Tag Archives: Chichester

Review: The Midnight Gang, Chichester Festival Theatre

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The Midnight Gang, Chichester Festival Theatre
Until 3 November. Box Office: 01243 781312 www.cft.org.uk

Never knowingly understated, David Walliams took his seat to loud applause from the audience on press night. By the curtain call, when he praised the cast and creative team behind the adaptation of his book, the cheers practically took the roof off. Quite right too. His story didn’t just jump from page to stage, it took flight – literally.

Set in Lord Funt Hospital, Matron rules the children’s ward with a rod of iron. A rod of iron dipped in cement and covered in titanium. Looking like Doris Day but without a glimmer of sunshine in her soul, her young patients know the risk they are running in escaping her clutches to indulge in secret midnight antics.

Aided and abetted by the hospital’s porter, superbly played by Dickon Gough (was it just my imagination or were there shades of Walliams in there?), the poorly children live out their wildest fantasies, reminding us that when something we yearn for is out of reach, dreams can be the next best thing.

The children are fabulous. We saw Cody Molko as Tom, Jasmine Sakyiama as Amber, Rafi Essex as George, Felix Warren as Robin and Cerys Hill as Sally, but I gather that their opposite numbers (Tumo Reetsang, Albi Stisted, Cooper Snow, Fibian McKenzie and Anjali Shah) are every bit as talented.

Jenny Dale is a glorious gorgon as Matron. With the bedside manner of Nurse Ratched, her swooning over Tom’s headmaster (Tim Mahendran) during The Punishment Will be Severe is one of many highlights.

With lovely performances also from Lucy Vandi, Matthew Cavendish and Marilyn Cutts, lots of doubling up means that the cast appears bigger than the reality. Collectively they manage quick changes – of costume and character – with impressive and seamless speed.

Simon Higlet’s ingenious set is a joy, full of surprises and magical elements. Music by Joe Stilgoe provides agreeable accompaniment, but it is words rather than music that are his greater accomplishment. Astute, witty and dexterous, notably in So Many Questions which sees a beleaguered doctor trying to fill out an admission form, his sparkling lyrics are marvellous.

Tender, funny and thrilling, Bryony Lavery’s adaptation retains all the heart and humour of Williams’ book and sprinkles precisely the right amount of theatrical magic into the story.

Director Dale Rooks is to be congratulated. A stunning show for all the family, The Midnight Gang is an absolute tonic. I urge you to get dosed up.

From a child’s perspective – Lily B (14) says:

The Midnight Gang is an action-packed story with memorable characters. Comedic, cheering and cleverly staged, especially with the flight of a naked grandma, Matron was my favourite. Child-hating, chocolate loving and power crazed, she was the perfect love-to-hate character. A great show for children and their families, I especially liked the messages to let your imagination run free and to be kind to each other. Definitely five stars!

Festival Fun: Jane Cable puzzles over how best to publicise a local event

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the-business-of-books-interviewswithjanecableI don’t know if it’s just me, but as a writer I’ve become so locked into digital marketing that asking me to promote something tangible and local leaves me scratching my head.

Although Chindi Authors were always going to run a series of events at this summer’s Festival of Chichester I hadn’t really envisaged joining in. For a start, I would be in the middle of a long distance house move. But since the arts’ editor of the local paper persuaded me to take part it has kind of become my Chichester swan song.

Chindi are running six events in all. We kick off with a crime writers’ panel on 20th June, the next night host a ghost walk around the city, followed by an indie publishing panel on the 22nd and on the 23rd I’m going to talk about how starting my writing career as an indie helped me to win my publishing deal. On Saturday 24th we have two events planned: a creative writing workshop during the day and a wine & words quiz in the evening. The latter came about because our festival home is the function room above Hennings, Chichester’s independent wine merchant.

As ever, children’s author Christopher Joyce is the moving force behind the project. As ever, I was two steps behind him, nodding enthusiastically. As a result of this enthusiasm I find myself taking part in the indie panel, hosting the editing table, and if numbers dictate helping him to run the creative writing workshop. But numbers are the thing – bookings for our events are starting to come in, but they are not all as popular as we hoped.

Some of this is to do with being part of a festival. The upside is being featured in their programme, on their website and across their social media (in theory – the last time they tweeted anything was two weeks ago). The downside is that there are so many great events for people to choose from, so how do we make ours stand out?

FESTIVAL FUN Jane Cable puzzles over how best to publicise a local event

We need to reach local readers and writers – mainly writers – and they are a limited audience. The local papers are being supportive but how else do we make sure they know about our events? Twitter is a massive stage for this sort of thing and although we have lovely Canva graphics to post we need to make sure we are using the correct hashtags. So perhaps social media isn’t the best approach.

Our email newsletter goes out next week and features the events so hopefully that will help increase the numbers. At least the audience is targeted locally and we know they love books.

As a group we decided against leaflets because everyone hates giving them out, but I think this could have been a mistake. We have a poster in the window of Hennings, and I have designed one for my own event which will go into the library and anywhere else I can persuade to take it. Although we are a group and we all promote each others’ events our biggest responsibility is to our own. And from my point of view, local promotion is something I’ve lost the knack for.

Actually, event or not, being visible in the locality of your book, or where you live, is an essential part of the author’s marketing toolkit. People are always so much more interested when they feel they may be able to recognise something of their own lives in your work it’s vital we don’t become so focused on the global horizon we forget our own back yards.

For more information about spoken word events at the Festival of Chichester look here: http://festivalofchichester.co.uk/spoken-word/

 

 

Chichester Christmas Market

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Not another Christmas market I hear you mutter. Exactly. That’s what I thought as well as we drove into Chichester and saw the signs at every roundabout. Another market, same stalls, same goods on offer but I was delighted to find that it wasn’t like that at all. It was perfect serendipity – we had arrived for a business meeting and stumbled upon something quite special.

Photo_1_Choir

The tree was up in the square, the choir singing carols, lights lit a little too early but then it is Christmas after all. Even Joseph was there with the baby Jesus and two Donkeys – although Mary was nowhere to be seen.

Nativity Scene

We wandered along the stalls drinking in what each one had to offer. Yes, some stalls were repetitions of what you would find on any market but I was delighted to find most of them weren’t. I was immediately tempted by the festive wreaths at Farmyard Flowers, two of the florists busily working in the background to finish orders. They really were quite stunning and very affordable. A festive table decoration was £10 which won’t break the bank.

Farmyard Flowers

West Green Pottery offered something different for those wanting something more lasting. Potter Sue Mills has been hand-throwing stoneware pottery since 1976 and each item is beautifully decorated with hares, owls, mice, birds, butterflies and oak leaves. She also has an Etsy shop.

West Green Pottery

Dog lovers could be satisfied with the items on Bottle Green Homes. I immediately checked out the Springer Spaniel Tea towels – quite accurate with The VeryVeryVery Spirited Springer. Oh yes, I’ll have one of those.

Photo 6_Bottle_Green_Homes

Artist Rob Huxley was hard at work behind a beautiful display of his paintings and I was happy to stop for a moment to watch him transform a small canvas into a boat awash on a dark sea. I hope he didn’t mind me looking over his shoulder, it would drive me mad. Suddenly conscious of this I moved swiftly on.

Rob_Huxley_Artist

Working my way among the stalls I slowly filled my bags with a little something for everyone else  but managed to rein myself in before I damaged my credit rating. I’ve always fancied my very own War Horse and this family would look lovely in my garden but sad to say it was still there when we left. I didn’t think I could squash it into a Mini Cooper.

Wooden Horses

We finished off with a pot of tea and a toasted teacake at The Buttery which is housed in an old crypt. It felt very Christmassy sitting there in the golden glow of the afternoon and I was loathe to leave but an aversion to traffic jams galvanised me to move.

The Buttery

The market is certainly something to plan for next year. There is a free park and ride but we always park in the Festival Theatre car park. It’s relatively cheap and you can use the underpass to get straight on to the main shopping thoroughfares.

 

 

GOING PUBLIC: Organising a Charity Litfest

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W4W leaflet.jAuthor and Frost contributor Jane Cable shares the third in a series of blogs about organising a charity litfest in aid of Words for the Wounded. This month has been all about publicity. And an unscheduled auction.

I’m scared. I shouldn’t be, but I am. Chief Chindi Christopher Joyce is on holiday and I don’t dare contact our venues to see how ticket sales are going. With Chris’s extensive publicity campaign in full swing they should be selling like hotcakes – but you never can tell.

But first I’d like to bend your ears about a way that anyone wishing to support Words for the Wounded can help – even if you’re nowhere near Chichester. It started when celeb chef Simon Rogan donated a set lunch for two at Fera at Claridges – far too good for a raffle prize – so I thought ‘let’s have an online auction’. Alongside this we put Claire Dyer’s Fresh Eyes editorial review (a must for any budding writer and worth £150) and a hair cut from Benjamin James in Chichester. Here’s the link: http://www.chindi-authors.co.uk/words-for-the-wounded-auction/ so bid away and keep an eye on Chindi’s social media for updates.

planes over Goodwood

Unfortunately our leaflet went to press before we’d decided to do this, but following on from last month’s blog local accountancy firm Carpenter Box stepped forward to sponsor the printing and the printers, Artyzan, provided us with double the number we paid for. The leaflet looks stunning and Chindi members have been out and about on the streets of East Hampshire and West Sussex, leaving them in libraries, book shops, gift shops, museums… and anywhere else we think people will read them.

Booklovers can hear all about the events too on our local radio station, Spirit FM. Chindi member Jill King twisted a few arms and recorded a commercial which they are airing for us free of charge. For the first time ever Jill had to do a second take – because during the first one there were spitfires flying overhead as part of the Battle of Britain commemorations at nearby Goodwood. It just served to remind us all the reason we’re doing this.

*********

If you are in the Chichester area and would like to join us, the events are:

Saturday 17th October: 11.30 – 14.00
Literary lunch with Elizabeth Buchan and Margaret Graham at Woodies Brasserie, St Pancras.
Call 01243 779895 to book – tickets are £25 including a glass of wine or soft drink.

Saturday 17th October: 19.30 – 23.00
Authors’ party at the Park Tavern, Priory Road with live music and raffle.
No booking, no entry fee, but come ready to be parted with your money.

Sunday 18th October: 9.30 – 11.30
Bookswap breakfast at Carluccios, Eastgate Square.
Call 01243 527412 to book – tickets are £15 including full breakfast.

Learn more about…
Words for the Wounded: www.wordsforthewounded.co.uk
Chindi Authors: www.chindi-authors.co.uk
Carpenter Box chartered accountants: www.carpenterbox.com
Artyzan Print: www.artyzanprint.co.uk
Christopher Joyce: www.creaturesofchichester.com
Jane Cable: www.janecable.com

 

 

Naming The Day: Jane Cable On Organising a Charity Litfest

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Author and Frost contributor Jane Cable shares the first in a series of blogs about organising a charity litfestAuthor and Frost contributor Jane Cable shares the first in a series of blogs about organising a charity litfest

“This is fabulous” said my fellow Chindi author Christopher Joyce, reading about the Words for the Wounded grannies’ latest exploit. “Let’s do something to support them.”
I was so pleased. “Perhaps an event?” I suggested.
“Yes – we’ll have a litfest.”
Nothing if not ambitious, is Mr Joyce.

First, let me explain about Chindi; we are group of indie authors from the Chichester area who work together to share information on best practice in publishing and to promote our books. Christopher Joyce, a children’s author, is one of our founders, our chairman and all round powerhouse. And when he sees a great cause like Words for the Wounded, he can’t help himself but get stuck in.

When we put the idea of holding an event to raise funds for the charity to one of our monthly meetings most people supported it so we agreed to go ahead. But our calendar was already crowded with a series of Saturday morning workshops over the spring and summer and two events as part of the Festival of Chichester in June, so it had to be in the autumn. Plenty of time to arrange things then.

gardenAuthor and Frost contributor Jane Cable shares the first in a series of blogs about organising a charity litfest chris

The only person I know with more energy than Chris is Words for the Wounded chief grannie and Frost contributing editor, Margaret Graham. I sometimes worry about what will happen when we get them in the same room. But for the litfest, even Margaret exercised words of caution; Chris was planning a whole weekend – she thought perhaps a day would be fine.

We sketched out ideas of a structure and in the end compromised on a full day on the Saturday and a Sunday breakfast. Margaret would give a morning talk, then lunch with a keynote speaker, a family bookish treasure hunt in the afternoon and an informal fundraiser in a pub in the evening. Rounded off by a book-swap breakfast to nurse our hangovers.

For a while we suffered from chicken and egg syndrome; we had the ‘what’ and the ‘why’ – but should we now focus on the ‘who’, the ‘when’ or the ‘where’? Realistically it had to be when so we narrowed it down to a couple of dates when Margaret and her right hand woman Jan could make it.

Next was who: – we had Margaret, of course, but really wanted another writer as a keynote speaker. Once again we turned to Margaret – having read Words for the Wounded’s impressive list of literary patrons – and she suggested Elizabeth Buchan. I have to admit I was nervous emailing such a superstar of the writing world but I received an almost immediate reply – she would be honoured to help out, but she could only make one of the dates – 17th October.

So there you have it… save the day if you’re anywhere near the Chichester area – 17th & 18th October, Chindi’s Words for the Wounded Litfest.

But have we left ourselves too much to organise in too little time? Find out, dear reader, next month.

Learn more about…
Words for the Wounded: www.wordsforthewounded.co.uk
Chindi Authors: www.chindi-authors.co.uk
Margaret Graham: www.margaret-graham.com
Elizabeth Buchan: www.elizabethbuchan.com
Christopher Joyce: www.creaturesofchichester.com
Jane Cable: www.janecable.com

 

 

Way Upstream by Alan Ayckbourn at Chichester Festival Theatre

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Credit: Simon Annand

Credit: Simon Annand

When a play requires a river, a tree-lined bank and a floating motor cruiser as its set, it’s destined to be seldom performed. But Chichester Festival Theatre doesn’t scare easily when it comes to technical challenges and Nadia Fall’s extraordinary production of Alan Ayckbourn’s dark comedy easily meets the play’s epic technical demands.

With most of the action taking place onboard Hadforth Bounty the first half is where the laughs are to be had. Keith and June have taken to the water with colleagues and business partners Alastair and Emma for a jolly waterways holiday. Trouble on dry land back at their novelty goods factory sees PA Mrs Hatfield (Nicola Sloane) having to show up bankside with daily updates. Brash and self-important, Keith (Peter Forbes) quickly nominates himself as captain, while his disgruntled wife June (Sarah Parish) carps, huffs and idles. Lily-livered Alastair (Jason Hughes) and his timid missus Emma (Jill Halfpenny) end up doing the bulk of the graft, resentment building like a slowly developing tidal wave.

But the sit-com feel and the jokes at the expense of well-drawn middle-class characters give way to altogether nastier themes. With the arrival of Vince (Jason Durr), a savvy and seemingly harmless bit of eye candy who does, unlike the novice sailors, at least seem to know how to avoid capsizing, initial barbed teasing swiftly degenerates into disturbing casual cruelty, punctuated only by drunken revels and sexual shenanigans. Manipulating Keith off the boat to go and deal with the threat of strike action back at the factory, Vince introduces minxy Fleur (Emily Laing) into the equation, all the while ramping up the intimidation and spite.

As Ayckbourn highlights the consequences of power in the wrong hands and the fallout of perpetual feebleness, the laughter from the audience gets increasingly nervous.

Fabulously played, the performances are all stunningly good; not even Ben Stones gloriously clever set, beautifully lit by Tim Mitchell, can upstage this superb cast.

An odd but nevertheless compelling play, the launch of the 2015 Festival season at Chichester makes an impressive splash.

Until 16 May. Box office: 01243 781312; www.cft.org.uk

Vicky Edwards

THE FAERIE TREE: A Book In The Making

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book, publishing, self publishing, writing, author, Ostara: A time of rebirth and renewal. A time to celebrate the coming of spring. And the coming of new books…

By the time you read this The Faerie Tree will have been unleashed. Actually, even at the time of writing it’s creeping out there; Amazon have stopped listing it as a pre-order and I’ve had to hold Matador back from making the ebook available before its time.

A few boxes of paperbacks have arrived with me as well. Holding one for the first time was tinged with sadness; my mother, who was a huge supporter of my writing, passed away just ten days before so she never got to see the finished book. But she’d read early drafts and approved the cover – and right at this moment is sitting at my shoulder, telling me to get back to the point of this article.

The point is that it’s hard to publish a novel alone. I’ve written before about the ‘official’ team; my editor, the wonderful Margaret Graham (author, teacher and Frost contributing editor) and the folks at Matador, but in recent weeks I’ve received an enormous amount of help from people who, quite frankly, didn’t have to.

In my last article I mentioned my desire to create a faerie tree near my home city of Chichester. I also mentioned this to a few of my fellow Chindi (Chichester Independent) Authors, and children’s writers Christopher Joyce and Becky Edwards leapt in with huge enthusiasm to brainstorm ideas and open their contact books. We were joined by the administrator of the Sussex Centre for Folklore, Fairy Tales and Fantasy – acting in a personal capacity just because she loved the idea so much.

Through them I met Vicky Edwards, a local book-lover (she runs the Spirit FM book club) and PR. She not only gave me some great ideas to improve my press releases but just as importantly introduced me to a local charity with a woodland walk – the ideal home for a faerie tree. I was due to meet them in early March but had to cancel so there is another date in the diary and I hope that in the next article there will be something definite to tell you about this very special project.

I’ve also had a great deal of support from the bloggers who are taking part in the launch tour. These ladies work so hard reviewing books and helping readers make good choices about what they might enjoy. They do it for the love of it – some are retired, but most hold down day jobs as well. And I think I’m busy. Follow the tour (details below) and browse their other posts for great steers on books you might enjoy.

Finally, I’ve had the blessing of the elves, pixies and faeries who live around the real faerie tree where the book is set. You see I did what many people have done before – for over twenty years, in fact – and I put a letter into their little box. And like everyone else, I received a reply; wishing me well and giving me instructions on where to leave their copy. I hope they like it. I hope everyone likes it. It would be a really fitting thank you to all the unsung heroes who’ve helped me along the way.

The Faerie Tree blog tour…

22nd March: Random Things Through My Letterbox – author Q&A
http://randomthingsthroughmyletterbox.blogspot.co.uk/

23rd March: Rosie Amber – review
https://rosieamber.wordpress.com/

24th March: Liz Loves Books – the settings & scenery of The Faerie Tree
http://lizlovesbooks.com/

25th March: My Reading Corner – the faerie tree itself and book giveaway
http://myreading-corner.blogspot.co.uk/

26th March: Crooks on Books – author interview
http://crooksonbooks.blogspot.co.uk/

28th March: Jaffa Reads Too – the inspiration for The Faerie Tree and book giveaway
http://jaffareadstoo.blogspot.co.uk/

29th March: Being Anne – second chances
http://beingannereading.blogspot.co.uk/

31st March: Beadyjan’s Books – writing with women in mind
http://beadyjansbooks.blogspot.co.uk/

 

 

THE FAERIE TREE: A Book In The Making

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faerietreejanecableImbolc: When the days are getting longer and the earth is getting warmer, a time of fertility and fire, and of focussing on our own magical gifts and abilities.

Being an author is in some ways akin to parenthood. Although not, of course, quite so important. But it is an act of creation (albeit solitary), nurture, and then letting your offspring go to make its own way in the world.

The last part is the hardest. Time and again while checking the proofs for The Faerie Tree I was assailed by awful thoughts: it’s not good enough; nobody’ll like it; it will fail. Time and again I had to remind myself to have faith in my editor’s view – and in the opinions of others who have read it.

But when your book makes its way into the wider world it isn’t enough to hover at the school gates for twenty minutes then go home and cry. You have to shout about it – tell the world – make them want to buy it.

So the last month has been focussed on marketing – which isn’t necessarily one of my own magical abilities. I know the theory, but somehow I don’t have the knack of pushing myself that some other authors have. I just don’t know how to stand there and say “Buy my book – it’s amazing.”

The first step in marketing is getting your book into places where people can buy it. Matador does a great deal of this for me, particularly the online stuff. On 21st March (or maybe a little before) it will miraculously appear on Amazon, Kobo, iBooks, Google, Waterstones & WH Smith online. It will be sitting on marketing platforms like Goodreads and I’ve Read That. It will be available for bookshops to order through the industry’s main wholesalers – but the job of persuading them to actually stock it will be down to me.

While the cut price books offered by the big retailers are great for readers they aren’t so good for writers because they have pushed many local booksellers out of business. The chain stores have a stocking policy which rules out local decision making, leaving independent authors and many traditionally published ones out in the cold. Even where they exist the independent book trade can be timid too – before giving it valuable shelf space they have to be sure a book will sell. It’s not their fault – most of them are living hand to mouth and cannot afford to take potentially costly risks. Even on sale or return.

Inevitably many sales are online (The Cheesemaker’s House sales to date are about a 50:50 split ebook and paperback, with half the paperbacks being sold through Amazon) so the marketing focus has to be here too. The first thing I did was organise a blog tour so I am at least guaranteed some coverage around the launch date. The next thing is to make sure the book is available for reviewers, booksellers and librarians to download via Netgalley. And book a Netgalley promotion to make sure it stands out from the crowd.

Other marketing musts are updating my website (www.janecable.com) ready for the beginning of March; moving my Amazon author profile to their new format (long overdue); and polishing up my Goodreads profile, Twitter masthead and Facebook page.

And if that wasn’t enough I’ve also got this really crazy idea to create a faerie tree for my home city of Chichester. I’ll certainly need more than a little help from the hidden folk to pull that one off…