be addressed.”

Well, Pharrell, we have good news: you CAN be a feminist. Anyone can be a feminist, the only requirement is that you want men and women to be equal. Despite the whole ‘Blurred Lines’ embarrassment we think it is still possible for Pharrell. This is what he said about Hilary Clinton: “I would love to see a woman run the country, Historically, this world has been run by man. And what would a world be like if 75 percent our world leaders, our presidents and prime ministers, were female? What would that world be like? We don’t know, because we haven’t given it a shot. We’re too busy telling them what they can and can’t do with their bodies. Or, we’re too busy, you know, not allowing them to make the same amount of money that a man makes.”

Well said Pharrell, now come and join our club.

What do you think?

Sandi Toksvig Interview

Posted on April 3, 2014 by Frostie

Fifteen to One is returning as a series for the first time since 2003. It first went out in 1988. Why do you think the format has endured so well?

I think it’s extraordinary to see the number of people who participate, first of all, and how that reduces down to one person. I think I asked 2500 questions over twenty episodes. It’s a heck of a thing, and what I love about it is you can be a genius about physics and geography and history, and then fail on the Beyonce question.

For aficionados of the show, there are one or two differences from the original series. Can you explain what they are?

First of all, I’m not William G Stewart. That may take them a little while to come to terms with, because he was brilliant. And there’s £40,000. That is life-changing money. That’s really going to make a significant difference to someone’s life, whether they decide to give up their job or have a different place to live, or go on their dream holiday; all of the significant areas of your life that are just beyond your reach, but £40 grand could bring them within your reach. One of the nice things was that during the course of the show, we began to hear what the stories were and what people dreamt of if they were lucky enough to win.

Did you ever watch Fifteen to One when it was on back in the day?

Yeah, I did. I can’t say I slavishly sat there and watched it, because I was often at work when it was on. But I like quizzes, and have always enjoyed anything to do with general knowledge. So if I was at home and it as on, I definitely would have watched, and I remember having many a happy time watching it.

How are you at quizzes yourself?

It’s hard to say, because I’m always the quiz master. I always know the answer, though that may be loosely connected to the fact that I’m holding them in my hand. I do an awful lot of quizzes at charitable fundraisers, and I have yet to be asked to be in a quiz team. I suspect I have large gaps of popular knowledge.

Have you had a go at Fifteen to One? Did the production team get together and play it?

Yes, we did, but again I was asking the questions. So I don’t know what it feels like to stand there in that semi-circle. Maybe I should try that sometime.

What qualities do you think you need to be a quiz show host?

To be honest, partly because this massive round set, the quality you need most is to remember where you’re supposed to be standing. There was an awful lot of moving around. I like to think – and other people would be better positioned to tell you if this is true or not – that I make it a fun experience for everybody, whether they win or not. It’s a jolly show to be on. I’m not a wildly competitive person myself, and so I genuinely believe in the old adage that it’s the taking part that counts. You’re spinning a lot of plates that people don’t realise, because you’ve got people talking in your ear all the time, so you’ve got the producer telling you things, you’ve got the director telling you where to stand, you’ve got the person who does pronunciations telling you how to pronounce things, there’s a lot of stuff happening apart from smiling, remembering the names of all the contestants, remembering where we are in terms of the drama of the show, so who’s got a little spat going with somebody, who’s been nominating somebody a lot – plus trying to make sure that every single person gets the same shot by always asking every question evenly and fairly and not in any way giving away anything to somebody who you might think is rather nicer than somebody else. It is a bit of plate spinning.

How does the complexity of presenting Fifteen to One compare with other shows you’ve hosted?

It’s one of the toughest shows that I’ve done. It took three hours to record each episode, and we did three-a-day, so that’s nine hours of actual recording. But between shows you’ve got to be briefed on all the contestants, you’ve got to be briefed on all the questions, to make sure you do know how to pronounce things. So they are among the longer days that I’ve done in the studio.

Do you get ever contestants who are visibly nervous? If so, how do you go about putting them at ease?

Yeah, that’s part of my job. One of the things I do is make sure I meet everybody on the set before we start doing any recording. We have a photo opportunity where we all have a team picture together. I try and chat with them, find out a bit about them. It’s not quite the royal “Have you come far?” but it is things like what do you do? Did you watch the show when it was on before? I think there as one person who was the third generation of their family to appear on 15-to-1. So, anyway, I make a few jokes with them, and if they are visibly nervous, which sometimes they are, I say to them “Listen, I’ve been doing this for more than 30 years, and I’ve never lost anybody. And I’m not planning on making you my first. Don’t you worry about it. I will look after you!”

Have you enjoyed the experience of filming the show, and was it how you expected it would be?

Yes, I loved it. We had a terrific team putting it together, I can’t fault them in any way. And we did laugh a lot, which when you’re working long days day after day after day is not always the easiest thing. So it was a fab team, I couldn’t have been more royally treated. I suppose, in terms of expectations, it was physically tougher than I’d anticipated. I’m standing the whole time, there’s no chair or desk, no place for the host to hide. I’ve done shows before where they’ve been quite long recordings, but I’ve been sitting down. So standing there for nine hours was a little tiring. Though by the time we got to the final, my goodness, the tension was enough to make you forget how long you’d been standing there, and be completely gripped by the game.

The whole idea of being able to nominate opponents to ask the next question is quite antagonistic. Do people get annoyed with each other?

It’s very sweet, because I like to think we developed a very friendly atmosphere in the studio, so what people did was they would say “Oh, I feel really bad now, I’m going to nominate Frank for the fourth time. I’m so sorry, Frank!” It was all done with this marvellous veneer of British civility, but they did it anyway. It was done in a fantastically British manner, apologetic but lethal.

Contestants can appear on up to three shows, so you got to know them a bit. Did you find yourself willing some of them on?

Yes, of course, in your mind you think “Wouldn’t it be marvellous if that person who’s got a particular story and could really do with the money, or has had real difficulty, would win. It would be so fantastic for them. But that’s when you have to restrain yourself and be absolutely adamant that everybody gets the same attention, the same degree of clear pronunciation with the questions. But of course I was sorry to see some of them go, particularly ones who you know will make great telly. The ones who have a funny comeback or a quirky personality. Of course you don’t want them to go, because you know the audience at home will love them.

Is it true that some of the contestants appeared on the show in its first incarnation?

Yeah. So we had someone who was third generation, his father and grandfather had been on. So not only did we have people on before, we had people whose parents had been on before. I have to say, in terms of the quiz community (I had no idea there was such a thing!) it is a show that is held in very high regard.

It was well-known for being among the tougher quizzes out there. Is that still the case?

There’s no question about it. We’d get to a question and I’d just think “No way. There’s no way anybody knows the answer to this, it’s just way too arcane. And bang, back would come not only the answer, but a bit of trivia associated with it. Extraordinary.

Fifteen to One launches Saturday 5th April at 5:30pm and then continues weekdays Mon-Fri from 4:30pm starting Monday 7th April

Benefits Street: Good TV, and Fair

Posted on February 1, 2014 by Frostie

Amongst people who have actually watched Benefits Street, most say that it is good TV and that it fairly portrays life in impoverished communities

A new YouGov survey finds the programme is a big hit with viewers, and amongst those who have actually watched it, the majority do not think it is unfair or in bad taste.

Channel 4 commissions Benefits Street live

Posted on January 16, 2014 by Frostie

After only one episode Benefits Street became one of the most controversial television shows, sparking debate and a slew of articles. After the controversy (which included a petition for Channel 4 to stop broadcasting the show attracting 17,000 signatures after only one episode, so much for free speech), Channel 4 has commissioned a live debate.

Channel 4’s Head of Special Programmes, Ed Havard, has commissioned Mentorn Media to produce a 1 x 60 live debate around the issues brought to the fore by the observational documentary series Benefits Street. This series, filmed over the course of 12 months, documents the reality of life on a street in Birmingham where the majority of households are dependent on benefits and in an area of Birmingham that has had the highest rate of unemployment in the country for the last eight years. It has attracted a great deal of attention – generating tens of thousands of responses on Twitter, press headlines and questions raised in parliament.

Channel 4 Head of Factual, Ralph Lee, says: “This is a series which reflects the reality of day-to-day life for some of the residents of a single street who, for the most part, rely on benefits to survive. It does not and never has set out to reflect the experiences of every person who receives benefits yet it has triggered a national debate about state welfare at a time in which further welfare reforms are being proposed. We feel it is timely to provide a forum in which these issues can be raised and discussed.”

The programme will be live and interactive allowing viewers to submit questions; it will be chaired by broadcaster Richard Bacon. The panellists will be confirmed closer to transmission but will represent the views across the political spectrum – and crucially those who claim benefits.

It will be broadcast at 10pm on Monday 10^th February, directly after the final episode of the five-part documentary series airs. The Executive Producer is Mentorn Media’s Director of Current Affairs Hayley Valentine, she says: “It is vital that voices on all sides are heard, and we are pleased to be providing a forum for both public figures and viewers to debate the series that has brought a pertinent political issue to life so vividly.”

Frost Magazine

Books and Lifestyle

Tag Archives: Channel 4

Interview With Game of Thrones Star Maisie Williams

Only 2% of Britons Know How Rich They Really Are

Adeel Akhtar Interview For Utopia

Rose Leslie Interview For Utopia

Pharrell “I’m Not A Feminist”

Sandi Toksvig Interview

Benefits Street: Good TV, and Fair

Share this:

Share this:

Share this:

Share this:

Share this:

Share this:

Share this:

Share this: