David Mitchell Interview

David Mitchell InterviewDavid Mitchell – Was It Something I Said? Coming soon to C4

Was It Something I Said? – what’s it all about?

It’s a comedy panel show about quotations. A quiz where people have to work out who said certain things or what certain people have said. So it’s about celebrities, historical figures, currents affairs and history. We’ve tried to make it jolly and irreverent and funny but also a bit informative and interesting. An amusing way of watching some comedians trying to solve a quiz about famous people and vaguely impart some interesting information about them at the same time.

 

And there is a Twitter element to the show too – how do you feel about Twitter?

Broadly speaking I’m against the internet. I don’t like it; I wish it wasn’t there. Nevertheless things change, the ice caps melt some changes are irreversible and the internet is definitely here to stay. Of all the aspects of the internet I’ve always found Twitter to be jollier, friendlier and more human than most. So, I quite like Twitter but I’m not of the internet generation. When I was a teenager and a student the internet didn’t really exist and I was fine with that and I feel when it comes to Twitter I’m very happy to sometimes chat, it’s a very useful way of telling people who are interested in stuff I do what I’m doing, but I don’t want to bare my soul.

People who grew up with the internet are much more open about their whole lives on Twitter or Facebook but I think we are in the early days of a learning process of how best to use it as an individual and I’m definitely erring on the side of caution and holding back as much of my privacy as I can.

I do think Twitter is quite useful when you’re not sure whether a news story is terrifying or not. Have a look at Twitter and see what the mood is. It is like taking the pulse of a whole civilisation. At the same time it can be fun, informative and inspiring yet it can be bullying and weird and reminds you crowds aren’t always wise.

Nevertheless I am 100% behind the interactivity of WISIS, you can play along to every question to every show, a world first apparently. What more harmless way of using the internet than allowing people to take part in a quotations based TV quiz…

 

Did you enjoy filming WISIS? and being the host?

I’d done a Big Fat Quiz of the Year with Richard Ayoade but had never done anything with Micky Flanagan and I like that over the course of the series the three of us got on well, interacted together and there was a nice chemistry between us. We had lots of great guests and tremendous people like Charles Dance, John Craven and Brian Blessed reading out the quotations so it was great fun to do. It was a little bit more nerve wracking than doing a series like Would I Lie To You for the fourth time, thinking I don’t know the ropes yet, haven’t figured out how it all works but still lots of fun and ultimately probably more satisfying. And particularly being the host is a very different role, chipping in some of the time but while managing the quiz and working out what to say to link the rounds. The great thing about being in the host’s chair is that you can make yourself look so knowledgeable.

But can be tricky, usually the panellists are people who are bright and want to talk and you need them to keep talking so you can’t slap them down hard because they might go quiet and then you’re stuck. So it is my policy generally to let them talk and drift…you never know in that kind of comic situation where a chat is going and some of the best material comes when things are allowed to run and breathe. We wanted it off the cuff and as organic and natural as possible so I tried not to be too school masterly about things. Fortunately I have no natural authority so very easy for me to do that.

 

You combine acting, writing and hosting seamlessly – how do you manage that?

I do like the range of work. They’re jobs I find satisfying in different ways. Going on a show as a panellist is the easiest fun in my job, you don’t have to think about it in advance. Whether hosting or writing or acting it takes a lot more preparation so in a sense it’s a lot more like work. But when you’ve written something that is performed and it gets laughs that is the most amazingly satisfying ‘I love it when a plan comes together’ sort of feeling.

I feel very lucky that my life involves all these different elements. I’ve recently been filming the comedy drama Ambassadors which is a very different process, long filming days, having to think about how a character would behave in situations I’ve never been in myself. I enjoy acting but I wouldn’t want to only do that, I’d also want to go along to a studio in the evening and make rude jokes. I would get bored doing any one thing exclusively. And of course the other thing is I don’t have to get too much work in any of them as I can build up a living across all four…”

 

Do you have a favourite moment from recording the show?

There are loads. I like the bits where we all get a bit silly and irreverent. I remember there was a quote from Catherine Zeta Jones about playing golf with her husband Michael Douglas. We essentially all started to imagine the scene of the two of them playing golf and that was very enjoyable and turned into a really fun bit of TV. It is moments like that, which for me, justify the existence of panel shows because no one would ever have written those words, it purely came out of that combination of people which proves panel shows can produce funny TV in a way you could never write into a sitcom or a sketch show and thereby justifies its place on screen. I think it is a great form of entertainment and we shouldn’t lose sight of that.

I hope people like WISIS? We want viewers to have a feeling of irreverence and warmth. Not a shouty, hostile environment but a chatty and interesting one.

 

Lastly are there any quotes you are particularly fond of?

One of my favourite quotes is attributed to Voltaire but people say it wasn’t actually him…either way it is a very wise thing – ‘I disapprove of what you say, but I will defend to the death your right to say it’.

I think that’s a very important idea especially for the internet. The idea too often at the moment is that people think those who say horrible things should be silenced rather than answered. I think we’d be a more healthy society if people used their freedom of speech to, as it were, reply to and rebuke people who say things they hate rather than use the law to silence them.

 

Top 5 Rude Gifts

Want to buy someone a gift with a difference? Make it a little naughty, Take a look at these Top 5 Rude Gifts, just don’t blame us if it goes wrong.

The W Anchor mug is the rudest cup this year, selling like hot cakes to all those with humour and have mates who suit it! Just make sure you get the joke before you drink out the mug. Even better buy it for your mate, colleague or boss (if you dare)

Don’t sue us if you’re sacked!

wanker mug, w'anthor mug, rude gifts

The W Anchor Mug is just £5.95 from: prezzybox.com

 

Shag Yourself Slim: The Most Enjoyable Way to Lose Weight

Educational, naughty and fun. This book will surely be appreciated.

Shag yourself slim, shagging, lose wieght, sex

I Have Paid My Tax Now Go Fix Some F****** Potholes Tax Disc Holder

Wholly inappropriate and very funny. Might get you into trouble though….

I Have Paid My Tax Now Go Fix Some F****** Potholes Tax Disc Holder

Swearing Parrot Keyring

Endless fun and cute too boot.

Swearing Parrot Keyring - Adult Only Novelty Toy

The Rude Puzzler

Hours of fun and works the mind too. Just maybe not in the right way.

rude gifts, puzzles, puzzle bookWhat do you think? Would you buy one?

Laurence Clark Inspired | Comedy

If you want to catch some comedy, Laurence Clark might be what you are looking for.

Laurence-Clark inspired

From mountain climbing to Doctor Who, via the Swedish chef from The Muppets, this consumate comedian sorts out once and for all what’s truly inspiring. In his inimitable style Laurence flips our idea of what’s inspirational on its head. After a sell out Edinburgh run last year, the show now takes to the road. Expect absurd logic, death-defying stunts and unusual varieties of crisps… just don’t expect to come away ‘inspired’!

 

“Blackly funny.” Daily Telegraph

Inspired focuses on how Laurence is often told he’s “inspirational” for doing ordinary, everyday activities. ‘It’s my pet hate’ says Laurence, ‘whether it’s for being married, doing stand-up or having kids, it just seems like they thought I’d never amount to much. I love to inspire people with my stand-up comedy but don’t call me inspirational for just getting on with my life!’

 

“I would not only recommend this show but urge everyone to go out and buy a ticket immediately” ««««« Edinburgh Guide

 

In 2012 Laurence featured in the BBC1 Documentary, We Won’t Drop the Baby, which was Pick of the Day in The Sunday Times, Mail on Sunday and The Telegraph. Laurence has also topped Shortlist magazine’s Britain’s Ten Funniest New Comedians.  He has appeared on BBC’s Newsnight in an authored feature, and as a talking head in the BBC2 documentary Are You Having a Laugh? He is regularly called upon to comment on social issues on radio, TV and in the press and regularly writes for the Independent. He consistently has successful Edinburgh Festival Fringe shows, all of which have garnered a multitude of 4 and 5 star reviews and Inspired matches this existing high standard.

 

“Any vaguely sentient being ought to leave this stupendously funny and thought-provoking show with their sides split and their minds buzzing.” The Stage [MUST SEE]

Amused Moose Laugher Award Finalist 2012

«««« Time Out «««« Scotsman «««« Metro

«««« The List «««« Chortle «««« Fest «««« ThreeWeeks

«««« Broadwaybaby.com «««« Edinburgh Evening News

««««« Adelaide Advertiser ««««« National Student

««««« Edinburgh Guide

 

Inspired was commissioned by the Unlimited programme, part of the London 2012 Cultural Olympiad. Laurence was the only stand-up comedian to have been commissioned by the Cultural Olympiad programme.

 

Laurence Clark: Inspired

Canada Water Culture Space

21 Surrey Quays Road

London

SE16 7AR

21st September 2013

7.30pm

Tickets: £10/8

Box Office: 020 7525 2931

http://canadawaterculturespace.org.uk/

 

Russell Kane, Paul Chowdhry, London Comedy Clubs unite as Foster’s brings 4 nights of live comedy

comedyRussell Kane, Paul Chowdhry, London Comedy Clubs and more unite as Foster’s brings four nights of live comedy to Barclaycard presents British Summer Time Hyde Park

Monday 8th to Thursday 11th July will see live comedy acts take over the 450-seater Barclaycard Unwind Theatre

Today AEG Live and The Royal Parks have unveiled a stellar billing of comedians for four nights of first-class comedy as part of the amazing line-up at Barclaycard presents British Summer Time Hyde Park.  Boasting big names such as Russell Kane and Paul Chowdhry, Hyde Park Comedy presented by Foster’s, the UK’s leading sponsor of comedy, will run from Monday 8th to Thursday 11th July, bringing together acts from The Comedy Store, Laughing Boy Comedy Club and many more for a series of laugh-out-loud nights in the park.

The Comedy Store Players get the laughs going in the Barclaycard Unwind Theatre on Monday 8th July as they take centre stage.  Best known for their performances at The Comedy Store in London, the collection of renowned improvisational comedians will use their innovation and sheer brilliance to create a night of sketches and comical dramas that have garnered international critical acclaim.

“The best ad-lib ensemble in the UK” Evening Standard

“Brave performers who arrive with no script and not the faintest idea of what will happen.  Through improvisation they create whole sketches and comic dramas that are amazingly inventive and sometimes take off into flights of surreal brilliance” Daily Telegraph

“Some of the finest improvisers in the world” Eddie Izzard

Tuesday 9th July brings together Kevin Eldon And His Very Funny Friends, featuring BBC Radio 4 AND Gloucester’s Bridget Christie, the determinedly non-metric Paul Foot, One Direction fan Robin Ince, and children’s entertainer and red diesel salesman Jeremy Lion.   (Plus poetry from Paul Hamilton).

Wednesday 10th July welcomes Laughing Boy Comedy Club at Hyde Park starring Charlie Baker “a superior take on the modern showman” The GuardianNeil Delamere “the rising star of Irish comedy, a wryly brilliant live performer” Sunday Times, Kerry Godliman “Brilliantly casual and unpretentious” The Guardian, and Paul Chowdhry ‘Revives distant memories of Richard Pryor at his relentless best’ The Times

Independently run, Laughing Boy Comedy Club has put on some of the most successful shows in London over the past ten years and helped launch the careers of some of the UK’s finest stand-ups. This night is no exception as these top British and Irish comedians take control of the stage.

The series draws to a close on Thursday 11th July as Russell Kane hosts award winning rising stars Lucy Beaumont and Jarlath Regan.  Fosters Edinburgh Comedy Award Winner Russell Kane is a multi-talented writer and performer who has firmly established himself as one of the best comics in the UK today and in Hyde Park he presents a hugely talented lineup not to be missed.

James Russell, Head of Events, The Royal Parks said: “What a fantastic line-up for our midweek programme. We’ve said from the start that Barclaycard British Summer Time is a new era for events and these four nights of comedy along with all the other amazing acts and entertainment planned will make Hyde Park the place to be this summer.”

The Big Wedding | Film review

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This broad comedy about a long divorced couple (Robert De Niro and Diane Keaton) who pretend they are still married for their adopted son (Ben Barnes) is fun and entertaining. His biological mother is a strict catholic and he never told her they divorced.

De Niro’s character, who cheated on his ex-wife and has been through AA three times, is a lovable rogue. His long term girlfriend (Susan Sarandon who is amazing) was the best friend of his ex-wife. The only thing I disliked about the film, and which I found unrealistic, is that Keaton and Sarandon would be friends, and that Sarandon also lives in the house that the couple built themselves and raised their children in with her ex-husband. I can’t think of one woman who would be friends with the woman who broke up her family and now lives in the family home.

This is big comedy, and it is not scared to take risks. Some of the comedy is risque, but I really enjoyed it. It has a strong cast who bounce of each other well. Robin Williams as the priest is as good as ever.  De Niro (my favourite actor) plays his character well, making a complex and flawed character lovable.

This is a Hollywood comedy film, the person I watched the film with said it was funny and good, but not realistic. In a way I agree, but I don’t care. This film would make a great night out: funny and entertaining.

 

What’s On At The Pleasance Theatre

LAMDA Presents Summerfolk by Maxim Gorky

Theatre

Pleasance London » Tuesday 24th April – Friday 26th April, 2pm & 7:30pm

 

At the turn of the 20th Century a group of Russian friends retreat for their annual summer holiday in the countryside. United by their place in history as an emergent Russian middle class, but disparate in their political views and private lives, their friendship will never be the same again come autumn.

Maxim Gorky’s naturalistic masterpiece depicts Russia as it teeters on the edge of social upheaval – exploring the dreams, fears and vanities of one group of friends as they question their value in a transient society.

 

Free

 

 

 

LAMDA Presents Earthquakes in London

Theatre

Pleasance London » Wednesday 25th  April – Friday 26th April, 2pm & 7:30pm

 

How can you live in a state of constant impending catastrophe? Is hope possible, responsible even, when scientists and politicians are predicting an environmental apocalypse? Earthquakes in London tracks the tremors of hedonism, terror and activism through the lives of three sisters and their estranged, misanthropic father.
Written by award-winning Mike Bartlett (Love Love Love), the play premiered at the National Theatre in 2010.

 

Free

 

 

Robert Newman’s Theory Of Evolution: Work in Progress

Comedy

Pleasance London » Wednesday 24th April, 8pm
Join Rob as he tries out material in advance of a major new UK tour. Watch it evolve in front of your very eyes!

“I am completely in awe of Robert Newman. Of his talent, his passion, his intelligence, and the way he turns them to comedy with real firepower. If this world could be saved by a Superhero whose Superpower was Comedy, that hero would be Robert Newman.” Kate Copstick, The Scotsman

 

Tickets £10

 

 Joe_and_Eleanor

Joe Lycett / Eleanor Thom: Work in Progress

Comedy

Pleasance London » Thursday 25th April, 8pm

 

Joe Lycett Celebrity Juice & 8 out of 10 Cats):

Join award-winning sparky stand up Joe Lycett as he workshops material for his second hour show. Expect it to be rough round the edges, interactive, potentially slightly awkward, but most of all bloody good fun. Last year’s show got nominated for Edinburgh Comedy Award Best Newcomer so it can’t be all bad.

Eleanor Thom (Lady Garden, Absolutely Fabulous & Live At The Electric)

 

“The BBC said to me, ‘Bev, you need a vehicle’, so I’ve got one. Inclusive of drinks trolley. Get onboard.”

 

‘Britain’s funniest woman’ Sunday Telegraph

 

Tickets £5

 

 

Alan Davies: Work in Progress

Comedy

Pleasance London » Friday 26th April – Sunday 19th May, 8pm

 

Alan Davies returns to the Stagespace where, in 2011, he spent several evenings developing his last stand-up show. Life Is Pain toured throughout the UK, Australia and New Zealand, and will be out on DVD in time for the PGP (Prime Gifting Period or Xmas).
It’s now time to see whether there is any new material coming along that may be worth taking out of the borough in 2014…

 

Tickets £5 – £6

 

 

Ben Miller – My Million To One

Comedy
Pleasance London » 
Friday, 3rd May

What is My Million To One? – Well, you know your ‘bucket list’ or ‘100 things to do before you die?’ My Million To One is about helping you to achieve those goals/dreams. So we’ve asked lots of industry leaders to help us and they have. In Ben’s case: he wants to offer confidence to the UK’s aspiring comedians.

 

Tickets Free

 

 

The London Cuckolds

Theatre

Pleasance London » Wednesday 1st May – Sunday 12th May, 4pm & 7:45pm

 

Let Them Call It Mischief present
The London Cuckolds by Edward Ravenscroft
The London Cuckolds tells the story of three City boys, their bored housewives and two frisky young cads, all intertwined in a caper filled with sex and intrigue.

 

Calamitous and bawdy, this is a rarely performed gem from the restoration era transported to the sparkle and glamour of 1920s London.

 

Tickets £10 – £12.50

 

 

Adam Kay and Enemies

Comedy

Pleasance London » Friday 10th May, 7:30pm

 

Amateur Transplants frontman Adam Kay is delighted to bring his brand new monthly residency to The Pleasance. Alongside his uniquely depraved pop music re-imaginings, Adam is joined on stage by special guests he doesn’t particularly get on with, but are funnier than him. He’ll probably do the London Underground Song.

This month’s guests are comedy superstar Ardal O’Hanlon and the supremely talented Adam Hess. 

Bracingly intelligent… enormous fun.” * * * *  Times
This made me very, very happy” Stephen Fry

Tickets £12.50

 

 

 

Murray Lachlan Young – The Incomers

Theatre

Pleasance London » Monday 13th May – Saturday 18th May, 7:30pm

 

It’s Gordon and Celia’s wedding anniversary.  They’ve asked their oldest and dearest friends Zach and Jane down from London.  The only problem is that Zach and Jane aren’t Zach and Jane anymore.  Jane has gone and Julia, the twenty five year old, French burlesque dancer, has taken her place.

Written entirely in his characteristic verse by BBC 6 Music poet in residence Murray Lachlan Young it will have you gasping and roaring with laughter in equal measures!

 

Tickets £10 -12

 

 

Finding Libby

Theatre

Pleasance London » Tuesday 14th May, 7:45pm

 

At the heart of Finding Libby is one of the many heartbreaking stories of young women for whom the 1960s were less swinging than swingeing – a hidden pregnancy, a premature birth, the death of a tiny scrap never referred to again and a life stalled. Pauline is now in her early sixties and has been persuaded by her neighbour to take her first holiday, on a canal boat. We follow her from worrying whether anyone will meet her at the station, to the unexpected turn in the journey that forces her to face her past and to finding that it is never too late for a fresh start.

 

Tickets £8 – £10

 

 

Rehearsed Reading of Making News

Theatre

Pleasance London » Wednesday 15th May, 7:45pm

 

Rehearsed reading of Making News the new play by Robert Khan and Tom Salinsky.
It’s the start of a 24-hour news cycle and Rachel Clarke has been promoted as the BBC’s newest Head of News. When a crisis erupts, she has to confront rivals from within and without, and decide how to report on a story that could bring down the Corporation itself.

A fast-moving satire about the BBC starring Suki Webster, Hal Cruttenden, Sara Pascoe, Liam Williams, Dan Starkey and Phill Jupitus as the Director-General.

 

Tickets £5

 

 

Tiny Tempest

Theatre
Pleasance London » 
Monday, 20th May – Sunday, 26th May, 4pm & 7.45pm

 

Shakespeare’s fantastical tale of magic, murder and monsters retold in an explosive new actor-musician adaptation. Tiny Tempest is a visual feast featuring thrilling physicality,slapstick storytelling and live music and songs. Mini Mall present their world premiere production that promises to be a Tempest like no other.

 

Tickets £7.50 – £9

 

 

Voices in Your Head: The Phill Jupitus Experiment

Comedy

Pleasance London » Sunday 26th May, 8pm

 

Deborah Frances-White’s fringe hit returns to London, but this time with only one special guest performer taking to the stage.

Phill Jupitus goes head to head with a disembodied Voice on a microphone who will interrogate, provoke and cajole him to create dark-hearted comedy mayhem. See the hidden depths of the human unconscious pushed to their illogical conclusions in this unforgettable, unmissable, electrifying and hilarious show. Voices in Your Head just got even freakier.

“Inventive, funny and wildly ambitious – you’ll never see anything quite like it.”’
* * * * * The Skinny

 

Tickets £12

 

 

The Trench

Theatre
Pleasance London »
Tuesday 28th May – Thursday 30th May, 7:30pm

 

After a sell-out five star run at the Edinburgh Festival Les Enfants Terribles tour the UK with their new award-winning show, The Trench. From the team behind The Terrible Infants, Ernest and the Pale Moon and The Vaudevillains, comes a new play inspired by the true story of a miner who became entombed in a tunnel during World War One. As the horror threatens to engulf him, he finds that not everything in the darkness is what it seems as he starts to discover a new, strange world beneath the mud and death. Setting off on an epic journey of salvation, the boundaries between reality and fantasy blur as he questions what’s real, what’s not and whether it even matters?

 

‘The overall vision stays with you like a strange, significant dream.’ Times

 

Tickets £10 – £12

 

 

Voices In Your Head

Comedy
Pleasance London »
Friday 31st May, 8pm

Deborah Frances-White’s fringe hit returns to London as a cast of comedic performers go head to head with a disembodied Voice who will interrogate, provoke and cajole them to create comedy mayhem. Previous guests have included Phill Jupitus, Hannibal Buress, Russell Tovey, Mike McShane, Sara Pascoe, Humphrey Ker among many others.

This time the line-up includes Miles Jupp (star of Rev, The Thick Of It & Have I Got News For You) and Thom Tuck (Edinburgh Comedy Award Nominee & star of Radio 4’s The Penny Dreadfuls) plus special guests.

Tickets £10

 

 

Laugh Your Farce Off

Theatre
Pleasance London » 
Sunday, 2nd June, 7pm

 

After its second sell-out show ‘Laugh Your Farce Off’ is back in Pleasance Main House, with another smash lineup…

 

Little Bear has challenged 5 award winning writers each to write a short but perfectly formed farce.

 

The only brief: ‘3 doors…’ – imagine the trouser dropping, mistaken identity mishaps and general all round chaos that will ensue!

Curated by Ursula Early with sensational new work from: John Luke-Roberts, Andrew Doyle, Caitlin Shannon, Charlie Partridge and Hannah Rodger – this is a night of sheer lunacy you can’t afford to miss!

Tickets £9 – £10

 

Parade

Theatre
Pleasance London » 
Friday, 14th June – Sunday, 16th June, 2:30pm, 3pm & 7:30pm

 

The tragic, true story of the trial and lynching of a man wrongly accused of murder is brought to emotional and theatrical life by acclaimed playwright Alfred Uhry (Driving Miss Daisy) and Jason Robert Brown (13, Songs for a New World). Daring, innovative and bold, PARADE won Tony Awards for Best Book and Best Original Score, as well as six Drama Desk Awards.

 

Tickets £12 – £15

 

The Fantasist

Theatre
Pleasance London » 
Tuesday, 25th June – Wednesday, 26th June, 7:30pm

 

In the mind of the fantasist, the real and the fanciful become dangerously blurred. As Louise gazes into the night her fancy takes form. Objects move, time changes … and a seductive stranger opens up a world of exhilaration and magic.

 

Tickets £10 – £12

 

Interview with May I Kill U? Star Hayley-Marie Axe

What did you think when you read the script?

I was intrigued and I couldn’t put it down. I did the nervous laugh thing that a lot of
people do when they first watch it, because you want to laugh at certain bits that you
really think you shouldn’t.

What made you take the role?

I really like Val’s character because on the outside she comes across as tough, but she
is vulnerable at the same time, which I can relate to. I thought she would be a very
interesting character to play and I could see myself playing her as soon as I read the
script.

Miku-Hayley-MarieAxe-LR1.jpg
Any great on set stories?

We had to go out and practice riding our bikes whilst being supervised and Kevin got
told off quite a bit, I don’t think he did his cycling proficiency at school.

Do you have a favourite genre of film?

Action or comedy….depending on my mood.

How long did the film take to shoot?

About five weeks. Went very quickly though.
What was it like working with Kevin Bishop?

Entertaining.

How do you prepare for doing a film?

I always do lots of research on the team involved so I have an idea of the style, and
even more research on the characters and the story. For ‘May I kill U?’ I read up
on serial killers, rode my bike a lot and chatted up the rather attractive policemen at
Sloane Square station on the way to my audition to ask them questions, and I also had
several conversations with a female officer from my local police station, who was
very helpful.

Do you think horror and comedy naturally work well together?

Yes I think horror and comedy can work really well together-particularly dark
comedy, and there is a place in the market for it.

Do you think that the roles for women in film are improving?

Yes, I think roles for women are improving, but there are still many more roles for
men than there are for women.

What’s next for you?

I’m currently playing Katia in the action web-series ‘Next Global Crisis’, and Delilah
Crunch in the spin off ‘The Fail-Safe Sisters’.

 

Tuppence Middleton interview for Black Mirror

You’re in the new series of Black Mirror and you’re in an episode called ‘White Bear’ which is shrouded in secrecy. What can you reveal about it?

It mainly focuses on a young woman who wakes and she doesn’t remember who she is, in a world that she doesn’t recognise anymore. Everyone she meets is either incredibly hostile towards her, or they just film her. My character bumps into her helps her. I’ve been living in this world and I’m very used to it, and I become her guide.

 

Your character is called Jem. What’s her story, what do you know about her?

In the story you know that she’s become hardened by this world and she knows the ins and outs of. She is very independent and initially would rather travel on her own, but she just happens to come by Victoria and is forced to take her under her wing. Her main goal is to stay alive. When we were talking about the character we almost wanted her to come across as a bit like a computer game character, like a bit of a Tank Girl – she’s very tough.

 

Presumably there’s not an awful lot of back story or detail about her. Does that make it difficult to play a role like that? Or does it give you a blank canvas which is quite fun to fill out?

Yeah I liked the fact she was quite mysterious, she doesn’t give away too much. She gives away enough about the world for Victoria to understand but she doesn’t give away too much about herself and I think she’s quite a guarded and lone figure. I think the more mysterious she is to Victoria the better.

 

Lenora Crichlow [who plays Victoria] said the shoot was pretty intense in terms of it being very long days and not quite knowing what was going to be around the next corner. Did you find that as well?

Yes I mean it was kind of tough in a great way. I don’t think I’ve ever run so much in my life. I was doing ADR [voiceover work] for it today and it was, I’d say, 90% doing breaths for running. We were very active and it’s kind of fun doing things like that because I’m not like that at all – I hate even going to the gym, so being an active action girl is quite fun for me. I mean it was tough, it was long days and we were filming mostly outside for two weeks and almost every day it would pour down with rain. We were usually quite cold and wet and running for hours but it was quite fun.

 

Presumably with the plot being what it is, it quite added to the atmosphere it being rainy and dark?

Yes it really helped. I’ve just watched a little bit of it back and there’s that really weird sky when it’s like winter and it’s raining and it’s so cold, it’s almost like a completely white-grey sky. It really looks like the end of the world has come.

 

What was it that attracted you to the part?

A million things. I am a huge fan of Charlie Brooker and I thought the last series of Black Mirror was one of the best things I’d seen on TV for ages. As soon as the audition came up I was like ‘oh god I have to get that.’ I just love Black Mirror, and Carl the director. I was just really confident he could do a good job and he seemed to have a really good vision. And like I said it’s a part totally unlike myself, apart from being tall, which I think is why I mostly get cast as these sort of parts, I’m not at all like that. I’m not this kind of action girl. It was something really different for me.

 

When you’re going up for an audition like that, something that you really want to get, does that make you a lot more nervous, and how do you deal with that?

Yeah it makes you more nervous, but then you turn that into determination. You can’t let it get the better of you. Ultimately when you’ve got something you really want, it’s more about showing how passionate you really are about it and when you get to actually meet the director and meet the producers and stuff and talk about the role and talk about the script then it’s great because you can input your ideas in the initial audition. So you get carried away with how enthusiastic you are about it as opposed to how nervous, and you come back and think ‘I have no idea how that just went’. I’m terrible at judging it, and then you get the call and it’s amazing, so I was really pleased, it’s a brilliant job.

 

In your relatively short career so far you’ve worked with some amazing names – just picking a few David Tenant, James McAvoy, Emma Thompson, Timothy Spall, Danny Boyle, Sean Bean. How have you managed to squeeze that all in into such a short time?

I have no idea, to be honest, because when I first started, there would often be periods where I wasn’t working for a few months. I think the gaps just gradually get smaller and the roles you do become bigger, either in the sense that you’re taking more of the lead role or it’s a small role in a more prominent thing, a kind of step up in terms of who you’re working with. The more people I work with like that the more I learn from them. Emma Thompson, I was working with her for a day or two, but you learn so much even in that short amount of time. It’s great, I mean it’s kind of strange because you think about all those names after you’ve done it but when you’re doing it, they’re just people who are also doing a job. You just have to think like that and, yes, it’s such an amazing learning opportunity and I think I’ve been lucky to work at all since I left drama school because so many people don’t. I am thankful that it’s been with some amazing talent.

 

There’s been a huge variety in your work – you’ve done everything from comedy to horror to more arthouse stuff. Is that an intentional thing to keep moving genres, to stretch yourself like that?

Yes completely. I mean I’ve been sort of lucky with the genres actually but I guess it’s more for me about finding parts that interest me and scripts that interest me. I think I always want to do something different to the thing I’ve just done and I always want to play a part different to one I’ve played before. It’s just about finding variety and I get an instinct very quickly about a script whether I like it or not. Over the four-and-a-half years I’ve been working, although it’s not long, I think you start to build up your own taste. I think it’s just constantly about keeping me on my toes and having a challenge rather than playing something which is second nature to me.

 

Who are the people working in your industry who you most admire?

That’s such a hard question. I was really lucky working with Danny Boyle because he was definitely on the list. There are definitely lots of directors I’d love to work with, I mean in a crazy world I’d love to work with Tarantino. Obviously there’s too many actors to mention that I’d want to work with but I think you really get drawn towards certain directors as well and I say there’s definitely certain directors I’d want to work with. David Fincher I think is great, David Lynch.

 

Most people when they leave drama school maybe do an apprenticeship in theatre but you’ve slightly bypassed that. Do you want to do theatre as well?

Funnily enough I’m starting to rehearse for a play on Monday. It’s just a short run – it’s on throughout March at the Jermyn Street Theatre, a Graham Greene. You spend most of the time at drama school training for theatre and then I just happened to come out and do film and TV because my first job was a film and it paved the way for the rest of my work. I absolutely can’t wait for rehearsals to start for the play. I think it is going to be a really different discipline and a different experience for me. Yes I’d definitely like to do more of it but I think you tend to get more work in one area and maybe that will change in a few years’ time when I’m a bit older. At the moment I’m happy with the way it’s going and I’m looking forward to trying my hand at a play.

 

What ambitions do you have left? What do you really want to do with your career?

I guess primarily it’s always about making work that I like, being in films from scripts that I love and not compromising on that, and just to make it into a career and not working for three years and then I stop working. I want to be working into my eighties. If I live that long!

 

Black Mirror: Whiter Bear is on Channel 4 at 10pm on Monday 18th February. Interview thanks to Channel 4.